289:. The main storyline's premise reflected the frustration of mid-1980s Scottish working class youth, using the freedom facilitated by a motorcycle to escape into revitalizing open vistas of the landscape of the Scottish Highlands. The production was a part of a group of small-budget cinematic productions, along with titles such as
325:. This music was not released on an album but was combined into two lengthy tracks, each featuring various pieces of music and clips of actors from the film's audio, which appeared on limited edition formats of two Big Country 12" singles. The soundtrack was released on CD for the first time on the 1998 Big Country collection
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301:(1983), that brought stories of contemporary life in Scotland to a global cinema audience. The film acquired cult status, being regarded as a homemade expression of local Scottish cultural pride, becoming a minor media source of insurgent Scottish cultural identity, subliminally juxtaposed to
285:, with Scotland being particularly affected by post-industrial economic blight, and being governed from London by a Conservative party that the Scottish electorate had rejected in the recent
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releases them because they have increased
Scottish tourism by 15%. He instead organises a fake crash to explain the highwaymen's demise, with their real identities still unknown.
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259:, doling it out to the poor of their city by scattering it on bike rides through its streets, attracting national media attention and pursuit by the police.
255:, but in the process becoming a tourist attraction themselves. Having acquired substantial amounts of money, they proceed to become modern-day
251:. Donning masks of a clown and a wolf-man and riding a Suzuki GP 125 motorbike, they waylay and hold up with a toy gun tourist coaches in the
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In the end, after escaping the police, they try to hold up another coach, but it is not driven by a woman as it first seems but by a man (
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Icons in the Fire: The Rise and Fall of
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The film performed well at the box office in
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movement in the arts, with its distinctive soundtrack from the band
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Dear
Scotland: You have been watching... Restless Natives (review)
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The story follows the adventures of two
Scottish youths from the
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For the interactive performance project with the same name, see
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418:"Our Top 10 Most Scottish Films - Number 7: Restless Natives"
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The screenplay won a film script writing competition held by
458:"Cult Movie Column - Restless Natives | The Skinny"
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is a 1985 Scottish adventure comedy film, directed by
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433:"FILM: COMICAL STRIVINGS IN 'RESTLESS NATIVES'"
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16:1985 adventure comedy film by Michael Hoffman
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317:Music score
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295:(1981) and
118:Big Country
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42:Film Poster
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676:Categories
587:Some Girls
563:Privileged
365:References
333:Production
298:Local Hero
264:Ned Beatty
249:highwaymen
205:Box office
176:90 minutes
125:Production
94:Ned Beatty
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353:See also
257:Rob Roys
208:£300,000
189:Language
184:Scotland
114:Music by
82:Starring
192:English
181:Country
160:1985-06
158: (
127:company
662:(2014)
654:(2012)
651:Gambit
646:(2009)
638:(2005)
635:Game 6
630:(2002)
622:(1999)
614:(1996)
606:(1995)
598:(1991)
590:(1988)
582:(1987)
574:(1985)
566:(1982)
274:Themes
197:Budget
400:(PDF)
504:IMDb
243:and
227:Plot
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