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music to enhance the reaction, typically a new edit would be repeatedly created, pressed on acetates and supplied until a good response was had from nightclubs, so creating a buzz which would drive the eventual commercial sales. To better feed those reactions back record pools were established, the first in New York in June 1975 for better distribution of pre-release records to bona fide DJs as record labels began to appreciate their role in breaking and selling records. A further development began to see the labels tailor the records specifically towards DJs as a result, with for example
Scepter Records publicly announcing via both publications that they were to start servicing '12-inch 45s' to DJs in pools and their national promotional mailouts from June 1975. promoting the format earlier in distributor roadshows they hosted in late May, citing a key benefit of high volume levels being maintained with lengthier tracks. Billboard magazine reported that Atlantic Records were the first major label to issue 12-inch 33 rpm vinyl promos to DJs in July, under the watchful eye of a DJ as their promotions director Doug Riddick, who took up the post in May 1975.
528:, soon-to-be famed disco mixer Tom Moulton went to record labels for material. At Scepter Records, Cheren recalls playing Tom a previously released Scepter single by singer Don Downing called "Dream World". He had an extra copy of the master tape and let Moulton take it home to experiment. When Moulton brought it back a few days later, Cheren writes, "We were amazed: a so-so record was suddenly snappy, upbeat, and ten times better". But the biggest surprise, Cheren continues, was something "so radical I could hardly believe my ears". Moulton had stretched the original track, not even three minutes long, to almost double its time, and in the process debuted what would become known as the disco break. This innovation would eventually be issued on the song's re-release on a 7-inch 45 in July 1974, and earn Scepter a
299:. While one to two short playing songs being sold to the public were more suited for the sevenâinch 45 rpm record, the LP could be anything from 1 track per side, and if in that simplistic configuration it technically could be classed as a twelveâinch single. Over the ensuing years some works, particularly in the classical and jazz genres, and the relatively few tracks on an occasional album could blur the boundaries of what would become considered a twelveâinch single, an EP and an album, with the price, catalogue number, any stylistic aims of the performing artist, marketing by the record label, as well as record industry sales charts rules regulating the differences between formats.
1482:" in 1958), acetates were also used by the record labels to quality control the eventual product, and not for servicing single songs or exclusive remixes, and then not in the 12-inch format. The usage of the 12-inch vinyl as a medium followed the US promos introduction but was initially seen as a marketing tool to help promote an artist more uniquely. Another emphasis with the new format was the louder sound and better audio quality afforded to the release. It therefore was not exclusively used for disco songs but included pop artists, however it eventually came into its own in the later 1970s with the lengthened versions of US disco songs being promoted in the UK.
651:". Again, it was a disco mix prepared by Moulton, pressed by RodrĂguez, with only a handful (around 10) cut and handed out to local DJs. These would have plain white labels, or very sparse printing or typed text. In many cases there would be no logos, and many contained handwritten text only. Test pressings being tried out at discos were reported on in Moulton's weekly column in Billboard during early April 1975. Moulton's effort was eventually issued for commercial release by Scepter in June 1975, but on seven-inch vinyl as a 5:35 min mix. Moulton subsequently created a lengthier 7:15 min mix for the album which appeared in late October.
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Companies came to appreciate the place of the nightclub and how they helped to break a record, but still considered an extended remix to ultimately facilitate sales of the original 7-inch single version or the artist's album, and not as a sale item in its own right. Pop orientated labels began to use the format to promote commercial artists with dance elements to their music, but not necessarily lengthening their tracks, concentrating instead on its novel aspects. The costs for the format were also still prohibitive; one label reported 12-inch singles cost more than it did to press an album.
608:, brother of Don Downing. As no 7-inch (18 cm) acetates could be found, a 10-inch (25 cm) blank was used. Upon completion, Moulton found that such a large disc with only a couple of inches worth of grooves on it made him feel silly wasting all that space. He asked RodrĂguez to re-cut it so that the grooves looked more spread out and ran to the normal center of the disc. Rodriguez told him that for it to be viable, the level would have to be increased considerably. Because of the wider spacing of the grooves, not only was a louder sound possible but also a wider overall
504:, which the instrumental naturally was. This was in comparison to the then occasionally found 'Part 2' B-side of a record, while similar, tended to be the latter half of a lengthy album track, split for seven-inch release, but in many cases this wasn't the full instrumental, so could be more awkward to use. Scepter, from this single onward began to regularly add a non-vocal side, helping to make it an industry standard practice, with several other labels following suit particularly for dance records, and DJs embracing these as a useful tool during their sets.
1652:" (15:00). The broad visual spacing of the grooves on the twelve-inch records made it easy for the DJ in locating the approximate area of the "breaks" on the disc's surface in dim club light (without having to listen while dropping and re-dropping the stylus to find the right point). A quick study of any DJs favorite discs will reveal mild wear in the "break points" on the discs' surfaces that can clearly be seen by the naked eye, which further eases the "cueing" task (a club DJs tone-arm cartridge will be heavily weighted and mild wear will seldom spoil the
1660:, such as Ultimix and Hot Tracks, issued sets with deliberately visualised groove separations (i.e., the record was cut with narrow and wider spacings that could be seen on the surface, marking the mix points on the often multi-song discs). Motown were one of the first to "eye cue" their 12-inch disco discs, giving DJs the track's BPM and info on the exact length of the various sections of the song - one of the earliest examples of a record company recognising how important the DJ was to become by making their product more user-friendly.
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titles. Record companies also deleted many record titles from production and distribution, or simply did not make 12-inch singles for many pop artists, further undermining the availability of the format and leading to the closure of pressing plants. This rapid decline in the availability of records accelerated the format's decline in popularity, and was seen by some as a deliberate ploy to make consumers switch to CDs which were at the time more profitable for the record companies, and more latterly,
44:
188:. During the 1910s discs became the standard sound reproduction format, although the speeds used could vary between manufacturers until 78 rpm became the norm from around 1925. An album would consist of several of these single discs packaged together. These brittle shellac discs remained a popular medium through the first attempt to introduce vinyl records in 1931, the subsequent move towards microgroove formats from 1948, and would survive until the early 1960s.
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1719:", selling about 800,000 copies on the format and over a million copies in total (not counting later remixes). It was somewhat helped by the fact that Factory did not release a seven-inch version of the single until 1988, five years after the single was originally released as a twelve-inch-only release. Besides, the seven-inch version that was released was not the original 1983 version released on twelve-inch, but a re-recording called "Blue Monday 1988".
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658:. Mentioned in his Billboard column in mid April as being 'out soon', a known 10-inch acetate had a date of 8 May 1975, with twelve-inch acetates and promos also appearing at some stage. It eventually was issued commercially in August on seven-inch 45 only. A sometimes mentioned candidate among these first acetates is Moment of Truth "So Much For Love", but this effort was commercially released a year later, the band having been signed to
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were presented with
Billboard awards at the 1976 Disco Forum event for disco disk sales to consumers and best record label as a result of the push into the marketplace with the new format. The issue did not contain the 3 min 5 secs 7-inch edit or the 6 mins 51 mins album version; the A side contained the Gibbons 9 min 43 secs remix, while Cayre himself created an extended 7 min 31 secs mix for the B side.
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1599:'s Contempo Records from 8 October 1976, these songs having been previously released in either 7-inch format or as album tracks. Abbey likely had the nod from Scepter Records about the use of the twelve-inch single format, as both had released all these titles on their labels and Contempo had cross-licensed the tracks with Moulton mixes. This was closely followed with a single containing re-issues of
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offering a new option for consumers who had stopped buying traditional singles. The record was pressed at 33 rpm, with identical run times to the seven-inch 45 rpm pressing of the single and album, but with a large runoff area. Several hundred copies were made available for sale for 98 cents each at two
2346:"Keepin Up with the Joneses:" the album by the Joneses, has the group's current hit "Sugar Pie Guy" as well as their previous hit "Hey Babe." Both singles,which had part 1 & 2 versions, .... who have played both records sometimes have difficulty in putting them together where they sound as one record.
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However, demand was being driven by record shops, particularly those serving disco product, with feedback from buyers. It was particularly noticed that many of the previously released promotional 12-inch singles were attracting a premium in the resellers marketplace, with them in some cases changing
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Moulton's position as the premiere mixer and "fix it man" for pop singles ensured that this fortunate accident would instantly become industry practice. This would perhaps have been a natural evolution: as dance tracks became much longer than had been the average for a pop song, and as the DJ in the
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An early test pressing was Bobby Moore "(Call Me Your) Anything Man", on
Scepter. Twelve-inch acetates for this single were pressed in April 1975, and was subsequently produced as twelve-inch vinyl promotional singles with typed labels in June. Moulton, now a regular in-house remixer for the label,
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in the latter from
November 1974. The DJs would increasingly be expected to report back, much like with radio, with what songs worked on their dancefloors to the record company and mixers such as Moulton and others so that a strategic decision would be made whether to further fine tune or remix the
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surpassed the gramophone record in unit sales. Vinyl records experienced a sudden decline in popularity in the U.S. between 1988 and 1991, when the major label distributors restricted their return policies, which retailers had been relying on to maintain and swap out stocks of relatively unpopular
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music weekly paper, with him notably indicating the approximate BPM of late 1970s disco tracks onwards. Increasingly in the 1980s, many pop and even rock artists released twelve-inch singles that included longer, extended, or remixed versions of the actual track being promoted by the single. These
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remix for dancers who would hear that version in nightclubs but not be satisfied with the shorter versions sold on the 7-inch vinyl or the album. The seven-inch edit had been released a month earlier but sales of this were slow. With renewed interest and high sales weeks after the release, Salsoul
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of the Ultra High
Frequency "We're on the Right Track" seven-inch single in 1973. This issuing of the backing track enabled DJ's to use two turntables and mix between the vocal and instrumental versions of popular dance records, seguing them so that dancing patrons could enjoy the overall song for
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all-in-one decks have in later times become the norm which take up less space than a pair of turntables, reducing DJs dependence on the physical format even further. There is however, a dedicated DJ sub-community that has maintained their usage of the format, with retro styled "vinyl only" nights
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As time went on, a growing number of record labels became aware of the 12-inch format as a useful promotional tool, the benefits it gave for sound fidelity, and started to issue product in response. However, into early 1976 none considered them at first as suitable for sale to the general public.
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discs for sound replay from 1889, with 10-inch records appearing in 1901. In 1903 12-inch discs were introduced by Victor, on their Deluxe label, these able to play for up to four minutes, so increasing what were non-achievable times of the length of a song or speech on the earlier formats. These
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Twelve-inch singles typically have much shorter playing time than full-length LPs, and thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the grooves' excursions (i.e., the width of the groove waves and distance traveled from side to
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started a line of 12-inch promos in
November 1975, with the first being Ruan O'Lochlainn "Another Street Gang". Disco singles started to appear in earnest months later, Brass Construction "Changin'" was promoted around March 1976 by United Artists. A later 12-inch promo issue was a double sider
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The
Jamaican reggae and US disco trend also hit London, reggae being popular along with uptempo forms of music such as Motown and northern soul, the seven-inch record being the primary medium in the early 1970s for this material, with the UK following up a little later than the US with 12-inch
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test-marketed a twelve-inch single by jazz-pop guitarist Buddy Fite, featuring "Glad Rag Doll" backed with "For Once in My Life", both from his self-titled debut album issued in 1969. Subtitled 'The world's first 12-inch single!', the experiment aimed to energize the struggling singles market,
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singles. The reasons were different, the UK jocks did not have the same need to extend records like the US pioneers who wanted longer records for the dancefloor. Although the use of larger temporary singles (primarily 10-inch) started from the
Jamaican influence and before (such as the pre-
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Although as previously mentioned regarding the
Jamaican dub influence on the use of 10-inch acetates, the 12-inch single was only born once imports of US disco singles were established from 1976 onwards. The issued twelve-inch-single trend spread to Jamaica quickly, where hundreds of
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The first wide-scale record company promotional twelve-inch single according to
Moulton (considering his then position with Billboard at the time as disco product reviewer, and that most of the very limited 12-inch records up to this point involved his own remixes), was
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released a double headed single by the Chicago Gangsters "Gangster Love" / "Feel Like Making Love" in early July 1976 on their Gold Plate subsidiary. A clutch of releases including Jakki "Sun... Sun... Sun" and Four Below Zero "My Baby's Got E.S.P.", amongst others on
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for sale to the general public, but only on a standard-issue 7-inch record for sale in October 1974. Further 10-inch acetates featuring the extended versions would be created by Moulton and Rodriguez from late 1974 such as Moment of Truth's "Your Love" on
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respectively in 1948 and 1949. Intriguingly, although there is a scientific basis behind 45 rpm being an ideal speed for sound quality which was touted by RCA, conveniently the 45 rpm number can also be derived by subtracting 33 from 78.
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play. It also meant that these extended versions being created by Moulton could be given to fellow DJs and tested within a nightclub environment to see how well it worked the dancefloor, with adjustments subsequently made to the remix.
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Twelve-inch singles production continued for dance acts or for dance remixes of commercial artists as there was a continued high regard of the format from DJs into the 2000s and 2010s. A growing number of DJs eventually began to use
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versions were frequently labeled with the parenthetical designation "12-inch version", "12-inch mix", "extended remix", "dance mix", or "club mix", before its usage becoming commonplace in the early/mid 1980s developing alongside
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Many of the above disco era timelines were driven by the DJ necessity to give a better nightclub dancefloor experience to patrons, and as the scene grew, it began to be chronicled in trade press publications such as
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1789:, although many sales take place online. There is also a notable second-hand trade business on online sale and auction marketplaces for collectors, of which some titles are still in demand and can be of some value.
79:(long play) which have several songs on each side. It is named for its 12-inch (300 mm) diameter. This allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider
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hands for the price of an album. Along with research done by labels to get a feel of the interest for the proposed format, a push was finally made by a self-proclaimed 'pioneer' label of the disco business.
743:, co-writer and producer, personally presented 10-inch test pressings to DJs in April 1975 after high pre-release demand. It was then issued commercially as a 7-inch at the end of April/start of May 1975.
226:. It was marketed initially as being more robust than shellac, with a duration of up to twenty minutes playing time per side. The first twelve-inch LP (containing only one track per side), was Beethoven's
572:) were not presented as separate pieces of music, but as an uninterrupted, 18-minute-plus, side-long composition optimised for dancing. There were previous albums that had side-long tracks or suites, and
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At first, these special remixed or extended versions were only available as promotional copies to DJs, either given directly to them or issued by record pools who obtained these from record companies'
245:. Because of financial hardships that plagued the recording industry during that period (and RCA's own parched revenues), Victor's long-playing records were discontinued for public sale by early 1933.
1591:"Chinese Kung Fu" both as Tom Moulton mixes, along with another disc containing the Armada Orchestra "For the Love of Money" / Ultrafunk "Sting Your Jaws (Part 1)". Bush and the latter two acts had
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scene. Later musical styles took advantage of this new format and recording levels on vinyl twelve-inch "maxi-singles" have steadily increased, culminating in the extremely loud (or "hot") cuts of
241:. RCA's early introduction of a long-play disc was a commercial failure for several reasons including the lack of affordable, reliable consumer playback equipment and consumer wariness during the
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in October and the aforementioned Don Downing "Dream World". "I'll be Holding On" would eventually be cut onto a twelve-inch acetate, as chronicled by its usage on the music compilation album
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483:) were involved in several of these pioneering steps due to their artists and heavy bass-range and strong uptempo song material, forward-thinking company executives and innovative remixing.
1457:" to catch on the disco hype. An early 12-inch pressing, reputedly the first was by the Jayes "Truly" in 1977 on the Channel One label, which was run by the Hoo Kim brothers from their
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753:'s Calhoon "(Do You Wanna) Dance, Dance, Dance" had a 10-inch acetate from May, given out as a one sided 10-inch vinyl promo in the same month, and as a 12-inch promo in July 1975.
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wanted sufficient dynamic range, the format would likely have enlarged from the seven-inch single eventually. Ironically, Moulton's mix of Downing would be eventually released by
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launched the first commercially available vinyl long-playing record, marketed under their Program Transcription series. These revolutionary discs were designed for playback at 33â
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to help boost morale. Vinyl as a material for records sold to the public was reintroduced after World War II, first for 78s in 1945 (the Bolshoi Theatre Orchestra and Chorus's
1579:, however some of these were not UK pressed vinyl but US promos sent over to the UK and distributed through club promotions businesses and record company A&R departments.
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r.p.m.), with distribution by Jamie/Guyden Distribution Corporation. It was manufactured by Jamie Record Co. of Philadelphia, Pennsylvania. The B-side of the record is blank.
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being a unique selling point. In addition, there have been some new titles being pressed on the format and available at physical record shops alongside an ongoing cultural
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Longer tracks could be accommodated on each side of the 12âinch disc, or shorter but more numerous tracks per side. Indeed, the first 12âinch vinyl album in 1948,
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using the instrumental or backing track with the vocal version to create an extended version, and later on combining outtakes, adlibs and other unused material;
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which were usually cover versions or re-recordings, but here was a new piece of music composed out of already recorded pieces of music (albeit containing two
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580:), making it the first "DJ mix" committed to vinyl, with Moulton admitting it was conceived as a tool for dancefloors. A followup was the Motown compilation
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produced mainly twelve-inch singles (in addition to albums) during the 1980s, lots being mostly regular A and B-sides, not remixes. Certain labels such as
1555:. These early issues usually containing the original 7-inch edit, It took a little later for lengthened versions to begin appearing, with 1970s UK club DJ
290:(EP) in appearance, rather than a typical album with multiple tracks each being on average 2â4 minutes such as the first 10âinch vinyl album, a reissue of
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Gramophone records had been introduced in the latter portion of the 19th century, with several pioneers involved in sound reproduction development such as
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This was issued in mid February 1975 and was subtitled 'Specially Prepared For Disco Use', but it held same length versions of the selected album tracks.
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434:. Twelve-inch promotional copies of "Straight From My Heart" were released on his own Swamp Dogg Presents label (Swamp Dogg Presents #501/SDP-SD01, 33+â
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1973:"University of Wisconsin / Milwaukee - UWM Digital Commons - Theses and Dissertations - Sound and Vision: Marketing Recorded Music in the Age of Radio"
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soundtrack discs from 1926) and pressed on ten and twelve-inch diameter flexible Victrolac discs, using a polyvinyl chloride (PVC) compound called
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612:(distinction between loud and soft) as well. This was immediately noticed by them to give a more favorable, 'hotter' sound which would appeal to
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1514:", both at 33 rpm and issued in approximately June 1975 (based on the catalogue numbers used), but rumoured to be as late as October.
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imprints, these included pop releases such as Paul McCartney's first ever extended single internationally, credited as Wings "Let 'Em In"
749:"Mellow Blow" became the first 33 rpm Atlantic promo to be released in July, but eventually commercially only on an 7" in September.
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evidently liked the format enough to use it a few times to promote artists in the US and Australia - they serviced a test pressing of
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featured only three tracks (one 11-minute long suite on side one, and two tracks on side two taking up 14 minutes in total) and was
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1393:. Salsoul's second 12-inch record for retail was by Moment of Truth "So Much For Love" / "Helplessly" released in early July 1976.
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that has wider groove spacing and shorter playing time with a "single" or a few related sound tracks on each surface, compared to
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Calhoon single "Dance Dance Dance" released by Warner Bros. after manager Ron Samuels seeded New York discos with acetate copies
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Following the lead of the US club DJs, using 12-inch extended versions in the UK as a mixing tool was advocated particularly by
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However, vinyl continued to be used, notably with broadcasters, on larger 16âinch radio transcription discs, and later with the
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Another early twelve-inch single was released in 1973 by soul/R&B musician/songwriter/producer Jerry Williams, Jr. a.k.a.
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in the middle of April 1976, however both were released commercially and individually on seven-inch 45s only, in April 1976.
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2293:"SWAMP DOGG - JERRY WILLIAMS, JR. DISCOGRAPHY Updated 2016.January.5 Compiled, researched and annotated by David E. Chance"
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407:'s "It's A Hard Rain's Gonna Fall" backed with "Me And Baby Jane" to radio stations in July 1971, the first track from his
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usually holds three or four minutes of music at full volume. The 12-inch LP sacrifices volume for extended playing time.
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progressively increasing the awareness and availability of the format through trade publications, record shops and DJ
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The first song found on a twelve-inch single commercially issued for public purchase from the disco era onwards was "
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The gramophone records cut especially for dance-floor DJs came into existence with the advent of recorded Jamaican
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series released mid May 1975, which put together some of the label's most danceable hits onto a number of albums.
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Singles in general have followed wider gramophone record sales, withstanding competition from the 1960s and 70s
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600:(JosĂ© RodrĂguez) in need of a Friday-night test copy for a remix created by Tom Moulton in 1974. The song was "
524:" in 1973), in early 1974, during his quest to adapt songs beyond the radio-friendly three-minute mark for his
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1563:"Jaws" being his first one, which was in extended form. This was followed by disco acts such as James Wells,
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on Salsoul Records in mid May 1976. This was due to the label co-owner Ken Cayre's decision to release the
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for their convenience, and later along with a crossover period where turntables could be combined with
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The first large-format single made specifically for discotheque DJs was a ten-inch acetate used by a
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Notable 1970s and 1980s releases making use of the new length opportunities of the format included
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however, specifically focused on blending a number of their disco releases into a non-stop medley.
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was again given label credit for the remix. This was released commercially on 7-inch in May 1975.
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creating a segued mix of different tracks, the length of which was less suited to a 7-inch record;
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1377:" / Sweet Music "I Get Lifted" on Scepter/Wand in mid June 1976. Third was a disc containing two
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Another record remixed by Moulton was the Philly Devotions "I Just Can't Make It Without You" on
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4586:"FEATURE: Forty Years of the Sony Walkman: 1st July, 1979: An Historic and Iconic Day for Music"
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award in December 1974 for 'being the first label to make specialized mixes for discotheques'.
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album. Shelter later issued another promotional single "Lowdown in Lodi"/"Me and My Guitar" by
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owners to give their "selecter" DJs acetate or flexi disc dubs of exclusive mento and Jamaican
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268: rpm LPs (with a narrower "microgroove") and 7âinch 45 rpm singles being marketed by
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Spinners are also happy about the flip side having a 4:10 instrumental version of the song.
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in June 1976, and the song only appearing in disco charts at the end of July of that year.
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artists were serviced to radio stations in April 1972 by local distributor Tempo Records:
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2086:"Indies Get There First with Plastics; Dealers See Extra Plus in Unbreakable Diskings".
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turntables existed, so DJ's would only blend into a track with the same drum tempo or
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3843:"New Labels Add 12 -Inch Singles/New Labels Flock To Board 12 -Inch Disk Bandwagon".
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1884:
1740:
1736:
1708:
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636:
492:
238:
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126:. Many record companies in the 1970s began producing 12-inch (30 cm) singles at
72:
4561:"The story behind New Order's Blue Monday - the UK's biggest-selling 12-inch single"
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was a key factor that contributed to fewer record sales in the 1980s. In 1988, the
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An acetate twelve-inch test pressing single hailed as being a first by Moulton was
631:
480:
377:
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242:
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760:
departments. Examples of these promos, released from spring/summer 1975, include:
372:
music in the 1950s. By at least 1956 it was already standard practice by Jamaican
5682:
5675:
5403:
5324:
5241:
5211:
5196:
5191:
4415:
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3208:
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659:
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472:
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48:
5166:
4321:
3758:"Ken Cayre on the History of Salsoul and Working with Disco's Greatest Remixers"
3510:
3145:"Frankie Valli and the Four Seasons (and connected)-Downloadable Discographies-"
3144:
2797:
197:
6122:
5554:
5510:
5474:
5390:
5366:
5329:
5261:
5078:
4808:
4512:
4365:
4343:
4200:
2105:"Columbia Diskery, CBS Show Microgroove Platters to Press; Tell how It Began".
1933:
1715:, produced the biggest-selling twelve-inch record ever in the United Kingdom, "
1587:
The first commercially released twelve-inch vinyl was Ernie Bush "Breakaway" /
1540:
1523:
1519:
1362:
1263:
1035:
573:
544:
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106:
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517:
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497:
287:
223:
184:
first twelve-inch releases were all by the Victor Grand Concert Band, led by
160:
2254:
Link, Geoffrey; "Tower Test-Markets 12-Inch Single in Sacramento and L.A.";
1772:
and used with encoded 12 inch discs and DJ software, which could manipulate
446:
The disco twelve-inch record came into being from several key developments:
6117:
6082:
5851:
5830:
5696:
5567:
5525:
5500:
5459:
5449:
5423:
5349:
5319:
5246:
5098:
5046:
4994:
4846:
2859:
2062:"V-Disc : The story of the American military record label during WWII"
1752:
1696:
1633:
1608:
1544:
1532:
1507:
1490:
Atlantic Records was an early front runner with two 12-inch promo singles:
1102:
1077:
945:
686:
677:
597:
460:
420:
404:
389:
261:
253:
80:
551:, released in October 1974. Tom Moulton created one for the A side of the
43:
34:" redirects here. For the unit of measurement equal to twelve inches, see
6127:
6062:
5879:
5654:
5533:
5434:
5411:
5359:
5354:
5309:
5282:
5251:
5221:
5216:
5176:
5148:
5118:
5113:
5031:
4659:
4539:"50 Years Of Record Cutting And Stereo Bass For Vinyl | RPM's Vinyl Blog"
1831:
1685:
1673:
1641:
1592:
1559:
recalling promotional 12-inch product being mailed out from August 1976,
1499:
1491:
1471:
1390:
1242:
927:
577:
561:
468:
123:
35:
4679:"Romancing the Record: The Vinyl De-Evolution and Subcultural Evolution"
4497:
WHITE, ADAM (27 May 1978). "Motown Adapts For Disco DJs in the Groove".
3551:
Catalog of Copyright Entries: Third series - Music - June-September 1975
3013:
Love Saves the Day: A History of American Dance Music Culture, 1970-1979
2576:
Love Saves the Day: A History of American Dance Music Culture, 1970-1979
2036:
1947:
746:
681:. Tom Moulton began to write for the former from 26 October 1974 in the
5788:
5710:
5615:
5304:
5287:
5143:
5093:
4936:
4390:
3073:
2481:
MELANSON, JIM (26 October 1974). "Non -Stop' Disco Album Springs Out".
1731:
Close-up shot of a 12-inch (30 cm) single showing the wide grooves
476:
431:
273:
207:
176:
4299:
4277:
2420:"Tom Moulton and his extended disco remix forever changed dance music"
2312:
6047:
5743:
5661:
5407:
5256:
5128:
5041:
2748:
1757:
1059:
740:
622:
512:
While not his first production work (his first mixing effort was the
215:
119:
76:
5823:
5773:
5668:
5297:
5292:
4027:
2861:
The disco files 1973-78 : New York's underground, week by week
1921:
1454:
1439:
219:
5572:
5495:
5469:
5427:
5010:
4777:
4238:"Nine Times - The Moments / Do What You Feel - The Rimshots - 12"
1748:
1600:
1453:
singles were pressed in this format, and commercially issued as "
525:
180:
5597:
5133:
4367:
12" Single: The Armada Orchestra - For The Love Of Money (1976)
3213:. Nielsen Business Media, Inc. 2 October 1976. pp. 35, 53.
1769:
1450:
1114:
249:
4176:"SAM Prefix - Warner Bros / WEA promo and bonus discs - 45cat"
4155:"The most collectable 12" singles - Record Collector Magazine"
1727:
1684:
genres, but was regularised with the advent of the late 1980s
1595:
production involvement, and these two releases were issued by
140: rpm, although 45 rpm gives better treble response.
5418:
5068:
2926:"Success of Young Midland Intl Operation Attributed To Clubs"
1089:
564:. As a development from his mixtapes, three songs (Honey Bee/
501:
369:
3553:. Library of Congress. Copyright Office. 1977. p. 1787.
2012:"1931 Leopold Stokowski - Philadelphia Orchestra Recordings"
1369:
The second twelve-inch release was the double artist single
5768:
5620:
5108:
5000:
4876:
2395:"The Carstairs - It Really Hurt Me Girl â Unearthed Sounds"
4757:"How the great vinyl revival has got music fans in a spin"
4202:
12" Single: Robert Palmer - Which Of Us Is The Fool (1975)
1780:
music files but still allow for a turntablism experience.
711:
A very early disco prototype vinyl 12-inch pressing was a
5793:
5763:
5689:
5464:
5005:
4457:"The Sole Track That Launched Commercial Hip-Hop in 1979"
1807:"The Joy of 45 Collecting: Why 45s Sound Better Than LPs"
1777:
1773:
1765:
4730:"A Brief History of the 12-inch Single Format | Discogs"
3139:
3137:
3075:
Bobby Moore [70s] - (Call Me Your) Anything Man
2948:. Nielsen Business Media, Inc. 14 June 1975. p. 3.
2037:"RCA Program Transcription Album Discography (1931-33)"
1948:"RCA Program Transcription Album Discography (1931-33)"
1410:
Two twelve-inch promotional vinyl issues for rock/folk
706:
252:
program that sent records overseas to US troops during
84:
764:
Selected promotional vinyl 12-inch US singles in 1975
4345:
12" Single: Ernie Bush - Breakaway (Disco Mix) (1976)
4104:"The Chantelles | Biography & History | AllMusic"
3859:"GEORGE BENSON singing and playing SUMMERTIME / 2001"
3134:
2750:
Philly Devotions - I Just Can't Make It (Without You)
2655:"Tom Moulton â A Tom Moulton Mix | Soul Jazz Records"
2170:
Thompson, Dave. "45s - The Greatest Sound on Earth".
2090:. Vol. 57, no. 39. 6 October 1945. p.
697:
591:
456:
using physically larger and audibly "hotter" records;
179:, USA and perfected the use of 5 and 7-inch rotating
171:
merged their efforts within the industry to form the
118:
side by the turntable stylus) can be much greater in
87:
use them to play in clubs. They are played at either
4611:
Browne, David (4 October 1991). "A Vinyl Farewell".
4002:"The first twelve single | Part 7/11. 12" in FranŚe"
2464:"Billboard names 11 Trendsetters - Talent in Action"
2128:. Vol. 61, no. 2. 8 January 1949. p.
1872:
1870:
1615:" on the flip, all originally from 1966 and 1967 by
3535:Aletti, Vincent (20 September 1975). "Disco File".
2109:. Vol. 60, no. 26. 26 June 1948. p.
1498:" backed with Osiris "Warsaw Concerto", along with
685:column (which changed name as time went on), while
122:, especially in the bass frequencies important for
4627:
1910:Journal of the Society of Motion Picture Engineers
1582:
665:
2272:12" Single: Freddie King - Lowdown In Lodi (1972)
1867:
380:recordings before they were issued commercially.
6174:
3117:"Newsletter 56 - 1974/75 single and LP releases"
2978:"Large And Small Labels Push For Disco Exposure"
191:
4709:"Music streaming is fueling vinyl's resurgence"
4420:. Nielsen Business Media, Inc. 16 October 1976.
2143:Osborne, Richard (17 February 2016). "The 45".
1722:
1330:
496:longer. A key reason of the time was that few
3697:Office, Library of Congress Copyright (1976).
102:
4793:
3965:. Nielsen Business Media, Inc. 15 April 1972.
3227:"Barrabas 'Disco Disc' planned by Atlantic".
2920:
2918:
2857:
1747:formats. The widespread popularity of Sony's
1335:
4432:"Classic Tracks: Donna Summer 'I Feel Love'"
3876:Aletti, Vince (10 July 1975). "Disco File".
2213:"Is Vinyl and LP The Same: Vinyl LP Meaning"
2186:"Mendelssohn and Richard Rodgers the record"
2172:The Music Lover's Guide to Record Collecting
1485:
739:in June 1975 with a 10:32 min running time.
3740:"Club DJs Blend Cuts For Cos.' Disco Disks"
1422:Early titles first appeared in 1976 on the
214: rpm (the speed first used on 16âinch
4800:
4786:
4630:The World of DJs and the Turntable Culture
4625:
4482:"Spring Label Markets a Won-Stop' Album".
4077:Vibes, Teacher at Reggae (30 March 2020).
3977:"MILESAGO - Record Labels - Tempo Records"
3700:Catalog of Copyright Entries: Third series
2915:
2892:: CS1 maint: location missing publisher (
1518:"Which of Us Is the Fool" was released by
543:The first genre-themed set was created by
486:
336:. Please do not remove this message until
5275:
4676:
4226:. The Record Press. pp. 61, 81, 125.
3891:Moulton, Tom (4 July 1976). "Disco Mix".
356:Learn how and when to remove this message
4754:
3807:"Salsoul 12" Disco Mix a Retail Smash".
3009:
2572:
2480:
2238:"JAMAICA - RHYTHM & BLUES 1956-1961"
1850:"Fred Hager tangles with Victor Herbert"
1726:
1444:Twelve-inch single § Jamaican roots
332:Relevant discussion may be found on the
42:
4724:
4722:
4664:"Shiny, Aluminum, Plastic, and Digital"
4658:
3890:
3722:"A New 12 -Inch 45 Salsoul Disco Label"
2798:"Tom Moulton Tribute @ Disco-Disco.com"
2773:Vinyl: A History of the Analogue Record
2769:
2146:Vinyl: A History of the Analogue Record
2142:
1880:Vinyl: A History of the Analogue Record
1876:
423:in 1972 with the tracks taken from his
264:catalog number M-800), with 12âinch 33â
14:
6175:
4610:
4385:
4383:
3875:
3838:
3836:
3716:
3714:
3712:
3710:
3696:
3580:
3578:
3565:"Scepter Marketing U.K. Contempo Line"
3534:
3511:"Motown Promotional Album Discography"
3505:
3503:
3300:
3298:
3261:
3259:
3240:
3238:
3222:
3220:
3203:
3201:
3167:
3165:
3093:
3091:
3053:
3051:
3016:. Duke University Press. p. 212.
2616:
2614:
2579:. Duke University Press. p. 212.
1987:"Victor Program Transcription Records"
1903:
1692:records of the 1990s and early 2000s.
1433:
715:promo distributed by RCA - this was a
507:
4781:
4496:
4221:
4076:
3598:
3596:
3484:
3482:
3397:
3395:
3111:
3109:
2770:Osborne, Richard (17 February 2016).
2568:
2566:
2564:
2562:
2536:
2534:
2532:
2448:"Labels Mix Records For Club Scene".
2443:
2441:
2307:
2305:
2210:
1877:Osborne, Richard (17 February 2016).
1847:
1622:
862:"(Do You Wanna) Dance, Dance, Dance"
538:
112:
4719:
4634:. Hal Leonard Corporation. pp.
4301:Rimshots - Do What You Feel (Part 1)
3907:"Amherst Disco Bid By the Gangsters"
3121:Four Seasons UK Appreciation Society
2240:. fremeaux.com. 2012. Archived from
2169:
1627:
707:First wide scale promotional 12-inch
491:This was released by Scepter to the
306:
6027:Global Recording Artist of the Year
5995:Highest-grossing live music artists
4380:
4079:"Burning Rockers 1 | The 12" Mixes"
3833:
3783:"Salsoul Records @ Disco-Disco.com"
3707:
3575:
3500:
3435:"Ace Spectrum's Disco Rendezvous".
3295:
3256:
3235:
3217:
3198:
3162:
3088:
3048:
2611:
1443:
413:album, with the flip side from his
410:Leon Russell and the Shelter People
202:Single (music) § 7-inch format
148:
24:
4807:
4755:Harrison, Emma (3 December 2023).
3637:"Buddah Records @ Disco-Disco.com"
3629:
3593:
3479:
3392:
3321:"12" DISCO RECORDS - 20th CENTURY"
3106:
2559:
2542:"Million Dollar Disco: Tom Mouton"
2529:
2470:. 28 December 1974. pp. 1, 4.
2438:
2302:
1906:"Victrolac Motion Picture Records"
1848:Baker, R. S. (24 September 2019).
698:Early vinyl test pressings 12-inch
592:Early acetates 10-inch and 12-inch
25:
6204:
4224:The Virgin Discography: the 1970s
3925:"Amherst Markets Big Disco Disks"
3010:Lawrence, Tim (2 February 2004).
2864:(Second ed.). New York, NY.
2573:Lawrence, Tim (2 February 2004).
1464:
479:(later co-founder of dance label
302:
283:Mendelssohn's Concerto in E Minor
6156:
6155:
6142:
5172:Artists and repertoire (A&R)
4903:Universal Music Publishing Group
4748:
4701:
4695:10.1111/j.0022-3840.1992.00109.x
4670:
4652:
4619:
4604:
4578:
4553:
4531:
4505:
4490:
4475:
4449:
4424:
4408:
4358:
4336:
4314:
4292:
4270:
4255:
4230:
4215:
4193:
4168:
4147:
4121:
4096:
4070:
4045:
4020:
3994:
3969:
3953:
3935:
3917:
3899:
3884:
3869:
3496:. 13 September 1975. p. 64.
3475:. 20 September 1975. p. 60.
3457:. 20 September 1975. p. 57.
3188:"Disco Action, Top Single Picks"
2932:. 13 September 1975. p. 40.
2719:. 27 September 1975. p. 47.
2365:. 21 December 1974. p. 16.
2344:. 16 November 1974. p. 20.
2211:Vinyl, Legend (29 August 2022).
1883:. Routledge. pp. 155, 156.
719:one sided EP with 4 tracks from
475:along with its production chief
311:
5593:Entertainment Monitoring Africa
3851:
3847:. 26 June 1976. pp. 1, 18.
3815:
3800:
3775:
3750:
3732:
3690:
3686:. 29 November 1975. p. 30.
3672:
3668:. 15 November 1975. p. 39.
3654:
3625:. 22 November 1975. p. 38.
3611:
3557:
3543:
3528:
3461:
3443:
3428:
3413:
3374:
3356:
3338:
3313:
3280:
3180:
3066:
3030:
3003:
2988:
2970:
2952:
2936:
2900:
2851:
2833:
2815:
2790:
2763:
2741:
2723:
2705:
2690:
2672:
2647:
2632:
2593:
2514:
2489:
2474:
2456:
2412:
2387:
2372:
2351:
2330:
2285:
2263:
2248:
2230:
2204:
2178:
2163:
2136:
2117:
2098:
2079:
2054:
2029:
1583:First UK 12-inch retail singles
666:Promotion through media and DJs
27:Type of vinyl phonograph record
6093:Largest recorded music markets
6000:Highest-grossing concert tours
4486:. 26 October 1974. p. 10.
3746:. 15 May 1976. pp. 1, 39.
3728:. 15 May 1976. pp. 3, 38.
3194:. 3 May 1975. pp. 20, 54.
2984:. 1 November 1975. p. 50.
2858:Aletti, Vince (October 2018).
2643:. 2 November 1974. p. 10.
2628:. 26 October 1974. p. 22.
2607:. 9 November 1974. p. 20.
2452:. 2 November 1974. p. 10.
2004:
1979:
1965:
1940:
1897:
1841:
1824:
1799:
827:"(Call Me Your) Anything Man"
173:Victor Talking Machine Company
13:
1:
4028:"Paul McCartney - Let 'em In"
3829:. 9 October 1976. p. 36.
3762:daily.redbullmusicacademy.com
3571:. 4 October 1975. p. 34.
3409:. 16 August 1975. p. 51.
1792:
1402:was sold from mid July 1976.
1294:Jimmy James and the Vagabonds
192:Vinyl and microgroove formats
6149:Record production portal
4965:Independent UK record labels
4322:"Time Capsule - August 1976"
4004:. 4 May 2003. Archived from
3388:. 2 August 1975. p. 29.
3273:. 28 June 1975. p. 86.
2737:. 19 April 1975. p. 32.
2686:. 12 April 1975. p. 52.
1904:Barton, F. C. (April 1932).
1723:Decline and ongoing interest
1551:" in the middle of May from
1405:
1331:First 12-inch retail singles
441:
383:
260:a 12âinch 5-record set from
7:
6017:Most-attended concert tours
4666:– via urbigenous.net.
4517:James Hamilton's Disco Page
3949:. 17 July 1976. p. 58.
3931:. 17 July 1976. p. 10.
3913:. 26 June 1976. p. 50.
3865:. 26 June 1976. p. 21.
3352:. 28 June 1975. p. 47.
3252:. 19 July 1975. p. 82.
2966:. 19 July 1975. p. 78.
2847:. 31 July 1976. p. 38.
2829:. 26 June 1976. p. 32.
2639:"Mix Special Disco Disks".
2124:"Lowdown on New RCA Disk".
1348:
338:conditions to do so are met
198:LP Record § RCA Victor
10:
6209:
6032:Wealthiest musical artists
5885:Best-selling music artists
4683:Journal of Popular Culture
4677:Plasketes, George (1992).
3370:. 5 July 1975. p. 28.
3044:. 7 June 1975. p. 16.
2999:. 31 May 1975. p. 86.
2776:. Routledge. p. 155.
1975:. August 2016. p. 32.
1480:In Spite of All the Danger
1437:
1336:Motivation for public sale
1220:"Tornado" / "Disco Queen"
560:album, in January 1975 on
195:
152:
143:
29:
6136:
6040:
5872:
5807:
5736:
5727:
5639:
5603:New Zealand singles chart
5524:
5488:
5379:
5157:
5059:
5024:
4978:
4921:
4885:
4824:
4815:
4626:Souvignier, Todd (2004).
1486:Promo UK 12-inch releases
1417:
1239:"Never Gonna Let You Go"
1152:Sound of Washington D.C.
1018:"Always Another Girl" / "
6073:Christian music industry
5588:GfK Entertainment charts
5232:Professional audio store
4590:Music Musings & Such
4279:The Moments - Nine Times
1640:" (16 min 50 seconds), "
1387:Theme From Good King Bad
1217:The Wiz / Hot Chocolate
721:The Carol Douglas Album.
570:Reach Out, I'll Be There
222:which was licensed from
5480:Music streaming service
4913:Disney Music Publishing
3439:: 17. 6 September 1975.
3424:: 35. 6 September 1975.
3149:UK Appreciation Society
3102:: 20. 15 February 1975.
2659:soundsoftheuniverse.com
2501:redbullmusicacademy.com
1832:"Victor Deluxe history"
1389:" in late June 1976 on
1257:& the Midnight Sun
1040:"You'd Be Good For Me"
912:"I Just Can't Make It"
817:April (10-inch) / June
790:The Carol Douglas Album
533:Trendsetter of the Year
522:It Really Hurts Me Girl
487:First instrumental side
6022:Most-attended concerts
5990:Highest-paid musicians
3607:: 34. 25 October 1975.
3589:: 92. 8 November 1975.
2995:"ExecutiveTurntable".
1732:
1535:"Do What You Feel" on
1522:also in October 1975.
1512:The Bertha Butt Boogie
1025:Midland International
1003:Midland International
645:South Shore Commission
397:stores in California.
296:Voice of Frank Sinatra
235:Philadelphia Orchestra
167:. Berliner along with
67:) is a type of vinyl (
52:
6103:Most valuable records
6098:Most expensive albums
6053:Album-equivalent unit
5583:Italian singles chart
5440:Promotional recording
4908:Warner Chappell Music
4898:Sony Music Publishing
4893:BMG Rights Management
2399:unearthedsounds.co.uk
2190:www.yourclassical.org
1730:
1638:Love To Love You Baby
1549:Young Hearts Run Free
868:May (10-inch) / July
796:Midland International
737:Private Stock Records
713:Midland International
566:Never Can Say Goodbye
557:Never Can Say Goodbye
388:In March 1970, Cycle/
46:
6078:Environmental impact
5978:Best-selling singles
4991:Digital music stores
4613:Entertainment Weekly
4436:www.soundonsound.com
4266:: 21. 24 April 1976.
4222:Jones, Mark (2013).
4053:"Trojan 12" Box Set"
3231:: 291. 19 June 1975.
2701:: 44. 26 April 1975.
1854:The Syncopated Times
1619:on 22 October 1976.
1577:the Undisputed Truth
1537:All Platinum Records
803:4 track disco EP/LP
6108:Music certification
6088:Largest music deals
5966:Best-selling albums
5799:The Country Network
5578:Irish Singles Chart
5227:Musical instruments
4324:. Six Million Steps
4242:Oxfam's Online Shop
4057:www.savagejaw.co.uk
3062:: 98. 14 June 1975.
2383:: 30. 8 March 1975.
1459:Channel One Studios
1434:Jamaican discomixes
1109:Walk Away From Love
765:
508:First extended edit
325:of this section is
169:Eldridge R. Johnson
105:. The conventional
5621:SNEP singles chart
5396:Extended play (EP)
5167:Album cover design
4715:. 4 December 2018.
4541:. 14 November 2020
3943:"Top Single Picks"
3811:: 3. 19 June 1976.
3325:21centurymusic.com
3309:: 30. 5 July 1975.
3291:: 27. 10 May 1975.
2911:: 3. 14 June 1975.
1733:
1623:Later developments
1508:Jimmy Castor Bunch
1496:Supernatural Thing
1478:with the one-off "
1235:Vicki Sue Robinson
1204:"I Want To Dance"
1200:The Ritchie Family
950:"Keep Holdin' On"
932:"Hooked For Life"
891:The Eleventh Hour
846:"Chinese Kung Fu"
811:"Swearin' To God"
763:
602:I'll Be Holding On
539:First segued mixes
186:Frederick W. Hager
113:Technical features
69:polyvinyl chloride
59:(often written as
57:twelve-inch single
53:
6170:
6169:
6113:Parental Advisory
6068:Bootleg recording
6058:A-side and B-side
5915:
5868:
5867:
5784:The Music Factory
5626:Sverigetopplistan
5550:Argentina Hot 100
5516:Music competition
5506:Concert residency
5445:Phonograph record
5415:
5375:
5374:
5202:Music and fashion
5187:Entertainment law
5055:
5054:
5016:Virgin Megastores
4818:and organizations
4645:978-0-634-05833-2
4565:www.musicweek.com
4519:. 27 January 1979
4463:. 10 October 2006
3023:978-0-8223-8511-0
2871:978-1-942884-30-9
2783:978-1-317-00181-2
2586:978-0-8223-8511-0
2174:. Backbeat Books.
2156:978-1-317-00180-5
1890:978-1-317-00180-5
1741:8-track cartridge
1737:reel-to-reel tape
1628:Core sales period
1424:Pathe Marconi EMI
1328:
1327:
1168:Scepter-Contempo
1131:"Soul Train '75"
1014:Silver Convention
982:"Undecided Love"
966:"(Baby) Save Me"
909:Philly Devotions
637:A Tom Moulton Mix
366:
365:
358:
239:Leopold Stokowski
155:Phonograph record
73:gramophone record
51:gramophone record
16:(Redirected from
6200:
6159:
6158:
6147:
6146:
6145:
5913:
5734:
5733:
5631:UK singles chart
5563:Canadian Hot 100
5455:Compact cassette
5393:
5340:Session musician
5315:Hip hop producer
5273:
5272:
5207:Music journalism
5139:Rhythm and blues
4857:IFPI (worldwide)
4822:
4821:
4802:
4795:
4788:
4779:
4778:
4772:
4771:
4769:
4767:
4752:
4746:
4745:
4743:
4741:
4726:
4717:
4716:
4705:
4699:
4698:
4674:
4668:
4667:
4656:
4650:
4649:
4633:
4623:
4617:
4616:
4608:
4602:
4601:
4599:
4597:
4582:
4576:
4575:
4573:
4571:
4557:
4551:
4550:
4548:
4546:
4535:
4529:
4528:
4526:
4524:
4509:
4503:
4502:
4494:
4488:
4487:
4479:
4473:
4472:
4470:
4468:
4453:
4447:
4446:
4444:
4442:
4428:
4422:
4421:
4412:
4406:
4405:
4403:
4401:
4387:
4378:
4377:
4376:
4374:
4362:
4356:
4355:
4354:
4352:
4340:
4334:
4333:
4331:
4329:
4318:
4312:
4311:
4310:
4308:
4296:
4290:
4289:
4288:
4286:
4274:
4268:
4267:
4259:
4253:
4252:
4250:
4248:
4234:
4228:
4227:
4219:
4213:
4212:
4211:
4209:
4197:
4191:
4190:
4188:
4186:
4172:
4166:
4165:
4163:
4161:
4151:
4145:
4144:
4142:
4140:
4133:Electrofunkroots
4125:
4119:
4118:
4116:
4114:
4100:
4094:
4093:
4091:
4089:
4074:
4068:
4067:
4065:
4063:
4049:
4043:
4042:
4040:
4038:
4024:
4018:
4017:
4015:
4013:
3998:
3992:
3991:
3989:
3987:
3973:
3967:
3966:
3957:
3951:
3950:
3939:
3933:
3932:
3921:
3915:
3914:
3903:
3897:
3896:
3888:
3882:
3881:
3873:
3867:
3866:
3855:
3849:
3848:
3840:
3831:
3830:
3823:"Disco Forum II"
3819:
3813:
3812:
3804:
3798:
3797:
3795:
3793:
3779:
3773:
3772:
3770:
3768:
3754:
3748:
3747:
3736:
3730:
3729:
3718:
3705:
3704:
3694:
3688:
3687:
3676:
3670:
3669:
3658:
3652:
3651:
3649:
3647:
3633:
3627:
3626:
3615:
3609:
3608:
3600:
3591:
3590:
3582:
3573:
3572:
3561:
3555:
3554:
3547:
3541:
3540:
3532:
3526:
3525:
3523:
3521:
3507:
3498:
3497:
3486:
3477:
3476:
3465:
3459:
3458:
3447:
3441:
3440:
3432:
3426:
3425:
3417:
3411:
3410:
3399:
3390:
3389:
3378:
3372:
3371:
3360:
3354:
3353:
3342:
3336:
3335:
3333:
3331:
3317:
3311:
3310:
3302:
3293:
3292:
3284:
3278:
3277:
3263:
3254:
3253:
3242:
3233:
3232:
3224:
3215:
3214:
3205:
3196:
3195:
3184:
3178:
3177:
3176:. 19 April 1975.
3172:"Disco Action".
3169:
3160:
3159:
3157:
3155:
3141:
3132:
3131:
3130:on 18 June 2020.
3129:
3123:. Archived from
3113:
3104:
3103:
3095:
3086:
3085:
3084:
3082:
3070:
3064:
3063:
3055:
3046:
3045:
3034:
3028:
3027:
3007:
3001:
3000:
2992:
2986:
2985:
2974:
2968:
2967:
2956:
2950:
2949:
2940:
2934:
2933:
2922:
2913:
2912:
2904:
2898:
2897:
2891:
2883:
2855:
2849:
2848:
2837:
2831:
2830:
2819:
2813:
2812:
2810:
2808:
2794:
2788:
2787:
2767:
2761:
2760:
2759:
2757:
2745:
2739:
2738:
2727:
2721:
2720:
2709:
2703:
2702:
2694:
2688:
2687:
2676:
2670:
2669:
2667:
2665:
2651:
2645:
2644:
2636:
2630:
2629:
2618:
2609:
2608:
2597:
2591:
2590:
2570:
2557:
2556:
2554:
2552:
2538:
2527:
2526:
2518:
2512:
2511:
2509:
2507:
2493:
2487:
2486:
2478:
2472:
2471:
2460:
2454:
2453:
2445:
2436:
2435:
2433:
2431:
2416:
2410:
2409:
2407:
2405:
2391:
2385:
2384:
2376:
2370:
2369:
2355:
2349:
2348:
2334:
2328:
2327:
2325:
2323:
2309:
2300:
2299:
2297:
2289:
2283:
2282:
2281:
2279:
2267:
2261:
2258:; 14 March 1970.
2252:
2246:
2245:
2234:
2228:
2227:
2225:
2223:
2208:
2202:
2201:
2199:
2197:
2182:
2176:
2175:
2167:
2161:
2160:
2140:
2134:
2133:
2121:
2115:
2114:
2102:
2096:
2095:
2083:
2077:
2076:
2074:
2072:
2058:
2052:
2051:
2049:
2047:
2033:
2027:
2026:
2024:
2022:
2008:
2002:
2001:
1999:
1997:
1983:
1977:
1976:
1969:
1963:
1962:
1960:
1958:
1944:
1938:
1937:
1932:. Archived from
1901:
1895:
1894:
1874:
1865:
1864:
1862:
1860:
1845:
1839:
1838:
1836:
1828:
1822:
1821:
1819:
1817:
1803:
1745:compact cassette
1705:alternative rock
1656:). Many DJ-only
1650:Rapper's Delight
1613:Pictures of Lily
1400:Roulette Records
1316:"Consideration"
1298:"I Am Somebody"
1255:Papa John Creach
1229:Acetate reissue
1179:Gary Toms Empire
1000:"I'm in Heaven"
894:"Hollywood Hot"
766:
762:
549:Disco Par-r-r-ty
481:West End Records
425:Texas Cannonball
378:rhythm and blues
361:
354:
350:
347:
341:
315:
314:
307:
270:Columbia Records
243:Great Depression
206:In August 1931,
149:Pre-vinyl period
139:
138:
134:
131:
104:
100:
99:
95:
92:
33:
21:
6208:
6207:
6203:
6202:
6201:
6199:
6198:
6197:
6173:
6172:
6171:
6166:
6143:
6141:
6132:
6036:
5864:
5803:
5723:
5718:Top of the Pops
5683:Musica e dischi
5635:
5520:
5484:
5404:Cassette single
5382:
5371:
5325:Record producer
5271:
5242:Radio promotion
5212:Music publisher
5197:Music executive
5192:Music education
5159:
5153:
5051:
5020:
4974:
4917:
4881:
4825:Representatives
4817:
4816:Major companies
4811:
4806:
4776:
4775:
4765:
4763:
4753:
4749:
4739:
4737:
4728:
4727:
4720:
4707:
4706:
4702:
4675:
4671:
4657:
4653:
4646:
4624:
4620:
4609:
4605:
4595:
4593:
4584:
4583:
4579:
4569:
4567:
4559:
4558:
4554:
4544:
4542:
4537:
4536:
4532:
4522:
4520:
4511:
4510:
4506:
4495:
4491:
4481:
4480:
4476:
4466:
4464:
4455:
4454:
4450:
4440:
4438:
4430:
4429:
4425:
4414:
4413:
4409:
4399:
4397:
4389:
4388:
4381:
4372:
4370:
4364:
4363:
4359:
4350:
4348:
4342:
4341:
4337:
4327:
4325:
4320:
4319:
4315:
4306:
4304:
4298:
4297:
4293:
4284:
4282:
4276:
4275:
4271:
4262:"DJ Hot Line".
4261:
4260:
4256:
4246:
4244:
4236:
4235:
4231:
4220:
4216:
4207:
4205:
4199:
4198:
4194:
4184:
4182:
4174:
4173:
4169:
4159:
4157:
4153:
4152:
4148:
4138:
4136:
4135:. 5 August 2011
4127:
4126:
4122:
4112:
4110:
4102:
4101:
4097:
4087:
4085:
4075:
4071:
4061:
4059:
4051:
4050:
4046:
4036:
4034:
4026:
4025:
4021:
4011:
4009:
4000:
3999:
3995:
3985:
3983:
3975:
3974:
3970:
3959:
3958:
3954:
3941:
3940:
3936:
3923:
3922:
3918:
3905:
3904:
3900:
3889:
3885:
3874:
3870:
3857:
3856:
3852:
3842:
3841:
3834:
3821:
3820:
3816:
3806:
3805:
3801:
3791:
3789:
3787:disco-disco.com
3781:
3780:
3776:
3766:
3764:
3756:
3755:
3751:
3738:
3737:
3733:
3720:
3719:
3708:
3695:
3691:
3678:
3677:
3673:
3660:
3659:
3655:
3645:
3643:
3641:disco-disco.com
3635:
3634:
3630:
3617:
3616:
3612:
3602:
3601:
3594:
3584:
3583:
3576:
3563:
3562:
3558:
3549:
3548:
3544:
3533:
3529:
3519:
3517:
3509:
3508:
3501:
3488:
3487:
3480:
3467:
3466:
3462:
3449:
3448:
3444:
3434:
3433:
3429:
3419:
3418:
3414:
3401:
3400:
3393:
3380:
3379:
3375:
3362:
3361:
3357:
3344:
3343:
3339:
3329:
3327:
3319:
3318:
3314:
3304:
3303:
3296:
3286:
3285:
3281:
3265:
3264:
3257:
3244:
3243:
3236:
3226:
3225:
3218:
3207:
3206:
3199:
3186:
3185:
3181:
3171:
3170:
3163:
3153:
3151:
3143:
3142:
3135:
3127:
3115:
3114:
3107:
3097:
3096:
3089:
3080:
3078:
3072:
3071:
3067:
3057:
3056:
3049:
3036:
3035:
3031:
3024:
3008:
3004:
2994:
2993:
2989:
2976:
2975:
2971:
2958:
2957:
2953:
2942:
2941:
2937:
2924:
2923:
2916:
2906:
2905:
2901:
2885:
2884:
2872:
2856:
2852:
2839:
2838:
2834:
2821:
2820:
2816:
2806:
2804:
2802:disco-disco.com
2796:
2795:
2791:
2784:
2768:
2764:
2755:
2753:
2747:
2746:
2742:
2729:
2728:
2724:
2711:
2710:
2706:
2696:
2695:
2691:
2678:
2677:
2673:
2663:
2661:
2653:
2652:
2648:
2638:
2637:
2633:
2620:
2619:
2612:
2599:
2598:
2594:
2587:
2571:
2560:
2550:
2548:
2540:
2539:
2530:
2520:
2519:
2515:
2505:
2503:
2495:
2494:
2490:
2479:
2475:
2462:
2461:
2457:
2447:
2446:
2439:
2429:
2427:
2418:
2417:
2413:
2403:
2401:
2393:
2392:
2388:
2378:
2377:
2373:
2357:
2356:
2352:
2336:
2335:
2331:
2321:
2319:
2311:
2310:
2303:
2295:
2291:
2290:
2286:
2277:
2275:
2269:
2268:
2264:
2253:
2249:
2244:on 6 July 2017.
2236:
2235:
2231:
2221:
2219:
2209:
2205:
2195:
2193:
2184:
2183:
2179:
2168:
2164:
2157:
2141:
2137:
2123:
2122:
2118:
2104:
2103:
2099:
2085:
2084:
2080:
2070:
2068:
2060:
2059:
2055:
2045:
2043:
2035:
2034:
2030:
2020:
2018:
2010:
2009:
2005:
1995:
1993:
1985:
1984:
1980:
1971:
1970:
1966:
1956:
1954:
1946:
1945:
1941:
1936:on 3 June 2018.
1902:
1898:
1891:
1875:
1868:
1858:
1856:
1846:
1842:
1834:
1830:
1829:
1825:
1815:
1813:
1805:
1804:
1800:
1795:
1725:
1701:Factory Records
1676:in use for the
1644:" (15:45), and
1630:
1625:
1617:Polydor Records
1585:
1569:Mass Production
1547:followed with "
1531:"Nine Times" /
1488:
1467:
1446:
1438:Main articles:
1436:
1420:
1412:Shelter Records
1408:
1395:Amherst Records
1359:Double Exposure
1351:
1338:
1333:
1183:"Drive My Car"
1127:Soul Train Gang
1020:Fly, Robin, Fly
865:Warner-Spector
733:Swearin' To God
709:
700:
668:
660:Salsoul Records
594:
541:
510:
489:
473:Scepter Records
444:
437:
401:Shelter Records
386:
362:
351:
345:
342:
331:
316:
312:
305:
267:
262:Asch Recordings
213:
204:
196:Main articles:
194:
165:Emilie Berliner
157:
151:
146:
136:
132:
129:
127:
115:
97:
93:
90:
88:
49:Capitol Records
39:
31:
28:
23:
22:
15:
12:
11:
5:
6206:
6196:
6195:
6190:
6185:
6168:
6167:
6165:
6164:
6152:
6137:
6134:
6133:
6131:
6130:
6125:
6123:Surprise album
6120:
6115:
6110:
6105:
6100:
6095:
6090:
6085:
6080:
6075:
6070:
6065:
6060:
6055:
6050:
6044:
6042:
6038:
6037:
6035:
6034:
6029:
6024:
6019:
6014:
6013:
6012:
6007:
5997:
5992:
5987:
5986:
5985:
5975:
5974:
5973:
5963:
5962:
5961:
5960:
5959:
5954:
5949:
5944:
5939:
5931:
5930:
5929:
5921:
5916:
5911:United Kingdom
5908:
5903:
5898:
5893:
5882:
5876:
5874:
5870:
5869:
5866:
5865:
5863:
5862:
5855:
5848:
5841:
5834:
5827:
5820:
5811:
5809:
5805:
5804:
5802:
5801:
5796:
5791:
5786:
5781:
5776:
5771:
5766:
5761:
5756:
5751:
5746:
5740:
5738:
5731:
5725:
5724:
5722:
5721:
5714:
5707:
5700:
5693:
5686:
5679:
5672:
5665:
5658:
5651:
5643:
5641:
5637:
5636:
5634:
5633:
5628:
5623:
5618:
5613:
5605:
5600:
5595:
5590:
5585:
5580:
5575:
5570:
5565:
5560:
5558:Brasil Hot 100
5552:
5544:
5536:
5530:
5528:
5522:
5521:
5519:
5518:
5513:
5511:Music festival
5508:
5503:
5498:
5492:
5490:
5486:
5485:
5483:
5482:
5477:
5475:Music download
5472:
5467:
5462:
5457:
5452:
5447:
5442:
5437:
5432:
5431:
5430:
5416:
5387:
5385:
5377:
5376:
5373:
5372:
5370:
5369:
5367:Sound engineer
5364:
5363:
5362:
5357:
5352:
5347:
5337:
5332:
5330:Rhythm section
5327:
5322:
5317:
5312:
5307:
5302:
5301:
5300:
5295:
5285:
5279:
5277:
5270:
5269:
5264:
5262:Talent manager
5259:
5254:
5249:
5244:
5239:
5234:
5229:
5224:
5219:
5214:
5209:
5204:
5199:
5194:
5189:
5184:
5179:
5174:
5169:
5163:
5161:
5155:
5154:
5152:
5151:
5146:
5141:
5136:
5131:
5126:
5121:
5116:
5111:
5106:
5101:
5096:
5091:
5086:
5081:
5079:Easy listening
5076:
5071:
5065:
5063:
5057:
5056:
5053:
5052:
5050:
5049:
5044:
5039:
5034:
5028:
5026:
5022:
5021:
5019:
5018:
5013:
5008:
5003:
4998:
4988:
4982:
4980:
4976:
4975:
4973:
4972:
4967:
4962:
4949:
4944:
4939:
4925:
4923:
4919:
4918:
4916:
4915:
4910:
4905:
4900:
4895:
4889:
4887:
4883:
4882:
4880:
4879:
4874:
4869:
4864:
4859:
4854:
4849:
4844:
4839:
4834:
4828:
4826:
4819:
4813:
4812:
4809:Music industry
4805:
4804:
4797:
4790:
4782:
4774:
4773:
4747:
4718:
4700:
4689:(1): 110,112.
4669:
4651:
4644:
4618:
4615:. No. 86.
4603:
4577:
4552:
4530:
4513:"January 1979"
4504:
4489:
4474:
4448:
4423:
4407:
4379:
4357:
4335:
4313:
4291:
4269:
4254:
4229:
4214:
4192:
4167:
4146:
4120:
4095:
4069:
4044:
4032:www.jpgr.co.uk
4019:
3993:
3968:
3952:
3934:
3916:
3898:
3883:
3868:
3850:
3832:
3814:
3799:
3774:
3749:
3731:
3706:
3689:
3680:"Disco Action"
3671:
3662:"Disco Action"
3653:
3628:
3619:"Disco Action"
3610:
3603:"Disco File".
3592:
3585:"Disco File".
3574:
3556:
3542:
3527:
3499:
3478:
3469:"Single Picks"
3460:
3442:
3427:
3420:"Disco File".
3412:
3403:"Disco Action"
3391:
3382:"Disco Action"
3373:
3364:"Disco Action"
3355:
3346:"Disco Action"
3337:
3312:
3305:"Disco File".
3294:
3287:"Disco File".
3279:
3267:"Inside Track"
3255:
3246:"Inside Track"
3234:
3216:
3197:
3179:
3161:
3133:
3105:
3098:"Disco File".
3087:
3065:
3058:"Disco File".
3047:
3038:"Disco Action"
3029:
3022:
3002:
2987:
2969:
2960:"Inside Track"
2951:
2935:
2914:
2907:"Disco File".
2899:
2870:
2850:
2841:"Disco Action"
2832:
2814:
2789:
2782:
2762:
2740:
2731:"Disco Action"
2722:
2704:
2697:"Disco File".
2689:
2680:"Disco Action"
2671:
2646:
2631:
2622:"Disco Action"
2610:
2601:"Disco Action"
2592:
2585:
2558:
2528:
2525:. 17 May 1975.
2521:"Disco File".
2513:
2488:
2473:
2455:
2437:
2426:. 28 June 2013
2411:
2386:
2379:"Disco File".
2371:
2359:"Disco Action"
2350:
2338:"Disco Action"
2329:
2301:
2284:
2262:
2247:
2229:
2203:
2192:. 20 June 2023
2177:
2162:
2155:
2135:
2116:
2097:
2078:
2066:Save The Vinyl
2053:
2028:
2003:
1978:
1964:
1939:
1922:10.5594/J01337
1916:(4): 452â460.
1896:
1889:
1866:
1840:
1823:
1811:classic45s.com
1797:
1796:
1794:
1791:
1724:
1721:
1665:James Hamilton
1658:remix services
1646:Sugarhill Gang
1629:
1626:
1624:
1621:
1584:
1581:
1520:Island Records
1487:
1484:
1466:
1465:United Kingdom
1463:
1435:
1432:
1419:
1416:
1407:
1404:
1363:Walter Gibbons
1350:
1347:
1337:
1334:
1332:
1329:
1326:
1325:
1323:
1320:
1317:
1314:
1310:
1309:
1307:
1304:
1299:
1296:
1290:
1289:
1287:
1284:
1279:
1278:"Extra Extra"
1276:
1272:
1271:
1269:
1266:
1261:
1258:
1251:
1250:
1248:
1245:
1240:
1237:
1231:
1230:
1227:
1224:
1221:
1218:
1214:
1213:
1211:
1208:
1205:
1202:
1196:
1195:
1193:
1190:
1184:
1181:
1175:
1174:
1172:
1169:
1166:
1163:
1159:
1158:
1156:
1153:
1150:
1147:
1146:Natural Order
1143:
1142:
1140:
1137:
1132:
1129:
1123:
1122:
1120:
1117:
1112:
1105:
1099:
1098:
1096:
1093:
1087:
1080:
1074:
1073:
1071:
1068:
1066:United Artists
1063:
1056:
1050:
1049:
1047:
1044:
1041:
1038:
1036:Ronnie Spector
1032:
1031:
1029:
1026:
1023:
1016:
1010:
1009:
1007:
1004:
1001:
998:
996:Touch of Class
992:
991:
989:
986:
983:
980:
976:
975:
973:
970:
967:
964:
960:
959:
957:
954:
951:
948:
942:
941:
939:
936:
933:
930:
924:
923:
921:
918:
913:
910:
906:
905:
903:
900:
895:
892:
888:
887:
885:
882:
879:
878:"Mellow Blow"
876:
872:
871:
869:
866:
863:
860:
856:
855:
853:
850:
847:
844:
838:
837:
836:Test pressing
834:
831:
828:
825:
821:
820:
818:
815:
814:Private Stock
812:
809:
808:Frankie Valli
805:
804:
801:
798:
793:
787:
786:Carol Douglas
783:
782:
779:
778:Release month
776:
773:
770:
751:Warner-Spector
708:
705:
699:
696:
667:
664:
593:
590:
586:Disc-O-Tech #2
545:Spring Records
540:
537:
509:
506:
488:
485:
465:
464:
457:
454:
451:
443:
440:
435:
385:
382:
364:
363:
319:
317:
310:
304:
303:Jamaican roots
301:
265:
229:Symphony No. 5
211:
193:
190:
153:Main article:
150:
147:
145:
142:
114:
111:
47:A twelve-inch
26:
9:
6:
4:
3:
2:
6205:
6194:
6191:
6189:
6186:
6184:
6183:Audio storage
6181:
6180:
6178:
6163:
6162:
6153:
6151:
6150:
6139:
6138:
6135:
6129:
6126:
6124:
6121:
6119:
6116:
6114:
6111:
6109:
6106:
6104:
6101:
6099:
6096:
6094:
6091:
6089:
6086:
6084:
6081:
6079:
6076:
6074:
6071:
6069:
6066:
6064:
6061:
6059:
6056:
6054:
6051:
6049:
6046:
6045:
6043:
6039:
6033:
6030:
6028:
6025:
6023:
6020:
6018:
6015:
6011:
6008:
6006:
6003:
6002:
6001:
5998:
5996:
5993:
5991:
5988:
5984:
5981:
5980:
5979:
5976:
5972:
5969:
5968:
5967:
5964:
5958:
5955:
5953:
5950:
5948:
5945:
5943:
5940:
5938:
5935:
5934:
5933:Nationality:
5932:
5928:
5925:
5924:
5922:
5920:
5919:United States
5917:
5912:
5909:
5907:
5904:
5902:
5899:
5897:
5894:
5892:
5888:
5887:
5886:
5883:
5881:
5878:
5877:
5875:
5871:
5861:
5860:
5856:
5854:
5853:
5849:
5847:
5846:
5842:
5840:
5839:
5835:
5833:
5832:
5828:
5826:
5825:
5821:
5819:
5817:
5813:
5812:
5810:
5806:
5800:
5797:
5795:
5792:
5790:
5787:
5785:
5782:
5780:
5777:
5775:
5772:
5770:
5767:
5765:
5762:
5760:
5757:
5755:
5752:
5750:
5747:
5745:
5742:
5741:
5739:
5735:
5732:
5730:
5726:
5720:
5719:
5715:
5713:
5712:
5708:
5706:
5705:
5704:Rolling Stone
5701:
5699:
5698:
5694:
5692:
5691:
5687:
5685:
5684:
5680:
5678:
5677:
5673:
5671:
5670:
5666:
5664:
5663:
5659:
5657:
5656:
5652:
5650:
5649:
5645:
5644:
5642:
5638:
5632:
5629:
5627:
5624:
5622:
5619:
5617:
5614:
5612:
5610:
5609:Rolling Stone
5606:
5604:
5601:
5599:
5598:Oricon charts
5596:
5594:
5591:
5589:
5586:
5584:
5581:
5579:
5576:
5574:
5573:G-Music chart
5571:
5569:
5566:
5564:
5561:
5559:
5557:
5553:
5551:
5549:
5545:
5543:
5541:
5537:
5535:
5532:
5531:
5529:
5527:
5523:
5517:
5514:
5512:
5509:
5507:
5504:
5502:
5499:
5497:
5494:
5493:
5491:
5487:
5481:
5478:
5476:
5473:
5471:
5468:
5466:
5463:
5461:
5458:
5456:
5453:
5451:
5448:
5446:
5443:
5441:
5438:
5436:
5433:
5429:
5425:
5422:
5421:
5420:
5417:
5413:
5409:
5405:
5401:
5397:
5392:
5389:
5388:
5386:
5384:
5378:
5368:
5365:
5361:
5358:
5356:
5353:
5351:
5348:
5346:
5345:Backup singer
5343:
5342:
5341:
5338:
5336:
5333:
5331:
5328:
5326:
5323:
5321:
5318:
5316:
5313:
5311:
5308:
5306:
5303:
5299:
5296:
5294:
5291:
5290:
5289:
5286:
5284:
5281:
5280:
5278:
5274:
5268:
5267:Tour promoter
5265:
5263:
5260:
5258:
5255:
5253:
5250:
5248:
5245:
5243:
5240:
5238:
5235:
5233:
5230:
5228:
5225:
5223:
5220:
5218:
5215:
5213:
5210:
5208:
5205:
5203:
5200:
5198:
5195:
5193:
5190:
5188:
5185:
5183:
5180:
5178:
5175:
5173:
5170:
5168:
5165:
5164:
5162:
5156:
5150:
5147:
5145:
5142:
5140:
5137:
5135:
5132:
5130:
5127:
5125:
5122:
5120:
5117:
5115:
5112:
5110:
5107:
5105:
5102:
5100:
5097:
5095:
5092:
5090:
5087:
5085:
5082:
5080:
5077:
5075:
5072:
5070:
5067:
5066:
5064:
5062:
5058:
5048:
5045:
5043:
5040:
5038:
5035:
5033:
5030:
5029:
5027:
5023:
5017:
5014:
5012:
5009:
5007:
5004:
5002:
4999:
4996:
4992:
4989:
4987:
4984:
4983:
4981:
4977:
4971:
4968:
4966:
4963:
4961:
4957:
4956:
4955:
4950:
4948:
4945:
4943:
4940:
4938:
4934:
4933:
4932:
4927:
4926:
4924:
4922:Record labels
4920:
4914:
4911:
4909:
4906:
4904:
4901:
4899:
4896:
4894:
4891:
4890:
4888:
4884:
4878:
4875:
4873:
4870:
4868:
4865:
4863:
4860:
4858:
4855:
4853:
4850:
4848:
4845:
4843:
4840:
4838:
4835:
4833:
4830:
4829:
4827:
4823:
4820:
4814:
4810:
4803:
4798:
4796:
4791:
4789:
4784:
4783:
4780:
4762:
4758:
4751:
4736:. 7 July 2020
4735:
4731:
4725:
4723:
4714:
4710:
4704:
4696:
4692:
4688:
4684:
4680:
4673:
4665:
4661:
4655:
4647:
4641:
4637:
4632:
4631:
4622:
4614:
4607:
4592:. 26 May 2019
4591:
4587:
4581:
4566:
4562:
4556:
4540:
4534:
4518:
4514:
4508:
4501:. p. 12.
4500:
4493:
4485:
4478:
4462:
4458:
4452:
4437:
4433:
4427:
4419:
4418:
4411:
4396:
4392:
4386:
4384:
4369:
4368:
4361:
4347:
4346:
4339:
4323:
4317:
4303:
4302:
4295:
4281:
4280:
4273:
4265:
4264:Record Mirror
4258:
4243:
4239:
4233:
4225:
4218:
4204:
4203:
4196:
4181:
4177:
4171:
4156:
4150:
4134:
4130:
4124:
4109:
4105:
4099:
4084:
4080:
4073:
4058:
4054:
4048:
4033:
4029:
4023:
4008:on 4 May 2003
4007:
4003:
3997:
3982:
3978:
3972:
3964:
3963:
3956:
3948:
3944:
3938:
3930:
3926:
3920:
3912:
3908:
3902:
3895:. p. 37.
3894:
3887:
3879:
3872:
3864:
3860:
3854:
3846:
3839:
3837:
3828:
3824:
3818:
3810:
3803:
3788:
3784:
3778:
3763:
3759:
3753:
3745:
3741:
3735:
3727:
3723:
3717:
3715:
3713:
3711:
3702:
3701:
3693:
3685:
3681:
3675:
3667:
3663:
3657:
3642:
3638:
3632:
3624:
3620:
3614:
3606:
3599:
3597:
3588:
3581:
3579:
3570:
3566:
3560:
3552:
3546:
3538:
3531:
3516:
3512:
3506:
3504:
3495:
3491:
3490:"Club Dialog"
3485:
3483:
3474:
3470:
3464:
3456:
3452:
3451:"Club Dialog"
3446:
3438:
3431:
3423:
3416:
3408:
3404:
3398:
3396:
3387:
3383:
3377:
3369:
3365:
3359:
3351:
3347:
3341:
3326:
3322:
3316:
3308:
3301:
3299:
3290:
3283:
3276:
3272:
3268:
3262:
3260:
3251:
3247:
3241:
3239:
3230:
3223:
3221:
3212:
3211:
3204:
3202:
3193:
3189:
3183:
3175:
3168:
3166:
3150:
3146:
3140:
3138:
3126:
3122:
3118:
3112:
3110:
3101:
3094:
3092:
3077:
3076:
3069:
3061:
3054:
3052:
3043:
3039:
3033:
3025:
3019:
3015:
3014:
3006:
2998:
2991:
2983:
2979:
2973:
2965:
2961:
2955:
2947:
2946:
2939:
2931:
2927:
2921:
2919:
2910:
2903:
2895:
2889:
2881:
2877:
2873:
2867:
2863:
2862:
2854:
2846:
2842:
2836:
2828:
2824:
2818:
2803:
2799:
2793:
2785:
2779:
2775:
2774:
2766:
2752:
2751:
2744:
2736:
2732:
2726:
2718:
2714:
2713:"Club Dialog"
2708:
2700:
2693:
2685:
2681:
2675:
2660:
2656:
2650:
2642:
2635:
2627:
2623:
2617:
2615:
2606:
2602:
2596:
2588:
2582:
2578:
2577:
2569:
2567:
2565:
2563:
2547:
2543:
2537:
2535:
2533:
2524:
2517:
2502:
2498:
2497:"Tom Moulton"
2492:
2484:
2477:
2469:
2465:
2459:
2451:
2444:
2442:
2425:
2421:
2415:
2400:
2396:
2390:
2382:
2375:
2368:
2364:
2360:
2354:
2347:
2343:
2339:
2333:
2318:
2314:
2308:
2306:
2294:
2288:
2274:
2273:
2266:
2260:
2257:
2251:
2243:
2239:
2233:
2218:
2214:
2207:
2191:
2187:
2181:
2173:
2166:
2158:
2152:
2149:. Routledge.
2148:
2147:
2139:
2131:
2127:
2120:
2112:
2108:
2101:
2093:
2089:
2082:
2067:
2063:
2057:
2042:
2038:
2032:
2017:
2016:stokowski.org
2013:
2007:
1992:
1991:stokowski.org
1988:
1982:
1974:
1968:
1953:
1949:
1943:
1935:
1931:
1927:
1923:
1919:
1915:
1911:
1907:
1900:
1892:
1886:
1882:
1881:
1873:
1871:
1855:
1851:
1844:
1833:
1827:
1812:
1808:
1802:
1798:
1790:
1788:
1787:vinyl revival
1783:
1782:DJ controller
1779:
1775:
1771:
1767:
1761:
1759:
1754:
1750:
1746:
1742:
1738:
1729:
1720:
1718:
1714:
1710:
1706:
1702:
1698:
1697:record labels
1693:
1691:
1690:drum and bass
1687:
1683:
1679:
1675:
1670:
1669:Record Mirror
1666:
1661:
1659:
1655:
1654:sound quality
1651:
1647:
1643:
1639:
1635:
1620:
1618:
1614:
1610:
1606:
1602:
1598:
1594:
1590:
1580:
1578:
1574:
1570:
1567:, Ultrafunk,
1566:
1565:the Originals
1562:
1561:Lalo Schifrin
1558:
1554:
1550:
1546:
1542:
1538:
1534:
1530:
1525:
1521:
1517:
1516:Robert Palmer
1513:
1509:
1505:
1501:
1497:
1493:
1483:
1481:
1477:
1476:the Quarrymen
1473:
1462:
1460:
1456:
1452:
1445:
1441:
1431:
1429:
1428:Disques Vogue
1425:
1415:
1413:
1403:
1401:
1396:
1392:
1388:
1384:
1380:
1379:George Benson
1376:
1375:Nice And Slow
1372:
1367:
1364:
1360:
1356:
1346:
1342:
1324:
1321:
1318:
1315:
1312:
1311:
1308:
1305:
1303:
1300:
1297:
1295:
1292:
1291:
1288:
1285:
1283:
1280:
1277:
1275:Ralph Carter
1274:
1273:
1270:
1267:
1265:
1262:
1259:
1256:
1253:
1252:
1249:
1246:
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1238:
1236:
1233:
1232:
1228:
1225:
1222:
1219:
1216:
1215:
1212:
1209:
1207:20th Century
1206:
1203:
1201:
1198:
1197:
1194:
1191:
1189:
1185:
1182:
1180:
1177:
1176:
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1160:
1157:
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1138:
1136:
1133:
1130:
1128:
1125:
1124:
1121:
1118:
1116:
1113:
1110:
1106:
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1100:
1097:
1094:
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1069:
1067:
1064:
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1057:
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1034:
1033:
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1027:
1024:
1021:
1017:
1015:
1012:
1011:
1008:
1005:
1002:
999:
997:
994:
993:
990:
987:
984:
981:
979:The Chequers
978:
977:
974:
971:
968:
965:
962:
961:
958:
955:
952:
949:
947:
944:
943:
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934:
931:
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926:
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922:
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914:
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904:
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899:
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867:
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861:
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839:
835:
832:
829:
826:
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784:
780:
777:
774:
771:
768:
767:
761:
759:
754:
752:
748:
744:
742:
738:
735:", issued by
734:
730:
729:Frankie Valli
724:
722:
718:
717:Carol Douglas
714:
704:
695:
692:
688:
684:
680:
679:
674:
663:
661:
657:
652:
650:
646:
641:
640:
638:
633:
628:
627:Chess Records
624:
618:
615:
611:
610:dynamic range
607:
603:
599:
589:
587:
583:
579:
575:
571:
567:
563:
559:
558:
554:
553:Gloria Gaynor
550:
546:
536:
534:
531:
527:
523:
519:
518:the Carstairs
515:
514:northern soul
505:
503:
499:
494:
484:
482:
478:
474:
470:
462:
458:
455:
452:
449:
448:
447:
439:
433:
428:
426:
422:
418:
417:
412:
411:
406:
402:
398:
396:
395:Tower Records
391:
390:Ampex Records
381:
379:
375:
374:sound systems
371:
360:
357:
349:
346:February 2017
339:
335:
329:
328:
324:
318:
309:
308:
300:
298:
297:
294:
289:
288:extended play
285:
284:
278:
275:
271:
263:
259:
255:
251:
246:
244:
240:
237:conducted by
236:
232:
230:
225:
224:Union Carbide
221:
217:
209:
203:
199:
189:
187:
182:
178:
174:
170:
166:
162:
161:Thomas Edison
156:
141:
125:
121:
110:
108:
107:7-inch single
86:
82:
81:dynamic range
78:
74:
70:
66:
62:
58:
50:
45:
41:
37:
19:
6188:Single types
6154:
6140:
6118:Record sales
6083:Hidden track
5873:Achievements
5857:
5852:The X Factor
5850:
5843:
5836:
5831:Star Academy
5829:
5822:
5815:
5716:
5709:
5702:
5695:
5688:
5681:
5674:
5667:
5660:
5653:
5646:
5640:Publications
5608:
5568:Circle Chart
5555:
5547:
5539:
5501:Concert tour
5424:Double album
5399:
5350:Ghost singer
5335:Orchestrator
5320:Horn section
5247:Record label
5182:Distribution
5089:Experimental
5061:Major genres
5047:Ticketmaster
4995:iTunes Store
4952:
4951:
4929:
4928:
4847:Music Canada
4764:. Retrieved
4760:
4750:
4738:. Retrieved
4734:Discogs Blog
4733:
4712:
4703:
4686:
4682:
4672:
4654:
4629:
4621:
4612:
4606:
4594:. Retrieved
4589:
4580:
4568:. Retrieved
4564:
4555:
4543:. Retrieved
4533:
4521:. Retrieved
4516:
4507:
4498:
4492:
4483:
4477:
4465:. Retrieved
4460:
4451:
4439:. Retrieved
4435:
4426:
4416:
4410:
4398:. Retrieved
4394:
4371:, retrieved
4366:
4360:
4349:, retrieved
4344:
4338:
4326:. Retrieved
4316:
4305:, retrieved
4300:
4294:
4283:, retrieved
4278:
4272:
4263:
4257:
4245:. Retrieved
4241:
4232:
4223:
4217:
4206:, retrieved
4201:
4195:
4183:. Retrieved
4179:
4170:
4158:. Retrieved
4149:
4137:. Retrieved
4132:
4123:
4111:. Retrieved
4107:
4098:
4086:. Retrieved
4083:Reggae Vibes
4082:
4072:
4060:. Retrieved
4056:
4047:
4035:. Retrieved
4031:
4022:
4010:. Retrieved
4006:the original
3996:
3984:. Retrieved
3981:milesago.com
3980:
3971:
3961:
3955:
3946:
3937:
3928:
3919:
3910:
3901:
3892:
3886:
3878:Record World
3877:
3871:
3862:
3853:
3844:
3826:
3817:
3809:Record World
3808:
3802:
3790:. Retrieved
3786:
3777:
3765:. Retrieved
3761:
3752:
3743:
3734:
3725:
3699:
3692:
3683:
3674:
3665:
3656:
3644:. Retrieved
3640:
3631:
3622:
3613:
3605:Record World
3604:
3587:Record World
3586:
3568:
3559:
3550:
3545:
3537:Record World
3536:
3530:
3518:. Retrieved
3514:
3493:
3472:
3463:
3454:
3445:
3437:Record World
3436:
3430:
3422:Record World
3421:
3415:
3406:
3385:
3376:
3367:
3358:
3349:
3340:
3328:. Retrieved
3324:
3315:
3307:Record World
3306:
3289:Record World
3288:
3282:
3274:
3270:
3249:
3229:Record World
3228:
3209:
3191:
3182:
3173:
3152:. Retrieved
3148:
3125:the original
3120:
3100:Record World
3099:
3079:, retrieved
3074:
3068:
3060:Record World
3059:
3041:
3032:
3012:
3005:
2996:
2990:
2981:
2972:
2963:
2954:
2944:
2938:
2929:
2909:Record World
2908:
2902:
2860:
2853:
2844:
2835:
2826:
2817:
2805:. Retrieved
2801:
2792:
2772:
2765:
2754:, retrieved
2749:
2743:
2734:
2725:
2716:
2707:
2699:Record World
2698:
2692:
2683:
2674:
2662:. Retrieved
2658:
2649:
2640:
2634:
2625:
2604:
2595:
2575:
2549:. Retrieved
2546:alkent.co.uk
2545:
2523:Record World
2522:
2516:
2504:. Retrieved
2500:
2491:
2485:. p. 1.
2482:
2476:
2467:
2458:
2449:
2428:. Retrieved
2423:
2414:
2402:. Retrieved
2398:
2389:
2381:Record World
2380:
2374:
2366:
2362:
2353:
2345:
2341:
2332:
2320:. Retrieved
2316:
2313:"Disco Gold"
2287:
2276:, retrieved
2271:
2265:
2255:
2250:
2242:the original
2232:
2220:. Retrieved
2217:Legend Vinyl
2216:
2206:
2194:. Retrieved
2189:
2180:
2171:
2165:
2145:
2138:
2125:
2119:
2106:
2100:
2087:
2081:
2069:. Retrieved
2065:
2056:
2044:. Retrieved
2040:
2031:
2019:. Retrieved
2015:
2006:
1994:. Retrieved
1990:
1981:
1967:
1955:. Retrieved
1951:
1942:
1934:the original
1913:
1909:
1899:
1879:
1857:. Retrieved
1853:
1843:
1826:
1814:. Retrieved
1810:
1801:
1762:
1753:compact disc
1734:
1694:
1674:turntabalism
1662:
1634:Donna Summer
1631:
1586:
1545:Candi Staton
1533:the Rimshots
1489:
1468:
1447:
1421:
1409:
1368:
1352:
1343:
1339:
1165:"Breakaway"
1103:David Ruffin
1084:Love Machine
1078:The Miracles
946:Ace Spectrum
898:20th Century
824:Bobby Moore
789:
755:
745:
725:
720:
710:
701:
690:
687:Vince Aletti
683:Disco Action
682:
678:Record World
676:
672:
669:
653:
642:
635:
619:
598:mix engineer
595:
585:
581:
556:
548:
542:
532:
511:
490:
466:
461:record pools
445:
429:
424:
421:Freddie King
415:
408:
405:Leon Russell
399:
387:
367:
352:
343:
321:
295:
292:
282:
279:
257:
254:World War II
247:
227:
205:
158:
116:
64:
60:
56:
54:
40:
6193:12 (number)
6128:White label
6063:Backmasking
5880:Music award
5859:Rising Star
5655:HitQuarters
5534:ARIA Charts
5450:Eight-track
5435:Music video
5412:Maxi single
5360:Ghostwriter
5355:Vocal coach
5310:Disc jockey
5283:Arrangement
5252:Record shop
5222:Music venue
5217:Music store
5177:Disc jockey
5037:Live Nation
5032:CTS Eventim
4954:Independent
4766:30 December
4660:Negativland
4570:30 December
4545:30 December
4523:30 December
4467:30 December
4461:Vanity Fair
4441:30 December
4395:7tt77.co.uk
3515:bsnpubs.com
2664:30 December
2424:Wax Poetics
2317:Ace Records
2222:30 December
2196:30 December
2071:30 December
2041:bsnpubs.com
1952:bsnpubs.com
1717:Blue Monday
1686:house music
1642:I Feel Love
1593:Gerry Shury
1557:Greg Wilson
1553:Warner Bros
1529:the Moments
1500:Herbie Mann
1492:Ben E. King
1391:CTI Records
1371:Jesse Green
1355:Ten Percent
1162:Ernie Bush
1149:"Jealousy"
928:The Trammps
614:discothĂšque
582:Disc-O-Tech
578:cover songs
562:MGM Records
469:Tom Moulton
258:Prince Igor
124:dance music
36:Foot (unit)
6177:Categories
5983:by country
5971:by country
5729:Television
5711:Smash Hits
5616:Sino Chart
5489:Live shows
5400:12" single
5288:Songwriter
5276:Production
5084:Electronic
5025:Live music
4886:Publishers
4867:PROMUSICAE
4391:"CONTEMPO"
2880:1028843369
2823:"Signings"
1793:References
1743:, and the
1605:Substitute
1597:John Abbey
1455:discomixes
1383:Summertime
1155:September
1139:September
1135:Soul Train
1119:September
1095:September
1070:September
1046:September
1028:September
1006:September
988:September
691:Disco File
606:Al Downing
477:Mel Cheren
432:Swamp Dogg
323:neutrality
274:RCA Victor
231:In C Minor
208:RCA Victor
177:New Jersey
6048:Album era
5942:Brazilian
5914:(Females)
5845:The Voice
5818:franchise
5779:MuchMusic
5744:Channel V
5662:Hot Press
5648:Billboard
5556:Billboard
5548:Billboard
5540:Billboard
5408:CD single
5305:Conductor
5257:Road crew
5237:Promotion
5160:and roles
5042:LiveStyle
4979:Retailers
4942:Universal
4499:Billboard
4484:Billboard
4417:Billboard
4180:45cat.com
4129:"12 x 12"
3962:Billboard
3947:Billboard
3929:Billboard
3911:Billboard
3893:Billboard
3880:: 26, 44.
3863:Billboard
3845:Billboard
3827:Billboard
3744:Billboard
3726:Billboard
3684:Billboard
3666:Billboard
3623:Billboard
3569:Billboard
3494:Billboard
3473:Billboard
3455:Billboard
3407:Billboard
3386:Billboard
3368:Billboard
3350:Billboard
3271:Billboard
3250:Billboard
3210:Billboard
3192:Billboard
3174:Billboard
3042:Billboard
2997:Billboard
2982:Billboard
2964:Billboard
2945:Billboard
2930:Billboard
2888:cite book
2845:Billboard
2827:Billboard
2735:Billboard
2717:Billboard
2684:Billboard
2641:Billboard
2626:Billboard
2605:Billboard
2483:Billboard
2468:Billboard
2450:Billboard
2363:Billboard
2342:Billboard
2256:Billboard
2126:Billboard
2107:Billboard
2088:Billboard
1930:0097-5834
1758:streaming
1713:New Order
1609:I'm A Boy
1541:Phonogram
1406:Australia
1385:2001" / "
1322:December
1306:November
1286:November
1268:November
1247:November
1223:Atlantic
1092:(Motown)
1060:Low Rider
953:Atlantic
935:Atlantic
881:Atlantic
875:Barrabas
800:February
741:Bob Crewe
673:Billboard
530:Billboard
516:track by
498:varispeed
493:flip side
467:Notably,
442:Disco era
384:Pre-disco
334:talk page
216:Vitaphone
120:amplitude
6161:Category
6005:by women
5838:The Four
5824:Popstars
5737:Channels
5669:Kerrang!
5298:Lyricist
5293:Composer
4713:Engadget
4108:AllMusic
1711:quartet
1607:" with "
1440:Discomix
1398:Pyramid/
1349:Releases
1260:"Joyce"
1226:October
1210:October
1192:October
1188:Pickwick
1171:October
1043:Tom Cat
985:Scepter
969:Scepter
963:Secrets
916:Columbia
859:Calhoon
849:Scepter
830:Scepter
792:sampler
747:Barrabas
656:Columbia
649:Free Man
632:Roulette
526:mixtapes
327:disputed
220:vinylite
71:or PVC)
5957:Swedish
5952:Italian
5947:British
5937:Belgian
5923:Genre:
5901:Germany
5896:Finland
5611:Top 100
5542:Hot 100
5496:Concert
5470:Airplay
5428:Mixtape
5383:formats
5381:Release
5158:Sectors
5124:New Age
5104:Hip hop
5074:Country
5011:Kaspien
4960:Concord
4185:16 June
4139:14 June
2506:30 June
1770:laptops
1749:Walkman
1682:hip-hop
1678:electro
1667:of the
1601:the Who
1589:Banzaii
1573:Deodato
1472:Beatles
1381:sides "
1282:Mercury
972:August
956:August
938:August
920:August
842:Banzaii
769:Artist
758:A&R
574:medleys
233:by the
181:shellac
144:History
135:⁄
96:⁄
61:12-inch
18:12 inch
5891:Brazil
5808:Series
5526:Charts
5391:Single
5134:Reggae
5099:Gospel
4986:Amazon
4947:Warner
4642:
4400:20 May
4373:10 May
4351:10 May
4328:10 May
4307:18 May
4285:18 May
4247:17 May
4208:8 June
3986:15 May
3792:27 May
3767:11 May
3646:4 June
3520:7 June
3330:11 May
3154:2 June
3081:17 May
3020:
2878:
2868:
2807:24 May
2780:
2756:6 June
2583:
2551:15 May
2430:21 May
2404:21 May
2322:21 May
2278:15 May
2153:
2046:6 June
2021:6 June
1996:6 June
1957:20 May
1928:
1887:
1859:16 May
1816:20 May
1739:, the
1524:Virgin
1506:" b/w
1504:Hijack
1451:reggae
1418:France
1264:Buddah
1115:Motown
781:Notes
775:Label
772:Title
689:wrote
471:, and
416:Carney
250:V-Disc
200:, and
101:or 45
6041:Other
6010:Latin
5927:Latin
5906:Japan
5419:Album
5149:World
5119:Metal
5114:Latin
5069:Blues
4931:Major
4761:Metro
4740:3 May
4636:41â42
4596:3 May
4160:3 May
4113:3 May
4088:2 May
4062:2 May
4037:3 May
4012:3 May
3539:: 39.
3128:(PDF)
2296:(PDF)
1835:(PDF)
1709:dance
1695:Many
1611:" / "
1474:band
1357:" by
1313:Gail
1090:Tamla
902:July
884:July
852:June
833:June
604:" by
370:mento
5889:In:
5816:Idol
5789:Viva
5774:Tr3s
5769:MTV2
5759:Mnet
5754:Fuse
5676:Mojo
5144:Rock
5109:Jazz
5094:Folk
5001:Fnac
4970:AAMG
4937:Sony
4877:SNEP
4872:RIAA
4852:FIMI
4837:BVMI
4832:ARIA
4768:2023
4742:2021
4640:ISBN
4598:2021
4572:2023
4547:2023
4525:2023
4469:2023
4443:2023
4402:2020
4375:2020
4353:2020
4330:2020
4309:2020
4287:2020
4249:2020
4210:2020
4187:2020
4162:2021
4141:2020
4115:2021
4090:2021
4064:2021
4039:2021
4014:2021
3988:2020
3794:2020
3769:2020
3648:2020
3522:2020
3332:2020
3156:2020
3083:2020
3018:ISBN
2894:link
2876:OCLC
2866:ISBN
2809:2020
2778:ISBN
2758:2020
2666:2023
2581:ISBN
2553:2020
2508:2020
2432:2020
2406:2020
2324:2020
2280:2020
2224:2023
2198:2023
2151:ISBN
2073:2023
2048:2020
2023:2020
1998:2020
1959:2021
1926:ISSN
1885:ISBN
1861:2020
1818:2020
1766:CDJs
1680:and
1648:'s "
1636:'s "
1603:'s "
1575:and
1539:via
1442:and
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