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2 vols. (Los
Angeles: Ruth Mellinkoff Publications, 2004), vol. 1 (2004), vol. 1, pp. 61, 64, 115, 119, 127–128, 164; vol. 2, figs. I.2, I.18, V.1, V.27, VI.2.
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121:'You shall surely not die': The Concepts of Sin and Death as Expressed in the Manuscript Art of Northwestern Europe, c. 800-1200.
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Briggs, Sarah. "Closer to Eve: Touch and
Typology in the Genesis Illumination of the Stammheim Missal."
137:(Los Angeles: J. Paul Getty Museum; London: The British Library, 2009), pp. 5, 8–9, 11, fig. 5, ill.
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Elizabeth C. Teviotdale, Gerhard Lutz, Christina
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130:(Los Angeles: J. Paul Getty Museum, 2009), pp. 17–20, 32, 54–63, frontispiece, ill.
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Illuminated
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85:(died 1022, subject of a local cult from 1150 and formally canonised in 1192).
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Teviotdale, Elizabeth C. "The
Pictorial Program of the Stammheim Missal." In
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Averting Demons: The
Protective Power of Medieval Visual Motifs and Themes.
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81:. It is richly decorated with full-page miniatures, including one showing
98:. Getty Museum Studies on Art (Los Angeles: J. Paul Getty Museum, 2001)
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had been used for its binding, but was removed in 1904 and was in the
109:, ed. (Princeton: Princeton University Press, 2003), pp. 79–93, ill.
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Objects, Images, and the Word: Art in the
Service of the Liturgy
42:, having been acquired from the private collection of the
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It was produced by the priest
Henricus of Middel for
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38:made between 1160 and 1170. It is now in the
62:until 1945, when it disappeared during the
151:. Luzern: Quaternio Verlag Luzern 2020.
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133:Nishimura, Margot McIlwain.
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94:Teviotdale, Elizabeth C.
23:St Bernward of Hildesheim
73:, and was later held at
60:State Museums of Berlin
142:Bowdoin Journal of Art
83:Bernward of Hildesheim
48:Schloss Körtlinghausen
33:illuminated manuscript
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135:Images in the Margins
44:barons of FĂĽrstenberg
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96:The Stammheim Missal
79:Ratmann Sacramentary
40:J. Paul Getty Museum
144:(2015), pp. 1 -21.
112:Mellinkoff, Ruth.
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71:Hildesheim Abbey
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52:Carolingian
166:Categories
89:References
182:Missals
123:2 vols.
56:diptych
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54:ivory
31:is an
153:ISBN
50:. A
27:The
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