91:(1899–1985) was a painter, printmaker, and art teacher. Considered to be one of the founding fathers of American abstraction, he was one of the first artists to introduce concepts of the Bauhaus school within the United States. His mature style encompassed both nonobjective and figurative work and the emotional content of this work was consistently more expressive than formal. Drewes was as highly regarded for his printmaking as for his painting. In his role as teacher as well as artist he was largely responsible for bringing the Bauhaus aesthetic to America.
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Galleries. Of the former, a critic singled out a painting of his as a "well deliberated" contribution to among those that were non-objective among the polemical and Social-Realist figurative works in the show. In 1937 Drewes also exhibited at the East River
Gallery in an innovative program that gave potential buyers the option of renting a work while deciding whether or not to buy it. During the same eventful year a prominent architect,
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201:, and (painting), and Lyonel Feininger (prints). At this time he also worked and exhibited in Frankfurt. With the rise of Nazism abstract artists found it increasingly difficult to sell their work and, in 1930, Drewes, finding the political pressure unbearable, emigrated to the United States. There, despite the world economic crisis, Drewes was able to earn a living as a professional artist.
456:, who had been hired as an art teacher at the university and who remained there for the next two years. Once settled in St. Louis, Drewes attained a level of financial stability that had until then eluded him. The university promoted him to professor of design and first-year program director and he was thereafter able both to support his family and to devote time to making works of art.
107:. There, he showed talent both for painting and woodblock printing. Graduating from Saldria in 1917, he was drafted by the German army and served in France from then until the close of the war. About this period of his life he is reported to have said that the horrors of life at the front were only made tolerable by his sketchbook, a copy of Goethe's Faust and a volume of Nietzsche.
1853:"United States Census, 1940," index and images, FamilySearch, Werner B Drewes, Assembly District 14, Manhattan, New York City, New York, New York, United States; citing enumeration district (ED) 31-1289, sheet 5A, family 147, NARA digital publication of T627, roll 2654, NARA digital publication of T627, National Archives and Records Administration, Washington, D.C
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institute and museum were both housed in a 29-story Art-Nouveau apartment building on the upper west side. While teaching at the
Institute, Drewes continued as an instructor of drawing and painting at Columbia and held two other positions: director of the WPA/FAP Graphic Arts Project and map maker for the Fairchild Aerial Survey Company.
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550:, Germany. Her father was Max Schrobsdorff and her mother, Martha Wreger Schrobsdorff. During their marriage she pursued her own art form of weaving and rug making. On November 22, 1927, the couple gave birth to their first child, a son, Harald and two years later, on January 9, 1929, their second son, Wolfram, was born.
295:. He later said he modeled his teaching method on the one that Kandinsky used. Drewes recalled that Kandinsky was a patient and nonjudgmental teacher who would challenge his students to work out their own solutions to non-objective projects he would set and ask them to discuss the reasons behind their choices.
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the
Technischen Hochschule Stuttgart and then, switching from architecture to the visual arts, he enrolled in Stuttgart's Kunstgewerbeschule and joined the Merz Akademie, also in Stuttgart. He completed his education at Bauhaus, where he studied from 1921 to 1923 in Weimar and from 1927 to 1930 in Dessau.
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exploration of the field of abstraction. In his current show at Henry
Kleemann's Gallery he reveals that he has not abandoned the quest. Rather, he has extended it. In common with many of the best American painters he has submitted himself to a discipline which is definitely paying off." In 1949 another
1822:"New York, New York Passenger and Crew Lists, 1909, 1925-1957," index and images, FamilySearch, Werner Bernahard Drewes, 1939; citing Immigration, New York, New York, United States, NARA microfilm publication T715, National Archives and Records Administration, Washington, D.C.; FHL microfilm 1,758,127
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was devoted entirely to his printmaking. A prolific printmaker, Drewes produced during his lifetime some 732 fine prints, including 269 etchings and drypoints, 30 lithographs, 14 celloprints, a lone silkscreen, and 418 woodcuts, of which 255 were in color. "Autumn Gold" is one of the more colorful of
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Margaret Drewes died in St. Louis on
September 27, 1959. A year later Drewes married Mary Louise Lischer Terhune, who, like him, taught at Washington University in St. Louis. As well as teaching English, she crafted jewelry. In 1965 Drewes retired from Washington University in St. Louis and moved to
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In 1930 the family emigrated to the United States and rented an apartment in New York in which to live. At this time Drewes enrolled in the Art
Students League. A year later Margarete (now Margaret) gave birth to their third son, Bernard. In 1935 Drewes began his long teaching career with a position
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In 1941 Howard Devree reviewed a second solo exhibition at
Artists Gallery. He wrote that Drewes was a clever artist who could give a human and emotional content to abstract art thus overcoming the sterility that characterized most non-objective art. The gouache, "Grids in Space" shows the emotional
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wrote, "Mr. Drewes is an imaginative painter who is worth watching. He has emotions and they take hold of him and lead him at times into paintings that are highly unconventional. As a thousand forces are at work in
America today trying to make all the artists conform to set patterns, this ability to
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In 1937 he participated in the first group exhibitions of the two organizations he had helped to found: a showing of approximately 250 members of the
American Artists Congress in the International Building, Rockefeller Center, and another of the 39 members of American Abstract Artists in the Squibb
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until the end of the war. On returning to civilian life he began to study architecture at the
Charlottenburg Technischen Hochschule in Berlin. To support himself, he took a job at the Berlin gas and waterworks. He also spent some time at the Barkenhoff artists' commune. His next place of study was
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to open an art school called the Department of Abstract Art at the Master Institute of United Arts. Like Drewes, Holty was a founding member of American Abstract Artists and, at the time the school opened, both men were showing works at an exhibition held by that group at the Riverside Museum. The
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After Drewes moved to New York, Kandinsky, who was both friend and mentor, continued to exert a strong influence over his style. Later in life he said he had a hard time getting away from Kandinsky's influence as he developed his own style. In time he was able to bring a more emotional approach to
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In 1934 Mayor Fiorello La Guardia appointed a Municipal Art Committee to advise City government on ways to stimulate New York's cultural life during the hardships of the Great Depression. The Committee used funds from the Works Progress Administration, the emergency Relief Bureau, and a number of
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praised the oils, watercolors, and drawings that Drewes showed in his solo exhibition at the Morton Galleries in 1933. He said the works gave the gallery "a radiantly prismatic aspect". He described some of the landscapes as heavily patterned, others as free and impressionistic and considered his
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called attention to the subtle treatment in cityscape paintings he exhibited in the dual show with Carl Sprinchorn, noting that they "look fragile, as if they were made from reflections of the city in a soap bubble, rather than from life". In reviewing his solo show at the Morton Gallery, another
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When not attending a school of art, Drewes traveled widely. During 1923 and 1924 he visited places in Italy, Spain, Central America, and the United States and in 1926 he returned to the United States and traveled thence to Japan, Korea, Manchuria, Moscow, and Warsaw. In 1924, while in Madrid, he
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While he lived in St. Louis his work frequently appeared in New York galleries. Reviewing a solo exhibition in 1947, Howard Devree praised his turning "from sheer abstraction to well-knit pictures with recognizably representational forms" and noted, "for years I have watched Werner Drewes in his
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critic praised his work as "solid". She said "though the paint is put on in much the same quick fashion", as the cityscapes at S.P.R. Penthouse, "the composition has something that keeps it from breaking as if touched". Of his solo show at the Morton Gallery Margaret Breuning, the critic for the
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he saw proved to be most influential in his work. While traveling, he exhibited: (1) etchings in Madrid (1923) and Montevideo (1924), (2) oils and etchings in Buenos Aires and St. Louis (1925), and (3) etchings in San Francisco (1926). He paid his way by the sales these exhibits produced and by
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The Master Institute building was built by Louis Horch. He was a wealthy financier who, in 1923, had backed Nicholas Roerich and provided the money for the founding of the Master Institute and what was then called the Roerich Museum. In the mid-1930s Horch withdrew his support from Roerich and,
533:, Poland. His name is almost always given as simply Werner Drewes, but his full name was Werner Bernhard Drewes and he is sometimes referred to as Werner B. Drewes. He was the son of Pastor Georg Drewes and his wife Martha Schaefer Drewes. He attended boarding school at the Saldria Gymnasium in
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critic made the dual aspect of Drewes's work more explicit. Drewes, he said, "seems to differ from most confirmed modernists in that he turns at will from the purely abstract to things that at most are semi-abstract, and in one still life painted in the present year he indulges in a degree of
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praised the "crisp vigor" of his portraits, his skill at handling the form and color of a still life, and the "well developed" and "imaginative" choice of viewpoint in a landscape. "One hopes," she wrote, "and confidently expects to see more work from this young artist". In reviewing the dual
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Hayter called the method "simultaneous color printing". He added color to inked intaglio plates by means such as color-ink-soaked rags, stencils, or rolling a thicker, more viscous ink over a thinner ink, where the thicker ink is rejected and adheres only to the surface surrounding the first
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said "he handles the vocabulary of 'non-objective' art with the sophistication and assurance of a mature artist who is particularly adept in color relations. In fact there is hardly a spot where his harmony is off the track. And a wide gamut is run from the pale tone of 'Wintry' to the vivid
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In the 1930s Fairchild Aerial Survey Company used aerial photography to make tax maps and other political maps for cities and towns. In 1940 U.S. Army Air Corps began testing the airplanes and cameras of the company for aerial reconnaissance and the preparation wide-area survey maps.
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In 1948 Dreves was commissioned by the Edward L. Kramer family to paint a mural on the large front of a new house located at 24 Northcote Drive, Brentwood, MO (see figure). He also painted two smaller mural on the wings of the house. A subsequent owner painted over the mural.
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critic said he "constructs efficient uncompromising designs in aggressive geometrical forms whose separate identity is emphasized by boundaries of harsh, clear color". 1959 Drewes was awarded a purchase prize at the 25th Anniversary National Fine Prints Competition of
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In 1923 and 1924 he studied art during travels throughout Italy, Spain, the United States, and Central America and in 1926 he traveled to San Francisco, Japan, and Korea, thence taking the Trans-Siberian railway to Manchuria, Moscow, and Warsaw. He later said the
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as an art rental gallery at 358 East 57 St. As Willard became "more and more interested in the development of individual artists" the idea of renting became less and less appealing and she officially closed the East River Gallery in 1938 to re-evaluate her
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Werner B Drewes, Head of household, age 40, born in Germany; Margaret Drewes, Wife, age 44, born in Germany; Harold Drewes, Son, age 12, born in Germany; Wolfren Drewes, Son, age 11, born in Germany; Bernard Drewes, Son, age 9, born in New
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called Drewes "an artist of promise" wrote of his "dynamic quality, an apparent fluency and economy of means", and said "he paints with sureness and vigor, with suggestion rather than in detail". Of this exhibition, the critic for the
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The information in this section expands upon and partly repeats information given above about Drewes's life. He was born on July 27, 1899, in what was then Canig, Lower Lusatia, Brandenburg, Germany, and is now
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following a legal battle, took control of the building. Under Horch, the Riverside Museum was frequently used for exhibitions of American Abstract Artists. (See ""Once Were Titans: Roerich" by Marion Meneker,
237:. That year he showed prints and paintings first in a solo- and then in a two-person exhibition at the Morton Gallery (the latter with Herbert Reynolds Kniffin) and he also exhibited in group shows at the
241:, the Brownell-Lamberton Galleries, and the Pynson Printers Galleries. These exhibitions established pattern, as Drewes's work would be shown multiple times a year throughout the 1930s and 1940s.
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Edward Alden Jewell (1945-02-11). "Expressionist Art: Modern Break with 'Reality' Is Stressed In the Newly Opened Exhibitions; The Weber Challenge, Canessa and Drewes; Other Developments".
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commented on the "breadth of scope", the "clear eloquent color", and "imaginative designs", of his work and recommended the show to "anyone who searches for meaning in abstractions".
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Drewes's work continued to appear in group exhibitions throughout the years of World War II and in 1945 a solo exhibition at the Kleemann Gallery attracted unusual critical notice.
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from Bremen, August 28, 1939: Drewes, Werner Bernard, age 40, passport 380583, issued Washington, D.C., March 29, 1937, residing at 438 East 56 Street, West, New York, NY.
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at the Brooklyn Museum School and in 1936 he became a citizen of the United States. From the mid-1930s through the 1960s, Drewes flourished both as artist and teacher.
515:, where he remained active as an artist until his death in 1985. He enjoyed great recognition for his work in these later years. In 1984 a large retrospective at the
146:) where he studied life drawing and learned to work with colored glass. At this time he joined a group of artists and architects associated with the newly formed
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In 1930 Drewes had a solo exhibition at the 135th Street Branch of the New York Public Library and a two-person show at the S.P.R. Penthouse Gallery (with
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group. That year he also was given a ten-year retrospective exhibition at the Uptown Gallery, and participated in group shows held by Société Anonyme (at
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observed that his work was not exclusively non-objective but included expressionist abstractions that were based on natural objects. The critic for the
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taking commissions to paint portraits. While in San Francisco he set up a shop from which he sold prints he had made in Spain and South America.
177:, who taught bookbinding, stained glass, and murals. While at Bauhaus Drewes produced a portfolio of ten woodblock prints entitled "Ecce Homo."
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said this tendency to naturalism was handled "lightly and slightly, insisting only on things that seemed essential". Later in the year another
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1947 Group exhibition, Thirty-second Annual Exhibition of American Etchers, Gravers, Lithographers and Woodcutters, Inc., National Academy
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objectivity in the fruit and in the half of a wine bottle that is permitted to show that would shock the believers in non-objective art".
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married Margarete Schrobsdorff, a childhood sweetheart who was also traveling to study art. Margarete had been born on June 16, 1895, in
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Drewes was born in 1899 to Georg Drewes, a Lutheran pastor, and Martha Schaefer Drewes. The family lived in the village of Canig within
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Ruth Green Harris (1931-01-04). "Seen in the Galleries: Four Americans – Comment on Several New One-Man and Group Exhibitions".
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1937 Group exhibition, first annual membership exhibition, American Artists Congress, International Building, Rockefeller Center
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and ran a gallery of contemporary art, Galerie Der Sturm, from which, in 1919, Drewes purchased an expressionist painting by
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Howard Devree (1941-11-30). "A Reviewer's Notebook: Brief Comment on Some of the Recently Opened Group and One-Man Shows".
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Christopher Gray (1995-01-29). "Streetscapes/The Master Apartments; A Restoration for the Home of a Russian Philosopher".
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1962 Solo exhibition, Achenbach Foundation for the Graphic Arts, Museum of the Legion of Honor, San Francisco, California
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1946 Group exhibition, Advancing American Art exhibition, sponsored by the U.S. Department of State, Metropolitan Museum
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Werner Drewes, "Autumn Gold," color woodblock, 1969, 23 x 13 inches, Smithsonian American Art Museum, gift of the artist
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For a decade following the close of the war he studied, made paintings and prints, and traveled widely. His friend,
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In 1934 Drewes began a long career as a teacher when he took a position teaching drawing and printmaking at the
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Drewes's 1939 exhibition at the Artists' Gallery attracted the notice of New York critics. Jerome Klein in the
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1818:"Person Details for Werner Bernahard Drewes, "New York, New York Passenger and Crew Lists, 1909, 1925-1957""
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161:, then a new school which taught an integrated approach to the fine and applied arts. His instructors were
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In 1936, the year he became an American citizen, Drewes became a founding member of both the anti-fascist
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1940 Group exhibition, An American Group Inc., 1939-40 New York World's Fair, American Art Today Pavilion
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1989 Group exhibition, American Abstraction 1930-1945, National Museum of American Art, Washington, D.C.
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1947 Group exhibition, Painting in the United States, 1947, Carnegie Institute, Pittsburgh, Pennsylvania
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1761:. (See "The History of ID," a web page of the Illinois Institute of Technology Institute of Design <
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After his return to Germany in 1927 he resumed study at Bauhaus, which had been forced to relocate in
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and then shifted to Chicago where he joined with Moholy-Nagy to teach at the Institute of Design.
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1969 Solo exhibition, Four Decades of Woodcuts, National Collection of Fine Arts, Washington, D.C.
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1931 Group exhibition, "Fifty Prints of the Year," American Institute of Graphic Arts, Art Center
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The Institute had been founded in 1937 by Moholy-Nagy as the New Bauhaus and is currently the
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from 1907 to 1917. At age 18 he was drafted into the German army and served in France, on the
103:, Germany. From age eight to eighteen he attended the Saldria Gymnasium, a boarding school in
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1988 Group exhibition, Foundations of American Avant-Garde, Struve Gallery, Chicago, Illinois
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1986 Solo exhibition, Selective Retrospective, Tobey C. Moss Gallery, Los Angeles, California
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1984 Group exhibition, American Abstract Paintings From the 1930s and 1940s, Washburn Gallery
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1938 Group exhibition, Second Annual Exhibition, American Artists Congress, Wanamaker's Store
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In 1921 his friendship with a French artist, Sébastien Laurent, led him to begin studies in
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From the first, Drewes's work captured the attention of the New York critics. A critic for
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1946 Group exhibition, Exhibition and Auction; Food Parcels for Europe, Nierendorf Gallery
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1940 Group exhibition, American Abstract Artists American Fine Arts Buildings (June 5–16)
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1961 Solo exhibition, watercolors, Art Alliance, Carnegie Library, Paducah, Kentucky
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1940 Group exhibition, American Abstract Artists St. Etienne Gallery (May 22-June 12
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Canig, Lower Lusatia, Brandenburg, Germany (now Kaniów, Lubusz Voivodeship, Poland)
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1947 Group exhibition, Graphic Circle group, American University, Washington, D.C.
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in. (91.2 x 106.1 cm), Smithsonian American Art Museum, gGift of the artist, 1975
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and participated in Vogeler's socialist utopian artists' commune, Barkenhoff, at
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to study architecture and the following year he studied the same subject at the
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1936 Group exhibition, Société Anonyme, Black Mountain College, North Carolina
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1931 Group exhibition, Société Anonyme, Albright Art Center, Buffalo, New York
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1958 Solo exhibition, woodcuts, Springfield Art Museum, Springfield, Missouri
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1957 Solo exhibition, prints, Brooks Memorial Art Gallery, Memphis, Tennessee
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1957 Solo exhibition, woodcuts, Cassell and Paul Gallery, St. Louis, Missouri
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1941 Group exhibition, Masters and Vanguard of Modern Art, Nierendorf Gallery
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1928 Solo exhibition, Galerie Flechtheim & Kahnweiler, Frankfurt, Germany
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Meryl Secrest (1969-08-19). "A Tribute to a Living Artist: An Art Tribute".
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1947 Group exhibition, Contemporary American Painting Annual, Whitney Museum
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1946 Group exhibition, American Abstract Artists American-British Art Center
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1938 Group exhibition, American Abstract Artists, National Academy of Design
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Columbia Graduate School of Architecture, Planning and Preservation faculty
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foundations. (Source: Department of Cultural Affairs, City of New York <
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Jerome Klein (1939-04-08). "Stage Is Theme of Art Exhibit at Seligman's".
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1953 Group exhibition, Woodstock Artists' Association, Woodstock, New York
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1931 Two-person exhibition (with Herbert Reynolds Kniffin), Morton Gallery
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1937 Group exhibition, Temporary Galleries of the Municipal Art Committee
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1936 Group exhibition, Temporary Galleries of the Municipal Art Committee
566:. He moved to Reston, Virginia, in 1972 and died there on June 21, 1985.
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1944 Group exhibition, American Abstract Artists Mortimer Brandt Gallery
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1956 Group exhibition, prints, Locke Gallery, San Francisco, California
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1403:"The Holiday Spirit Still Apprent in the Week's Calendar of Events".
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Samuel Putnam (1930-12-28). "Art Comment From Paris: Local Comment".
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1990 Solo exhibition, Tobey C. Moss Gallery, Los Angeles, California
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1958 Solo exhibition, woodcuts, Stephens College, Columbia, Missouri
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1947 Group exhibition, Landscapes of Four Centuries, Koetser Gallery
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his work and to base it, more than Kandinsky did, on natural forms.
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1948 Solo exhibition, Graphic Arts Section, Smithsonian Institution
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1942 Group exhibition, American Abstract Artists Fine Arts Building
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1930 Two-person exhibition (with Carl Sprinchorn), S.P.R. Penthouse
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1849:"Person Details for Werner B Drewes, "United States Census, 1940""
1290:""Bright old Light" mit H.Salloch, Ilse Bing, Bob Rutman,W.Drewes"
1103:"WERNER DREWES (1899-1985) - FOUNDER OF AMERICAN ABSTRACT ARTISTS"
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1956 Group exhibition, Martin Schweig Gallery, St. Louis, Missouri
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1949 Solo exhibition, Pen and Palette Gallery, St. Louis, Missouri
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1924 Solo exhibition, etchings, Salon Maverof, Montevideo, Uruguay
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1964 Solo exhibition, Martin Schweig Gallery, St. Louis, Missouri
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1958 Group exhibition, Commonwealth School, Boston, Massachusetts
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1956 Group exhibition, prints, Commeter Galerie, Hamburg, Germany
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1947 Group exhibition, American Abstract Artists Riverside Museum
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1945 Group exhibition, American Abstract Artists Riverside Museum
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1945 Two-person exhibition (with Franz Lerch), Lilienfeld Gallery
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1941 Group exhibition, American Abstract Artists Riverside Museum
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1937 Group exhibition, American Abstract Artists, Squibb Building
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1935 Group exhibition, Brooklyn Museum Gallery for Living Artists
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1929 Solo exhibition, oils, Galerie del Vecchio, Leipzig, Germany
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1926 Solo exhibition, etchings, Gump's, San Francisco, California
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1925 Solo exhibition, Central Public Library, St. Louis, Missouri
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content of which Devree wrote. In 1944 and 1945 Drewes worked at
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1968 Solo exhibition, Trenton State College, Trenton, New Jersey
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1965 Group exhibition, Esther Stuttman Gallery, Washington, D.C.
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1951 Solo exhibition, Gallery Lutz and Meyer, Stuttgart, Germany
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1944 Group exhibition, Color Prints, Arts Club, Washington, D.C.
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1932 Group exhibition, exhibition and auction, Indoor Art Market
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in North Carolina) and the Municipal Art Committee of New York.
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1963 Solo exhibition, Webster College, Webster Groves, Missouri
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1958 Solo exhibition, woodcuts, IFA Galleries, Washington, D.C.
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1954 Solo exhibition, prints, Beloit College, Beloit, Wisconsin
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1951 Group exhibition, American Abstract Artists Whitney Museum
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1936 Solo exhibition, Wadsworth Atheneum, Hartford, Connecticut
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1930 Solo exhibition, 135th Street branch of the Public Library
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inches (25.4 x 19.7cm), oil on parchment, Tobey C. Moss Gallery
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contrasts of 'In the Blue Space.'" Similarly, the reviewer for
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1986 Solo exhibition, Princeton Gallery, Princeton, New Jersey
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1976 Solo exhibition, Princeton Gallery, Princeton, New Jersey
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1961 Solo exhibition, Cleveland Museum of Art, Cleveland, Ohio
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1947 Group exhibition, Graphic Circle group, Seligmann Gallery
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1943 Solo exhibition, Community Arts Building, Utica, New York
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1943 Group exhibition, Water-color Exhibition, Brooklyn Museum
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1932 Group exhibition, German-American Conference, Hotel Astor
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Werner Drewes, "Study: Blue House in the Woods 2," 1950, 10 x
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In 1945 Drewes taught design, printmaking, and photography at
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1972 Group exhibition, Squibb Galleries, Lawrence, New Jersey
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1966 Solo exhibition, Everhart Museum, Scranton, Pennsylvania
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1945 Solo exhibition, prints, Indiana University, Bloomington
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1936 Solo exhibition, Bennington College, Bennington, Vermont
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1935 Group exhibition, prints, New School for Social Research
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1933 Group exhibition, annual watercolor show, Morton Gallery
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1936 Solo exhibition, Ten-Year Retrospective, Uptown Gallery
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http://www.nyc.gov/html/dcla/html/about/history_96-64.shtml
1317:"KATALOG ZUR XVI. VERSTEIGERUNG am 9.11.2014 – NACHVERKAUF"
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1946 Group exhibition, Pan American Union, Washington, D.C.
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1937 Solo exhibition, University Hall, Columbia University
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exhibition with Herbert Reynolds Kniffin, "T.C.L." of the
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1960 Solo exhibition, Art Mart Gallery, Clayton, Missouri
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1959 Solo exhibition, Gaga Galerie, Boston, Massachusetts
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1958 Solo exhibition, Art Mart Gallery, Clayton, Missouri
1215:"Retired Professor, Artisan, Werner Drewes Dies at 85".
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1979 Solo exhibition, Washington University in St. Louis
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1956 Solo exhibition, Commeter Gallery, Hamburg, Germany
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1953 Solo exhibition, Artists Guild, St. Louis, Missouri
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Werner Drewes, "In the Blue Space," 1938, oil on canvas
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Sagendorph, Kent (March 1929). "Aerial Tax Assessing".
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1941 Group exhibition, Museum of Non-objective Painting
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Missouri Division of Health—Standard Death Certificate
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1931 Group exhibition, prints, Pynson Printers Gallery
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1985 Solo exhibition, National Museum of American Art
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1971 Solo exhibition, Hom Gallery, Bethesda, Maryland
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1934 Solo exhibition, Wells College, Aurora, New York
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1044:"Werner Drewes: An Exhibition of His Color Woodcuts"
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1932 Solo exhibition, New School for Social Research
217:). Also in that year Kandinsky introduced Drewes to
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1480:"Artist Congress Members Exhibit 'For Democracy'".
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1947 Solo exhibition, watercolors, Kleemann Gallery
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1931 Solo exhibition, oil paintings, Morton Gallery
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1931 Group exhibition, Société Anonyme, Rand School
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1931 Group exhibition, Brownell-Lamberton Galleries
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1674:"New Aerial Camera for the Army," by Dick Martin,
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953:1985 Group exhibition, Associated American Artists
770:1944 Group exhibition, Museum of Non-Objective Art
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1963:. Washington Univ., 1937. Department of English.
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1518:In 1936, Marian Guthrie Willard had founded the
1340:"Art Exhibit at Wells College Opens Wednesday".
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941:1978 Two-person exhibition, Sid Deutsch Gallery
749:1943 Group exhibition, Macy & Co. Galleries
136:Königlich Technischen Hochschule Charlottenburg
1426:
1259:Tobey C. Moss Gallery, Los Angeles, California
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728:1941 Group exhibition, Karl Lilienfeld Gallery
701:1938 Group exhibition, Municipal Art Galleries
401:in New York City. Together, they improved the
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1551:H.D. (1947-11-02). "Weber, Gozales, Drewes".
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800:1946 Group exhibition, Troeger-Phillips, Inc.
581:1925 Solo exhibition, Buenos Aires, Argentina
575:1923 Solo exhibition, etchings, Madrid, Spain
320:School of Architecture of Columbia University
69:Painter, printmaker, university professor at
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1191:Bucks County Artists -- Michener Art Museum
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990:Werner Drewes at Conrad R. Graeber Fine Art
848:1951 Group exhibition, oils, Argent Gallery
764:1944 Group exhibition, Lilienfeld Galleries
746:1942 Group exhibition, Lilienfeld Galleries
740:1941 Solo exhibition, oils, Artists Gallery
710:1939 Solo exhibition, oils, Artists Gallery
523:
269:withstand influences is a distinct asset."
94:
2025:Washington University in St. Louis faculty
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1783:Washington University Record, July 4, 1985
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944:1979 Group exhibition, Sid Deutsch Gallery
446:Sam Fox School of Design & Visual Arts
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1960:Thomas Rymer's Place in English Criticism
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689:1937 group exhibition, East River Gallery
659:1935 Group exhibition, Ten-Dollar Gallery
520:Drewes's non-objective woodblock prints.
318:, helped Drewes obtain a position at the
1629:Columbia University Catalogue, 1939/1940
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623:1931 Solo exhibition, Pent-House Gallery
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845:1951 Group exhibition, Artists Gallery
803:1946 Solo exhibition, Kleemann Gallery
779:1945 Solo exhibition, Kleemann Gallery
725:1941 Group exhibition, Brooklyn Museum
707:1939 Group exhibition, Pedac Galleries
632:1932 Group exhibition, Milch Galleries
498:
1763:https://www.id.iit.edu/about/history/
767:1944 Group exhibition, Morton Gallery
734:1941 Group exhibition, Morton Gallery
662:1935 Group exhibition, Uptown Gallery
644:1933 Group exhibition, Macy Galleries
440:In 1946 he joined the faculty of the
1802:"Olin Dows Draws Roosevelt Scenes".
1776:"Former Design Professor Dies at 85"
1550:
1496:"American Abstract Artists, History"
985:Werner Drewes, Tobey C. Moss Gallery
650:1933 Solo exhibition, Morton Gallery
635:1932 Group exhibition, Times Gallery
511:Drewes retired in 1965 and moved to
1488:
1271:
995:Werner Drewes, Aaron Payne Fine Art
13:
1910:"Werner Drewes - About the Artist"
1321:Galerie der Berliner Graphikpresse
797:1946 Group exhibition, Pinacotheca
450:Washington University in St. Louis
239:American Institute of Graphic Arts
71:Washington University in St. Louis
14:
2046:
2030:American people of German descent
405:technique in color print-making.
1433:"Attractions in the Galleries".
975:
140:Technischen Hochschule Stuttgart
1880:"Margarete Schrobsdorff Drewes"
1751:
1696:
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1456:
1418:"Works of Drewes and Kniffin".
1164:Smithsonian American Art Museum
517:Smithsonian American Art Museum
204:
569:
223:Society of Independent Artists
1:
1995:20th-century American artists
1743:"One-man Shows of Interest".
1728:"One-man Shows of Interest".
1048:Georgetown University Library
1025:
442:St. Louis School of Fine Arts
293:Works Progress Administration
1957:Mary Louise Lischer (1937).
1934:"Wolfram U. Drewes Obituary"
1832:Arrival at New York on S.S.
1678:, November 1939, p. 56.
233:, Buffalo, New York and the
7:
2010:Federal Art Project artists
1252:"www.tobeycmossgallery.com"
493:Associated American Artists
380:In 1940 Drewes joined with
10:
2051:
1219:. 1985-06-23. p. F12.
564:Bucks County, Pennsylvania
531:Kaniów, Lubusz Voivodeship
408:
300:American Artists' Congress
285:Brooklyn Museum Art School
1806:. 1949-04-15. p. 21.
1625:"Officers of Instruction"
1500:American Abstract Artists
1484:. 1937-04-17. p. 21.
1452:. 1933-11-02. p. 24.
1437:. 1932-11-05. p. 10.
1422:. 1932-11-05. p. 18.
1407:. 1931-01-03. p. 6D.
1344:. 1934-04-10. p. 10.
304:American Abstract Artists
280:drawings to be vigorous.
76:
65:
49:
37:
25:
18:
2015:Brooklyn College faculty
1990:German abstract painters
1747:. 1945-04-28. p. 9.
1732:. 1945-02-10. p. 9.
1015:Werner Drewes, Pinterest
535:Brandenburg an der Havel
524:Family and personal life
105:Brandenburg an der Havel
95:Early life and education
1759:IIT Institute of Design
169:, whose paintings were
1614:, May 14, 1938, p. 19)
1005:Werner Drewes Fine Art
508:
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395:Stanley William Hayter
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308:Black Mountain College
1405:New York Evening Post
1020:Werner Drewes, Flickr
1010:Drewes, PrintsAmerica
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256:New York Evening Post
1294:Raab Galerie, Berlin
1000:Werner Drewes, Artsy
302:and the avant-garde
221:, co-founder of the
1676:Popular Photography
1360:The Washington Post
1217:The Washington Post
1127:D. Wigmore Fine Art
548:Wust, Saxony-Anhalt
499:Later life and work
415:Edward Alden Jewell
327:Federal Art Project
289:Federal Art Project
231:Albright Art Center
32:Self-Portrait, 1947
1804:The New York Times
1715:The New York Times
1690:The New York Times
1612:The New York Times
1608:Art Market Monitor
1593:The New York Times
1573:. 14 December 2014
1571:Secondat, a weblog
1567:"Master Institute"
1553:The New York Times
1520:East River Gallery
1450:The New York Times
1448:"A One-Man Show".
1420:The New York Times
1390:The New York Times
1375:The New York Times
1342:Citizen-Advertiser
509:
483:
419:The New York Times
366:
277:The New York Times
246:The New York Times
195:László Moholy-Nagy
173:and abstract, and
144:Kunstgewerbeschule
2020:Atelier 17 alumni
981:DrewesFineArt.com
199:Wassily Kandinsky
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