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Villain

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412: 1878:, but their actions are inherently evil in nature. An anti-villain is the opposite of an antihero. While the antihero often fights on the side of good, but with questionable or selfish motives, the anti-villain plays a villain's game, but for a noble cause in a way that the audience or other characters can sympathize with. They may be more noble or heroic than an antihero, but the means to achieve their ends are often considered exploitative, immoral, unjust, or simply evil. Characters who fall into this category are often created with the intention of humanizing them, making them more relatable to the reader/viewer by posing the "how" and "why" behind their motivations rather than simply creating a one-dimensional character. Because of their motives, many of these types of villains are commonly nicknamed "anti-villains". 297: 1852: 1699: 1799: 92: 2910: 194: 51: 2922: 281: 269: 1091: 1000:, the Other Mother is a loving, caring parent who welcomes Coraline to a new life, helping in the face of troubles back home. By glorifying this other mother, the story paints Coraline's real mother as negligent, in turn causing her to be the villain of the story. Disney films also take on the motherly stereotypes in their villains. 1116:
to a story's heroes. In their role as an adversary, the villain serves as an obstacle the hero must struggle to overcome. In their role as a foil, they exemplify characteristics that are diametrically opposed to those of the hero, creating a contrast distinguishing heroic traits from villainous ones.
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for certain ideals that readers or observers find immoral, but the term "villainess" is often used to highlight specific traits that come with their female identity—separating them, in some aspects, from their male counterparts. The use of the female villain (or villainess) is often to highlight the
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When a character has only performed actions or displayed traits that coincide with Vladimir Propp's analysis, that character can be identified as a pure villain. Folklore and fairy tale villains can also play a myriad of roles that can influence or propel a story forward. In fairy tales villains can
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In the real world there are no villains. No one actually sets out to do evil ... Fiction mirrors life. Or, more accurately, fiction serves as a lens to focus on what they know in life and bring its realities into sharper, clearer understanding for us. There are no villains cackling and rubbing
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The ethical dimension of history poses the problem of judging those who acted in the past, and at times, tempts scholars and historians to construct a world of black and white in which the terms "hero" and "villain" are used arbitrary and with the pass of time become interchangeable. These binaries
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It is sometimes alleged that villains in animated works, such as Disney movies, often embody stereotypes in a more direct way than live-action villains. That their character design is based on caricatures of racist, antisemitic, and/or homophobic stereotypes with exaggerated features. That female
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is a villain who emphasizes the traits of trickery, manipulation and deception to achieve their goals, which is often to offer or supply information to the protagonist's opposition to halt them on their journey; often in exchange for their own freedom or safety. The traitor's goals are not always
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Zachary Doiron has argued that animated villains are based on homophobic stereotypes. As an example, he brings up is effeminate men, sometimes referred to by subject experts as "sissy villains," where their mannerisms represent stereotypes relating to gay men. Another example is the depiction of
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to achieve their ends. Often the false donor will pose as a benevolent figure or influence on the protagonist (or those associated with them) to present them with a deal. The deal will present a short-term solution or benefit for whoever accepts it and, in return, benefit the villain in the long
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When a character displays these traits, it is not necessarily tropes specific to the fairy tale genre, but it does imply that the one who performs certain acts to be the villain. The villain, therefore, can appear twice in a story to fulfill certain roles: once in the opening of the story, and a
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and their affinity for utilizing their beauty as a weapon—a trait utilized by many female villains throughout modern fiction and mythology. However, this is not always the case. As seen often in animated films, female villains are portrayed with "ugly" appearances to contrast the beauty of the
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As for female villains who are portrayed with "displeasing" characteristics, not only are they crafted to look unattractive, but their motivations for becoming evil are rooted in very trivial matters. Debra Bradley's survey on Disney films discovered that 28% of female villains, such as the
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archetype is one that also makes an offer to the protagonist (or someone associated with them) and appeals to their needs and desires. However, the devil archetype does not hide their intentions from the protagonist. The subsequent story often follows the protagonist's journey to try and
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connect the world, cultures with different historical trajectories and political traditions will need to find ways to work together not only economically, but also politically. In this evolving framework of globalization, tradition, according to political theorists like
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Sattar Sharmin and Sanyat Tania have argued that animated villains frequently fall into two categories: women who exhibit societally undesirable traits, or men displaying feminine traits. In the case of men with feminine traits, this may stem from both a
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climber or other powerful individual. Their end goal is often the total domination of their corporation, nation, or world through mystical means or political manipulation. Often this villain is defeated by their own greed, pride, or arrogance.
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Other have pointed out that many acts of villains have a hint of wish-fulfillment, which makes some readers or viewers identify with them as characters more strongly than with the heroes. Because of this, a convincing villain must be given a
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The roles and influence that villains can have over a narrative can also be transferred to other characters – to continue their role in the narrative through another character. The legacy of the villain is often transferred through that of
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traits that come specifically with the character and the abilities they possess that are exclusive to them. For example, one of the female villain's greatest weapons is her alluring beauty. The perversion of inherently female traits in
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being decapitated. It describes neither Mary nor her executioner as villains (though at the time, it was deemed so realistic that audience members believed an actual woman had been beheaded in the making of that film.) In 1896,
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The fairy tale genre utilises villains as key components to push the narrative forward and influence the hero's journey. These, while not as rounded as those that appear in other forms of literature, are what is known as
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protagonist, in turn associating unattractiveness with evil. This paints female villains in a negative light compared to their heroine counterparts, and showcases the duality of the female villain character.
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meant "morally repugnant; morally flawed, corrupt, wicked; of no value; of inferior quality; disgusting, foul, ugly; degrading, humiliating; of low estate, without worldly honor or esteem", from Anglo-French
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The villain's structural purpose is to serve as the opposite to the hero character, and their motives or evil actions drive a plot along. In contrast to the hero, who is defined by feats of ingenuity and
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In classical literature, the villain character is not always the same as those that appear in modern and postmodern incarnations, as the lines of morality are often blurred to imply a sense of
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or affected by historical context and cultural ideas. Often the delineation of heroes and villains in such literature is left unclear. Nevertheless, there are some exceptions to this such as
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played the role of a villain but was killed by the hero, another character (such as the dragon's sister) might take on the legacy of the previous villain and pursue the hero out of revenge.
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a sympathetic character. However, Shakespeare's incarnations of historical figures were influenced by the propaganda pieces coming from Tudor sources, and his works often showed this
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has argued that "only cartoon villains cackle with glee while rubbing their hands together and dream of ruling the world in the name of all that is wicked and bad". American writer
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At the same time, the mediaeval expression "vilein" or "vilain" is closely influenced by the word "vile", referring to something wicked or worthless. As from the late 13th century,
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In modern animation, animated villains that are more significant and fleshed out have become increasingly common as cartoons have begun to be favored by adults. Shows such as
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adds that the villain "may be driven by greed, neuroses, or the conviction that his cause is just, but he's driven by something, not unlike the things that drive a hero."
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and ability to cause destruction to achieve their ends. The evil intentions of their actions are often easily identified, as they act without concern for others (or their
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term. During the story's climax, the hero often has to find a way to rectify the agreement in order to defeat the villain or achieve the happy ending.
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Other female villains are portrayed as hyper-sexual and powerful beings that are used to juxtapose the beauty or physical characteristics of the
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villains as three-dimensional characters and acknowledged the complex nature that villains display in modern literature. For instance, he made
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who fought the hero and ran away, and who lets the hero follow her, is also performing the task of "guidance" and thus acting as a helper.
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of the villain's role within the narrative, in which they can portray themselves as villainous in a more general sense. The first is the
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is one that has already attained a level of command and power but always craves more. They are often driven by their desire for
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have features such as shaded eyelids and accentuated facial features, similar to those typically associated with femininity.
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Sit Down and Shut Up: Punk Rock Commentaries on Buddha, God, Truth, Sex, Death, and Dogen's Treasury of the Right Dharma Eye
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The usage of villain to describe a historical figure dates back to Tudor propaganda, pieces of which ended up influencing
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their hands in glee as they contemplate their evil deeds. There are only people with problems, struggling to solve them.
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of course are reflected to varying degrees in endless movies, novels, and other fictional and non-fictional narratives.
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Additionally, in animation there is a history of mothers and grandmothers being posed as the villains of many stories.
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and the greater good, a villain is often defined by their acts of selfishness, evilness, arrogance, cruelty, and
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Bowman, Sarah Lynne (2011). "The Dichotomy of the Great Mother Stereotype in Disney Heroines and Villainesses".
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as its antagonist. Since then, Disney made a lot of animated movies with villains based on fairy tale villains.
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The landed aristocracy of mediaeval Europe used politically and linguistically the Middle English descendant of
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masculine women, which emulates drag queens or butch lesbians. Adelia Brown makes a similar allegation about
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animated villains are portrayed in ways that feed into misogynistic ideas and traditional gender roles.
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Brown, Adelia (2021). "Hook, Ursula, and Elsa: Disney and Queer-coding from the 1950s to the 2010s".
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pursuing the hero after he has succeeded in winning the fight or obtaining something from the villain
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is no unpolished villager, but is instead (among other things) a deliberate scoundrel or criminal.
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has the main character's brother be a villain due to his commitment to breaking all of the
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prequels also introduced several villains in addition to those the franchise already had.
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evil but the actions they commit to reach their goal can be considered inherently evil.
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French villains in the 15th century before going to work, receiving their lord's orders.
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range from child to adult cartoons, but are all watched by a largely older audience.
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has "Northern carpetbaggers" inciting black violence as its villains. The 1916 film
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and the latter being the first time comic book supervillains were adapted to film.
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Another role for the villain would be the dispatcher, who sends the hero on their
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a conflict between the hero and the villain, either a fight or other competition
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Golden Horrors: An Illustrated Critical Filmography of Terror Cinema, 1931–1939
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recommends to writers that their works not contain villains. He states, in his
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is one with the typical traits of a villainous character but differs in their
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and discredited their reputation. For example, Shakespeare famously portrayed
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Use of the term "villain" to describe historical figures and real-life people
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for doing wrong, as well as being a worthy adversary to the hero. As put by
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ideals of a greater good, or even a desire to make the world a better place
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Since 1991, Bollywood has recognized the best actors portraying a villain.
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The Unknown 1930s: An Alternative History of the British Cinema, 1929–39
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typically portrayed villainous characters on both stage and screen in a
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presents this phenomenon through the idea of the other-mother. In
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There were also villains in 1960s children's film. For instance,
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has a man named Charles Denver as its villain. In the same year,
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had a Wicked Witch as the villain of a short film adaptation of
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es introduced supervillains as characters like Dr. Dana in
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who chopped off parts of their feet to fit in the shoe.
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concluded that the majority of stories had only eight "
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Filmfare Award for Best Performance in a Negative Role
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a story-initiating villainy, where the villain caused
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as a hideous monster who destroyed his family out of
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commonly function in the dual role of adversary and
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The 1923 film 957:point of view which is further discussed below. 2693:Sharmin, Tania; Sattar, Sanyat (January 2018). 2484:Papers: Explorations into Children's Literature 2442:Sharmin; Sattar, Tania; Sanyat (January 2018). 2441: 1682:have had several notable supervillains such as 3975: 2875: 2323: 1902:Following up on Bova's point, American writer 829:and his friends and the first Disney villain. 727:the agreement before any damage can be done. 2948: 2692: 403:behavior that can oppose or pervert justice. 2463:: CS1 maint: multiple names: authors list ( 1140:Portraying and employing villains in fiction 643:perform an influential role; for example, a 368:, or the like, who constitutes an important 2799: 2595: 2362: 2335:(2nd ed.). University of Texas Press. 2157: 1419:as a villainous protagonist. The 1962 film 1409:as its villain. In the same year, the film 595:were completely void of redeeming traits. 498:and eventually took on its modern meaning. 79:Learn how and when to remove these messages 2993: 2955: 2941: 2624: 2070:Robert K. Barnhart; Sol Steinmetz (1999). 1709:, is a villain of the Finnish epic poetry 943: 825:with Pete later becoming an antagonist of 2776: 2766: 2561:A History of Indian Literature: 1911-1956 1839:Learn how and when to remove this message 256:Learn how and when to remove this message 238:Learn how and when to remove this message 176:Learn how and when to remove this message 3284: 2842: 2740: 2708:(1): 53–57 – via David Publishing. 2319: 2317: 2315: 2313: 2311: 2309: 2281: 1850: 1697: 1089: 410: 352:person who is involved in or devoted to 279: 267: 38:Not to be confused with the feudal term 1429:as its villain. Other 1960s films like 892:became a major part of that franchise. 598: 540: 4167: 2515: 2500: 2395: 2393: 2391: 1788: 603: 4027: 3496: 3495: 2992: 2936: 2718: 2702:Journal of Literature and Art Studies 2538: 2451:Journal of Literature and Art Studies 2437: 2435: 2306: 2247:"The greatest villains in literature" 1858:, an example of a sympathetic villain 1475:both had villains. The former having 1041:Allegations of homophobic stereotypes 688: 2962: 2503:Vader, Voldemort, and Other Villains 2477: 2074:. New York: Chambers. p. 1204. 1821:adding citations to reliable sources 1792: 1104:is an example of a literary villain. 1078:, both of which connect villainy to 792: 187: 114:adding citations to reliable sources 85: 44: 2557: 2388: 1721:Louhi stealing the sun and the moon 1705:, the wicked queen and mistress of 1174: 811:torment a human being and in 1925, 754: 739:is a character who relies on their 13: 2881:"Villains Don't Always Wear Black" 2547:(43): 7–9 – via Scholastica. 2432: 2101:(2nd college ed.). New York: 1482:In the 1970s and early 1980s, the 1085: 537:"cheap, worthless, of low value". 342:Random House Unabridged Dictionary 14: 4221: 2902: 2741:Hanke, Katja; Liu, James (2015). 2522:Journal of Religions and Cultures 2505:: 80–88 – via Google Books. 2201:The History of the Word 'Villain' 1693: 438:, which in turn derives from the 360:; scoundrel; or a character in a 60:This article has multiple issues. 2920: 2908: 2072:Chambers Dictionary of Etymology 1797: 1155:manner, with mustache-twirling, 650:Propp also proposed another two 583:. Shakespeare also ensured that 192: 90: 49: 3472:(self styled captain, braggart) 2869: 2836: 2793: 2734: 2712: 2686: 2672: 2643: 2618: 2589: 2551: 2532: 2528:: 7–8 – via academia.edu. 2509: 2494: 2471: 2356: 2260:from the original on 2022-01-12 1808:needs additional citations for 1294:Snow White and the Seven Dwarfs 881:Snow White and the Seven Dwarfs 878:In 1937, Disney made the movie 345:defines such a character as "a 101:needs additional citations for 68:or discuss these issues on the 2238: 2215: 2192: 2151: 2119: 2098:Webster's New World Dictionary 2088: 2063: 2037: 2001: 1502:1980s films had villains like 935:Animated villain controversies 701: 505:meaning "villager" (styled as 294:silent movie cue for villainy 1: 2811:. New World Library. p.  1994: 2768:10.1371/journal.pone.0115641 2368:The Annotated Brothers Grimm 2282:Blakeney, Katherine (2010). 1781:as a spiteful and hunchback 1396:figure egging Ramesses on.) 1339:as the villainous Prince of 1268:20,000 Leagues Under the Sea 1190:The Execution of Mary Stuart 1049:Queer coding § Villains 557:who is unambiguously evil. 406: 7: 3976: 3843:Elderly martial arts master 3538:Hooker with a heart of gold 2331:Morphology of the Folk Tale 1963:List of soap opera villains 1909: 1620:Early 2000s films like the 1212:as an antagonist. Edison's 494:came into use as a term of 218:the claims made and adding 10: 4226: 4028: 2629:. McFarland. p. 481. 2169:Cambridge University Press 2095:David B. Guralnik (1984). 1235:The Wonderful Wizard of Oz 1228:as a villain and in 1910, 1202:made a horror film titled 1101:The Wonderful Wizard of Oz 1046: 779: 710:is a villain who utilises 608:In an analysis of Russian 37: 18: 4034: 4023: 3988: 3961: 3930: 3907: 3851: 3828: 3805: 3796: 3769: 3751: 3728: 3705: 3672: 3644: 3616: 3578: 3515: 3506: 3502: 3491: 3418: 3358: 3330: 3301: 3283: 3274: 3249: 3209: 3170: 3142: 3133: 3101: 3073: 3012: 3003: 2999: 2988: 2970: 2650:Jeffery Richards (2001). 2558:Das, Sisir Kumar (1995). 2490:(1) – via Informit. 2418:10.1207/s15405710pc0102_2 1723:, Joseph Alanen, c. 1909. 1676:Marvel Cinematic Universe 896:Saturday-morning cartoons 873:Blacque Jacque Shellacque 837:as the antagonist of the 819:as an antagonist for the 628:to the hero or his family 272:An example of a sinister 25:Villainy (disambiguation) 2516:Doiron, Zachary (2021). 1460:film has had a villain. 1356:. Like the book, it has 1309:Wicked Witch of the West 1096:Wicked Witch of the West 730: 29:Bad Guy (disambiguation) 21:Villain (disambiguation) 16:Evil character or person 4205:Mythological characters 4200:Mythological archetypes 1651:all had villains like, 1630:The Dark Knight Trilogy 1407:Marcus Licinius Crassus 1372:had two main villains. 1301:as a villain. In 1939, 1215:The Great Train Robbery 944:Allegations of misogyny 898:also had villains like 804:How a Mosquito Operates 33:Badman (disambiguation) 3570:Manic Pixie Dream Girl 2994:By ethics and morality 2913:Quotations related to 1978:Rival (disambiguation) 1900: 1859: 1856:Frankenstein's monster 1724: 1245:The Merchant of Venice 1205:The House of the Devil 1105: 416: 306: 277: 2719:Miles, James (2010). 2406:Popular Communication 2256:. September 8, 2017. 1895: 1854: 1701: 1642:The Lord of the Rings 1425:, like the book, had 1422:To Kill a Mockingbird 1353:The War of the Worlds 1262:The Birth of a Nation 1093: 414: 283: 271: 2929:at Wikimedia Commons 2879:(January 28, 2008). 2171:. pp. 120–121. 2103:Simon & Schuster 2051:. September 29, 2021 1817:improve this article 1740:also alludes to the 1680:DC Extended Universe 1432:The Guns of Navarone 1369:The Ten Commandments 1280:The Ten Commandments 1195:Mary, Queen of Scots 851:as an antagonist of 599:Folk and fairy tales 541:Classical literature 287:Mysterioso Pizzicato 110:improve this article 4190:Literary archetypes 3784:Princess and dragon 3682:Princesse lointaine 3182:(servants, clowns: 3152:Gentleman detective 2759:2015PLoSO..1015641H 2625:Bryan Senn (1996). 2599:(January 1, 1982). 2541:The Macksey Journal 2253:The Daily Telegraph 2139:on October 12, 2018 2132:Oxford Dictionaries 1973:Nemesis (mythology) 1864:sympathetic villain 1789:Sympathetic villain 1775:William Shakespeare 1598:The Prince of Egypt 1445:as their villains. 1007:; for example, the 604:Russian fairy tales 561:William Shakespeare 391:and the pursuit of 4069:Identity formation 3859:American mappillai 3771:Damsel in distress 3553:Magical girlfriend 3458:(wealthy old men, 2848:"Tips for writers" 2478:Goss, Jax (2009). 1860: 1725: 1674:In the 2010s, the 1539:Back to the Future 1399:In 1960, the film 1386:Edward G. Robinson 1366:'s 1956 remake of 1331:as the villainous 1324:Samson and Delilah 1106: 1063:The Little Mermaid 869:Marvin the Martian 859:had villains like 689:Villain archetypes 417: 379:of a villain is a 375:in the plot". The 313:(also known as a " 307: 278: 203:possibly contains 31:, and 4162: 4161: 4158: 4157: 4039:Adolescent clique 4019: 4018: 4015: 4014: 4011: 4010: 3792: 3791: 3528:Farmer's daughter 3497:By sex and gender 3487: 3486: 3483: 3482: 3479: 3478: 3270: 3269: 3129: 3128: 3050:Mythological king 2925:Media related to 1849: 1848: 1841: 1522:and its sequels, 1488:films introduced 831:Fleischer Studios 793:Animated villains 618:dramatis personae 468:later shifted to 266: 265: 258: 248: 247: 240: 205:original research 186: 185: 178: 160: 83: 4217: 4210:Stock characters 4085:Little green men 4074:Imaginary friend 4025: 4024: 3981: 3803: 3802: 3743:Mammy stereotype 3697:Yamato nadeshiko 3513: 3512: 3504: 3503: 3493: 3492: 3368:Bug-eyed monster 3332:Social Darwinist 3281: 3280: 3257:Good cop/bad cop 3140: 3139: 3010: 3009: 3001: 3000: 2990: 2989: 2964:Stock characters 2957: 2950: 2943: 2934: 2933: 2924: 2912: 2896: 2895: 2893: 2891: 2873: 2867: 2866: 2864: 2863: 2854:. Archived from 2840: 2834: 2833: 2831: 2829: 2810: 2797: 2791: 2790: 2780: 2770: 2738: 2732: 2731: 2729: 2727: 2716: 2710: 2709: 2699: 2690: 2684: 2683: 2676: 2670: 2669: 2647: 2641: 2640: 2622: 2616: 2615: 2613: 2611: 2593: 2587: 2586: 2584: 2582: 2555: 2549: 2548: 2536: 2530: 2529: 2513: 2507: 2506: 2498: 2492: 2491: 2475: 2469: 2468: 2462: 2454: 2448: 2439: 2430: 2429: 2397: 2386: 2385: 2370:(1st ed.). 2360: 2354: 2353: 2351: 2349: 2334: 2321: 2304: 2303: 2301: 2299: 2288:Inquires Journal 2279: 2270: 2269: 2267: 2265: 2249: 2242: 2236: 2235: 2233: 2231: 2219: 2213: 2212: 2210: 2208: 2196: 2190: 2189: 2187: 2185: 2164:Studies in Words 2155: 2149: 2148: 2146: 2144: 2135:. Archived from 2123: 2117: 2116: 2092: 2086: 2085: 2067: 2061: 2060: 2058: 2056: 2041: 2035: 2034: 2032: 2030: 2021:. Archived from 2005: 1891:Tips for writers 1881:American writer 1844: 1837: 1833: 1830: 1824: 1801: 1793: 1777:'s portrayal of 1761:As processes of 1438:The Great Escape 1364:Cecil B. DeMille 1321:. The 1949 film 1304:The Wizard of Oz 1285:Ten Commandments 1252:as a villainous 1250:Phillips Smalley 1175:Villains in film 1125:that provides a 1123:characterization 908:Snidely Whiplash 855:. Likewise, the 761:authority figure 755:Authority figure 423:first came into 337:literary fiction 305: 304: 303: 301: 261: 254: 243: 236: 232: 229: 223: 220:inline citations 196: 195: 188: 181: 174: 170: 167: 161: 159: 118: 94: 86: 75: 53: 52: 45: 4225: 4224: 4220: 4219: 4218: 4216: 4215: 4214: 4165: 4164: 4163: 4154: 4030: 4007: 3984: 3957: 3926: 3909:Prince Charming 3903: 3899:Superfluous man 3894:Nice Jewish boy 3847: 3824: 3788: 3765: 3747: 3730:Lady-in-waiting 3724: 3701: 3668: 3640: 3612: 3598:Fairy godmother 3574: 3498: 3475: 3414: 3354: 3326: 3297: 3266: 3245: 3224:Gentleman thief 3205: 3198: and  3166: 3125: 3097: 3069: 2995: 2984: 2966: 2961: 2905: 2900: 2899: 2889: 2887: 2874: 2870: 2861: 2859: 2841: 2837: 2827: 2825: 2823: 2798: 2794: 2753:(1): e0115641. 2739: 2735: 2725: 2723: 2717: 2713: 2697: 2691: 2687: 2678: 2677: 2673: 2666: 2658:. p. 150. 2648: 2644: 2637: 2623: 2619: 2609: 2607: 2594: 2590: 2580: 2578: 2576: 2568:. p. 416. 2566:Sahitya Akademi 2556: 2552: 2537: 2533: 2514: 2510: 2499: 2495: 2476: 2472: 2456: 2455: 2446: 2440: 2433: 2398: 2389: 2382: 2374:. p. 136. 2361: 2357: 2347: 2345: 2343: 2322: 2307: 2297: 2295: 2280: 2273: 2263: 2261: 2244: 2243: 2239: 2229: 2227: 2221: 2220: 2216: 2206: 2204: 2198: 2197: 2193: 2183: 2181: 2179: 2156: 2152: 2142: 2140: 2125: 2124: 2120: 2113: 2093: 2089: 2082: 2068: 2064: 2054: 2052: 2043: 2042: 2038: 2028: 2026: 2019:Wayback Machine 2007: 2006: 2002: 1997: 1992: 1912: 1845: 1834: 1828: 1825: 1814: 1802: 1791: 1755: 1744:display of the 1696: 1607:and Shan-Yu in 1454:in 1962, every 1448:Beginning with 1388:. (It also had 1350:made a film of 1242:made a film of 1177: 1142: 1088: 1086:Villainous foil 1051: 1043: 946: 937: 890:Disney Villains 884:and it had the 795: 782: 765:material wealth 757: 733: 718:Similarly, the 704: 691: 606: 601: 591:and Antonio in 543: 409: 333:stock character 299: 296: 295: 262: 251: 250: 249: 244: 233: 227: 224: 209: 197: 193: 182: 171: 165: 162: 119: 117: 107: 95: 54: 50: 43: 36: 17: 12: 11: 5: 4223: 4213: 4212: 4207: 4202: 4197: 4192: 4187: 4185:Fantasy tropes 4182: 4177: 4160: 4159: 4156: 4155: 4153: 4152: 4147: 4142: 4137: 4135:Tragic mulatto 4132: 4127: 4122: 4117: 4112: 4110:Shoulder angel 4107: 4102: 4097: 4092: 4087: 4082: 4081:("The Lovers") 4076: 4071: 4066: 4061: 4056: 4051: 4046: 4041: 4035: 4032: 4031: 4021: 4020: 4017: 4016: 4013: 4012: 4009: 4008: 4006: 4005: 4000: 3994: 3992: 3986: 3985: 3983: 3982: 3973: 3967: 3965: 3959: 3958: 3956: 3955: 3950: 3945: 3940: 3934: 3932: 3928: 3927: 3925: 3924: 3919: 3913: 3911: 3905: 3904: 3902: 3901: 3896: 3891: 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3693: 3690: 3688: 3685: 3683: 3680: 3679: 3677: 3675: 3671: 3665: 3662: 3660: 3657: 3655: 3652: 3651: 3649: 3647: 3646:Woman warrior 3643: 3637: 3634: 3632: 3629: 3627: 3624: 3623: 3621: 3619: 3615: 3609: 3606: 3604: 3601: 3599: 3596: 3594: 3591: 3589: 3586: 3585: 3583: 3581: 3577: 3571: 3568: 3564: 3561: 3559: 3556: 3555: 3554: 3551: 3549: 3546: 3544: 3541: 3539: 3536: 3534: 3531: 3529: 3526: 3524: 3521: 3520: 3518: 3516:Love interest 3514: 3511: 3509: 3505: 3501: 3494: 3490: 3471: 3468: 3465: 3461: 3457: 3454: 3452: 3449: 3447: 3444: 3442: 3439: 3437: 3434: 3432: 3429: 3427: 3424: 3423: 3421: 3417: 3409: 3406: 3405: 3404: 3401: 3399: 3396: 3394: 3393:Swamp monster 3391: 3389: 3386: 3384: 3381: 3379: 3376: 3374: 3371: 3369: 3366: 3365: 3363: 3361: 3357: 3351: 3348: 3346: 3345:Mad scientist 3343: 3341: 3338: 3337: 3335: 3333: 3329: 3323: 3320: 3318: 3315: 3313: 3310: 3309: 3307: 3305: 3300: 3294: 3291: 3290: 3288: 3286: 3282: 3279: 3277: 3273: 3263: 3260: 3258: 3255: 3254: 3252: 3248: 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1923: 1920: 1918: 1915: 1914: 1907: 1905: 1899: 1894: 1892: 1888: 1884: 1879: 1877: 1873: 1869: 1865: 1857: 1853: 1843: 1840: 1832: 1829:November 2023 1822: 1818: 1812: 1811: 1806:This section 1804: 1800: 1795: 1794: 1786: 1784: 1780: 1776: 1771: 1769: 1764: 1763:globalization 1759: 1750: 1747: 1743: 1739: 1734: 1730: 1722: 1718: 1714: 1713: 1708: 1704: 1700: 1691: 1689: 1685: 1681: 1677: 1672: 1670: 1666: 1662: 1658: 1654: 1650: 1649: 1644: 1643: 1638: 1637: 1632: 1631: 1626: 1624: 1618: 1616: 1612: 1611: 1606: 1605: 1600: 1599: 1595:, Rameses in 1594: 1593: 1588: 1584: 1583: 1578: 1577: 1576:Jurassic Park 1572: 1568: 1567: 1561: 1559: 1558: 1553: 1549: 1545: 1541: 1540: 1535: 1531: 1530: 1525: 1521: 1520: 1515: 1511: 1510: 1505: 1500: 1498: 1495: 1491: 1487: 1486: 1480: 1478: 1474: 1473: 1469:and the 1966 1468: 1467: 1461: 1459: 1458: 1453: 1452: 1446: 1444: 1440: 1439: 1434: 1433: 1428: 1424: 1423: 1418: 1414: 1413: 1408: 1404: 1403: 1397: 1395: 1391: 1387: 1383: 1379: 1375: 1371: 1370: 1365: 1361: 1360:as villains. 1359: 1355: 1354: 1349: 1344: 1342: 1338: 1334: 1330: 1326: 1325: 1320: 1319: 1314: 1310: 1306: 1305: 1300: 1296: 1295: 1290: 1286: 1282: 1281: 1276: 1275: 1270: 1269: 1264: 1263: 1257: 1255: 1251: 1247: 1246: 1241: 1237: 1236: 1231: 1227: 1223: 1222: 1217: 1216: 1211: 1207: 1206: 1201: 1196: 1192: 1191: 1186: 1182: 1181:Thomas Edison 1172: 1170: 1166: 1162: 1158: 1154: 1150: 1149:Tod Slaughter 1147: 1137: 1135: 1132: 1128: 1124: 1118: 1115: 1111: 1103: 1102: 1097: 1092: 1083: 1081: 1077: 1073: 1069: 1065: 1064: 1059: 1050: 1045: 1044: 1038: 1036: 1034: 1028: 1026: 1020: 1019: 1014: 1010: 1009:Lady Tremaine 1006: 1001: 999: 998: 993: 992: 987: 982: 980: 976: 972: 968: 967:Lady Tremaine 964: 958: 956: 952: 941: 932: 930: 929: 924: 923: 922:Gravity Falls 918: 917: 911: 909: 905: 901: 897: 893: 891: 887: 883: 882: 876: 874: 870: 866: 862: 858: 854: 850: 846: 845:Hanna-Barbera 842: 841: 836: 832: 828: 824: 823: 818: 814: 810: 806: 805: 800: 790: 787: 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4120:Straight man 4054:Dragonslayer 4003:Black knight 3971:Seme and uke 3953:Mountain man 3943:Noble savage 3838:Wise old man 3659:Magical girl 3631:Femme fatale 3608:Loathly lady 3563:Monster girl 3408:Nazi zombies 3383:Monster girl 3350:Supervillain 3312:Double agent 3285:Antivillains 3275: 3239:Space pirate 3172:Tricky slave 3119:Space marine 3083:Byronic hero 3065:Youngest son 3013:Classic hero 2917:at Wikiquote 2888:. 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