57:
The term "spatial music" indicates music in which the location and movement of sound sources is a primary compositional parameter and a central feature for the listener. It may involve a single, mobile sound source, or multiple, simultaneous, stationary or mobile sound events in different locations.
216:
Technological developments have led to broader distribution of spatial music via smartphones since at least 2011, to include sounds experienced via Global
Positioning System localization (BLUEBRAIN, Matmos, others) and visual inertial odometry through augmented reality (TCW, others).
163:, op. 17 (1960), which unleashes a volume of sound with a "tremendous orchestra" for which the composer precisely dictates the placement of each player onstage, including fifty-two percussion instruments,
568:
596:
758:
698:, edited by George E. Lasker, James Rhodes, and Jane Lily, 141–145. Tecumseh, Ontario, Canada: International Institute for Advanced Studies in Systems Research and Cybernetics.
768:
Drennan, Dorothy Carter. 1975. "Henry Brant's Use of
Ensemble Dispersion, as Found in the Analysis of Selected Compositions". Ph.D. diss. Coral Gables: University of Miami.
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Teruggi, Daniel. 2007. "Technology and
Musique Concrete: The Technical Developments of the Groupe de Recherches Musicales and Their Implication in Musical Composition".
815:
Harley, Maria Anna. 1994a. "Space and
Spatialization in Contemporary Music: History and Analysis, Ideas and Implementations". Ph.D. diss. Montreal: McGill University.
441:
478:
Solomon, Jason Wyatt (2007), "Spatialization in Music: The
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1217:
517:
Andrea
Santini, "Multiplicity—Fragmentation—Simultaneity: Sound-Space as a Conveyor of Meaning, and Theatrical Roots in Luigi Nono's Early Spatial Practice",
377:
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624:
923:
Miller, Paul. 2009. "Stockhausen and the Serial
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519:
888:
213:(1985)—explicitly reflect the spatial soundscape of his native Venice, and cannot be performed without their spatial component.
49:
to denote the projection and localization of sound sources in physical or virtual space or sound's spatial movement in space.
1155:
1017:
938:
809:
703:
102:
1263:
1248:
1192:
969:
1140:
1089:
1071:
425:
359:
173:(1992–93/95), which is "arguably the most extreme experiment involving the spatial motility of live performers", and
100:(canticles, litanies, masses, Marian antiphons, psalm- and sequence-motets), the five-choir, forty- and sixty-voice
136:
97:
1278:
950:
199:
820:
193:
386:
864:. Reprinted, New York: Frederick Ungar Publishing, by arrangement with Stanford University Press, 1962.
242:
169:
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829:
685:, Anthony F. Carver, and Valerio Morucci. 2014. "Cori spezzati/polychoral (It.: 'broken choirs')".
184:
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11.4 — Toronto
Electroacoustic Symposium 2009 (TES) / Symposium Électroacoustique 2009 de Toronto
1189:
11.4 — Toronto
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302:
147:
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2, 30–35. Mainz: Schott, 1959. English version, as "Music in Space", translated by Ruth Koenig.
1310:
1203:
1023:
Rastall, Richard. 1997. "Spatial Effects in English Instrumental Consort Music, c. 1560–1605".
897:
877:
759:
Spatial Music the Latest Innovation to Provide New Experiences and Give Musicians Back Control.
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1095:
1025:
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120:, as well as a number of other Italian—mainly Florentine—works dating between 1557 and 1601.
46:
1201:. 2001. "From Circles to Nets: On the Signification of Spatial Sound Imagery in New Music".
818:
Harley, Maria. 1994b. "Spatial Sound Movement in the Instrumental Music of Iannis Xenakis".
696:
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1148:
Kompositorische Grundlage Neuer Musik: sechs Seminare für die Darmstädter Ferienkurse 1970
8:
929:. 2003. "Phänomene räumlicher Wahrnehmung als Bedingung musikalischer Kompositionen". In
573:
446:
107:
1255:
998:
838:
732:
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277:
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61:
There are at least three distinct categories when plural events are treated spatially:
23:
959:
Ardour and Ambisonics: A FLOSS approach to the next generation of sound spatialisation
885:
1237:
1151:
1136:
1085:
1067:
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601:
421:
355:
252:
966:
11.3 — Logiciels audio « open source » / Open Source for Audio Application
156:
1198:
868:
804:, 275–284. Wiener Schriften zur Stilkunde und Aufführungspraxis 3. Vienna: Böhlau.
789:
724:
712:. 1955. "The Uses of Antiphonal Distribution and Polyphony of Tempi in Composing".
524:
372:
267:
247:
84:
1058:
fĂĽr Solosopran, Schlagzeugslo, vierfach geteilten Chor und groĂźes Orchester". In '
597:"Your hurricane soundtrack is here: download this new interactive app from Matmos"
142:
30:, as a component specific to new musical techniques the concept of spatial music (
1173:
1109:
1051:
982:
Overholt, Sara Ann. 2006. "Karlheinz Stockhausen's Spatial Theories: Analyses of
892:
827:
Harley, Maria Anna. 1997. "An American in Space: Henry Brant's 'Spatial Music'".
528:
437:
232:
1238:
Space and Computer Music: A Survey of Methods, Systems and Musical Implications
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Winckel, Fritz. 1968. "Elektroakustische Musik—Raummusik—Kybernetische Musik".
1032:
946:
Musik im Raum—Raum in der Musik: Ein Beitrag zur Geschichte der seriellen Musik
848:
Mitten im Klang: Die Raumkompositionen von Iannis Xenakis aus den 1960er Jahren
801:
750:
287:
132:
1080:. 1998. "Notes sur la spatialisation de la musique et l'Ă©mergence du son". In
719:
Brant, Henry. 1978. "Space as an Essential Aspect of Musical Composition". In
543:"Compositional Possibilities of New Interactive and Immersive Digital Formats"
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1283:
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728:
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347:
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841:: Journal of the International Society for the Arts, Sciences and Technology
904:
861:
853:
836:
Harley, Maria Anna. 1998. "Music of Sound and Light: Xenakis's Polytopes".
682:
413:
292:
124:
442:
Proms 2010: Prom 35. A Danish Avant-garde Classic Is Expertly Reappraised.
745:
709:
272:
257:
183:, a "'spatial narrative,'" or "spatial organ concerto," awarded the 2002
174:
26:. Though present in Western music from biblical times in the form of the
1084:, edited by Hugues Genevois, 105–125. Musique et Sciences. Lyon: Aléas.
775:. Berkeley, Los Angeles, and London: The University of California Press.
650:
1163:
1135:, 60–77. Signale aus Köln: Musik der Zeit 3. Saarbrücken: Pfau-Verlag.
1066:, 26–39. Signale aus Köln: Musik der Zeit 3. Saarbrücken: Pfau-Verlag.
735:, 221–242. Da Capo Press Music Reprint Series. New York: Da Capo Press.
504:
398:
Davitt Moroney, "Alessandro Striggio's Mass in Forty and Sixty Parts",
237:
188:
66:
1002:". Ph.D. diss. Santa Barbara: University of California, Santa Barbara.
1242:
1186:
1100:
963:
508:, no. 100 (Spring), 101 (Summer), or 102 (Winter): 41. Music Gallery.
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76:
one or several such signaling events, separated from more "passive"
871:, and Wojciech Borczyk. 2009. "A Virtual-Reality Reconstruction of
205:
27:
569:"Bluebrain make magic with the world's first location aware album"
152:
70:
1150:, edited by Imke Misch. KĂĽrten: Stockhausen-Stiftung fĂĽr Musik.
933:, edited by Christoph Metzger, 75–81. Saarbrücken: Pfau-Verlag.
625:"New iPhone App Fills Your Living Room with a Virtual Orchestra"
354:(Lanham, Maryland, Toronto, Oxford: The Scarecrow Press.): 296.
1256:
An Extremely Brief History of Spatial Music in the 20th Century
1012:, edited by Christoph Metzger, 51–58 Saarbrücken: Pfau-Verlag.
651:"Building Augmented Reality Spatial Audio Compositions for iOS"
1260:
eContact! 7.4 — Diffusion multi-canal / Multichannel diffusion
404:
60, no. 1 (Spring 2007): 1–69. Citations on 1, 3, 5 et passim.
1161:
Sykes, Debra. 1996. "Henry Brant and His Music: Spatialman".
920:
of Edgard Varèse". Ph.D. diss. Cambridge: Harvard University.
867:
Lombardo, Vincenzo, Andrea Valle, John Fitch, Kees Tazelaar,
16:
Composed music that intentionally exploits sound localization
798:
BĂĽhne, Film, Raum und Zeit in der Musik des 20. Jahrhunderts
96:
Examples of spatiality include more than seventy works by
1129:
Komposition und Musikwissenschaft im Dialog I (1997–1998)
1060:
Komposition und Musikwissenschaft im Dialog I (1997–1998)
992:
110:
and the possibly related eight-choir, forty-voice motet
975:
Ouzounian, Gascia. 2007. "Visualizing Acoustic Space".
327:
Beyer, Robert (1928). "Das Problem der 'kommenden Musik
1112:, 152–175. Excerpt reprinted under the same title in
907:. 1968. "An Unfinished History of Electronic Music".
1212:
Beiträge der Österreichischen Gesellschaft für Musik
1046:
Beiträge der Österreichische Gesellschaft für Musik
1035:. 1978. "Thoughts on Sound Movement and Meaning".
123:Notable 20th-century spatial compositions include
858:American Composers on American Music: A Symposium
352:Other Planets: The Music of Karlheinz Stockhausen
1292:
1123:Stockhausen, Karlheinz. 2000. "Neue Raum-Musik:
1104:5 ("Berichte—Analyse"): 59–73. Reprinted in his
886:About Audium – A Conversation with Stanley Shaff
782:: Un'opera d'arte totale e il suo contenitore".
469:26, no. 2 (Spring): 205–239. Citation on p. 219.
1044:Roschitz, Karlheinz. 1969. "Beiträge 1968/69".
487:Anon. (2002), "Brant's 'Field' Wins Pulitzer",
378:The New Grove Dictionary of Music and Musicians
38:") was introduced as early as 1928 in Germany.
187:, as well as most of the output after 1960 of
22:is composed music that intentionally exploits
493:, 114, no. 16 (April 20): 13. ISSN 0006-2510.
420:(New York: W. W. Norton, 1998): 92, 181–182.
401:Journal of the American Musicological Society
1008:2003. "Musikraumarchitektur: Raummusik". In
721:Contemporary Composers on Contemporary Music
65:essentially independent events separated in
463:and Avant-Garde Music in Cold War Poland",
211:A Pierre: Dell'azzurro silenzio, inquietuum
1281:Spatialization of Karlheinz Stockhausen's
1277:GarcĂa Karman, Gregorio. 5 October 2007. "
913:55, no. 3 (November): 42–49, 135–142, 145.
622:
375:, "Palestrina , Giovanni Pierluigi da ",
566:
520:Journal of the Royal Musical Association
73:, each with a strong signaling character
1293:
1227:. 1961. "Current Chronicle: Germany".
594:
540:
784:Musica/realtĂ : Rivista quadrimestrale
714:American Composer's Alliance Bulletin
648:
1127:", transcribed by Michael Ă–hler. In
1120:5 ("Reports—Analyses", 1961): 67–82.
1114:Darmstädter Beiträge zur Neuen Musik
954:38. Stuttgart: Franz Steiner Verlag.
1041:16, no. 1 (Spring-Summer): 181–190.
916:Lukes, Roberta Dorothy. 1996. "The
856:. 1933. "Music and Its Future". In
13:
796:und der Aspekt der Raummusik". In
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623:Palladino, Tommy (17 April 2019).
595:Weigel, Brandon (1 October 2015).
371:Lewis Lockwood, Noel O'Regan, and
14:
1322:
1271:
875:Based on Philological Research".
749:(video included). Interviewed by
459:Jakelski, Lisa (2009) "GĂłrecki's
977:Circuit: Musiques contemporaines
792:. 2003. "Karlheinz Stockhausens
739:Brant, Henry (October 4, 2002).
103:Missa sopra Ecco sì beato giorno
98:Giovanni Pierluigi da Palestrina
642:
616:
588:
567:Richards, Chris (28 May 2011).
560:
534:
511:
496:
418:Charles Ives: A Life with Music
1182:Spatialization Without Panning
1146:Stockhausen, Karlheinz. 2009.
1054:. 2000. "Zur UrauffĂĽhrung von
691:(1 July). Oxford Music Online.
481:
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1:
821:Journal of New Music Research
778:Fiotti, Francesco. 2003. "Il
741:"Spaced Out with Henry Brant"
649:Copps, Will (14 April 2019).
531:, citations on 101, 103, 105.
45:is connected especially with
968:(September 2009). Montréal:
951:Archiv fĂĽr Musikwissenschaft
843:31, no. 1 (February): 55–65.
786:24, no. 70 (March): 123–133.
765:, Medium. (January 10, 2020)
753:(published January 1, 2003).
529:10.1080/02690403.2012.669938
381:, second edition, edited by
194:... sofferte onde serene ...
7:
1287:". (accessed 4 April 2014).
1247:(December 2009). Montréal:
1233:47, no. 2 (April): 243–247.
1191:(December 2009). Montréal:
1131:, edited by Imke Misch and
1062:, edited by Imke Misch and
220:
200:Al gran sole carico d'amore
91:
10:
1327:
1207:25, no. 4 (Winter): 39–56.
990:, Electronische [
881:33, no. 2 (Summer): 24–47.
833:15, no. 1 (Spring): 70–92.
523:137, no. 1 (2012): 71–106
389:(London: Macmillan, 2001).
314:
243:Auditory spatial attention
83:separated but coordinated
52:
1168:, no. 64 (Spring): 42–48.
1098:. 1957. "Musik im Raum".
1038:Perspectives of New Music
901:9, no. 2 (Summer): 41–48.
466:The Journal of Musicology
298:Venetian polychoral style
191:, whose late works—e.g.,
170:Helicopter String Quartet
34:, usually translated as "
986:fuer drei Orchester and
927:MĂĽller-Hornbach, Gerhard
850:. Hofheim: Wolke-Verlag.
773:Sound Structure in Music
771:Erickson, Robert. 1975.
185:Pulitzer Prize for Music
1166:: Explorations in Sound
1133:Christoph von Blumröder
1064:Christoph von Blumröder
910:Music Educators Journal
547:Northwestern University
541:Dehaan, Daniel (2019).
303:Venetian School (music)
1262:(May 2005). Montréal:
1204:Computer Music Journal
1096:Stockhausen, Karlheinz
957:Nettingsmeier, Jörn. "
898:Computer Music Journal
878:Computer Music Journal
846:Hofmann, Boris. 2008.
1230:The Musical Quarterly
1218:Wörner, Karl Heinrich
1010:Musik und Architektur
944:Nauck, Gisela. 1997.
931:Musik und Architektur
335:20, no. 12: 861–866.
165:Karlheinz Stockhausen
47:electroacoustic music
948:. Supplement to the
884:Loy, Gareth. 1985. "
308:Wave field synthesis
138:Music of the Spheres
80:background complexes
69:, like simultaneous
1006:Platz, Robert H. P.
574:The Washington Post
108:Alessandro Striggio
1254:Zvonar, Richard. "
1177:12, no. 3:213–231.
1082:Le son et l'espace
1029:25, no. 2:269–288.
999:Dienstag aus Licht
918:Poème electronique
891:2017-06-24 at the
873:Poème électronique
780:Poéme electronique
688:Grove Music Online
283:Stereophonic sound
278:Quadraphonic sound
228:5.1 surround sound
148:Poème électronique
24:sound localization
1199:Trochimczyk, Maja
1156:978-3-00-027313-1
1018:978-3-89727-227-9
979:17, no. 3: 45–56.
939:978-3-89727-227-9
810:978-3-205-77206-4
790:Gutknecht, Dieter
704:978-1-894613-45-3
602:The Baltimore Sun
450:(13 August 2010).
253:Directional sound
85:performing groups
1318:
1301:Electronic music
1226:
1052:Schnebel, Dieter
996:] Musik vom
869:Stefan Weinzierl
763:Sound and Design
754:
725:Elliott Schwartz
716:4, no. 3: 13–15.
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1110:Dieter Schnebel
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893:Wayback Machine
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1026:Early Music
824:23:291–314.
746:NewMusicBox
337:(in German)
273:Planephones
258:Dolby Atmos
203:(1972–77),
175:Henry Brant
141:(1916–18),
131:(1912–18),
36:space music
1295:Categories
1164:Musicworks
1125:Oktophonie
988:Oktophonie
505:Musicworks
263:Holophones
238:Ambisonics
189:Luigi Nono
1243:eContact!
1187:eContact!
1118:Die Reihe
1101:Die Reihe
964:eContact!
490:Billboard
333:Die Musik
180:Ice Field
41:The term
32:Raummusik
1214:1:72–79.
889:Archived
839:Leonardo
502:(2008).
350:(2005).
221:See also
206:Prometeo
197:(1976),
153:Expo '58
92:Examples
71:concerts
28:antiphon
1056:Extasis
984:Gruppen
733:Jim Fox
731:, with
658:TCW A/V
461:Scontri
315:Sources
161:Scontri
53:Context
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654:(PDF)
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665:2020
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