1311:
1079:
1330:
1053:
1124:
1101:
412:
102:
900:
1139:
490:
940:
1368:
590:
881:
963:
1352:
769:
716:
810:(1548), the Mannerist features include the crowded scene, the twisting linking of figures (as in the central figures, from the foreshortened slave on the ground to the miraculous figure of St. Mark in the sky, through the turbaned, grey-robed figure), and the drama in the gestures and poses. But the colouring maintains the warm reds, golds and greens of the Venetian school, and the figures are arranged in real three-dimensional space, in contrast to the more compressed compositions of many Mannerist works, and with its intensely theatrical, stage-like display his painting is a forerunner of the
921:
339:
31:
842:
862:
175:
5219:
1389:
270:, used them little in other interior settings. The rapid deterioration of external frescos is often attributed to the seaside Venetian climate, perhaps wrongly. Probably partly for this reason, until the 18th century (with rare exceptions) Venetian churches were never given a coherent scheme of decoration, but feature a "rich profusion of different objects in a picturesque confusion", often with much wall space taken up by grandiose wall-tombs.
642:(1519–1528) shows a bold new composition for such a traditional religious subject, putting the focal point of the Madonna off from the centre and on a steep diagonal. Colours are used to enliven the painting, but also to unify the composition, such as by the large red flag on the left counterbalancing the red in the Madonna and such skilful and sumptuous use of colour became a hallmark of the Venetian style.
646:
360:, probably active between about 1320 and 1360, is the first major figure we can name, and "the founder of the Venetian school". He seems to have introduced the "composite altarpiece" of many small scenes within an elaborate gilded wooden frame, which remained dominant in churches for two centuries. These transferred to painting the form of the huge, jewel-encrusted and very famous
685:, Titian established the genre of half-length portraits of imaginary beautiful women, often given rather vague mythological or allegorical titles, with attributes to match. The artists apparently did nothing to discourage the belief that these were modelled for by the most celebrated of Venice's famous courtesans, and sometimes this may have been the case.
572:, many of Carpaccio's large works give us famous scenes of contemporary life in the city; at this period such views were unusual. He was one of the first painters to mostly use canvas rather than panels. There were a number of other painters who continued essentially quattrocento styles in the two decades after 1500;
678:(1538) richly depict the fabrics and other textures, and use a composition that is carefully controlled by organising colours. As an example, in this painting the diagonal of the nude is matched by the opposite diagonal between the red of the cushions in the front with the red skirts of the woman in the background.
206:
now in the large
European museums rather than other Italian cities. At the top, princely, level, Venetian artists tended to be the most sought-after for commissions abroad, from Titian onwards, and in the 18th century most of the best painters spent significant periods abroad, generally with great success.
1164:
in the terraferma, who trained in Venice before leaving under a cloud. He returned for a decade in 1698, and then again at the end of his life, after time in
England, France and elsewhere. Drawing especially on Veronese, he developed a light, airy, Baroque style that foreshadowed the painting of most
702:
With such paintings, readily transported by virtue of being oils on canvas, Titian became famous, and helped establish a reputation for
Venetian art. Possession of such paintings symbolised luxurious wealth, and for his skills in portraiture he was sought by powerful, rich individuals, such as in his
205:
in 1550 was so conspicuous that he realized he needed to visit Venice for extra material in his second edition of 1568. In contrast, foreigners, for whom Venice was often the first major
Italian city visited, always had a great appreciation for it and, after Venice itself, the best collections are
1412:
traditions, and the more sensual, poetic, and pleasure-seeking of the colourful
Venetian school. Specifically through the presence of Titians in Spain (he was careful to avoid going there in person), the Venetian style influenced later Spanish art, especially in portraits, including that of
1155:
At the end of the 17th century things began to change dramatically, and for much of the 18th century
Venetian painters were in remarkable demand all over Europe, even as the city itself declined and was a much reduced market, in particular for large works; "Venetian art had become, by the
121:
By chance, the main phases of
Venetian painting fit rather neatly into the centuries. The glories of the 16th century were followed by a great fall-off in the 17th, but an unexpected revival in the 18th, when Venetian painters enjoyed great success around Europe, as
1175:, but also by the later Roman Baroque. His career was mostly spent away from the city, working in several countries north of the Alps, where the new Venetian style was greatly in demand for decorating houses. It was actually slower to be accepted in Venice itself.
141:
Though a long decline in the political and economic power of the
Republic began before 1500, Venice at that date remained "the richest, most powerful, and most populous Italian city" and controlled significant territories on the mainland, known as the
764:
was equally dominant, and began a long and complicated relationship with him; eventually they fell out. His style combined
Venetian colour and Roman classical grandeur, and did something to spread Venetian style to the new centre of Italian painting.
1289:, turning early in his career to specialize in small scenes of contemporary Venetian life, mostly with an element of gentle satire. He was one of the first Italian painters to mine this vein, and was also an early painter of
1279:, and the form received a final development by Guardi, who produced many freely painted scenes set in the lagoon, with water, boats and land in "paintings of great tonal delicacy, whose poetic mood is tinged with nostalgia".
1310:
610:
were both apprentices at
Bellini's workshop. They collaborated on numerous paintings, and their styles could be so similar that it is difficult to conclusively assign authorship. A speciality of Giorgione's were idyllic
554:(1505), the high viewpoint, the uncluttered and interconnected figures arranged in space, and the subtle gestures all combine to form a tranquil yet majestic image. With such works he has been described as reaching the
820:(c. 1510–1592), followed by the four sons in his workshop, developed an eclectic style, with influences not just from Titian but a range of other painters, which he then utilized for decades from his small hometown of
486:(c. 1430–1495) was born in the city, but spent his mature career outside the Republic's territories. His style – highly individual, rather linear, and somewhat neurotic – had no influence on later Venetian painting.
548:(c. 1487), which largely reflect the linear approach of Mantegna, he later developed a softer style, where glowing colours are used to represent form and suggest an atmospheric haze. Applying this approach in his
1078:
170:
coast, who also contributed. Indeed, "the major Venetian painters of the sixteenth century were rarely natives of the city" itself, and some mostly worked in the Republic's other territories, or further afield.
732:(c. 1480–1528) was slightly older than Titian, and apparently content to follow in the wake of the two great innovators; many easel paintings long attributed to Titian may actually be by him. His great-nephew,
1052:
1403:
The Venetian school had a great influence of subsequent painting, and the history of later Western art has been described as a dialogue between the more intellectual and sculptural/linear approach of the
1004:(c. 1590? – c. 1630). All were aware of the Baroque painting of Rome or Genoa, and in different ways developed styles reflecting and uniting these and traditional Venetian handling of paint and colour.
479:
and Bellini families were the two major dynasties of 15th-century painters in the city, and the Vivarini, though in the end more conservative, were initially the first to embrace styles from the south.
754:. He painted religious subjects and portraits in a highly individual and sometimes eccentric style, which despite their rich colouring have a restlessness that is at odds with the Venetian mainstream.
1424:
Venice as a subject for visiting artists has been extremely popular, especially from shortly after Venetian artists ceased to be significant. Among the best known to frequently depict the city are
564:(c. 1465–1525/1526) was a pupil of Bellini, with a distinct style. He was rather conservative, and ignored the High Renaissance style developing in the later part of his career, indeed retaining a
1329:
1199:, where she was an important technical innovator, preparing the way for this important 18th-century form. She achieved great international success, in particular in London, Paris and Vienna.
222:
rather than wooden panels. As a maritime power good quality canvas was always available in Venice, which was also beginning to run rather short of timber. The large size of many Venetian
841:
201:
1019:
from Florence (1611–78), who both worked mainly in Venice or the terraferma in unorthodox and free Baroque styles, both marked by the Venetian trait of bravura brushwork.
376:. In fact, one of Veneziano's commissions was to paint "weekday" panels to fit over the Pala, which was only revealed for feast-days. His style shows no influence from
636:
Titian, through his long and productive life, with a wide variety of themes and subjects was the most influential and greatest of all the Venetian painters. His early
899:
5061:
1100:
495:
688:
Titian continued to paint religious subjects with growing intensity, and mythological subjects, which produced many of his most famous later works, above all the
988:
and others continued to turn out works essentially in the styles of the previous century. The most significant artists working in the city were all immigrants:
1351:
939:
1367:
3686:
43:
c. 1515; this religious work also functions as an idealized portrait of a beauty, a Venetian genre developed by Titian, supposedly often using Venetian
880:
1520:
In the 16th century, Lorenzo Lotto, Carlo Crivelli and others; in the 18th century most major Venetian painters spent long periods abroad (see below).
2648:
5283:
5278:
5273:
5268:
5263:
2157:
4563:
1205:(1696–1770) is the last great Venetian painter, who was also in demand all over Europe, and painted two of his largest fresco schemes in the
920:
4015:
1300:
by French Revolutionary armies in 1797, effectively brought the distinctive Venetian style to an end; it had at least outlasted its rival
277:, Venetian painters mostly used and have left fewer drawings. Perhaps for this reason, and despite Venice being Italy's largest centre of
4049:
5288:
4556:
232:
of 1505, originally on panel) and other paintings encouraged this, as large panel surfaces were expensive and difficult to construct.
1445:
832:
621:, and this element was adopted by his master Bellini, who increased the landscape in his many Madonnas, and by Titian in work like
90:(1510–1592) and his sons. Considered to give primacy to colour over line, the tradition of the Venetian school contrasted with the
110:
4838:
3373:
2807:
1123:
793:
in the Venetian terraferma, came to Venice in 1553, once he was established, commissioned to paint huge fresco schemes for the
262:
long after the rest of Europe had abandoned the medium. Somewhat perversely, they were happy to add frescos to the outside of
3776:
2858:
2574:
760:(c. 1485–1547) accepted a good commission in Rome in 1511, and never worked in Venice again. But in Rome he soon found that
465:
was fully mature, Venice still lagged well behind. Perhaps the most visible work in Venice in the Tuscan style was a mosaic
2418:
1261:
or detailed and mostly accurate panoramic views, usually of the city itself, many bought by wealthy northerners making the
420:
411:
266:, where they deteriorated even faster than elsewhere in Italy, and have only left a few shadowy traces, but apart from the
101:
1030:
in 1653 and 1685 left a body of work in the latest Baroque style, and had an energising effect on younger artists such as
3156:
3139:
2540:
2150:
4125:
2485:
1089:
861:
458:
were both in Venice during much of the years 1405–1409, painting frescos (now lost) in the Doge's Palace and elsewhere.
4193:
3044:
1147:
1138:
489:
471:, in the Capella Mascoli in San Marco, next to a design by Gambono, though other works in the city included frescos by
2513:
728:
The long dominance of Titian in the Venetian painting scene could be a problem for other ambitious Venetian painters.
138:
in 1797 and since then, though much painted by others, Venice has not had a continuing style or tradition of its own.
4272:
4267:
3112:
2603:
2089:
325:, though famous for his views of Rome, continued to describe himself as a Venetian for decades after moving to Rome.
1484:
Steer, 175 describes the cause of the revival as "something of a mystery"; it is also a "mystery" to Wittkower, 479.
2530:
778:
17:
3278:
4698:
4171:
2462:
2378:
668:(completed by Titian after Giorgione's death in 1510) Titian is credited with establishing the reclining female
4451:
4000:
3859:
3623:
2643:
2479:
2188:
2143:
2114:
2071:
2046:
2024:
1996:
1297:
131:
94:
prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of
5258:
3540:
3293:
1429:
1156:
mid-eighteenth century, a commodity primarily for export." The first significant artist in the new style was
704:
589:
4922:
4294:
4135:
3963:
2768:
2680:
2653:
980:
The 17th century was a low point in Venetian painting, especially in the first decades when Palma Giovane,
520:
384:
55:
962:
4583:
4284:
2950:
1316:
1168:
4237:
293:, Titian experimented with prints, using specialist collaborators, but to a lesser extent. The engraver
5248:
4880:
4496:
4319:
3693:
3307:
3283:
2836:
2795:
2508:
2059:
1240:, the most distinguished of several of the family to train with and assist Giovanni Battista Tiepolo.
1039:
664:
544:
322:
3231:
4079:
3958:
3914:
3322:
2965:
2933:
2831:
2317:
1335:
1237:
1229:
1202:
1142:
314:
1179:(a. 1685–1752) was another travelling Venetian decorator of palaces, who was also popular for proto-
146:, which included several small cities who contributed artists to the Venetian school, in particular
4843:
4826:
4481:
4324:
4309:
4120:
3990:
3864:
3656:
3611:
3572:
3513:
3484:
2884:
2225:
2135:
2121:
Italian Paintings: Venetian School: A Catalogue of the Collection of the Metropolitan Museum of Art
1031:
910:
768:
350:
4020:
3980:
5004:
4341:
4181:
3936:
3545:
3491:
3095:
2938:
2853:
2780:
2719:
1985:
715:
629:
550:
228:
183:
4113:
3931:
3423:
5222:
5115:
4763:
4713:
4673:
4636:
4536:
4176:
3496:
3474:
3334:
2302:
1214:
617:
633:(1515). This emphasis on nature as a setting was a major contribution of the Venetian School.
4753:
4728:
4693:
4663:
4629:
4551:
4329:
4304:
3919:
3798:
3703:
2262:
2184:
1195:(1675–1757), the most significant Venetian woman artist, was purely a portraitist, mostly in
886:
757:
259:
39:
3181:
2124:
1206:
5253:
5243:
4875:
4456:
4225:
4130:
3924:
3854:
3770:
3644:
3447:
3273:
3073:
2763:
2598:
2503:
2437:
2368:
2287:
2277:
2267:
1374:
1221:
806:
747:
720:
565:
512:
439:
429:
143:
1293:
portraits. Unlike most Venetian artists, large numbers of lively sketches by him survive.
8:
5098:
4683:
4599:
4568:
4446:
4409:
4210:
4096:
3943:
3616:
3302:
3288:
2894:
2817:
2695:
2615:
2593:
981:
467:
451:
443:
338:
309:, apparently mostly in Padua. The situation was different in the 18th century, when both
302:
282:
274:
5177:
4421:
2955:
5140:
4748:
4688:
4431:
4353:
4289:
4103:
4064:
3907:
3808:
3735:
3562:
3349:
3124:
2998:
2928:
2790:
2785:
2562:
2327:
2292:
1290:
1252:
1106:
1016:
848:
821:
696:
573:
306:
294:
135:
5198:
4379:
4059:
2041:, National Gallery Publications Ltd (National Gallery Catalogues (new series)), 2008,
736:(1548/50–1628), Titian's pupil, much later played a similar role, using the styles of
658:(1538), with a lapdog on the right, balancing the face on the left, is an erotic work.
305:
are the main 16th-century artists who concentrated on printmaking and remained in the
30:
4868:
4821:
4791:
4651:
4521:
4436:
4426:
4091:
4074:
3948:
3567:
3530:
3501:
3454:
3317:
3263:
3253:
3243:
3134:
2812:
2714:
2701:
2690:
2353:
2282:
2257:
2213:
2110:
2085:
2067:
2042:
2020:
1992:
1409:
1405:
1248:
1244:
561:
542:
has been credited with creating the Venetian style. After earlier works, such as his
528:
388:
365:
298:
3105:
2525:
558:
ideals, and certainly expresses the key distinctive factors of the Venetian school.
446:
a transitional figure and the trend, which continued in the rather charming work of
5204:
5150:
5108:
4811:
4604:
4242:
4149:
4027:
3740:
3723:
3681:
3676:
3671:
3589:
3535:
3258:
3203:
3100:
3068:
3039:
2918:
2911:
2906:
2879:
2741:
2736:
2413:
2174:
2077:
1856:
Wittkower, 348; Steer, 173–174. They differ markedly in their evaluation of Maffei.
1392:
1233:
1192:
1157:
1127:
1084:
1069:
1043:
1008:
993:
966:
926:
825:
811:
794:
746:(c. 1480–1556/57) was born in the city, but spent most of his mature career in the
733:
623:
612:
555:
539:
447:
400:
267:
178:
123:
95:
59:
4932:
1165:
of the rest of the century, and was a great influence on young Venetian painters.
5125:
4982:
4957:
4907:
4831:
4656:
4646:
4541:
4526:
4506:
4389:
4299:
4262:
4247:
3995:
3902:
3844:
3666:
3661:
3418:
3387:
3339:
3029:
2960:
2945:
2773:
2751:
2672:
2620:
2610:
2582:
2535:
2518:
2442:
2383:
2373:
2312:
1425:
1358:
1267:
971:
824:, some 65 km from Venice. His sons continued to work in it long after his death;
674:
654:
569:
504:
472:
438:
style persisted until around 1400 when the dominant style began to shift towards
435:
357:
342:
174:
63:
3009:
852:, an example of a painting often attributed to Titian or Giorgione, but also to
724:(1548), one of a trio of Tintoretto works on St Mark, the patron saint of Venice
672:
as an important subgenre in art. Using mythological subjects, works such as the
5187:
5155:
5103:
5051:
5034:
5024:
4952:
4614:
4491:
4461:
4358:
4346:
4220:
4154:
4086:
3953:
3849:
3552:
3248:
3188:
3129:
2993:
2923:
2630:
2552:
2469:
2322:
2030:
1176:
1058:
989:
945:
817:
786:
773:
638:
595:
483:
415:
373:
369:
248:
196:
87:
83:
4768:
2637:
5237:
5088:
5056:
4917:
4912:
4895:
4723:
4718:
4703:
4678:
4668:
4619:
4279:
4257:
4188:
4054:
3883:
3786:
3762:
3745:
3713:
3698:
3479:
3469:
3464:
3368:
3117:
3078:
3017:
2843:
2800:
2569:
2498:
2430:
2272:
2250:
2166:
1286:
1282:
1184:
1035:
1027:
905:
871:
853:
743:
729:
689:
682:
361:
4573:
3718:
3380:
5167:
5120:
5076:
5066:
5029:
4999:
4962:
4937:
4927:
4890:
4733:
4516:
4384:
4108:
4037:
3834:
3757:
3508:
3459:
3363:
3344:
3312:
3209:
3149:
3144:
2889:
2709:
2547:
2405:
2388:
2348:
2343:
2297:
2235:
2102:
1433:
761:
516:
503:
From the late-15th century, Venetian painting developed through links with
462:
215:
188:
5162:
3023:
1414:
804:
artist, he also incorporates Venetian and individualistic aspects. In his
5083:
5046:
4987:
4863:
4858:
4853:
4801:
4796:
4738:
4641:
4578:
4531:
4471:
4441:
4363:
4205:
4043:
4032:
4005:
3975:
3839:
3813:
3730:
3651:
3639:
3594:
3584:
3579:
3557:
3518:
3354:
3329:
3214:
3176:
3083:
3051:
3003:
2731:
2659:
2452:
2393:
2307:
2245:
2205:
1172:
1001:
286:
252:
5130:
4942:
4902:
4848:
4816:
4708:
4546:
4501:
4394:
4200:
4010:
3878:
3599:
3401:
3193:
3034:
2822:
2588:
2493:
2457:
2447:
2425:
2240:
2230:
2218:
2170:
1388:
1262:
985:
737:
368:, the enamel panels for which had been made in, and later looted from,
223:
195:
The rest of Italy tended to ignore or underestimate Venetian painting;
79:
5192:
5182:
5145:
4977:
4967:
4947:
4773:
4743:
4476:
4399:
3818:
3604:
3441:
3198:
2899:
2848:
2746:
2557:
2363:
2334:
1225:
801:
603:
532:
455:
346:
310:
285:
and for a considerable time afterwards, the Venetian contribution to
105:
91:
71:
44:
2165:
2052:
Jimenez-Blanco, Maria Dolores, and Museo Nacional del Prado (eds.),
5172:
5093:
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4972:
4885:
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3781:
3525:
2988:
2685:
2625:
1341:
1301:
1272:
669:
476:
278:
163:
2107:
Painting in Sixteenth-Century Venice: Titian, Veronese, Tintoretto
4511:
4314:
4252:
4069:
3968:
3708:
3435:
3268:
2874:
2474:
2358:
1210:
1161:
1064:
1012:
751:
290:
167:
151:
3430:
5135:
4994:
4486:
4416:
3985:
3897:
3752:
2983:
1418:
1257:
1196:
1188:
1180:
1023:
790:
649:
607:
524:
396:
377:
318:
255:
244:
236:
219:
202:
Lives of the Most Excellent Painters, Sculptors, and Architects
159:
155:
127:
115:
75:
34:
450:(c. 1400 – c. 1462), who also designed mosaics for San Marco.
3219:
1271:, a fanciful imaginary scene, often of classical ruins, with
997:
645:
508:
392:
240:
147:
66:(c. 1429–1507) and their workshops, the major artists of the
5071:
3873:
1265:. Few Canalettos remain in Venice. The other type was the
5062:
Art in the Protestant Reformation and Counter-Reformation
1421:
was more broadly transmitted through the rest of Europe.
835:, many originally from outside the Republic's territory.
1285:(c. 1702–1785) was Venetian painting's most significant
1220:
The final flowering also included the varied talents of
496:
Miracle of the Relic of the Cross at the Ponte di Rialto
2019:, Yale University Press / Royal Academy of Arts, 1994,
1275:
figures. Marco Ricci was the first Venetian painter of
214:
Venetian painters were among the first Italians to use
1007:
New directions were taken by two individual painters,
1397:
View of the Venetian Lagoon with the Tower of Maghera
199:'s neglect of the school in the first edition of his
2084:, Penguin / Yale History of Art, 3rd edition, 1973,
2027:(catalogue for exhibition in London and Washington).
1171:
was influenced by Ricci, and worked with his nephew
235:The Venetians did not develop a "native school" of
2066:, London: Thames and Hudson (World of Art), 1970,
2017:The Glory of Venice: Art in the Eighteenth Century
1946:Martineau, 277–278; Steer, 198; Wittkower, 496–497
1296:The death of Guardi in 1793, soon followed by the
247:, Venetian from 1405, to supply painters (notably
833:great number of artists in the Venetian tradition
800:Although Tintoretto is sometimes classified as a
5235:
828:was very slow to appeal to the Venetian market.
2005:, Brace Harcourt Jovanovich, 9th edition, 1991.
1685:Steer, 66–68, 90; Freedberg, 166; Martineau, 66
831:These are a few of the most outstanding in the
2151:
2015:Martineau, Jane, and Robison, Andrew (eds.),
328:
1672:
1670:
523:, probably acquired through his training in
1399:, 1770s, 21.3 cm (8.3 ″) x 41.3 cm (16.2 ″)
576:(c. 1459–c. 1517) is the most significant.
527:. Another external factor was the visit by
158:. The Republic's territories also included
2158:
2144:
2003:Art Through the Ages—International Edition
1658:
1667:
1471:
1469:
1446:List of painters and architects of Venice
797:, and stayed for the rest of his career.
593:Titian's early and dramatically composed
2082:Art and Architecture in Italy, 1600–1750
1387:
1137:
1122:
961:
767:
714:
644:
588:
488:
461:By the mid-century, when the Florentine
410:
337:
173:
100:
40:Salome with the Head of John the Baptist
29:
2035:The Sixteenth Century Italian Paintings
1255:, painting two distinct types: firstly
584:
209:
58:and beyond. Beginning with the work of
14:
5284:18th century in the Republic of Venice
5279:17th century in the Republic of Venice
5274:16th century in the Republic of Venice
5269:15th century in the Republic of Venice
5264:14th century in the Republic of Venice
5236:
4839:Contemporary Indigenous Australian art
2012:, Royal Academy of Arts, London, 1983.
1973:Martineau, 47–48; Prado Guide, p. 118.
1793:Steer, 103–106; Martineau, 33, 175–182
1466:
703:long relationship working for Emperor
531:, who was particularly influential on
2859:Art of the late 16th century in Milan
2139:
2119:Federico Zeri, Elizabeth E. Gardner:
1357:Rosalba Carriera, pastel portrait of
681:With other Venetian painters such as
289:is less than might be expected. Like
2064:Venetian painting: A concise history
2056:, English 2nd revised edition, 2009.
1463:Steer, 7–10; Martineau, 38–39, 41–43
599:(1526), with rich Venetian colouring
2109:, 2nd edition, Cambridge UP, 1997,
1321:Alexander with the Corpse of Darius
1092:'s Conquest of the Enchanted Forest
515:(c. 1430–1479), who introduced the
297:moved to Rome in his twenties, and
130:. This had ended completely by the
24:
4194:Vienna School of Fantastic Realism
3045:Neoclassical architecture in Milan
2096:
1937:Steer, 198–208; Wittkower, 491–505
1928:Steer, 180–186; Wittkower, 481–484
1892:Steer, 176–177; Wittkower, 479–481
1847:Steer, 169–174; Wittkower, 106–108
710:
615:scenes, with an example being his
421:The Annunciation, with St. Emidius
25:
5300:
5289:Culture of the Republic of Venice
4268:American Figurative Expressionism
2604:International Gothic art in Italy
2131:
5218:
5217:
3777:Neue KĂĽnstlervereinigung MĂĽnchen
1366:
1350:
1328:
1309:
1243:Canaletto, his pupil and nephew
1099:
1077:
1051:
1022:Visits to Venice by the leading
938:
919:
898:
879:
860:
840:
779:The Conversion of Mary Magdalene
4699:Tunisian collaborative painting
4172:International Typographic Style
2010:The Genius of Venice, 1500–1600
1967:
1958:
1949:
1940:
1931:
1922:
1913:
1904:
1895:
1886:
1877:
1868:
1859:
1850:
1841:
1832:
1823:
1814:
1805:
1796:
1787:
1778:
1769:
1760:
1751:
1742:
1733:
1724:
1715:
1706:
1697:
1688:
1679:
1649:
1640:
1631:
1622:
1613:
1604:
1595:
1586:
1577:
1568:
1559:
1550:
1541:
1118:
957:
579:
406:
380:, active a generation earlier.
333:
111:The Entrance to the Grand Canal
62:(c. 1430–1516) and his brother
27:Art from the Republic of Venice
4452:The Caribbean Artists Movement
1865:Wittkower, 347–349; Steer, 174
1532:
1523:
1514:
1505:
1496:
1487:
1478:
1457:
387:was first seen in Venice when
281:and publishing throughout the
13:
1:
2808:Dutch and Flemish Renaissance
1979:
1556:Steer, 28 quoted; Penny, xiii
1430:James Abbott McNeill Whistler
984:(the son), the Bassani sons,
4923:Modern European ink painting
4295:Bay Area Figurative Movement
1989:Painting in Italy, 1500–1600
1601:Steer, 11, 15–22 (15 quoted)
1251:, and Guardi specialized in
662:Although pre-figured by the
521:Early Netherlandish painting
385:Italian Renaissance painting
166:and the islands now off the
56:Italian Renaissance painting
7:
4584:Artificial intelligence art
2039:Volume II: Venice 1540–1600
1991:, 3rd edition, Yale, 1993,
1439:
1317:Giovanni Antonio Pellegrini
1169:Giovanni Antonio Pellegrini
1132:Triumph of the Marine Venus
568:poetry in many works. With
239:painting, often relying on
10:
5305:
4497:Post-painterly abstraction
4320:Situationist International
3694:Pennsylvania Impressionism
1298:extinction of the Republic
992:(c. 1589–1623) from Rome,
545:Madonna of the Small Trees
427:
395:was commissioned to paint
329:Early development, to 1500
323:Giovanni Battista Piranesi
5213:
5017:
4782:
4592:
4372:
4164:
4148:
4080:California Scene Painting
3959:California Scene Painting
3915:Figurative Constructivism
3827:
3632:
3411:
3400:
3230:
3167:
3060:
2976:
2966:Poussinists and Rubenists
2867:
2671:
2404:
2204:
2195:
2182:
1383:
1336:Giovanni Battista Pittoni
1238:Giovanni Domenico Tiepolo
1230:Giovan Battista Piazzetta
1217:, where he died in 1770.
1203:Giovanni Battista Tiepolo
1183:portraits. He ended as a
1143:Giovanni Battista Tiepolo
507:(1431–1506) (from nearby
364:behind the main altar in
251:). They continued to add
5178:Prehistoric European art
4827:Contemporary African art
4310:Gendai Bijutsu Kondankai
4238:GeneraciĂłn de la Ruptura
3865:Universal Constructivism
3657:California Impressionism
3612:American Barbizon school
2123:, New York, N.Y., 1973 (
2008:"Martineau, Jane (ed.),
1451:
1148:The Banquet of Cleopatra
1032:Giovan Battista Langetti
911:Portrait of Andrea Odoni
707:and Philip II of Spain.
538:During his long career,
351:Coronation of the Virgin
5005:Walking Artists Network
4342:Letterist International
4182:Washington Color School
3096:Arts in the Philippines
1063:David with the Head of
1000:, and the north German
630:Sacred and Profane Love
551:San Zaccaria Altarpiece
229:San Zaccaria Altarpiece
226:(for example Bellini's
218:, and also to paint on
184:San Zaccaria Altarpiece
5116:Illuminated manuscript
4764:The Designers Republic
4714:Neue Slowenische Kunst
4637:Pattern and Decoration
4537:Institutional critique
4177:Abstract expressionism
3157:Latin American Baroque
3113:Colonial Asian Baroque
1400:
1378:by Pietro Longhi, 1751
1215:Royal Palace of Madrid
1152:
1135:
977:
783:
725:
659:
600:
500:
425:
354:
192:
118:
48:
4754:Artist-run initiative
4729:Young British Artists
4694:New European Painting
4630:Moscow Conceptualists
4552:Feminist art movement
4330:Ukrainian underground
4305:Gutai Art Association
3704:Ten American Painters
3208:Western influence in
2185:List of art movements
1964:Gardner, pp. 682–683.
1391:
1141:
1126:
965:
887:Sebastiano del Piombo
771:
758:Sebastiano del Piombo
718:
648:
592:
492:
428:Further information:
414:
383:The earliest form of
341:
301:and his adoptive son
187:, 1505, a late work,
177:
114:, c. 1730, a typical
104:
54:was a major force in
33:
5259:Venetian Renaissance
4564:Saqqakhaneh movement
4457:Chicano art movement
4325:Soviet Nonconformist
4131:Boston Expressionism
4114:Abstraction-Création
3932:Arbeitsrat fĂĽr Kunst
3925:Cologne Progressives
3645:Art Nouveau in Milan
3448:Anglo-Japanese style
3424:National romanticism
2854:Fontainebleau School
2764:Northern Renaissance
2599:International Gothic
1986:Freedberg, Sydney J.
1784:Steer, 131, 144, 169
1664:Prado Guide, p. 248.
1655:Prado Guide, p. 223.
1375:Clara the rhinoceros
1222:Giambattista Pittoni
996:(c. 1581–1644) from
807:Miracle of the Slave
721:Miracle of the Slave
585:Giorgione and Titian
513:Antonello da Messina
511:) and of a visit by
440:International Gothic
430:Venetian Renaissance
210:Media and techniques
5099:Hierarchy of genres
4664:Saint Soleil School
4600:Post-conceptual art
4569:The Stars Art Group
4447:Black Arts Movement
4410:Neo-Dada Organizers
4211:Lyrical abstraction
3944:Australian tonalism
3617:California Tonalism
3289:Hudson River School
3092:Colonial Asian art
2832:English Renaissance
2781:Ghent–Bruges school
2769:Early Netherlandish
2681:Italian Renaissance
2594:Gothic art in Milan
1829:Steer, 146–148, 169
1757:Prado Guide, p. 254
1748:Prado Guide, p. 244
1712:Prado Guide, p. 248
982:Domenico Tintoretto
493:Vittore Carpaccio,
468:Death of the Virgin
452:Gentile da Fabriano
444:Jacobello del Fiore
303:Domenico Campagnola
283:Italian Renaissance
275:Florentine painting
5141:Landscape painting
4749:New Leipzig School
4689:Neo-conceptual art
4437:Art & Language
4432:Capitalist realism
4354:Florida Highwaymen
4290:Hard-edge painting
4104:Streamline Moderne
4065:Harlem Renaissance
3908:Novecento Italiano
3736:Deutscher Werkbund
3563:Post-Impressionism
3125:Latin American art
2929:Guild of Romanists
2791:German Renaissance
2786:Northern Mannerism
1583:Martineau, 303–305
1574:Martineau, 243–244
1401:
1291:conversation piece
1253:landscape painting
1213:(1750–53) and the
1207:WĂĽrzburg Residence
1160:(1659–1734), from
1153:
1136:
1107:Sebastiano Mazzoni
1017:Sebastiano Mazzoni
978:
950:The Way to Calvary
931:Judgement of Midas
822:Bassano del Grappa
789:(1528–1588), from
784:
726:
660:
618:Three Philosophers
601:
574:Cima da Conegliano
501:
426:
355:
307:Republic of Venice
295:Agostino Veneziano
193:
136:Republic of Venice
119:
49:
5249:Culture in Venice
5231:
5230:
5013:
5012:
4869:Corporate Memphis
4822:Classical Realism
4792:Amazonian pop art
4684:Appropriation art
4652:Neo-expressionism
4522:Environmental art
4427:Nouvelle tendance
4144:
4143:
4092:Socialist realism
3949:Dresden Secession
3568:Neo-Impressionism
3531:Decadent movement
3502:Heidelberg School
3396:
3395:
3294:American luminism
3279:DĂĽsseldorf School
3274:Shoreham Ancients
3264:Nazarene movement
3254:Danish Golden Age
3135:Indochristian art
2813:Antwerp Mannerism
2702:Pittura infamante
2696:Florentine School
2691:Proto-Renaissance
2078:Wittkower, Rudolf
1340:The Sacrifice of
1304:in that respect.
1249:Michele Marieschi
1245:Bernardo Bellotto
1042:, and the German
1015:(c. 1600–60) and
976:, probably 1635–6
562:Vittore Carpaccio
529:Leonardo da Vinci
389:Guariento di Arpo
317:were significant
299:Giulio Campagnola
52:Venetian painting
16:(Redirected from
5296:
5221:
5220:
5205:Western painting
5151:Modern sculpture
5109:History painting
4812:Art intervention
4605:Installation art
4422:Nouveau réalisme
4162:
4161:
4136:Leningrad School
4028:Mexican muralism
4001:Grosvenor School
3741:American Realism
3724:Der Blaue Reiter
3682:Berlin Secession
3677:Vienna Secession
3672:Munich Secession
3590:Pont-Aven School
3409:
3408:
3259:Troubadour style
3237:(c. 1770 – 1862)
3204:Qing handicrafts
3170:Western elements
3101:Letras y figuras
3074:African-American
3069:African diaspora
3040:Directoire style
2951:Heptanese school
2934:Dutch Golden Age
2919:Stroganov School
2912:Lutheran Baroque
2907:Louis XIII style
2880:Baroque in Milan
2742:Bolognese School
2737:High Renaissance
2720:Forlivese School
2715:Ferrarese School
2438:Migration Period
2202:
2201:
2160:
2153:
2146:
2137:
2136:
1974:
1971:
1965:
1962:
1956:
1953:
1947:
1944:
1938:
1935:
1929:
1926:
1920:
1917:
1911:
1908:
1902:
1899:
1893:
1890:
1884:
1881:
1875:
1872:
1866:
1863:
1857:
1854:
1848:
1845:
1839:
1836:
1830:
1827:
1821:
1818:
1812:
1811:Gombrich, p. 283
1809:
1803:
1800:
1794:
1791:
1785:
1782:
1776:
1773:
1767:
1764:
1758:
1755:
1749:
1746:
1740:
1737:
1731:
1730:Gombrich, p. 254
1728:
1722:
1719:
1713:
1710:
1704:
1701:
1695:
1694:Gardner, pg. 680
1692:
1686:
1683:
1677:
1676:Gardner, p. 681.
1674:
1665:
1662:
1656:
1653:
1647:
1644:
1638:
1635:
1629:
1626:
1620:
1617:
1611:
1608:
1602:
1599:
1593:
1590:
1584:
1581:
1575:
1572:
1566:
1563:
1557:
1554:
1548:
1545:
1539:
1538:Martineau, 47–48
1536:
1530:
1529:Martineau, 38–39
1527:
1521:
1518:
1512:
1509:
1503:
1500:
1494:
1491:
1485:
1482:
1476:
1475:Gardner, p. 679.
1473:
1464:
1461:
1393:Francesco Guardi
1370:
1354:
1332:
1313:
1234:Francesco Guardi
1193:Rosalba Carriera
1158:Sebastiano Ricci
1128:Sebastiano Ricci
1103:
1085:Francesco Maffei
1081:
1070:Royal Collection
1055:
1044:Johann Carl Loth
1040:Antonio Molinari
1009:Francesco Maffei
994:Bernardo Strozzi
967:Bernardo Strozzi
942:
927:Andrea Schiavone
923:
902:
883:
864:
844:
826:Baroque painting
734:Palma il Giovane
624:Pastoral Concert
556:High Renaissance
540:Giovanni Bellini
448:Michele Giambono
434:The traditional
349:altarpiece with
179:Giovanni Bellini
124:Baroque painting
96:Western painting
86:(1528–1588) and
78:(c. 1489–1576),
74:(c. 1477–1510),
60:Giovanni Bellini
21:
18:Venetian painter
5304:
5303:
5299:
5298:
5297:
5295:
5294:
5293:
5234:
5233:
5232:
5227:
5209:
5126:Interactive art
5009:
4983:SoFlo Superflat
4908:Kitsch movement
4832:Africanfuturism
4784:
4778:
4657:Transavantgarde
4588:
4542:Light and Space
4527:Performance art
4507:Psychedelic art
4390:Nueva Presencia
4380:Otra FiguraciĂłn
4368:
4300:Les Plasticiens
4285:New York School
4263:Action painting
4248:Metcalf Chateau
4157:
4152:
4140:
4060:Cercle et Carré
3996:New Objectivity
3903:Return to order
3845:School of Paris
3823:
3667:School of Paris
3628:
3514:Arts and Crafts
3419:Neo-romanticism
3404:
3392:
3388:Etching revival
3340:Barbizon school
3284:Pre-Raphaelites
3236:
3233:
3226:
3169:
3163:
3056:
3030:Louis XVI style
2972:
2961:Louis XIV style
2924:Animal painting
2885:Flemish Baroque
2863:
2774:World landscape
2725:Venetian School
2667:
2654:Majorcan school
2621:Novgorod School
2611:Lucchese School
2583:Opus Anglicanum
2575:Norman-Sicilian
2519:Italo-Byzantine
2419:Early Christian
2400:
2384:Pompeian Styles
2197:
2191:
2178:
2164:
2134:
2099:
2097:Further reading
2054:The Prado Guide
2031:Penny, Nicholas
1982:
1977:
1972:
1968:
1963:
1959:
1954:
1950:
1945:
1941:
1936:
1932:
1927:
1923:
1918:
1914:
1909:
1905:
1900:
1896:
1891:
1887:
1882:
1878:
1873:
1869:
1864:
1860:
1855:
1851:
1846:
1842:
1837:
1833:
1828:
1824:
1820:Gardner, p. 688
1819:
1815:
1810:
1806:
1801:
1797:
1792:
1788:
1783:
1779:
1774:
1770:
1766:Gardner, p. 687
1765:
1761:
1756:
1752:
1747:
1743:
1739:Gardner, p. 686
1738:
1734:
1729:
1725:
1721:Gardner, p. 685
1720:
1716:
1711:
1707:
1703:Gardner, p. 684
1702:
1698:
1693:
1689:
1684:
1680:
1675:
1668:
1663:
1659:
1654:
1650:
1645:
1641:
1636:
1632:
1627:
1623:
1618:
1614:
1609:
1605:
1600:
1596:
1591:
1587:
1582:
1578:
1573:
1569:
1564:
1560:
1555:
1551:
1546:
1542:
1537:
1533:
1528:
1524:
1519:
1515:
1510:
1506:
1501:
1497:
1492:
1488:
1483:
1479:
1474:
1467:
1462:
1458:
1454:
1442:
1426:J. M. W. Turner
1386:
1379:
1371:
1362:
1359:Antoine Watteau
1355:
1346:
1333:
1324:
1314:
1121:
1114:
1104:
1095:
1082:
1073:
1056:
972:Personification
960:
953:
943:
934:
924:
915:
903:
894:
884:
875:
865:
856:
845:
713:
711:After Giorgione
675:Venus of Urbino
655:Venus of Urbino
587:
582:
570:Gentile Bellini
505:Andrea Mantegna
473:Andrea Castagno
436:Italo-Byzantine
432:
409:
372:for successive
358:Paolo Veneziano
343:Paolo Veneziano
336:
331:
212:
68:Venetian school
64:Gentile Bellini
28:
23:
22:
15:
12:
11:
5:
5302:
5292:
5291:
5286:
5281:
5276:
5271:
5266:
5261:
5256:
5251:
5246:
5229:
5228:
5226:
5225:
5214:
5211:
5210:
5208:
5207:
5202:
5195:
5190:
5185:
5180:
5175:
5170:
5165:
5160:
5159:
5158:
5156:Late modernism
5153:
5143:
5138:
5133:
5128:
5123:
5118:
5113:
5112:
5111:
5106:
5104:Genre painting
5096:
5091:
5086:
5081:
5080:
5079:
5074:
5069:
5064:
5054:
5052:Ballets Russes
5049:
5044:
5039:
5038:
5037:
5035:Asemic writing
5027:
5025:History of art
5021:
5019:
5018:Related topics
5015:
5014:
5011:
5010:
5008:
5007:
5002:
4997:
4992:
4991:
4990:
4985:
4975:
4970:
4965:
4960:
4955:
4953:Relational art
4950:
4945:
4940:
4935:
4930:
4925:
4920:
4915:
4910:
4905:
4900:
4899:
4898:
4888:
4883:
4878:
4876:Hypermodernism
4873:
4872:
4871:
4861:
4856:
4851:
4846:
4841:
4836:
4835:
4834:
4824:
4819:
4814:
4809:
4804:
4799:
4794:
4788:
4786:
4780:
4779:
4777:
4776:
4771:
4766:
4761:
4756:
4751:
4746:
4741:
4736:
4731:
4726:
4721:
4716:
4711:
4706:
4701:
4696:
4691:
4686:
4681:
4676:
4671:
4666:
4661:
4660:
4659:
4649:
4644:
4639:
4634:
4633:
4632:
4622:
4617:
4615:Postminimalism
4612:
4607:
4602:
4596:
4594:
4590:
4589:
4587:
4586:
4581:
4576:
4571:
4566:
4561:
4560:
4559:
4549:
4544:
4539:
4534:
4529:
4524:
4519:
4514:
4509:
4504:
4499:
4494:
4492:Generative art
4489:
4484:
4479:
4474:
4469:
4464:
4462:Conceptual art
4459:
4454:
4449:
4444:
4439:
4434:
4429:
4424:
4419:
4414:
4413:
4412:
4402:
4397:
4392:
4387:
4382:
4376:
4374:
4370:
4369:
4367:
4366:
4361:
4359:Cybernetic art
4356:
4351:
4350:
4349:
4347:Ultra-Lettrist
4344:
4334:
4333:
4332:
4322:
4317:
4312:
4307:
4302:
4297:
4292:
4287:
4282:
4277:
4276:
4275:
4265:
4260:
4255:
4250:
4245:
4240:
4235:
4234:
4233:
4228:
4223:
4221:Arte Informale
4218:
4208:
4203:
4198:
4197:
4196:
4186:
4185:
4184:
4174:
4168:
4166:
4159:
4158:(1945–present)
4146:
4145:
4142:
4141:
4139:
4138:
4133:
4128:
4123:
4118:
4117:
4116:
4106:
4101:
4100:
4099:
4094:
4087:Heroic realism
4084:
4083:
4082:
4072:
4067:
4062:
4057:
4052:
4047:
4040:
4035:
4030:
4025:
4024:
4023:
4021:Latin American
4018:
4008:
4003:
3998:
3993:
3991:Group of Seven
3988:
3983:
3978:
3973:
3972:
3971:
3961:
3956:
3954:Social realism
3951:
3946:
3941:
3940:
3939:
3937:November Group
3929:
3928:
3927:
3922:
3912:
3911:
3910:
3900:
3895:
3894:
3893:
3881:
3876:
3871:
3870:
3869:
3868:
3867:
3860:Latin American
3855:Constructivism
3852:
3850:Crystal Cubism
3847:
3842:
3837:
3831:
3829:
3825:
3824:
3822:
3821:
3816:
3811:
3806:
3801:
3796:
3791:
3790:
3789:
3779:
3774:
3767:
3766:
3765:
3760:
3750:
3749:
3748:
3738:
3733:
3728:
3727:
3726:
3721:
3711:
3706:
3701:
3696:
3691:
3690:
3689:
3684:
3679:
3674:
3664:
3659:
3654:
3649:
3648:
3647:
3636:
3634:
3630:
3629:
3627:
3626:
3621:
3620:
3619:
3609:
3608:
3607:
3602:
3597:
3592:
3587:
3582:
3577:
3576:
3575:
3560:
3555:
3553:Volcano School
3550:
3549:
3548:
3543:
3533:
3528:
3523:
3522:
3521:
3511:
3506:
3505:
3504:
3499:
3494:
3489:
3488:
3487:
3482:
3467:
3462:
3457:
3452:
3451:
3450:
3438:
3433:
3428:
3427:
3426:
3415:
3413:
3406:
3398:
3397:
3394:
3393:
3391:
3390:
3385:
3384:
3383:
3378:
3377:
3376:
3361:
3360:
3359:
3358:
3357:
3347:
3342:
3332:
3327:
3326:
3325:
3315:
3310:
3308:Norwich School
3305:
3300:
3299:
3298:
3297:
3296:
3286:
3281:
3276:
3271:
3266:
3261:
3256:
3251:
3249:Fairy painting
3240:
3238:
3228:
3227:
3225:
3224:
3223:
3222:
3217:
3206:
3201:
3196:
3191:
3186:
3185:
3184:
3173:
3171:
3165:
3164:
3162:
3161:
3160:
3159:
3154:
3153:
3152:
3147:
3142:
3140:Chilote School
3132:
3130:Casta painting
3122:
3121:
3120:
3115:
3110:
3109:
3108:
3106:Tipos del PaĂs
3103:
3090:
3089:
3088:
3087:
3086:
3076:
3064:
3062:
3058:
3057:
3055:
3054:
3049:
3048:
3047:
3042:
3037:
3032:
3027:
3015:
3014:
3013:
3006:
3001:
2996:
2994:Louis XV style
2991:
2980:
2978:
2974:
2973:
2971:
2970:
2969:
2968:
2963:
2953:
2948:
2943:
2942:
2941:
2931:
2926:
2921:
2916:
2915:
2914:
2909:
2904:
2903:
2902:
2897:
2887:
2882:
2871:
2869:
2865:
2864:
2862:
2861:
2856:
2851:
2846:
2841:
2840:
2839:
2829:
2828:
2827:
2826:
2825:
2820:
2815:
2805:
2804:
2803:
2798:
2796:Cologne School
2788:
2783:
2778:
2777:
2776:
2761:
2760:
2759:
2758:
2757:
2749:
2744:
2739:
2729:
2728:
2727:
2722:
2717:
2707:
2706:
2705:
2698:
2693:
2677:
2675:
2669:
2668:
2666:
2665:
2664:
2663:
2656:
2651:
2649:Italian school
2640:
2635:
2634:
2633:
2631:Sienese School
2623:
2618:
2613:
2608:
2607:
2606:
2601:
2596:
2586:
2579:
2578:
2577:
2567:
2566:
2565:
2560:
2550:
2545:
2544:
2543:
2541:Pre-Romanesque
2538:
2533:
2523:
2522:
2521:
2516:
2511:
2506:
2496:
2491:
2490:
2489:
2477:
2472:
2470:Donor portrait
2467:
2466:
2465:
2460:
2455:
2450:
2445:
2435:
2434:
2433:
2423:
2422:
2421:
2410:
2408:
2402:
2401:
2399:
2398:
2397:
2396:
2391:
2386:
2381:
2379:Julio-Claudian
2376:
2371:
2361:
2356:
2351:
2346:
2341:
2340:
2339:
2338:
2337:
2332:
2331:
2330:
2328:Greco-Buddhist
2320:
2310:
2305:
2300:
2295:
2290:
2285:
2280:
2275:
2270:
2268:Protogeometric
2265:
2255:
2254:
2253:
2248:
2243:
2238:
2228:
2223:
2222:
2221:
2210:
2208:
2199:
2193:
2192:
2183:
2180:
2179:
2163:
2162:
2155:
2148:
2140:
2133:
2132:External links
2130:
2129:
2128:
2117:
2098:
2095:
2094:
2093:
2075:
2057:
2050:
2028:
2013:
2006:
1999:
1981:
1978:
1976:
1975:
1966:
1957:
1948:
1939:
1930:
1921:
1919:Steer, 186–195
1912:
1903:
1901:Steer, 179–180
1894:
1885:
1876:
1874:Steer, 175–177
1867:
1858:
1849:
1840:
1838:Steer, 114-116
1831:
1822:
1813:
1804:
1795:
1786:
1777:
1775:Steer, 101–102
1768:
1759:
1750:
1741:
1732:
1723:
1714:
1705:
1696:
1687:
1678:
1666:
1657:
1648:
1639:
1630:
1621:
1612:
1603:
1594:
1585:
1576:
1567:
1558:
1549:
1540:
1531:
1522:
1513:
1511:Freedberg, 123
1504:
1502:Freedberg, 123
1495:
1486:
1477:
1465:
1455:
1453:
1450:
1449:
1448:
1441:
1438:
1417:, and through
1385:
1382:
1381:
1380:
1372:
1365:
1363:
1356:
1349:
1347:
1334:
1327:
1325:
1315:
1308:
1177:Jacopo Amigoni
1120:
1117:
1116:
1115:
1105:
1098:
1096:
1083:
1076:
1074:
1059:Domenico Fetti
1057:
1050:
990:Domenico Fetti
959:
956:
955:
954:
946:Jacopo Bassano
944:
937:
935:
925:
918:
916:
904:
897:
895:
885:
878:
876:
866:
859:
857:
846:
839:
818:Jacopo Bassano
787:Paolo Veronese
774:Paolo Veronese
740:and Veronese.
712:
709:
665:Sleeping Venus
639:Pesaro Madonna
596:Pesaro Madonna
586:
583:
581:
578:
484:Carlo Crivelli
416:Carlo Crivelli
408:
405:
370:Constantinople
335:
332:
330:
327:
273:Compared with
249:Paolo Veronese
211:
208:
197:Giorgio Vasari
88:Jacopo Bassano
84:Paolo Veronese
26:
9:
6:
4:
3:
2:
5301:
5290:
5287:
5285:
5282:
5280:
5277:
5275:
5272:
5270:
5267:
5265:
5262:
5260:
5257:
5255:
5252:
5250:
5247:
5245:
5242:
5241:
5239:
5224:
5216:
5215:
5212:
5206:
5203:
5201:
5200:
5196:
5194:
5191:
5189:
5186:
5184:
5181:
5179:
5176:
5174:
5171:
5169:
5166:
5164:
5161:
5157:
5154:
5152:
5149:
5148:
5147:
5144:
5142:
5139:
5137:
5134:
5132:
5129:
5127:
5124:
5122:
5119:
5117:
5114:
5110:
5107:
5105:
5102:
5101:
5100:
5097:
5095:
5092:
5090:
5089:Fantastic art
5087:
5085:
5082:
5078:
5075:
5073:
5070:
5068:
5065:
5063:
5060:
5059:
5058:
5057:Christian art
5055:
5053:
5050:
5048:
5045:
5043:
5040:
5036:
5033:
5032:
5031:
5028:
5026:
5023:
5022:
5020:
5016:
5006:
5003:
5001:
4998:
4996:
4993:
4989:
4986:
4984:
4981:
4980:
4979:
4976:
4974:
4971:
4969:
4966:
4964:
4961:
4959:
4958:Skeuomorphism
4956:
4954:
4951:
4949:
4946:
4944:
4941:
4939:
4936:
4934:
4931:
4929:
4926:
4924:
4921:
4919:
4918:Massurrealism
4916:
4914:
4913:Lightpainting
4911:
4909:
4906:
4904:
4901:
4897:
4896:Post-Internet
4894:
4893:
4892:
4889:
4887:
4884:
4882:
4879:
4877:
4874:
4870:
4867:
4866:
4865:
4862:
4860:
4857:
4855:
4852:
4850:
4847:
4845:
4842:
4840:
4837:
4833:
4830:
4829:
4828:
4825:
4823:
4820:
4818:
4815:
4813:
4810:
4808:
4805:
4803:
4800:
4798:
4795:
4793:
4790:
4789:
4787:
4781:
4775:
4772:
4770:
4769:Grunge design
4767:
4765:
4762:
4760:
4757:
4755:
4752:
4750:
4747:
4745:
4742:
4740:
4737:
4735:
4732:
4730:
4727:
4725:
4724:Retrofuturism
4722:
4720:
4719:Scratch video
4717:
4715:
4712:
4710:
4707:
4705:
4704:Memphis Group
4702:
4700:
4697:
4695:
4692:
4690:
4687:
4685:
4682:
4680:
4679:Telematic art
4677:
4675:
4672:
4670:
4669:Guerrilla art
4667:
4665:
4662:
4658:
4655:
4654:
4653:
4650:
4648:
4645:
4643:
4640:
4638:
4635:
4631:
4628:
4627:
4626:
4623:
4621:
4620:Endurance art
4618:
4616:
4613:
4611:
4608:
4606:
4603:
4601:
4598:
4597:
4595:
4591:
4585:
4582:
4580:
4577:
4575:
4572:
4570:
4567:
4565:
4562:
4558:
4555:
4554:
4553:
4550:
4548:
4545:
4543:
4540:
4538:
4535:
4533:
4530:
4528:
4525:
4523:
4520:
4518:
4515:
4513:
4510:
4508:
4505:
4503:
4500:
4498:
4495:
4493:
4490:
4488:
4485:
4483:
4480:
4478:
4475:
4473:
4470:
4468:
4465:
4463:
4460:
4458:
4455:
4453:
4450:
4448:
4445:
4443:
4440:
4438:
4435:
4433:
4430:
4428:
4425:
4423:
4420:
4418:
4415:
4411:
4408:
4407:
4406:
4403:
4401:
4398:
4396:
4393:
4391:
4388:
4386:
4383:
4381:
4378:
4377:
4375:
4371:
4365:
4362:
4360:
4357:
4355:
4352:
4348:
4345:
4343:
4340:
4339:
4338:
4335:
4331:
4328:
4327:
4326:
4323:
4321:
4318:
4316:
4313:
4311:
4308:
4306:
4303:
4301:
4298:
4296:
4293:
4291:
4288:
4286:
4283:
4281:
4280:New media art
4278:
4274:
4271:
4270:
4269:
4266:
4264:
4261:
4259:
4258:Nanyang Style
4256:
4254:
4251:
4249:
4246:
4244:
4241:
4239:
4236:
4232:
4229:
4227:
4224:
4222:
4219:
4217:
4214:
4213:
4212:
4209:
4207:
4204:
4202:
4199:
4195:
4192:
4191:
4190:
4189:Visionary art
4187:
4183:
4180:
4179:
4178:
4175:
4173:
4170:
4169:
4167:
4163:
4160:
4156:
4151:
4147:
4137:
4134:
4132:
4129:
4127:
4124:
4122:
4119:
4115:
4112:
4111:
4110:
4107:
4105:
4102:
4098:
4095:
4093:
4090:
4089:
4088:
4085:
4081:
4078:
4077:
4076:
4073:
4071:
4068:
4066:
4063:
4061:
4058:
4056:
4055:Scuola Romana
4053:
4051:
4048:
4046:
4045:
4041:
4039:
4036:
4034:
4031:
4029:
4026:
4022:
4019:
4017:
4014:
4013:
4012:
4009:
4007:
4004:
4002:
3999:
3997:
3994:
3992:
3989:
3987:
3984:
3982:
3981:Anthropophagy
3979:
3977:
3974:
3970:
3967:
3966:
3965:
3964:Functionalism
3962:
3960:
3957:
3955:
3952:
3950:
3947:
3945:
3942:
3938:
3935:
3934:
3933:
3930:
3926:
3923:
3921:
3918:
3917:
3916:
3913:
3909:
3906:
3905:
3904:
3901:
3899:
3896:
3892:
3891:
3887:
3886:
3885:
3884:Neoplasticism
3882:
3880:
3877:
3875:
3872:
3866:
3863:
3862:
3861:
3858:
3857:
3856:
3853:
3851:
3848:
3846:
3843:
3841:
3838:
3836:
3833:
3832:
3830:
3826:
3820:
3817:
3815:
3812:
3810:
3807:
3805:
3802:
3800:
3797:
3795:
3792:
3788:
3787:Cubo-Futurism
3785:
3784:
3783:
3780:
3778:
3775:
3773:
3772:
3768:
3764:
3761:
3759:
3756:
3755:
3754:
3751:
3747:
3746:Ashcan School
3744:
3743:
3742:
3739:
3737:
3734:
3732:
3729:
3725:
3722:
3720:
3717:
3716:
3715:
3714:Expressionism
3712:
3710:
3707:
3705:
3702:
3700:
3699:Mir iskusstva
3697:
3695:
3692:
3688:
3685:
3683:
3680:
3678:
3675:
3673:
3670:
3669:
3668:
3665:
3663:
3660:
3658:
3655:
3653:
3650:
3646:
3643:
3642:
3641:
3638:
3637:
3635:
3631:
3625:
3622:
3618:
3615:
3614:
3613:
3610:
3606:
3603:
3601:
3598:
3596:
3593:
3591:
3588:
3586:
3583:
3581:
3578:
3574:
3571:
3570:
3569:
3566:
3565:
3564:
3561:
3559:
3556:
3554:
3551:
3547:
3544:
3542:
3539:
3538:
3537:
3534:
3532:
3529:
3527:
3524:
3520:
3517:
3516:
3515:
3512:
3510:
3507:
3503:
3500:
3498:
3495:
3493:
3490:
3486:
3485:Boston School
3483:
3481:
3480:Hoosier Group
3478:
3477:
3476:
3473:
3472:
3471:
3470:Impressionism
3468:
3466:
3465:Peredvizhniki
3463:
3461:
3458:
3456:
3455:Beuron School
3453:
3449:
3446:
3445:
3444:
3443:
3439:
3437:
3434:
3432:
3429:
3425:
3422:
3421:
3420:
3417:
3416:
3414:
3410:
3407:
3403:
3399:
3389:
3386:
3382:
3379:
3375:
3372:
3371:
3370:
3369:Munich School
3367:
3366:
3365:
3362:
3356:
3353:
3352:
3351:
3348:
3346:
3343:
3341:
3338:
3337:
3336:
3333:
3331:
3328:
3324:
3321:
3320:
3319:
3316:
3314:
3311:
3309:
3306:
3304:
3301:
3295:
3292:
3291:
3290:
3287:
3285:
3282:
3280:
3277:
3275:
3272:
3270:
3267:
3265:
3262:
3260:
3257:
3255:
3252:
3250:
3247:
3246:
3245:
3242:
3241:
3239:
3235:
3229:
3221:
3218:
3216:
3213:
3212:
3211:
3207:
3205:
3202:
3200:
3197:
3195:
3192:
3190:
3187:
3183:
3180:
3179:
3178:
3175:
3174:
3172:
3168:Art borrowing
3166:
3158:
3155:
3151:
3148:
3146:
3143:
3141:
3138:
3137:
3136:
3133:
3131:
3128:
3127:
3126:
3123:
3119:
3118:Company style
3116:
3114:
3111:
3107:
3104:
3102:
3099:
3098:
3097:
3094:
3093:
3091:
3085:
3082:
3081:
3080:
3077:
3075:
3072:
3071:
3070:
3066:
3065:
3063:
3059:
3053:
3050:
3046:
3043:
3041:
3038:
3036:
3033:
3031:
3028:
3026:
3025:
3021:
3020:
3019:
3018:Neoclassicism
3016:
3012:
3011:
3007:
3005:
3002:
3000:
2997:
2995:
2992:
2990:
2987:
2986:
2985:
2982:
2981:
2979:
2975:
2967:
2964:
2962:
2959:
2958:
2957:
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2952:
2949:
2947:
2944:
2940:
2937:
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2932:
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2927:
2925:
2922:
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2910:
2908:
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2898:
2896:
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2891:
2888:
2886:
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2876:
2873:
2872:
2870:
2866:
2860:
2857:
2855:
2852:
2850:
2847:
2845:
2844:Cretan School
2842:
2838:
2835:
2834:
2833:
2830:
2824:
2821:
2819:
2816:
2814:
2811:
2810:
2809:
2806:
2802:
2801:Danube school
2799:
2797:
2794:
2793:
2792:
2789:
2787:
2784:
2782:
2779:
2775:
2772:
2771:
2770:
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2756:
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2740:
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2733:
2730:
2726:
2723:
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2718:
2716:
2713:
2712:
2711:
2708:
2704:
2703:
2699:
2697:
2694:
2692:
2689:
2688:
2687:
2684:
2683:
2682:
2679:
2678:
2676:
2674:
2670:
2662:
2661:
2657:
2655:
2652:
2650:
2647:
2646:
2645:
2641:
2639:
2636:
2632:
2629:
2628:
2627:
2624:
2622:
2619:
2617:
2614:
2612:
2609:
2605:
2602:
2600:
2597:
2595:
2592:
2591:
2590:
2587:
2585:
2584:
2580:
2576:
2573:
2572:
2571:
2568:
2564:
2561:
2559:
2556:
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2551:
2549:
2546:
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2537:
2534:
2532:
2529:
2528:
2527:
2524:
2520:
2517:
2515:
2512:
2510:
2507:
2505:
2502:
2501:
2500:
2497:
2495:
2492:
2488:
2487:
2483:
2482:
2481:
2478:
2476:
2473:
2471:
2468:
2464:
2461:
2459:
2456:
2454:
2451:
2449:
2446:
2444:
2441:
2440:
2439:
2436:
2432:
2429:
2428:
2427:
2424:
2420:
2417:
2416:
2415:
2412:
2411:
2409:
2407:
2403:
2395:
2392:
2390:
2387:
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2380:
2377:
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2370:
2367:
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2360:
2357:
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2342:
2336:
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2329:
2326:
2325:
2324:
2321:
2319:
2316:
2315:
2314:
2311:
2309:
2306:
2304:
2301:
2299:
2296:
2294:
2291:
2289:
2286:
2284:
2281:
2279:
2278:Orientalizing
2276:
2274:
2271:
2269:
2266:
2264:
2263:Sub-Mycenaean
2261:
2260:
2259:
2256:
2252:
2249:
2247:
2244:
2242:
2239:
2237:
2234:
2233:
2232:
2229:
2227:
2224:
2220:
2217:
2216:
2215:
2212:
2211:
2209:
2207:
2203:
2200:
2194:
2190:
2186:
2181:
2177:art movements
2176:
2172:
2168:
2161:
2156:
2154:
2149:
2147:
2142:
2141:
2138:
2126:
2122:
2118:
2116:
2112:
2108:
2104:
2103:Rosand, David
2101:
2100:
2091:
2090:0-14-056116-1
2087:
2083:
2079:
2076:
2073:
2069:
2065:
2061:
2058:
2055:
2051:
2048:
2044:
2040:
2036:
2032:
2029:
2026:
2022:
2018:
2014:
2011:
2007:
2004:
2000:
1998:
1994:
1990:
1987:
1984:
1983:
1970:
1961:
1952:
1943:
1934:
1925:
1916:
1907:
1898:
1889:
1880:
1871:
1862:
1853:
1844:
1835:
1826:
1817:
1808:
1799:
1790:
1781:
1772:
1763:
1754:
1745:
1736:
1727:
1718:
1709:
1700:
1691:
1682:
1673:
1671:
1661:
1652:
1643:
1634:
1625:
1616:
1607:
1598:
1592:Martineau, 21
1589:
1580:
1571:
1562:
1553:
1544:
1535:
1526:
1517:
1508:
1499:
1490:
1481:
1472:
1470:
1460:
1456:
1447:
1444:
1443:
1437:
1435:
1431:
1427:
1422:
1420:
1416:
1411:
1407:
1398:
1394:
1390:
1377:
1376:
1369:
1364:
1360:
1353:
1348:
1344:
1343:
1337:
1331:
1326:
1322:
1318:
1312:
1307:
1306:
1305:
1303:
1299:
1294:
1292:
1288:
1287:genre painter
1284:
1283:Pietro Longhi
1280:
1278:
1274:
1270:
1269:
1264:
1260:
1259:
1254:
1250:
1246:
1241:
1239:
1236:, as well as
1235:
1231:
1227:
1223:
1218:
1216:
1212:
1208:
1204:
1200:
1198:
1194:
1190:
1186:
1185:court painter
1182:
1178:
1174:
1170:
1166:
1163:
1159:
1150:
1149:
1144:
1140:
1133:
1129:
1125:
1112:
1108:
1102:
1097:
1093:
1091:
1086:
1080:
1075:
1071:
1067:
1066:
1060:
1054:
1049:
1048:
1047:
1045:
1041:
1037:
1036:Pietro Liberi
1033:
1029:
1028:Luca Giordano
1025:
1020:
1018:
1014:
1010:
1005:
1003:
999:
995:
991:
987:
983:
975:
973:
968:
964:
951:
947:
941:
936:
932:
928:
922:
917:
913:
912:
907:
906:Lorenzo Lotto
901:
896:
892:
888:
882:
877:
873:
872:Palma Vecchio
869:
863:
858:
855:
854:Palma Vecchio
851:
850:
843:
838:
837:
836:
834:
829:
827:
823:
819:
815:
813:
809:
808:
803:
798:
796:
795:Doge's Palace
792:
788:
781:
780:
775:
770:
766:
763:
759:
755:
753:
750:, especially
749:
745:
744:Lorenzo Lotto
741:
739:
735:
731:
730:Palma Vecchio
723:
722:
717:
708:
706:
700:
698:
694:
692:
686:
684:
683:Palma Vecchio
679:
677:
676:
671:
667:
666:
657:
656:
652:'s reclining
651:
647:
643:
641:
640:
634:
632:
631:
626:
625:
620:
619:
614:
609:
605:
598:
597:
591:
577:
575:
571:
567:
563:
559:
557:
553:
552:
547:
546:
541:
536:
534:
530:
526:
522:
519:technique of
518:
514:
510:
506:
498:
497:
491:
487:
485:
481:
478:
474:
470:
469:
464:
459:
457:
453:
449:
445:
441:
437:
431:
423:
422:
417:
413:
404:
402:
401:Doge's Palace
398:
394:
390:
386:
381:
379:
375:
371:
367:
363:
359:
352:
348:
344:
340:
326:
324:
320:
316:
312:
308:
304:
300:
296:
292:
288:
284:
280:
276:
271:
269:
268:Doge's Palace
265:
261:
257:
254:
250:
246:
242:
238:
233:
231:
230:
225:
221:
217:
207:
204:
203:
198:
190:
186:
185:
180:
176:
172:
169:
165:
161:
157:
153:
149:
145:
139:
137:
133:
129:
125:
117:
113:
112:
107:
103:
99:
97:
93:
89:
85:
82:(1518–1594),
81:
77:
73:
69:
65:
61:
57:
53:
46:
42:
41:
36:
32:
19:
5199:Trompe-l'Ĺ“il
5197:
5168:Outsider art
5121:Illustration
5077:Lutheran art
5067:Catholic art
5030:Abstract art
5000:Unilalianism
4963:Software art
4938:Neosymbolism
4928:Neo-futurism
4891:Internet art
4881:Hyperrealism
4734:Superfiction
4517:Photorealism
4385:Afrofuturism
4150:Contemporary
4126:Dimensionism
4109:Concrete art
4042:
4038:Precisionism
3888:
3835:Sosaku-hanga
3809:Productivism
3799:Metaphysical
3769:
3758:Proto-Cubism
3662:Secessionism
3624:Costumbrismo
3509:Aestheticism
3460:Hague School
3440:
3364:Academic art
3345:Costumbrismo
3313:Empire style
3150:Quito School
3145:Cusco School
3061:Colonial art
3022:
3010:FĂŞte galante
3008:
2977:18th century
2939:Delft School
2890:Caravaggisti
2868:17th century
2753:
2724:
2710:Quattrocento
2700:
2658:
2581:
2484:
2414:Late antique
2298:Severe style
2288:Black-figure
2175:Contemporary
2120:
2106:
2081:
2063:
2053:
2038:
2034:
2016:
2009:
2002:
1988:
1969:
1960:
1951:
1942:
1933:
1924:
1915:
1906:
1897:
1888:
1879:
1870:
1861:
1852:
1843:
1834:
1825:
1816:
1807:
1802:Steer, 92–94
1798:
1789:
1780:
1771:
1762:
1753:
1744:
1735:
1726:
1717:
1708:
1699:
1690:
1681:
1660:
1651:
1646:Steer, 43–44
1642:
1637:Steer, 36–43
1633:
1628:Steer, 35–36
1624:
1619:Steer, 28–33
1615:
1606:
1597:
1588:
1579:
1570:
1561:
1552:
1547:Steer, 58–59
1543:
1534:
1525:
1516:
1507:
1498:
1489:
1480:
1459:
1434:Claude Monet
1423:
1402:
1396:
1373:
1339:
1320:
1295:
1281:
1276:
1266:
1256:
1242:
1219:
1209:in northern
1201:
1167:
1154:
1146:
1131:
1119:18th century
1111:Annunciation
1110:
1088:
1062:
1021:
1006:
979:
970:
958:17th century
949:
933:, c. 1548–50
930:
909:
890:
867:
847:
830:
816:
805:
799:
785:
777:
762:Michelangelo
756:
742:
727:
719:
701:
690:
687:
680:
673:
663:
661:
653:
637:
635:
628:
622:
616:
602:
594:
580:16th century
560:
549:
543:
537:
517:oil painting
502:
494:
482:
466:
463:quattrocento
460:
433:
419:
407:15th century
382:
356:
334:14th century
313:and the two
272:
263:
234:
227:
216:oil painting
213:
200:
194:
189:San Zaccaria
182:
140:
120:
109:
67:
51:
50:
38:
5254:Italian art
5244:Baroque art
5084:Digital art
5047:Avant-garde
4988:Superstroke
4864:Flat design
4859:Fictive art
4854:Excessivism
4802:Art for art
4797:Altermodern
4739:Taring Padi
4674:Lowbrow art
4642:Pliontanism
4579:Yoru no Kai
4532:Process art
4472:Systems art
4442:Arte Povera
4364:Antipodeans
4273:in New York
4243:Jikken KĹŤbĹŤ
4206:Color field
4075:Regionalism
4044:Aeropittura
4033:Neo-Fauvism
4006:Neues Sehen
3976:Kinetic art
3840:Suprematism
3814:Synchromism
3731:Noucentisme
3652:Primitivism
3640:Art Nouveau
3595:Cloisonnism
3585:Pointillism
3580:Divisionism
3558:Incoherents
3519:Art pottery
3405:(1863–1944)
3355:Macchiaioli
3330:Biedermeier
3318:Historicism
3303:Orientalism
3244:Romanticism
3215:Akita ranga
3067:Art of the
3052:Picturesque
3004:Chinoiserie
2999:Frederician
2837:Tudor court
2732:Cinquecento
2673:Renaissance
2660:Mappa mundi
2644:cartography
2536:Carolingian
2531:Merovingian
2514:Palaeologan
2486:RepoblaciĂłn
2443:Anglo-Saxon
2374:Gallo-Roman
2313:Hellenistic
2308:Kerch style
2246:Minyan ware
2060:Steer, John
2001:Gardner's:
1173:Marco Ricci
1068:, c. 1620 (
1002:Johann Liss
699:of Spain.
627:(1508) and
566:Late Gothic
287:printmaking
253:gold ground
224:altarpieces
5238:Categories
5131:Jewish art
4943:Passionism
4903:iPhone art
4849:Cyborg art
4844:Crypto art
4817:Brandalism
4709:Cyberdelic
4574:Tropicália
4547:Street art
4502:Intermedia
4482:Minimalism
4201:Spatialism
4155:Postmodern
4011:Surrealism
3879:Shin-hanga
3719:Die BrĂĽcke
3687:Sonderbund
3600:Synthetism
3323:Revivalism
3232:Transition
3189:Manichaean
3035:Adam style
2956:Classicism
2895:in Utrecht
2823:Still life
2553:Romanesque
2509:Macedonian
2504:Iconoclast
2463:Visigothic
2369:Republican
2323:Indo-Greek
2293:Red-figure
2115:0521565685
2072:0500201013
2047:1857099133
2025:0300061862
1997:0300055870
1980:References
1955:Steer, 208
1910:Steer, 132
1883:Steer, 201
1493:Steer, 208
1406:Florentine
1263:Grand Tour
1024:Neapolitan
986:Padovanino
891:Visitation
748:terraferma
738:Tintoretto
362:Pala d'Oro
144:terraferma
132:extinction
126:turned to
80:Tintoretto
47:as models.
45:courtesans
5193:Shock art
5183:Queer art
5163:NaĂŻve art
5146:Modernism
4978:Superflat
4968:Sound art
4948:Post-YBAs
4933:Neomodern
4774:Verdadism
4744:Superflat
4593:1970–1999
4557:in the US
4477:Video art
4400:Happening
4373:1960–1969
4165:1945–1959
3828:1915–1944
3819:Vorticism
3771:A Nyolcak
3633:1900–1914
3605:Les Nabis
3536:Symbolism
3492:Amsterdam
3442:Japonisme
3412:1863–1899
3374:in Greece
3234:to modern
3079:Caribbean
3024:Goût grec
2946:Capriccio
2900:Tenebrism
2849:Turquerie
2747:Mannerism
2642:Medieval
2499:Byzantine
2480:Mozarabic
2431:Ethiopian
2335:Neo-Attic
2318:"Baroque"
2303:Classical
2273:Geometric
2251:Mycenaean
2198:(Western)
2196:Premodern
2167:Premodern
1610:Steer, 22
1565:Steer, 16
1415:Velázquez
1345:, 1733–34
1268:capriccio
1226:Canaletto
1151:, 1743–44
1134:, c. 1713
1113:, c. 1650
1094:, 1650–55
952:, c. 1540
893:, 1518–19
874:, 1518-20
849:The Bravo
802:Mannerist
782:, c. 1548
772:An early
705:Charles V
697:Philip II
604:Giorgione
533:Giorgione
499:, c. 1496
456:Pisanello
403:in 1365.
366:San Marco
353:, c. 1350
347:polyptych
311:Canaletto
260:San Marco
106:Canaletto
92:Mannerism
72:Giorgione
70:included
5223:Category
5173:Portrait
5094:Folk art
5042:Anti-art
4973:Stuckism
4886:Idea art
4807:Art game
4759:Artivism
4647:Punk art
4625:Sots Art
4610:Artscene
4467:Land art
4405:Neo-Dada
4337:Lettrism
4231:Nuagisme
4216:Tachisme
4097:Nazi art
3890:De Stijl
3804:Rayonism
3794:Art Deco
3782:Futurism
3573:Luminism
3541:Romanian
3526:Tonalism
3497:Canadian
3475:American
3381:Neo-Grec
2989:Rocaille
2818:Romanism
2752:Counter-
2686:Trecento
2626:Duecento
2616:Crusades
2548:Ottonian
2526:Frankish
2406:Medieval
2389:Trajanic
2349:Scythian
2344:Etruscan
2236:Cycladic
2214:Thracian
1440:See also
1342:Polyxena
1302:Florence
1277:capricci
1273:staffage
1072:version)
1026:painter
868:La Bella
613:Arcadian
477:Vivarini
315:Tiepolos
279:printing
191:, Venice
168:Croatian
164:Dalmatia
5188:Realism
4785:present
4512:Nut Art
4315:Pop art
4253:Mono-ha
4121:The Ten
4070:Kapists
4016:Iranian
3969:Bauhaus
3763:Orphism
3709:Fauvism
3546:Russian
3436:Nihonga
3350:Verismo
3335:Realism
3269:Purismo
3182:Moorish
3177:Islamic
3084:Haitian
2875:Baroque
2754:Maniera
2638:Mudéjar
2563:Spanish
2475:Pictish
2458:Lombard
2453:Insular
2394:Severan
2359:Gaulish
2354:Iberian
2283:Archaic
2226:Nuragic
2206:Ancient
2189:periods
1211:Bavaria
1162:Belluno
1090:Rinaldo
1065:Goliath
1013:Vicenza
974:of Fame
812:Baroque
752:Bergamo
442:, with
399:in the
397:frescos
319:etchers
291:Raphael
264:palazzi
256:mosaics
152:Brescia
134:of the
5136:Kitsch
4995:Toyism
4487:Fluxus
4417:Op art
3986:Mingei
3920:Stupid
3898:Purism
3753:Cubism
3402:Modern
3194:Mughal
2984:Rococo
2589:Gothic
2570:Norman
2494:Viking
2448:Hunnic
2426:Coptic
2241:Minoan
2231:Aegean
2219:Dacian
2171:Modern
2125:online
2113:
2088:
2070:
2045:
2023:
1995:
1419:Rubens
1384:Legacy
1361:, 1721
1323:, 1708
1258:vedute
1232:, and
1197:pastel
1189:Madrid
1181:Rococo
914:, 1527
791:Verona
693:series
691:poesie
650:Titian
608:Titian
525:Naples
475:. The
424:, 1486
378:Giotto
321:, and
245:Verona
237:fresco
220:canvas
160:Istria
156:Verona
128:Rococo
116:veduta
76:Titian
35:Titian
4783:2000–
4226:COBRA
3220:Uki-e
3210:Japan
3199:Qajar
2558:Mosan
2364:Roman
2258:Greek
1452:Notes
1410:Roman
1011:from
998:Genoa
509:Padua
393:Padua
391:from
374:doges
241:Padua
148:Padua
5072:Icon
4395:ZERO
4153:and
4050:Asso
3874:Dada
3431:YĹŤga
2173:and
2111:ISBN
2086:ISBN
2068:ISBN
2043:ISBN
2021:ISBN
1993:ISBN
1432:and
1408:and
695:for
670:nude
606:and
454:and
243:and
154:and
1187:in
258:to
5240::
2169:,
2127:).
2105:,
2080:,
2062:,
2037:,
2033:,
1669:^
1468:^
1436:.
1428:,
1395:,
1338:,
1319:,
1247:,
1228:,
1224:,
1191:.
1145:,
1130:,
1109:,
1087:,
1061:,
1046:.
1038:,
1034:,
969:,
948:,
929:,
908:,
889:,
870:,
814:.
776:,
535:.
418:,
345:,
181:,
162:,
150:,
108:,
98:.
37:,
2187:/
2159:e
2152:t
2145:v
2092:.
2074:.
2049:.
20:)
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