1551:
755:
832:
861:
665:
785:
725:
710:
321:
306:
680:
817:
925:
367:
846:
554:
910:
802:
740:
543:
943:
695:
388:
893:
770:
961:
54:
878:
1572:
400:
195:
572:. Landseer accepted on condition that he would not have to start work for another nine months, and there was a further delay when he asked to be supplied with copies of casts of a real lion he knew were in the possession of the academy at Turin. The request proved complex, and the casts did not arrive until the summer of 1860. The lions were made at the Kensington studio of
359:. Then, in the year before her marriage, the queen commissioned a portrait of herself. He taught both Victoria and Albert to etch, and made portraits of Victoria's children as babies, usually in the company of a dog. He also made two portraits of Victoria and Albert dressed for costume balls, at which he was a guest himself. One of his last paintings was a life-size
260:
488:
was entered at the 1861 Royal
Academy Exhibition and caused controversy because of its subject matter. It showed a powerful horse on its knees among straw in a stable, while a young woman lies with her head pillowed on its flanks, lightly touching its head with her hand. The catalogue explained it
642:
Landseer was rumoured to be able to paint with both hands at the same time, for example, paint a horse's head with the right and its tail with the left, simultaneously. He was also known to be able to paint extremely quickly—when the mood struck him. He could also procrastinate, sometimes for
250:
He was knighted in 1850, and although elected to be president of the Royal
Academy in 1866 he declined the invitation. In his late thirties Landseer suffered what is now believed to be a substantial nervous breakdown, and for the rest of his life was troubled by recurring bouts of melancholy,
350:
His appeal crossed class boundaries: reproductions of his works were common in middle-class homes, while he was also popular with the aristocracy. Queen
Victoria commissioned numerous pictures from the artist. Initially asked to paint various royal pets, he then moved on to portraits of
754:
347:(1820) shows two of the dogs standing over a man who is partially buried in snow. One is barking to attract attention while the other, who is depicted with the miniature barrel, attempts to revive the man by licking his hand.
831:
251:
hypochondria, and depression, often aggravated by alcohol and drug use. In the last few years of his life
Landseer's mental stability was problematic, and at the request of his family he was declared insane in July 1872.
444:
that, rather than being black or mostly black, features a mixture of both black and white. It was this variety
Landseer popularised in his paintings celebrating Newfoundlands as water rescue dogs, most notably
860:
1575:
298:
was considerable, and his reputation as an animal painter was unrivalled. Much of his fame – and his income – was generated by the publication of engravings of his work, many of them by his brother
784:
225:. At the age of just 13, in 1815, he exhibited works there as an “Honorary Exhibitor”. He was elected an Associate at the minimum age of 24, and an Academician five years later in 1831.
942:
816:
530:, when exams are held in the gallery, as there is a longstanding rumour that the painting drives people mad when they sit near it. In 1862 Landseer painted a portrait of
664:
1821:
584:
Landseer's death on 1 October 1873 was widely marked in
England: shops and houses lowered their blinds, flags flew at half mast, his bronze lions at the base of
1290:
709:
497:, then at the height of her fame. Walters was an excellent horsewoman and along with other "pretty horsebreakers", frequently appeared riding in Hyde Park.
457:(1856). The paintings combine the Victorian conception of childhood with the appealing idea of noble animals devoted to humankind, a devotion indicated, in
1075:
493:. Critics were troubled by the depiction of a languorous woman dominating a powerful animal and some concluded Landseer was implying the famous courtesan
1139:
576:, who also cast them. Work was slowed by Landseer's ill health, and his fractious relationship with Marochetti. The sculptures were installed in 1867.
679:
411:
in particular, which provided the subjects (both human and animal) for many of his important paintings. The paintings included his early successes
801:
845:
924:
724:
1638:
791:
1796:
1124:
1826:
1811:
1192:
851:
1069:
1754:
1614:
1654:
1427:
867:
1786:
1806:
244:
523:
739:
619:
909:
1662:
421:
371:
1274:
1052:
588:
were hung with wreaths, and large crowds lined the streets to watch his funeral cortege pass. Landseer was buried in
531:
320:
305:
240:
and the Royal
Academy Schools." They also visited Scotland together in 1824, which had a great effect upon Landseer.
1371:
1024:
489:
as a portrait of a noted equestrienne, Ann
Gilbert, applying the taming techniques of the famous 'horse whisperer'
960:
1560:
1545:
210:
whose artistic talents were recognised early on. He studied under several artists, including his father, and the
1791:
1014:
1147:
221:
in order to fully understand animal musculature and skeletal structure. Landseer's life was entwined with the
158:
1607:
1816:
1118:
892:
1678:
1541:
967:
694:
647:
506:
276:
1520:
436:
So popular and influential were
Landseer's paintings of dogs in the service of humanity that the name
380:
313:
24:
1587:
1495:
982:
569:
429:(1855–1868). In 1828, he was commissioned to produce illustrations for the Waverley Edition of Sir
553:
1600:
623:
366:
589:
407:
Landseer was particularly associated with
Scotland, which he had first visited in 1824 and the
214:
59:
769:
288:
229:
110:
1388:
1801:
1781:
1776:
1013:
952:
608:
8:
1646:
1526:
466:
360:
1499:
174:(7 March 1802 – 1 October 1873) was an English painter and sculptor, well known for his
1696:
1515:
932:
585:
565:
547:
490:
441:
408:
284:
183:
1536:
1367:
1270:
1048:
877:
564:
In 1858 the government commissioned Landseer to make four gold lions for the base of
542:
494:
332:
170:
43:
1747:
1741:
1555:
1080:
573:
471:
211:
1099:
461:
by the fact the dog has rescued the child without any apparent human involvement.
1735:
1670:
899:
650:
was named after him and was his godson—Lutyens' father was a friend of Landseer.
519:
479:
376:
299:
237:
1532:
1117:
1713:
1476:
1084:
1019:
437:
387:
233:
179:
419:(1826–1829) and his more mature achievements, such as the majestic stag study
363:
of the Queen, shown at the Royal Academy in 1873, made from earlier sketches.
1770:
1729:
1579:
1128:. Vol. 16 (11th ed.). Cambridge University Press. pp. 166–167.
1113:
987:
515:
392:
295:
280:
222:
207:
203:
147:
1389:"The Smith's Charity Estate: Charles James Freake and Onslow Square Gardens"
232:, who described him as "a curly-headed youngster, dividing his time between
627:
430:
272:
53:
20:
1045:
A Victorian Salon: Paintings from the Russell-Cotes Art Gallery and Museum
247:. Despite her being twenty years older than he was, they began an affair.
511:
331:
One of his earliest paintings is credited as the origin of the myth that
268:
1193:"Why Are St. Bernards Always Depicted With Barrels Around Their Necks?"
1047:. Russell-Cotes Art Gallery in association with Lundl Humphries. 1999.
527:
356:
218:
175:
518:'s failed Arctic expedition. The painting was purchased at auction by
607:, all on easels in his studio. It was his dying wish that his friend
259:
178:– particularly horses, dogs, and stags. His best-known works are the
137:
615:
1571:
838:
Queen Victoria and Prince Albert at the Bal Costumé of 12 May 1842
568:
in Trafalgar Square, following the rejection of a set in stone by
399:
1592:
1291:"Rent-day in the Wilderness (1868) – National Galleries Scotland"
352:
194:
1564:
595:
At his death, Landseer left behind three unfinished paintings:
475:
340:
614:
In 1876, a 30-foot self-righting lifeboat, built by Woolfe of
514:
toying with the bones of the dead and other remains, from Sir
1458:
The Story of the Mablethorpe and North Lincolnshire Lifeboats
1028:. Vol. 2. London: Smith, Elder & Co. pp. 64–68.
761:
Favourites, the Property of H.R.H. Prince George of Cambridge
510:(both of 1864) are pessimistic in tone. The latter shows two
19:"Landseer" redirects here. For the eponymous dog breed, see
336:
1460:(1st ed.). Lifeboat Enthusiasts Society. p. 14.
630:. Funded by Miss Jennie Landseer, the lifeboat was named
526:. It is a college tradition to cover the painting with a
312:
by Sir Edwin Henry Landseer. Circa 1825. Commissioned by
243:
In 1823 Landseer was commissioned to paint a portrait of
1070:"Landseer, Sir Edwin Henry (1802–1873), animal painter"
1523:—Landseer works belonging to the British Royal Family.
1349:, University of Missouri Press, Columbia, 1991 p. 266.
202:
Landseer was born in London, the son of the engraver
287:
in London. He also collaborated with fellow painter
1488:The Monarch of the Glen: Landseer in the Highlands
1366:. London: Lawrence & Wishart. pp. 107–8.
1315:, Saturday, 4 May 1861; pg. 12; Issue 23924; col A
1079:(online ed.). Oxford University Press. 2004.
1068:
345:Alpine Mastiffs Reanimating a Distressed Traveller
325:Alpine Mastiffs Reanimating a Distressed Traveller
1449:
1386:
1768:
611:should complete the paintings, and this he did.
440:came to be the official name for the variety of
217:, who encouraged the young Landseer to perform
1822:Recipients of the Pour le MĂ©rite (civil class)
1430:p. 468: London; Chapman & Hall, Ltd; 1909.
470:(1840) satirises the legal profession through
316:for her lady-in-waiting, Lady Barbara Ponsonby
267:Landseer was a notable figure in 19th-century
1608:
1443:'Life and Letters of Sir John Everett Millais
206:A.R.A. and Jane Potts. He was something of a
1639:A Distinguished Member of the Humane Society
1490:. Edinburgh: National Galleries of Scotland.
792:A Distinguished Member of the Humane Society
500:Some of Landseer's later works, such as his
451:A Distinguished Member of the Humane Society
375:, 1851: the image was widely distributed in
1542:Works by Edwin Henry Landseer (illustrator)
1445:. Vol. 2. London: Methuen. p. 47.
1347:Harriet Hosmer: American Sculptor 1830–1908
560:(1837; Victoria and Albert Museum, London).
1615:
1601:
52:
1260:
1258:
1011:
1494:
1269:. London: The Tate Gallery. p. 31.
1112:
825:, Queen Victoria and her family, c. 1842
552:
541:
417:An Illicit Whisky Still in the Highlands
398:
386:
365:
319:
304:
258:
193:
16:English painter and sculptor (1802–1873)
1561:146 artworks by or after Edwin Landseer
1440:
1357:
1355:
1132:
1076:Oxford Dictionary of National Biography
1039:
1037:
1035:
1769:
1582:for The Keepsake annual for 1829 with
1529:—Landseer works on Google Art Project.
1485:
1474:
1455:
1380:
1264:
1255:
1190:
808:A Favourite Greyhound of Prince Albert
310:Portrait of an Arab Mare with her Foal
1596:
1393:Survey of London: volume 41: Brompton
546:One of four Lions around the base of
245:Georgiana Russell, Duchess of Bedford
1655:Scene from A Midsummer Night's Dream
1361:
1352:
1032:
1007:
1005:
1003:
868:Scene from A Midsummer Night's Dream
524:Royal Holloway, University of London
522:and hangs in the picture gallery of
1516:Landseer Gallery at MuseumSyndicate
1481:London: Walter Scott Publishing Co.
1426:"Memorials of St Paul's Cathedral"
620:Royal National Lifeboat Institution
474:. It shows a group of dogs, with a
13:
1622:
1395:. Institute of Historical Research
618:, costing ÂŁ275, was gifted to the
263:Edwin Henry Landseer self-portrait
14:
1838:
1827:19th-century English male artists
1812:British artists with disabilities
1509:
1364:Trafalgar Square:Emblem of Empire
1191:Soniak, Matt (18 February 2009).
1119:"Landseer, Sir Edwin Henry"
1012:Monkhouse, William Cosmo (1885).
1000:
686:The Monkey Who Had Seen the World
643:years, over certain commissions.
634:, in memory of her late brother.
532:Louisa Caroline Stewart-Mackenzie
1570:
1552:Works by or about Edwin Landseer
1025:Dictionary of National Biography
959:
941:
923:
908:
891:
876:
859:
844:
830:
815:
800:
783:
768:
753:
738:
723:
708:
693:
678:
663:
637:
271:, and his works can be found in
1504:. London: Sampson Low, Marston.
1433:
1420:
1407:
1339:
1330:
1327:Vol. 90 (550) Aug 1861 Page 211
1318:
1306:
1297:
1283:
1246:
1237:
1228:
1219:
1797:Burials at St Paul's Cathedral
1325:Blackwood's Edinburgh Magazine
1210:
1184:
1175:
1162:
1146:. 20 July 2002. Archived from
1106:
1061:
823:Windsor Castle in Modern Times
1:
1787:19th-century English painters
1576:Georgiana. Duchess of Bedford
1533:Works by Edwin Henry Landseer
1468:
1441:Millais, John Guille (1899).
1015:"Landseer, Edwin Henry"
534:holding her daughter Maysie.
159:Exposition Universelle (1855)
1807:People with mental disorders
1100:UK public library membership
558:Old Shepherd's Chief Mourner
537:
7:
1456:Morris, Jeff (April 1989).
976:
413:The Hunting of Chevy Chase
254:
10:
1843:
1679:Man Proposes, God Disposes
1387:F. H. W. Sheppard (1983).
968:Man Proposes, God Disposes
933:Wild Cattle of Chillingham
653:
648:Sir Edwin Landseer Lutyens
507:Man Proposes, God Disposes
427:Rent Day in the Wilderness
277:Victoria and Albert Museum
228:He was an acquaintance of
18:
1722:
1706:
1689:
1630:
1475:Manson, James A. (1902).
1140:"Painted lady of passion"
381:Scottish National Gallery
294:Landseer's popularity in
153:
143:
133:
116:
106:
90:
67:
51:
34:
25:Landseer (disambiguation)
1588:Letitia Elizabeth Landon
1486:Ormond, Richard (2005).
993:
983:List of wildlife artists
671:Lion: A Newfoundland Dog
579:
339:carry a small casket of
167:Sir Edwin Henry Landseer
157:Great gold medal of the
1663:The Monarch of the Glen
1478:Sir Edwin Landseer R.A.
1125:Encyclopædia Britannica
624:Chapel Lifeboat Station
422:The Monarch of the Glen
372:The Monarch of the Glen
189:
1755:Alexander and Diogenes
1336:Manson (1902), p. 161.
1303:Manson (1902), p. 101.
1265:Hamlyn, Robin (1993).
1252:Manson (1902), p. 107.
1243:Manson (1902), p. 106.
1234:Manson (1902), p. 105.
1225:Manson (1902), p. 104.
1216:Manson (1902), p. 102.
1181:Stephens (1880), p. 4.
1085:10.1093/ref:odnb/15984
949:Flood in the Highlands
852:Alexander and Diogenes
561:
550:
502:Flood in the Highlands
404:
396:
384:
328:
317:
264:
215:Benjamin Robert Haydon
199:
23:. For other uses, see
1792:English male painters
1697:Nelson's Column lions
1496:Stephens, Frederic G.
1362:Mace, Rodney (1975).
556:
545:
402:
390:
369:
323:
308:
289:Frederick Richard Lee
262:
230:Charles Robert Leslie
197:
186:in Trafalgar Square.
111:Royal Academy Schools
1521:The Royal Collection
1267:Robert Vernon's Gift
953:Aberdeen Art Gallery
746:A Highland Breakfast
716:A Highland Landscape
609:John Everett Millais
464:Landseer's painting
176:paintings of animals
72:Edwin Henry Landseer
1647:Laying Down the Law
1150:on 1 September 2020
590:St Paul's Cathedral
467:Laying Down The Law
361:equestrian portrait
335:rescue dogs in the
1817:Royal Academicians
1527:Google Art Project
1501:Sir Edwin Landseer
562:
551:
491:John Solomon Rarey
405:
397:
385:
343:on their collars.
329:
318:
314:Princess Charlotte
285:Wallace Collection
265:
236:'s wild beasts at
200:
1764:
1763:
1537:Project Gutenberg
1345:Sherwood, Dolly,
1098:(Subscription or
597:Finding the Otter
495:Catherine Walters
447:Off to the Rescue
403:"The Shrew Tamed"
296:Victorian Britain
164:
163:
1834:
1748:Jessica Landseer
1742:Charles Landseer
1617:
1610:
1603:
1594:
1593:
1574:
1556:Internet Archive
1505:
1491:
1482:
1462:
1461:
1453:
1447:
1446:
1437:
1431:
1424:
1418:
1411:
1405:
1404:
1402:
1400:
1384:
1378:
1377:
1359:
1350:
1343:
1337:
1334:
1328:
1322:
1316:
1310:
1304:
1301:
1295:
1294:
1287:
1281:
1280:
1262:
1253:
1250:
1244:
1241:
1235:
1232:
1226:
1223:
1217:
1214:
1208:
1207:
1205:
1203:
1188:
1182:
1179:
1173:
1166:
1160:
1159:
1157:
1155:
1136:
1130:
1129:
1121:
1110:
1104:
1103:
1095:
1093:
1091:
1072:
1065:
1059:
1058:
1041:
1030:
1029:
1017:
1009:
963:
945:
927:
912:
895:
880:
863:
854:, exhibited 1848
848:
834:
819:
804:
795:, exhibited 1838
787:
772:
757:
742:
727:
712:
697:
682:
667:
622:, and placed at
574:Carlo Marochetti
478:symbolising the
472:anthropomorphism
442:Newfoundland dog
377:steel engravings
173:
97:
81:
79:
56:
46:
32:
31:
1842:
1841:
1837:
1836:
1835:
1833:
1832:
1831:
1767:
1766:
1765:
1760:
1736:Thomas Landseer
1718:
1702:
1685:
1671:Doubtful Crumbs
1626:
1621:
1578:., engraved by
1512:
1471:
1466:
1465:
1454:
1450:
1438:
1434:
1425:
1421:
1412:
1408:
1398:
1396:
1385:
1381:
1374:
1360:
1353:
1344:
1340:
1335:
1331:
1323:
1319:
1311:
1307:
1302:
1298:
1289:
1288:
1284:
1277:
1263:
1256:
1251:
1247:
1242:
1238:
1233:
1229:
1224:
1220:
1215:
1211:
1201:
1199:
1189:
1185:
1180:
1176:
1167:
1163:
1153:
1151:
1138:
1137:
1133:
1111:
1107:
1097:
1089:
1087:
1067:
1066:
1062:
1055:
1043:
1042:
1033:
1020:Stephen, Leslie
1010:
1001:
996:
979:
972:
964:
955:
946:
937:
928:
919:
913:
904:
900:Doubtful Crumbs
896:
887:
881:
872:
864:
855:
849:
840:
835:
826:
820:
811:
805:
796:
788:
779:
773:
764:
758:
749:
743:
734:
728:
719:
713:
704:
698:
689:
683:
674:
668:
656:
640:
586:Nelson's column
582:
566:Nelson's Column
548:Nelson's Column
540:
520:Thomas Holloway
486:The Shrew Tamed
480:Lord Chancellor
391:Edwin Landseer
257:
212:history painter
192:
184:Nelson's Column
182:at the base of
180:lion sculptures
169:
129:
102:
101:London, England
99:
95:
86:
85:London, England
83:
77:
75:
74:
73:
63:
47:
42:
40:
37:
28:
17:
12:
11:
5:
1840:
1830:
1829:
1824:
1819:
1814:
1809:
1804:
1799:
1794:
1789:
1784:
1779:
1762:
1761:
1759:
1758:
1751:
1745:
1739:
1733:
1726:
1724:
1720:
1719:
1717:
1716:
1714:Landseer (dog)
1710:
1708:
1704:
1703:
1701:
1700:
1693:
1691:
1687:
1686:
1684:
1683:
1675:
1667:
1659:
1651:
1643:
1634:
1632:
1628:
1627:
1624:Edwin Landseer
1620:
1619:
1612:
1605:
1597:
1591:
1590:
1568:
1558:
1549:
1539:
1530:
1524:
1518:
1511:
1510:External links
1508:
1507:
1506:
1492:
1483:
1470:
1467:
1464:
1463:
1448:
1432:
1419:
1406:
1379:
1372:
1351:
1338:
1329:
1317:
1305:
1296:
1282:
1275:
1254:
1245:
1236:
1227:
1218:
1209:
1183:
1174:
1161:
1131:
1116:, ed. (1911).
1114:Chisholm, Hugh
1105:
1060:
1053:
1031:
998:
997:
995:
992:
991:
990:
985:
978:
975:
974:
973:
965:
958:
956:
947:
940:
938:
929:
922:
920:
914:
907:
905:
897:
890:
888:
882:
875:
873:
865:
858:
856:
850:
843:
841:
836:
829:
827:
821:
814:
812:
806:
799:
797:
789:
782:
780:
774:
767:
765:
763:, 1834 to 1835
759:
752:
750:
744:
737:
735:
731:Rachel Russell
729:
722:
720:
714:
707:
705:
699:
692:
690:
684:
677:
675:
669:
662:
660:
655:
652:
646:The architect
639:
636:
581:
578:
539:
536:
256:
253:
191:
188:
162:
161:
155:
151:
150:
145:
141:
140:
135:
131:
130:
128:
127:
124:
120:
118:
117:Known for
114:
113:
108:
104:
103:
100:
98:(aged 71)
94:1 October 1873
92:
88:
87:
84:
71:
69:
65:
64:
57:
49:
48:
41:
39:Edwin Landseer
38:
35:
15:
9:
6:
4:
3:
2:
1839:
1828:
1825:
1823:
1820:
1818:
1815:
1813:
1810:
1808:
1805:
1803:
1800:
1798:
1795:
1793:
1790:
1788:
1785:
1783:
1780:
1778:
1775:
1774:
1772:
1757:
1756:
1752:
1749:
1746:
1743:
1740:
1737:
1734:
1731:
1730:John Landseer
1728:
1727:
1725:
1721:
1715:
1712:
1711:
1709:
1705:
1698:
1695:
1694:
1692:
1688:
1681:
1680:
1676:
1673:
1672:
1668:
1665:
1664:
1660:
1657:
1656:
1652:
1649:
1648:
1644:
1641:
1640:
1636:
1635:
1633:
1629:
1625:
1618:
1613:
1611:
1606:
1604:
1599:
1598:
1595:
1589:
1585:
1581:
1580:Charles Heath
1577:
1573:
1569:
1566:
1562:
1559:
1557:
1553:
1550:
1547:
1543:
1540:
1538:
1534:
1531:
1528:
1525:
1522:
1519:
1517:
1514:
1513:
1503:
1502:
1497:
1493:
1489:
1484:
1480:
1479:
1473:
1472:
1459:
1452:
1444:
1436:
1429:
1423:
1416:
1410:
1394:
1390:
1383:
1375:
1369:
1365:
1358:
1356:
1348:
1342:
1333:
1326:
1321:
1314:
1309:
1300:
1292:
1286:
1278:
1276:1-85437-116-9
1272:
1268:
1261:
1259:
1249:
1240:
1231:
1222:
1213:
1198:
1194:
1187:
1178:
1171:
1165:
1149:
1145:
1141:
1135:
1127:
1126:
1120:
1115:
1109:
1101:
1086:
1082:
1078:
1077:
1071:
1064:
1056:
1054:0-85331-748-8
1050:
1046:
1040:
1038:
1036:
1027:
1026:
1021:
1016:
1008:
1006:
1004:
999:
989:
988:Lost artworks
986:
984:
981:
980:
970:
969:
962:
957:
954:
950:
944:
939:
935:
934:
926:
921:
917:
916:The Arab Tent
911:
906:
902:
901:
894:
889:
885:
879:
874:
870:
869:
862:
857:
853:
847:
842:
839:
833:
828:
824:
818:
813:
809:
803:
798:
794:
793:
786:
781:
777:
771:
766:
762:
756:
751:
747:
741:
736:
732:
726:
721:
717:
711:
706:
702:
696:
691:
687:
681:
676:
672:
666:
661:
658:
657:
651:
649:
644:
638:Miscellaneous
635:
633:
629:
625:
621:
617:
612:
610:
606:
605:The Dead Buck
602:
598:
593:
591:
587:
577:
575:
571:
570:Thomas Milnes
567:
559:
555:
549:
544:
535:
533:
529:
525:
521:
517:
516:John Franklin
513:
509:
508:
503:
498:
496:
492:
487:
483:
481:
477:
473:
469:
468:
462:
460:
456:
452:
448:
443:
439:
434:
432:
428:
424:
423:
418:
414:
410:
401:
394:
393:Trial By Jury
389:
382:
379:. Now in the
378:
374:
373:
368:
364:
362:
358:
354:
348:
346:
342:
338:
334:
326:
322:
315:
311:
307:
303:
301:
297:
292:
290:
286:
282:
281:Kenwood House
278:
274:
270:
261:
252:
248:
246:
241:
239:
238:Exeter Chanqe
235:
231:
226:
224:
223:Royal Academy
220:
216:
213:
209:
205:
204:John Landseer
198:Landseer 1873
196:
187:
185:
181:
177:
172:
168:
160:
156:
152:
149:
148:John Landseer
146:
142:
139:
136:
132:
125:
122:
121:
119:
115:
112:
109:
105:
93:
89:
70:
66:
61:
60:Francis Grant
55:
50:
45:
33:
30:
26:
22:
1753:
1677:
1669:
1661:
1653:
1645:
1637:
1623:
1583:
1563: at the
1500:
1487:
1477:
1457:
1451:
1442:
1435:
1428:Sinclair, W.
1422:
1414:
1409:
1397:. Retrieved
1392:
1382:
1373:085315-367-1
1363:
1346:
1341:
1332:
1324:
1320:
1312:
1308:
1299:
1285:
1266:
1248:
1239:
1230:
1221:
1212:
1200:. Retrieved
1197:Mental Floss
1196:
1186:
1177:
1169:
1164:
1152:. Retrieved
1148:the original
1144:The Scotsman
1143:
1134:
1123:
1108:
1088:. Retrieved
1074:
1063:
1044:
1023:
966:
948:
930:
915:
898:
883:
866:
837:
822:
807:
790:
775:
760:
745:
730:
715:
700:
685:
670:
645:
641:
631:
628:Lincolnshire
613:
604:
600:
596:
594:
583:
563:
557:
505:
501:
499:
485:
484:
465:
463:
458:
454:
453:(1838), and
450:
446:
435:
431:Walter Scott
426:
420:
416:
412:
406:
383:, Edinburgh.
370:
349:
344:
330:
324:
309:
293:
273:Tate Britain
266:
249:
242:
227:
201:
166:
165:
96:(1873-10-01)
82:7 March 1802
58:Portrait by
29:
21:Landseer dog
1802:Dog artists
1782:1873 deaths
1777:1802 births
1674:(1858–1859)
601:Nell Gwynne
512:polar bears
433:'s novels.
425:(1851) and
415:(1825–26),
357:gamekeepers
333:St. Bernard
269:British art
219:dissections
1771:Categories
1690:Sculptures
1546:Faded Page
1469:References
1399:11 October
1202:5 February
1102:required.)
1090:2 November
701:Attachment
592:, London.
528:union jack
78:1802-03-07
1744:(brother)
1738:(brother)
1631:Paintings
1313:The Times
871:, c. 1850
718:, c. 1830
659:Paintings
538:Sculpture
409:Highlands
138:Animalier
126:sculpture
107:Education
1750:(sister)
1732:(father)
1548:(Canada)
1498:(1880).
1413:Ormond,
1168:Ormond,
977:See also
632:Landseer
616:Shadwell
449:(1827),
438:Landseer
353:ghillies
283:and the
255:Painting
134:Movement
123:Painting
1723:Related
1554:at the
1415:Monarch
1170:Monarch
1154:10 June
1022:(ed.).
654:Gallery
208:prodigy
1707:Honors
1699:(1867)
1682:(1864)
1666:(1851)
1658:(1851)
1650:(1840)
1642:(1831)
1584:Verses
1565:Art UK
1370:
1273:
1096:
1051:
971:, 1864
936:, 1867
918:, 1866
903:, 1858
886:, 1856
810:, 1841
778:, 1837
776:Falcon
748:, 1834
733:, 1835
703:, 1829
688:, 1827
673:, 1824
603:, and
476:poodle
459:Saved,
341:brandy
327:(1820)
300:Thomas
275:, the
234:Polito
154:Awards
144:Father
62:, 1852
1018:. In
994:Notes
884:Saved
580:Death
455:Saved
1567:site
1401:2011
1368:ISBN
1271:ISBN
1204:2018
1156:2019
1092:2020
1049:ISBN
931:The
504:and
355:and
337:Alps
190:Life
91:Died
68:Born
1586:by
1544:at
1535:at
1417:135
1172:125
1081:doi
626:in
36:Sir
1773::
1391:.
1354:^
1257:^
1195:.
1142:.
1122:.
1073:.
1034:^
1002:^
951:,
599:,
482:.
302:.
291:.
279:,
171:RA
44:RA
1616:e
1609:t
1602:v
1439:J
1403:.
1376:.
1293:.
1279:.
1206:.
1158:.
1094:.
1083::
1057:.
395:.
80:)
76:(
27:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.