56:
175:
shared
Bradshaw's opinion, citing that both Tsangari and Lanthimos utilize an "unblinking shooting style, with wide shots, minimal camera movements and off-kilter compositions that combine to create a dreamy, anxious mood". Scott also noted Bakatakis' "beguiling blend of detachment and empathy — the
313:
complimented
Bakatakis as "an invaluable ally" to Lanthimos, praising his boxy, formal framing and bilious color palette reveal much about the restrictions applied to the people within them". Chang again praised Bakatakis' work, saying that "the meticulously composed images...at times convey the
263:
similarly praised the use of colour, saying that "bathing the men's bodies in a golden, soft-edged light warmly captured by
Thimios Bakatakis' Super 16 photography, folds his characters in what feels like a tenderly protective embrace". Two years later, he served as cinematographer for the
361:. He elaborated that he "thought of these high angles, or very low angles, with the camera following people around, creeping from below or above", which ended up working well, with the film's many scenes at a hospital and its numerous corridors. Bakatakis was nominated for the
293:, the first English-language film from the director. Bakatakis again changed his style to more distant framing using longer lenses, saying that the improvisation of the film made "everything, including the framing...not so formal". He shot the film using an
252:. Sachs praised Bakatakis for " sex better than anyone else working today...For Thimios, sex is just a part of life. The camera doesn't have to shoot it any different than a dinner scene or a birthday party." Eric Kohn of
94:, who praised its enhancement of the film's production design, calling Bakatakis' cinematography "saturated" and "neon-flavored". This was followed by his first feature collaboration with Lanthimos on the 2005 film
51:
258:
praised the film's "visual polish", noting
Bakatakis' "warm palette that's particularly evocative during the bedroom scenes, when deep yellows appear to manifest the characters’ state of mind." Film critic
284:
also praised
Bakatakis' "soft, milky lighting and always interesting compositions". Later that year, Bakatakis re-teamed with Lanthimos to shoot the music video for "Baby Asteroid" by Leon of Athens.
220:
writer praising
Bakataki for "film most scenes in medium or distant static shots (a common technique in recent art films), keeping us from any excessive or maudlin sympathy for Porfirio".
176:
camera sometimes lurking like a spy, sometimes trailing along like a shy, devoted friend". The following year, Bakatakis served as director of photography for the drama film
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praised how the film's cinematography "accentuates the sense of dread as his cameras creep and crawl through hospital corridors, like the lurking spirits in
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uncanny sensation of peering into a zoo enclosure, the better to study the mating habits of a vaguely familiar and frankly preposterous species".
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34:. He has served as a cinematographer for various feature films, short films, music videos, and commercials, often collaborating with director
891:
278:
praised
Bakatakis, amongst other crew members, for their "invaluable contributions", calling Bakatakis a "great Greek ". Boyd van Hoeij of
357:
than many of his other films, saying that he "felt the need for the camera to be almost like another entity" during pre-production and
1256:
835:
327:. This marked yet another work with Lanthimos, who directed the video. Later that year, Bakatakis lensed another directorial debut,
1315:
742:
132:
praised
Bakatakis' cinematography for resembling "a series of family photographs of a family with something wrong with it".
1030:
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65:
while attending
Stavrakos, whom he befriended and would later regularly collaborate with after their graduations.
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during shooting, saying that "the camera had a role in the film". Their next collaboration was on the 2009 film
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165:, saying that "their demystified, almost countererotic nudity and sex scenes" were notable identifiers.
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lenses, and almost exclusively utilized natural lighting. Post-production for the film took place in
187:
125:
1438:"Independent Spirit Awards 2018 nominations position Get Out, Call My By Your Name in Oscar race"
1003:
1510:
1179:
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353:– all low-angle prowls and ghostly high glides". Lanthimos noted that the camera moves more in
280:
136:
1316:"Radiohead and 'The Lobster' Director Yorgos Lanthimos Release Strange Digital Short — Watch"
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8:
1347:"Una review – Rooney Mara and Ben Mendelsohn have twisted chemistry in disturbing drama"
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1088:"SUNDANCE REVIEW: Ira Sachs' 'Keep the Lights On' Taps Into a Personal Drama With Ease"
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In 2015, Bakatakis and
Lanthimos teamed up yet again for Lanthimos' dark comedy
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Bakatakis again employed his fixed-camera approach to cinematography in
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892:"'Porfirio,' a Documentary-Fiction Hybrid by Alejandro Landes"
337:, before again collaborating with Lanthimos for the 2017 film
1060:"Underrated Cinematographers Poised to Make It Big in 2015"
1378:"The Killing of a Sacred Deer review – uneasy about a boy"
1288:"'The Lobster' offers a rich, surreal take on modern love"
157:
noted "striking" similarities between Bakatakis' work in
1031:"Meet the Sundance Filmmaker #34: Babis Makridis, 'L'"
201:"fixed camera" that "stares unblinkingly". Reviews in
78:
After graduating, he shot his first feature film, the
1234:"Thimios Bakatakis - Cinematographer - Music Videos"
743:""Dogtooth" Wins Top Cannes Un Certain Regard Prize"
114:, embracing more "static and formal" camerawork.
1487:
836:"'Attenberg,' Athina Rachel Tsangari's New Film"
548:Independent Spirit Award for Best Cinematography
363:Independent Spirit Award for Best Cinematography
317:The following year, he shot the music video for
305:, where Bakatakis added a "film look", such as
194:echoed Scott in her review of the film, noting
88:(2004). His work was praised by Derek Elley of
52:Hellenic Cinema and Television School Stavrakos
223:
74:First features and collaborations (2004–2012)
118:was met with critical acclaim, winning the
1172:
1001:
889:
861:
740:
664:"Thimios Bakatakis - Cinematographer Bio"
1341:
890:Catsoulis, Jeannette (7 February 2013).
799:
593:Master of None Presents: Moments in Love
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655:
242:. Also in 2012, he shot the drama film
145:. Tsangari had served as a producer on
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321:'s song "Identikit", from their album
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774:"Dogtooth Movie Review & Summary"
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1173:van Hoeij, Boyd (18 January 2014).
13:
1406:"Yorgos Lanthimos on His New Film
1145:Foundas, Scott (18 January 2014).
1002:Weissberg, Jay (5 February 2012).
61:in the same city. He met director
14:
1522:
1461:
1404:Sims, David (11 September 2017).
741:Hernandez, Eugene (23 May 2009).
717:"Thimios Bakatakis - The Lobster"
706:
685:Elley, Derek (17 December 2004).
1436:Nolfi, Joey (21 November 2017).
1202:"Leon Of Athens - Baby Asteroid"
1058:Formo, Brian (9 December 2014).
974:DeFore, John (24 January 2012).
234:, the 2012 directorial debut of
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213:also shared this opinion, with
50:, Greece in 1970, and attended
1086:Kohn, Eric (28 January 2012).
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367:33rd Independent Spirit Awards
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149:and an associate producer on
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1408:The Killing of a Sacred Deer
1314:Sharf, Zack (24 June 2016).
1257:"Film Review: 'The Lobster'"
541:The Killing of a Sacred Deer
355:The Killing of a Sacred Deer
340:The Killing of a Sacred Deer
186:. The film premiered at the
7:
240:2012 Sundance Film Festival
224:Breakthrough (2012–present)
100:, where Bakatakis utilized
10:
1527:
1255:Lodge, Guy (15 May 2015).
952:Film Journal International
369:for his work on the film.
215:Film Journal International
210:Film Journal International
135:In 2010, Bakatakis lensed
976:"L: Sundance Film Review"
238:, which premiered at the
190:. Jeannette Castoulis of
188:2011 Cannes Film Festival
126:2009 Cannes Film Festival
68:
27:
1175:"Blind: Sundance Review"
919:"Porfirio - Film Review"
377:
102:hand-held cinematography
30:; born 1970) is a Greek
1506:Film people from Athens
947:"Film Review: Porfirio"
864:"Porfirio: Film Review"
721:British Cinematographer
1496:Greek cinematographers
1180:The Hollywood Reporter
1147:"Film Review: 'Blind'"
981:The Hollywood Reporter
869:The Hollywood Reporter
281:The Hollywood Reporter
137:Athina Rachel Tsangari
46:Bakatakis was born in
139:'s directorial debut
16:Greek cinematographer
1443:Entertainment Weekly
1232:Bakatakis, Thimios.
1119:"Keep the Lights On"
805:"Attenberg – review"
803:(1 September 2011).
662:Bakatakis, Thimios.
1376:(5 November 2017).
1236:. Thimios Bakatakis
1117:(22 January 2012).
666:. Thimios Bakatakis
274:. Scott Foundas of
1345:(30 August 2017).
955:. 11 February 2013
897:The New York Times
841:The New York Times
471:Keep the Lights On
324:A Moon Shaped Pool
245:Keep the Lights On
192:The New York Times
172:The New York Times
1477:Thimios Bakatakis
1293:Los Angeles Times
1039:. 13 January 2012
646:
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359:location scouting
121:Un Certain Regard
38:on his projects.
28:Θύμιος Μπακατάκης
20:Thimios Bakatakis
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1210:. 21 April 2014
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657:
637:"Identikit"
605:Music videos
591:
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546:Nominated –
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726:22 November
698:23 November
670:22 November
598:5 episodes
513:The Lobster
373:Filmography
350:The Shining
290:The Lobster
167:A. O. Scott
130:Roger Ebert
55: [
1490:Categories
687:"Hardcore"
649:References
570:Television
307:film grain
299:Panavision
295:Arri Alexa
268:-directed
266:Eskil Vogt
82:-directed
42:Early life
1321:IndieWire
1093:IndieWire
1036:Indiewire
748:Indiewire
641:Radiohead
559:The Lodge
443:Attenberg
319:Radiohead
303:Amsterdam
255:IndieWire
250:Ira Sachs
163:Attenberg
142:Attenberg
112:close-ups
457:Porfirio
429:Dogtooth
401:Hardcore
331:' drama
196:Porfirio
179:Porfirio
159:Dogtooth
151:Dogtooth
116:Dogtooth
107:Dogtooth
85:Hardcore
1262:Variety
1152:Variety
1124:Variety
1065:Complex
1009:Variety
692:Variety
618:Artist
415:Kinetta
365:at the
311:Variety
276:Variety
147:Kinetta
97:Kinetta
91:Variety
583:Notes
580:Title
391:Notes
388:Title
218:'s
199:'s
69:Career
48:Athens
634:2016
623:2014
615:Song
612:Year
588:2021
577:Year
554:2019
536:2017
522:2016
508:2015
499:Blind
494:2014
480:2012
466:2012
452:2011
438:2010
424:2009
410:2005
396:2004
385:Year
378:Films
271:Blind
59:]
24:Greek
1481:IMDb
1451:2017
1423:2017
1391:2017
1360:2017
1329:2017
1301:2017
1270:2017
1242:2017
1216:2017
1188:2017
1160:2017
1132:2017
1101:2017
1073:2017
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1017:2017
989:2017
961:2017
933:2017
905:2017
877:2017
849:2017
818:2017
787:2017
756:2017
728:2017
700:2017
672:2017
207:and
161:and
1479:at
527:Una
334:Una
169:of
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