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and heralded the "New
Monarch," who would champion the common good over and against the machinations of capitalists and communists. His praise of Hitler was grounded in his belief that Hitler's rise to power that year heralded the end of the communist threat, as is illustrated by this excerpt:
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after 1941 when many other members of the
American social and intellectual elites were eager to distract attention from their own flirtations with fascism in the 1920s and 1930s. Yet his praise of Hitler and Mussolini, noted above, testifies to his beliefs, at least during the 1930s.
206:, Collins stated: "I am a fascist. I admire Hitler and Mussolini very much. They have done great things for their countries." When Lumpkin objected to Hitler's persecution of the Jews, Collins replied: "It is not persecution. The Jews make trouble. It is necessary to segregate them."
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under the new regime. Even if the absurd atrocity stories were all true, the fact would be almost negligible beside an event that shouts aloud in spite of the journalistic silence: the victory of Hitler signifies the end of the
Communist threat,
216:, who, though hardly fascists, accepted a Northern publisher for their anti-modern essays. Several of them came to regret (and renounce) their relationship with Collins, however, after his political views became better known. One of them,
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Collins is remembered primarily as a fascist editor and publisher who detested both capitalism and communism and counted many pre-War writers as his friends or colleagues. His essay "Monarch as
Alternative," mentioned above, appears in
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in an article titled "Monarch as
Alternative," which appeared in the first issue in 1933. In that essay, Collins attacked both
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Collins entered New York's literary life in 1926, as a bon vivant. He knew many literary giants of his day, had an affair with
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299:, argues that he was never a real "fascist." This book, which is based on Collins' actual papers and letters (as well as his
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One would gather from the fantastic lack of proportion of our press—not to say its gullibility and
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And Then They Loved Him : Seward
Collins & the Chimera of an American Fascism
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37:(April 22, 1899 – December 8, 1952) was an American New York socialite and
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And Then They Loved Him: Seward
Collins & the Chimera of an American Fascism
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And Then They Loved Him: Seward
Collins & the Chimera of an American Fascism
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also became the a vehicle for spreading the ideas associated with
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ran articles by many leading literary critics of the day, including the
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and Mrs. Henry
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to what he called "fascism" by the end of the decade. In
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Collins was infatuated with the writings of prominent
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303:file), argues that Collins was in fact a
183:revolution was the hardships suffered by
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368:Scutts, Joanna (13 August 2013).
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295:A 2005 biography of Collins,
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415:Tucker, Michael Jay (2006).
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218:Allen Tate
164:capitalism
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321:scapegoat
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