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other hand, stand in a wealth of more accidental circumstances, within which one could act this way or that, so that the conflict is, though occasioned by external preconditions, still essentially grounded in the character. The new individuals, in their passions, obey their own nature... simply because they are what they are. Greek heroes also act in accordance with individuality, but in ancient tragedy such individuality is necessarily... a self-contained ethical pathos... In modern tragedy, however, the character in its peculiarity decides in accordance with subjective desires... such that congruity of character with outward ethical aim no longer constitutes an essential basis of tragic beauty...
2816:(1961) George Steiner outlined the characteristics of Greek tragedy and the traditions that developed from that period. In the Foreword (1980) to a new edition of his book Steiner concluded that 'the dramas of Shakespeare are not a renascence of or a humanistic variant of the absolute tragic model. They are, rather, a rejection of this model in the light of tragi-comic and "realistic" criteria.' In part, this feature of Shakespeare's mind is explained by his bent of mind or imagination which was 'so encompassing, so receptive to the plurality of diverse orders of experience.' When compared to the drama of Greek antiquity and French classicism Shakespeare's forms are 'richer but hybrid'.
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circumstances, will from small beginnings brood within the breast, till all the better dispositions, all the fair gifts of nature are borne down before them'. This theory, she put into practice in her 'Series of Plays on the
Passions' in three volumes (commencing in 1798) and in other dramatic works. Her method was to create a series of scenes and incidents intended to capture the audience's inquisitiveness and 'trace the progress of the passion, pointing out those stages in the approach of the enemy, when he might have been combated most successfully; and where the suffering him to pass may be considered as occasioning all the misery that ensues.'
3101:" argues for a more complicated theory of tragedy, with two complementary branches which, though driven by a single dialectical principle, differentiate Greek tragedy from that which follows Shakespeare. His later lectures formulate such a theory of tragedy as a conflict of ethical forces, represented by characters, in ancient Greek tragedy, but in Shakespearean tragedy the conflict is rendered as one of subject and object, of individual personality which must manifest self-destructive passions because only such passions are strong enough to defend the individual from a hostile and capricious external world:
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3028:. By this definition social drama cannot be tragic because the hero in it is a victim of circumstance and incidents that depend upon the society in which he lives and not upon the inner compulsions—psychological or religious—which determine his progress towards self-knowledge and death. Exactly what constitutes a "tragedy", however, is a frequently debated matter.
2705:'s love for her stepson) and his impact was such that emotional crisis would be the dominant mode of tragedy to the end of the century. Racine's two late plays ("Esther" and "Athalie") opened new doors to biblical subject matter and to the use of theatre in the education of young women. Racine also faced criticism for his irregularities: when his play,
2981:-thrower missing his target). According to Aristotle, "The misfortune is brought about not by vice or depravity, but by some error or frailty." The reversal is the inevitable but unforeseen result of some action taken by the hero. It is also a misconception that this reversal can be brought about by a higher power (e.g. the law, the gods,
1859:, one of the most dramatic episodes in Portuguese history. Although these three Italian plays are often cited, separately or together, as being the first regular tragedies in modern times, as well as the earliest substantial works to be written in blank hendecasyllables, they were apparently preceded by two other works in the vernacular:
1467:
Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the theatrical culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE (from the end of which it began to spread throughout the
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The heroes of ancient classical tragedy encounter situations in which, if they firmly decide in favor of the one ethical pathos that alone suits their finished character, they must necessarily come into conflict with the equally justified ethical power that confronts them. Modern characters, on the
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Tragedy is an imitation of an action that is admirable, complete (composed of an introduction, a middle part and an ending), and possesses magnitude; in language made pleasurable, each of its species separated in different parts; performed by actors, not through narration; effecting through pity and
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and poets translating and adapting their tragedies. In the 1540s, the
European university setting (and especially, from 1553 on, the Jesuit colleges) became host to a Neo-Latin theatre (in Latin) written by scholars. The influence of Seneca was particularly strong in its humanist tragedy. His plays,
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of
Aeschylus. The Greek theatre was in the open air, on the side of a hill, and performances of a trilogy and satyr play probably lasted most of the day. Performances were apparently open to all citizens, including women, but evidence is scant. The theatre of Dionysus at Athens probably held around
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Athenian tragedies were performed in late March/early April at an annual state religious festival in honor of
Dionysus. The presentations took the form of a contest between three playwrights, who presented their works on three successive days. Each playwright offered a tetralogy consisting of three
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refers to "the ancient Greeks and Romans (who in the opinion of many sang their staged tragedies throughout in representing them on stage)." The attempts of Peri and his contemporaries to recreate ancient tragedy gave rise to the new
Italian musical genre of opera. In France, tragic operatic works
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had argued that tragedy should concern only great individuals with great minds and souls, because their catastrophic downfall would be more emotionally powerful to the audience; only comedy should depict middle-class people. Domestic tragedy breaks with
Aristotle's precepts, taking as its subjects
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Anyway, arising from an improvisatory beginning (both tragedy and comedy—tragedy from the leaders of the dithyramb, and comedy from the leaders of the phallic processions which even now continue as a custom in many of our cities), grew little by little, as developed whatever of it had appeared;
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as a theatrical device, which was a platform hidden behind the scene that could be rolled out to display the aftermath of some event which had happened out of sight of the audience. This event was frequently a brutal murder of some sort, an act of violence which could not be effectively portrayed
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The advent of the domestic tragedy ushered in the first phase shift of the genre focusing less on the
Aristotelian definition of the genre and more on the definition of tragedy on the scale of the drama, where tragedy is opposed to comedy i.e. melancholic stories. Although the utilization of key
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the ordering of the world. Substantive critics "are interested in the constituent elements of art, rather than its ontological sources". He recognizes four subclasses: a. "definition by formal elements" (for instance the supposed "three unities"); b. "definition by situation" (where one defines
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wanted to revolutionise theatre, believing that it could be used more effectively to affect people's lives. To this end she gave a new direction to tragedy, which she as 'the unveiling of the human mind under the dominion of those strong and fixed passions, which seemingly unprovoked by outward
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Seneca's tragedies rework those of all three of the
Athenian tragic playwrights whose work has survived. Probably meant to be recited at elite gatherings, they differ from the Greek versions in their long declamatory, narrative accounts of action, their obtrusive moralising, and their bombastic
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There is abundant evidence for tragoidia understood as "song for the prize goat". The best-known evidence is Horace, Ars poetica 220-24 ("he who with a tragic song competed for a mere goat"); the earliest is the Parian Marble, a chronicle inscribed about 264/63 BCE, which records, under a date
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Hegel's comments on a particular play may better elucidate his theory: "Viewed externally, Hamlet's death may be seen to have been brought about accidentally... but in Hamlet's soul, we understand that death has lurked from the beginning: the sandbank of finitude cannot suffice his sorrow and
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The stage—in both comedy and tragedy—should feature noble characters (this would eliminate many low-characters, typical of the farce, from
Corneille's comedies). Noble characters should not be depicted as vile (reprehensible actions are generally due to non-noble characters in Corneille's
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tragedy for instance as "exhibiting the fall of a good man"); c. "definition by ethical direction" (where the critic is concerned with the meaning, with the "intellectual and moral effect); and d. "definition by emotional effect" (and he cites
Aristotle's "requirement of pity and fear").
2697:—condensed their plot into a tight set of passionate and duty-bound conflicts between a small group of noble characters, and concentrated on these characters' double-binds and the geometry of their unfulfilled desires and hatreds. Racine's poetic skill was in the representation of
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danced as well as sang, though no one knows exactly what sorts of steps the chorus performed as it sang. Choral songs in tragedy are often divided into three sections: strophe ("turning, circling"), antistrophe ("counter-turning, counter-circling") and epode ("after-song").
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elements such as suffering, hamartia, morality, and spectacle ultimately ties this variety of tragedy to all the rest. This variant of tragedy has led to the evolution and development of tragedies of the modern era especially those past the mid-1800s such as the works of
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between 538 and 528 BCE: "Thespis is the poet ... first produced ... and as prize was established the billy goat" (FrGHist 239A, epoch 43); the clearest is Eustathius 1769.45: "They called those competing tragedians, clearly because of the song over the billy goat"...
3334:, that phenomenon whereby pain awakens pleasure while rejoicing wrings cries of agony from the breast. From highest joy there comes a cry of horror or a yearning lament at some irredeemable loss. In those Greek festivals there erupts what one might call a
4413:
The characters aren't meant to be real. But it's also devastating when the novel central tragedy strikes – that all too real feeling of an unjust world that takes away as easily as it gives, and of people trying as hard as they can to be happy despite
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Corneille continued to write plays through 1674 (mainly tragedies, but also something he called "heroic comedies") and many continued to be successes, although the "irregularities" of his theatrical methods were increasingly criticised (notably by
1391:
Tragedy is, then, an enactment of a deed that is important and complete, and of magnitude, by means of language enriched , each used separately in the different parts : it is enacted, not recited, and through pity and fear it effects relief
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way, in which the tragedy is thought to be an expression of an ordering of the world; "instead of asking what tragedy expresses, the derivative definition tends to ask what expresses itself through tragedy". The second is the
1596:(27 BCE-476 CE), theatre spread west across Europe, around the Mediterranean and even reached Britain. While Greek tragedy continued to be performed throughout the Roman period, the year 240 BCE marks the beginning of regular
2996:—"knowing again" or "knowing back" or "knowing throughout") about human fate, destiny, and the will of the gods. Aristotle terms this sort of recognition "a change from ignorance to awareness of a bond of love or hate."
3787:. If not attaining the quality and stature of the fifth-century 'classics', original tragedies nonetheless continued to be written and produced and competed with in large numbers throughout the remaining life of the
6214:
3224:—is a 4th-century play by an unknown author; modern scholarship agrees with the classical authorities and ascribes the play to Euripides. This uncertainty accounts for Brockett and Hildy's figure of 31 tragedies.
1753:. It was the first secular tragedy written since Roman times, and may be considered the first Italian tragedy identifiable as a Renaissance work. The earliest tragedies to employ purely classical themes are the
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also began to write tragedies (though he was more appreciated for his comedies). No complete early Roman tragedy survives, though it was highly regarded in its day; historians know of three other early tragic
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are used in tragedies and other forms to this day, as writers still find it a useful and often powerful device for showing the consequences of extreme human actions. Another such device was a crane, the
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2670:(purgation of emotion) should be the goal of tragedy, this is only an ideal. In conformity with the moral codes of the period, plays should not show evil being rewarded or nobility being degraded.
2793:, the definition of tragedy has become less precise. The most fundamental change has been the rejection of Aristotle's dictum that true tragedy can only depict those with power and high status.
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was even listed as a tragicomedy), for they had happy endings. In his theoretical works on theatre, Corneille redefined both comedy and tragedy around the following suppositions:
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There is some dissent to the dithyrambic origins of tragedy, mostly based on the differences between the shapes of their choruses and styles of dancing. A common descent from pre-
2797:'s essay "Tragedy and the Common Man" (1949) argues that tragedy may also depict ordinary people in domestic surroundings thus defining Domestic tragedies. British playwright
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tenderness, such grief and nausea at all conditions of life... we feel he is a man whom inner disgust has almost consumed well before death comes upon him from outside."
1252:, respectively) against models of tragedy. Taxidou, however, reads epic theatre as an incorporation of tragic functions and its treatments of mourning and speculation.
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3783:"as the nonpareils of the genre, and regularly honored their plays with revivals, tragedy itself was not merely a 5th-century phenomenon, the product of a short-lived
1518:) and some of the actors' answers to the chorus were sung as well. The play as a whole was composed in various verse metres. All actors were male and wore masks. A
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with their ghosts, lyrical passages and rhetorical oratory, brought a concentration on rhetoric and language over dramatic action to many humanist tragedies.
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visually, but an action of which the other characters must see the effects for it to have meaning and emotional resonance. A prime example of the use of the
2599:("integrated work of art"), for example, was intended as a return to the ideal of Greek tragedy in which all the arts were blended in service of the drama.
7240:
2948:(emotional cleansing) or healing for the audience through their experience of these emotions in response to the suffering of the characters in the drama.
3218:, a satyr play by Euripides. Some critics since the 17th century have argued that one of the tragedies that the classical tradition gives as Euripides'—
1472:. No tragedies from the 6th century and only 32 of the more than a thousand that were performed in the 5th century have survived. We have complete texts
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Domestic tragedies are tragedies in which the tragic protagonists are ordinary middle-class or working-class individuals. This subgenre contrasts with
1868:
2659:
Tragedy deals with affairs of the state (wars, dynastic marriages); comedy deals with love. For a work to be tragic, it need not have a tragic ending.
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reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. A long line of
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and its ideals. It is characterised by the fact that its protagonists are ordinary citizens. The first true bourgeois tragedy was an English play,
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2485:. Newly dealt with themes that sprang forth from the Domestic tragedy movement include: wrongful convictions and executions, poverty, starvation,
2278:: people are born into their situations, and do not choose them; such tragedies explore the consequences of birthrights, particularly for monarchs
1722:. In Italy, the models for tragedy in the later Middle Ages were Roman, particularly the works of Seneca, interest in which was reawakened by the
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1855:, written around 1550 (but only published in 1587) in polymetric verse (most of it being blank hendecasyllables), dealing with the murder of
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His great novel, "L'Écume des jours" ("Foam of the Daze"), is a tragedy of young love in which a woman dies of the lily growing in her lung.
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1942:, etc., from the Bible, from contemporary events and from short story collections (Italian, French and Spanish). The Greek tragic authors (
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have even been prepared to argue that tragedy may no longer exist in comparison with its former manifestations in classical antiquity. In
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1197:(335 BCE), tragedy has been used to make genre distinctions, whether at the scale of poetry in general (where the tragic divides against
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According to Aristotle, "the structure of the best tragedy should not be simple but complex and one that represents incidents arousing
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Defining tragedy is no simple matter, and there are many definitions, some of which are incompatible with each other. Oscar Mandel, in
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1558:" ("god out of a machine"), that is, the surprise intervention of an unforeseen external factor that changes the outcome of an event.
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1554:, which served to hoist a god or goddess on stage when they were supposed to arrive flying. This device gave origin to the phrase "
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2647:(1636), was the most successful writer of French tragedies. Corneille's tragedies were strangely un-tragic (his first version of
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princess who drank poison to avoid being taken by the Romans, it adheres closely to classical rules. It was soon followed by the
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1950:) would become increasingly important as models by the middle of the 17th century. Important models were also supplied by the
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Bourgeois tragedy (German: Bürgerliches Trauerspiel) is a form that developed in 18th-century Europe. It was a fruit of the
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A Series of Plays in which it is attempted to delineate The Stranger Passions of the Mind, Volume 1: Introductory Discourse
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Contemporary with Shakespeare, an entirely different approach to facilitating the rebirth of tragedy was taken in Italy.
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Classical Greek drama was largely forgotten in Western Europe from the Middle Ages to the beginning of the 16th century.
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is recognized to be the earliest extant Greek tragedy, and as such it is doubly unique among the extant ancient dramas.
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From the time of the empire, the tragedies of two playwrights survive—one is an unknown author, while the other is the
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947:. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of
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2985:, or society), but if a character's downfall is brought about by an external cause, Aristotle describes this as a
1673:, but in former times it was mistakenly attributed to Seneca due to his appearance as a character in the tragedy.
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and history, also applied such a methodology to his theory of tragedy. In his essay "Hegel's Theory of Tragedy,"
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The word "tragedy" appears to have been used to describe different phenomena at different times. It derives from
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1225:. Drama, in the narrow sense, cuts across the traditional division between comedy and tragedy in an anti- or a-
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1681:. Though the gods rarely appear in these plays, ghosts and witches abound. Senecan tragedies explore ideas of
931:, or a "pain awakens pleasure,” for the audience. While many cultures have developed forms that provoke this
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Character, a tragedy of moral or ethical character. Tragedies of this nature can be found in Phthiotides and
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1502:. The four plays sometimes featured linked stories. Only one complete trilogy of tragedies has survived, the
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3836:. Methuen Classical Greek Dramatists. J. Michael Walton, introduction. London: Methuen. pp. viii, xix.
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2873:(1961), contrasted two essentially different means of arriving at a definition. First is what he calls the
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1291:"ode"). Scholars suspect this may be traced to a time when a goat was either the prize in a competition of
3731:, p. 104: "most scholars now call 'Greek' tragedy 'Athenian' tragedy, which is historically correct".
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has argued strenuously for the rebirth of tragedy in the contemporary theatre, most notably in his volume
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We have seven by Aeschylus, seven by Sophocles, and eighteen by Euripides. In addition, we also have the
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2959:—for that is peculiar to this form of art." This reversal of fortune must be caused by the tragic hero's
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Numerous books and plays continue to be written in the tradition of tragedy to this day examples include
2805:. "You emerge from tragedy equipped against lies. After the musical, you're anybody's fool," he insists.
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1992:
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that tragedy is characterised by seriousness and involves a great person who experiences a reversal of
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Suffering, tragedies of such nature can be seen in the Greek mythological stories of Ajaxes and Ixions
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is regarded as a distinct musical genre. Some later operatic composers have also shared Peri's aims:
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1545:, when the king's butchered body is wheeled out in a grand display for all to see. Variations on the
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Poetics with Tractatus Coislinianus, Reconstruction of Poetics II and the Fragments of the On Poets
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3672:. Cambridge Companions to Literature series. Cambridge: Cambridge University Press. pp. 3–5.
2711:, was criticised for not containing any deaths, Racine disputed the conventional view of tragedy.
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and, passing through many changes, tragedy came to a halt, since it had attained its own nature.
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5224:. Cambridge Texts in the History of Philosophy. Speirs, Ronald trans. Cambridge: Cambridge UP.
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Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries
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Chondros, Thomas G.; Milidonis, Kypros; Vitzilaios, George; Vaitsis, John (1 September 2013).
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This article is about the genre of drama based on human suffering. For the loss of life, see
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The most important sources for French tragic theatre in the Renaissance were the example of
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In the same work, Aristotle attempts to provide a scholastic definition of what tragedy is:
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of drama that has played a unique and important role historically in the self-definition of
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or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying
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2679:) and the success of Jean Racine from the late 1660s signalled the end of his preeminence.
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5243:. European Studies in English Literature. Halliday, John trans. Cambridge: Cambridge UP.
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first introduced the English-speaking world to Hegel's theory, which Bradley called the "
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Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present
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2609:(1872) was to support Wagner in his claims to be a successor of the ancient dramatists.
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1815:(1475–1525). Both were completed by early 1516 and are based on classical Greek models,
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rhetoric. They dwell on detailed accounts of horrible deeds and contain long reflective
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The emptiness of Asia : Aeschylus' 'Persians' and the history of the fifth century
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the articles categorised under "Ancient Roman dramatists and playwrights" in Knowledge
1588:(509–27 BCE) into several Greek territories between 270 and 240 BCE, Rome encountered
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3475:
2744:
2506:
2478:
1730:
1660:
1655:
1601:
1473:
1095:
948:
859:
828:
818:
592:
493:
366:
351:
300:
197:
3292:
1856:
7824:
7505:
7468:
7167:
7119:
7033:
6980:
6878:
6843:
6788:
6755:
6750:
6745:
6735:
6730:
6555:
6506:
5883:
5833:
5778:
5693:
5678:
5625:
5371:
5100:
4428:"REVIEW: 'The Road' Is A Gripping Prepper Novel Full Of Tragedy, Struggle And Hope"
4303:
4163:
3919:
3768:
3665:
3664:
Cartledge, Paul (1997). "'Deep Plays': Theatre as Process in Greek Civic Life". In
3331:
3235:
2839:
2636:
2494:
2440:
2375:
2361:
1703:
1645:
1605:
1604:
began to write Roman tragedies, thus creating some of the first important works of
1538:
1333:
1330:
1303:
995:
991:
975:
964:
952:
940:
769:
515:
473:
376:
185:
2105:
1420:(1872). Here, he suggests the name originates in the use of a chorus of goat-like
1118:
7249:
7093:
6990:
6929:
6833:
6803:
6760:
6674:
6215:
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
5768:
5708:
5585:
5418:
4952:
4094:
3151:
3017:
2595:
2568:
2427:
2368:
2304:
1959:
1844:
1773:
1685:, the occult, the supernatural, suicide, blood and gore. The Renaissance scholar
1682:
1636:
1618:
1579:
1555:
1326:
1173:
956:
944:
843:
800:
544:
401:
391:
125:
69:
31:
3016:
Common usage of tragedy refers to any story with a sad ending, whereas to be an
7612:
7605:
7444:
7434:
7088:
7000:
6995:
6959:
6934:
6924:
6823:
6669:
6592:
6354:
6334:
6204:
5961:
5913:
5873:
5808:
5758:
5738:
5673:
5104:
5041:
4895:
3335:
3214:
3170:
3128:
2966:
2882:
way of defining tragedy, which starts with the work of art which is assumed to
2809:
2748:
2731:
2590:
1669:
1614:
1609:
1585:
1454:
1407:
1237:
1206:
1185:
1110:
1066:, as well as many fragments from other poets, and the later Roman tragedies of
1003:
900:
764:
668:
483:
406:
295:
202:
6430:
2730:
Towards the close of the eighteenth century, having studied her predecessors,
1445:
1310:
of Naucratis (2nd–3rd century CE) says that the original form of the word was
7778:
7371:
7315:
7284:
7218:
7129:
6582:
6384:
6174:
6033:
5956:
5898:
5813:
5793:
5653:
5605:
5198:
4976:
4930:
4315:
3931:
3621:
3343:
3220:
3177:
3004:
2926:
2798:
2794:
2707:
2474:
2461:
2450:
2110:
1821:
1726:
1711:
1622:
1462:
1351:
1181:
1169:
1149:
1121:
1040:
838:
678:
638:
386:
361:
346:
285:
5575:
5403:
5344:
5162:
2469:
merchants or citizens whose lives have less consequence in the wider world.
2457:
rank and their downfall is an affair of state as well as a personal matter.
7493:
7486:
7366:
7308:
7083:
7015:
7005:
6939:
6838:
6793:
6714:
5988:
5853:
5733:
5713:
5565:
3078:
3074:
3070:
2762:
2482:
2412:
2292:
2127:
2004:
1996:
1963:
1895:
1882:
From about 1500 printed copies, in the original languages, of the works of
1719:
1707:
1689:(1484–1558), who knew both Latin and Greek, preferred Seneca to Euripides.
1593:
1519:
1490:
1355:
1340:
provides the earliest surviving explanation for the origin of the dramatic
1296:
1292:
1241:
1222:
1202:
1177:
1125:
1091:
1075:
553:
478:
280:
180:
168:
7187:
5143:
Kovacs, David (2005). "Text and Transmission". In Gregory, Justina (ed.).
4307:
7499:
6828:
6780:
6709:
6602:
6157:
6110:
5966:
5918:
5878:
5828:
5620:
4196:
3146:
3086:
2993:
2992:
In addition, the tragic hero may achieve some revelation or recognition (
2932:
2758:
2682:
2563:
2498:
2285:
2012:
1734:
1322:(song), because those events were first introduced during grape harvest.
1218:
1198:
1102:
1079:
1054:
2500 years ago, from which there survives only a fraction of the work of
1035:
1014:
970:
924:
700:
539:
529:
427:
270:
140:
130:
103:
7751:
5284:
4323:
4290:
4129:
3643:(Revised ed.). Cambridge: Cambridge University Press. p. 441.
1966:, many of whose works were translated and adapted for the French stage.
7511:
7356:
7277:
7270:
6775:
6577:
6127:
6105:
5998:
5783:
5743:
5703:
5570:
5485:
4669:
Remaking the Classics: Literature, Genre and Media in Britain 1800–2000
4520:"BWW Review: Cadence Theatre's RABBIT HOLE Examines Life After Tragedy"
3136:
3059:
2921:
2916:
2490:
2319:
2299:
In English, the most famous and most successful tragedies are those of
1796:
1788:
1499:
1145:
1020:
690:
612:
468:
446:
88:
53:
4278:(Oxford University Press, 1980; Yale University Press, 1996), p. xiii.
7124:
7038:
6949:
6798:
6624:
6607:
6038:
6008:
5803:
5748:
5668:
5600:
5258:
5134:(1927). "Vorlesungen uber die Asthetik". In Glockner, Hermann (ed.).
3780:
3776:
3772:
3566:
3564:
3339:
3240:
3089:" and his or her "hamartia" in subsequent analyses of the Aeschylus'
3073:, the German philosopher most famous for his dialectical approach to
3021:
2969:, or as a mistake (since the original Greek etymology traces back to
2945:
2901:
2690:
2686:
2667:
2663:
2600:
2486:
2465:
2340:
1983:
1947:
1943:
1923:
1891:
1883:
1826:
1678:
1650:
1528:
1485:
1481:
1477:
1468:
Greek world), and continued to be popular until the beginning of the
1425:
1393:
1358:
1337:
1307:
1214:
1210:
1133:
1114:
1099:
1063:
1059:
1055:
1044:
928:
920:
833:
230:
135:
93:
3908:""Deus-Ex-Machina" reconstruction in the Athens theater of Dionysus"
3054:
Spectacle, that of a horror-like theme. Examples of this nature are
2702:
7381:
7329:
7058:
6919:
6339:
6073:
6023:
6003:
5868:
4630:
Margaret Atwood's Textual Assassinations: Recent Poetry and Fiction
3328:
3036:
2986:
2961:
2827:
2510:
1935:
1907:
1800:
1629:
1504:
1450:
1366:
1341:
1141:
986:
723:
663:
453:
98:
78:
4760:
4721:
3905:
3561:
7396:
7340:
7302:
6529:
6482:
6477:
6100:
6058:
6043:
6013:
3243:
adds a fourth, anonymous playwright to those whose work survives.
2982:
2974:
2354:
2347:
1903:
1899:
1762:
1551:
1106:
932:
572:
458:
441:
322:
290:
275:
260:
118:
5122:
Headington, Christopher; Westbrook, Roy; Barfoot, Terry (1991).
7376:
6704:
6699:
6679:
6085:
6063:
5993:
5971:
5310:. Introductions to the Classical World. Malden, MA: Blackwell.
4591:
Christ the Tragedy of God: A Theological Exploration of Tragedy
3953:
3495:
3278:
A Comprehensive Etymological Dictionary of the English Language
3055:
3049:
2777:, which was first produced in 1755, is said to be the earliest
2714:
For more on French tragedy of the 16th and 17th centuries, see
2698:
2326:
1919:
1770:
1750:
1300:
1270:
685:
658:
607:
602:
577:
562:
175:
147:
108:
5265:. Theatre Production Studies. London and New York: Routledge.
4007:
3997:
3995:
3970:
3968:
3943:
3941:
3799:
3797:
3510:
3508:
1512:
All of the choral parts were sung (to the accompaniment of an
7386:
7361:
6694:
6664:
5858:
5454:
3734:
3502:, II, 3, 220: "Carmino qui tragico vilem certavit ob hircum".
3184:
2978:
2502:
1723:
1715:
1514:
1421:
1264:
1226:
1129:
916:
904:
582:
567:
463:
240:
192:
163:
83:
3758:
3390:
3388:
3122:
2639:, who made his mark on the world of tragedy with plays like
1934:), although plots were taken from classical authors such as
1205:) or at the scale of the drama (where tragedy is opposed to
923:
and, mainly, the terrible or sorrowful events that befall a
7401:
6079:
6053:
5091:
Goldhill, Simon (2 October 1997). Easterling, P. E. (ed.).
3992:
3980:
3965:
3938:
3794:
3505:
3085:", and contrasted against the Aristotelian notions of the "
3031:
According to Aristotle, there are four species of tragedy:
2956:
2952:
2941:
2937:
2924:
can include a change of fortune from bad to good as in the
2911:
1792:
1592:. From the later years of the republic and by means of the
1362:
1188:—have analysed, speculated upon, and criticised the genre.
587:
113:
6498:
5121:
5099:(1 ed.). Cambridge University Press. pp. 54–68.
4867:——— (1974). "Poetics". In Dukore (ed.).
4202:
4135:
3252:
For more information on the ancient Roman dramatists, see
6048:
5413:
4791:
3385:
1414:
discussed the origins of Greek tragedy in his early book
1287:
597:
3581:
3579:
3373:
3349:
3338:
tendency in nature, as if it had cause to sigh over its
3318:
3308:
3306:
1906:, were available in Europe and the next forty years saw
2767:
The London Merchant; or, the History of George Barnwell
4998:
Brockett, Oscar Gross; Hildy, Franklin Joseph (2003).
4937:(3rd ed.). London: John Calder (published 1997).
4803:
4393:"Books in Review: Froth on the Daydream by Boris Vian"
3722:
3686:
3549:
3441:
3439:
2393:, also wrote examples of tragedy in English, notably:
6265:
The Work of Art in the Age of Mechanical Reproduction
4244:
4232:
4220:
3809:
3576:
3361:
3303:
2930:, but he says that the change from good to bad as in
2415:(1580?–1635?), also wrote famous plays of the genre:
1350:, in which he argues that tragedy developed from the
1070:; through its singular articulations in the works of
5021:(expanded ed.). Ithaca and London: Cornell UP.
4880:. Translated by Janko, Richard. Cambridge: Hackett.
4815:
4256:
3887:
3746:
3710:
3400:
3118:
2453:
tragedy, in which the protagonists are of kingly or
4961:. Osborne, John trans. London and New York: Verso.
4489:"Young boy's death drives tragedy of 'Rabbit Hole'"
4208:
3451:
3436:
3412:
5201:(27 February 1949). "Tragedy and the Common Man".
5069:
5061:Dramatic Theory and Criticism: Greeks to Grotowski
4908:
4869:Dramatic Theory and Criticism: Greeks to Grotowski
4706:
4289:
4149:
3875:
3698:
3606:. Hoboken, NJ: John Wiley & Sons. p. 29.
3424:
1847:. Another of the first of all modern tragedies is
1213:era, tragedy has also been defined against drama,
5172:A Short Introduction to the Ancient Greek Theater
4359:"'The Dead All Have the Same Skin' by Boris Vian"
2307:contemporaries. Shakespeare's tragedies include:
7776:
5217:(1999) . Geuss, Raymond; Speirs, Ronald (eds.).
4713:. New York: New York University Press. pp.
4111:"Del Carrétto, Galeotto, dei marchesi di Savona"
3024:must fit the set of requirements as laid out by
1498:tragedies and a concluding comic piece called a
41:"Tragedian" redirects here. For other uses, see
6460:
2585:("tragedy in music") or some similar name; the
1791:that would later be called Italian. Drawn from
1697:
1410:fertility and burial rites has been suggested.
7248:
4082:. Vol. VIII (11th ed.). p. 503.
3600:"Tragedy and Religion: The Problem of Origins"
2769:, which was first performed in 1731. Usually,
1843:, they are in Italian and in blank (unrhymed)
1733:(1261–1329), also of Padua, in 1315 wrote the
1643:(tragedies adapted from Greek originals); his
7234:
6514:
6446:
5470:
5174:(rev ed.). University of Chicago Press.
4997:
4013:
4001:
3986:
3974:
3959:
3947:
3803:
3740:
3514:
3003:, Aristotle gave the following definition in
2288:'s error of judgement has tragic consequences
2252:
877:
6195:The Literary Mind and the Carving of Dragons
4871:. Translated by Butcher, SH. pp. 31–55.
4633:. Ohio State University Press. p. 148.
2944:within the spectators. Tragedy results in a
1659:. Historians do not know who wrote the only
979:, the classic tragedy by English playwright
7669:Self-Portrait with Death Playing the Fiddle
3861:. London: Bloomsbury Academic. p. 13.
3280:. Vol. II L–Z. Elsevier. p. 1637.
1776:(1409–1464) which dates from 1428 to 1429.
1526:Many ancient Greek tragedians employed the
7676:Skull of a Skeleton with Burning Cigarette
7241:
7227:
6521:
6507:
6453:
6439:
5477:
5463:
5434:
5428:Oxford Research Encyclopedia of Literature
5327:Drama : a guide to the study of plays
4744:. Princeton University Press. p. 178.
3097:. Hegel himself, however, in his seminal "
2259:
2245:
1745:to highlight the danger to Padua posed by
1117:meditations on death, loss and suffering;
1006:is considered a classic example of tragedy
963:and Christians, in a common activity," as
884:
870:
5213:
4875:
4866:
4850:Cambridge, MA: Harvard University Press.
4837:
4766:
4727:
4099:. Baudry's European Library. p. 212.
3827:
3764:
3663:
3585:
3570:
3555:
3324:
1783:(1478–1550) of Vicenza wrote his tragedy
5370:
5279:
5097:The Cambridge Companion to Greek Tragedy
5090:
5002:(9th, ill ed.). Allyn & Bacon.
4951:
4626:
4203:Headington, Westbrook & Barfoot 1991
4136:Headington, Westbrook & Barfoot 1991
3856:
3692:
3670:The Cambridge Companion to Greek Tragedy
3597:
3526:
3406:
3379:
3367:
3355:
3290:
2965:, which is often translated as either a
2616:
1973:
1565:
1444:
1029:
1009:
985:
969:
5351:
5286:Lectures on Dramatic Art and Literature
5238:
5036:Colón, Christine (2007). Introduction.
5016:
4975:
4894:
4797:
4425:
4287:
4238:
4226:
4168:10.1093/gmo/9781561592630.article.44040
3728:
3457:
3445:
3394:
3012:fear the purification of such emotions.
1428:from which the tragic genre developed.
27:Genre of drama based on human suffering
14:
7777:
5305:
5207:
5197:
5142:
5067:
5058:
4929:
4906:
4778:
4704:
4666:Stray, Christopher (16 October 2013).
4587:
4356:
4338:from the original on 26 September 2022
4262:
4250:
4147:
4092:
4086:
4019:
3815:
3430:
3418:
3312:
2685:'s tragedies—inspired by Greek myths,
2520:Classical Domestic tragedies include:
2399:The Tragical History of Doctor Faustus
1574:by Euripides. Roman fresco in Pompeii.
7759:Do not go gentle into that good night
7222:
6502:
6434:
5458:
5444:
5324:
5188:
5130:
5035:
4821:
4809:
4739:
4665:
4555:. John Wiley & Sons. p. 45.
4548:
4438:from the original on 23 February 2019
4214:
4141:
3881:
3752:
3716:
3634:
3275:
2784:
2720:French literature of the 17th century
1894:, as well as comedic writers such as
1811:of Trissino's friend, the Florentine
1741:, which uses the story of the tyrant
1667:(tragedies based on Roman subjects),
1023:, one of the five classic tragedy of
7173:
5257:
4854:from the original on 8 November 2013
4369:from the original on 27 January 2019
4045:
3924:10.1016/j.mechmachtheory.2013.04.010
3469:
2973:, a sporting term that refers to an
2725:
1851:, by Portuguese poet and playwright
1306:. In another view on the etymology,
1299:danced around prior to the animal's
1244:define their epic theatre projects (
7193:
5293:from the original on 2 October 2020
5169:
5138:. Vol. 14. Stuttgart: Fromann.
4588:Taylor, Kevin (21 September 2018).
4459:"The Frontiers of American Tragedy"
4390:
4103:
3893:
3704:
2936:is preferable because this induces
2434:
1325:Writing in 335 BCE (long after the
24:
7745:Because I could not stop for Death
5435:Taplin, Oliver; Billings, Joshua.
5093:"The audience of Athenian tragedy"
4686:from the original on 23 March 2023
4647:from the original on 23 March 2023
4608:from the original on 23 March 2023
4569:from the original on 23 March 2023
4517:
4469:from the original on 9 August 2020
4456:
4426:Bernier, Kathy (3 December 2016).
4184:from the original on 13 April 2018
4071:
3472:The Semiotics of Theatre and Drama
3007:of the word "tragedy" (τραγῳδία):
1926:(and contemporary commentaries by
1369:, the god of wine and fertility):
25:
7841:
5439:(podcast). UK: Oxford University.
5397:
4958:The Origin of German Tragic Drama
4530:from the original on 11 July 2018
4499:from the original on 11 July 2018
4403:from the original on 5 April 2018
3537:from the original on 27 July 2011
2677:François Hédelin, abbé d'Aubignac
2028:16th-century Renaissance humanism
7738:And death shall have no dominion
7683:Sleep and His Half-Brother Death
7202:
7192:
7182:
7172:
7163:
7162:
6413:
5241:The Theory and Analysis of Drama
4740:Rorty, Amelie Oksenberg (1992).
3121:
2612:
2184:Dutch Renaissance and Golden Age
1541:in the first play of Aeschylus'
1277:= "goat song", which comes from
853:
60:
7785:1st-millennium BC introductions
7711:The Three Ages of Man and Death
7634:Gather Ye Rosebuds While Ye May
7203:
5378:. London: Chatto & Windus.
5354:Tragedy, Modernity and Mourning
5076:. Baltimore: Johns Hopkins UP.
4781:Landmarks of Contemporary Drama
4772:
4748:
4733:
4698:
4659:
4620:
4581:
4542:
4511:
4481:
4450:
4419:
4384:
4350:
4288:Steiner, George (Winter 2004).
4281:
4268:
3899:
3850:
3821:
3657:
3628:
3591:
3520:
3488:
3463:
3246:
3227:
3206:
2389:A contemporary of Shakespeare,
1584:Following the expansion of the
951:and historical continuity—"the
5484:
4911:The Cambridge Guide to Theatre
4876:——— (1987).
4846:. Vol. 23. Translated by
4549:Brown, Sarah (15 April 2008).
3767:, pp. 3–5, 33: [although
3641:The Cambridge Guide to Theatre
3284:
3269:
3164:
2635:For much of the 17th century,
1692:
13:
1:
7450:Capuchin catacombs of palermo
5193:. London: JM Dent & Sons.
5147:. Malden, MA: Blackwell Pub.
5044:. Chicago: Valancourd Books.
4742:Essays on Aristotle's Poetics
4672:. A&C Black. p. 78.
3602:. In Gregory, Justina (ed.).
3291:Conversi, Leonard W. (2019).
3263:
2716:French Renaissance literature
2188:Folklore of the Low Countries
1813:Giovanni di Bernardo Rucellai
1365:sung and danced in praise of
6325:Aestheticization of politics
5145:A companion to Greek tragedy
4907:Banham, Martin, ed. (1998).
4357:Sallis, James (4 May 2008).
3912:Mechanism and Machine Theory
3276:Klein, E (1967). "Tragedy".
2890:
2738:
2534:A Woman Killed with Kindness
2122:
1871:(Antonio da Pistoia); and a
1698:Influence of Greek and Roman
1649:, for example, was based on
1255:
7:
7522:The Masque of the Red Death
6528:
6462:Roman and Byzantine theatre
5356:. Edinburgh: Edinburgh UP.
4983:(repr ed.). Atlantic.
4915:. Cambridge: Cambridge UP.
4162:. Oxford University Press.
3639:. In Banham, Martin (ed.).
3114:
3099:The Phenomenology of Spirit
2864:
2581:were not called opera, but
2098:English Renaissance theatre
1993:English Renaissance theatre
1867:written in 1498 or 1508 by
1191:In the wake of Aristotle's
1000:narrative poem of same name
939:often refers to a specific
10:
7846:
5239:Pfister, Manfred (1988) .
5105:10.1017/ccol0521412455.003
5068:Felski, Rita, ed. (2008).
4830:
3771:of the 4th century judged
3604:Companion to Greek tragedy
3195:
3093:trilogy and of Sophocles'
2894:
2742:
2701:and amorous passion (like
2438:
2271:The common forms are the:
2043:16th century in literature
2033:Reformation-era propaganda
1990:
1969:
1956:Pedro Calderón de la Barca
1639:survive, all of which are
1577:
1460:
1265:
905:
43:Tragedian (disambiguation)
40:
29:
7727:
7578:
7548:Death and Transfiguration
7530:
7478:
7458:
7427:
7420:
7349:
7336:Personifications of death
7257:
7158:
7142:
7112:
7014:
6973:
6902:
6871:
6862:
6774:
6723:
6657:
6536:
6468:
6393:
6317:
6166:
5939:
5646:
5558:
5492:
5449:(online ed.). Tufts.
4981:Oxford Lectures on Poetry
4291:""Tragedy," Reconsidered"
4014:Brockett & Hildy 2003
4002:Brockett & Hildy 2003
3987:Brockett & Hildy 2003
3975:Brockett & Hildy 2003
3960:Brockett & Hildy 2003
3948:Brockett & Hildy 2003
3857:Harrison, Thomas (2019).
3804:Brockett & Hildy 2003
3741:Brockett & Hildy 2003
3527:of Naucratis, Athenaeus.
3515:Brockett & Hildy 2003
2757:and the emergence of the
2282:Tragedy of miscalculation
1839:of the same author; like
1109:' tragic vengeance &
1052:theatre of ancient Greece
7323:Sic transit gloria mundi
6814:Theatrical superstitions
5329:. New York: Peter Lang.
5281:Schlegel, August Wilhelm
5191:Greek Drama for Everyman
5017:Carlson, Marvin (1993).
3598:Scullion, Scott (2007).
3157:
3065:
3035:Complex, which involves
2779:Bürgerliches Trauerspiel
2771:Gotthold Ephraim Lessing
2566:, in the preface to his
2557:
1561:
1440:
1431:Scott Scullion writes:
1250:Theatre of the Oppressed
1050:From its origins in the
959:, in one cultural form;
36:Tragedy (disambiguation)
7555:Der Tod und das Mädchen
7392:Post-mortem photography
6345:Evolutionary aesthetics
6295:The Aesthetic Dimension
4935:Arguments for a Theatre
4844:Aristotle in 23 Volumes
4709:A Definition of Tragedy
4148:Sadler, Graham (2001).
4080:Encyclopædia Britannica
3297:Encyclopædia Britannica
2871:A Definition of Tragedy
2803:Arguments for a Theatre
2276:Tragedy of circumstance
1757:written before 1390 by
1729:(1241–1309). His pupil
1570:Scene from the tragedy
1537:is after the murder of
6809:Theatrical constraints
6275:Avant-Garde and Kitsch
6225:Lectures on Aesthetics
5352:Taxidou, Olga (2004).
5306:Sorkin, Nancy (2008).
5000:History of the theatre
4705:Mandel, Oscar (1961).
4627:Kendrick, Tom (2003).
4432:www.offthegridnews.com
4117:(in Italian). Treccani
4093:Hallam, Henry (1837).
4059:(in Italian). Treccani
4033:(in Italian). Treccani
3635:Brown, Andrew (1998).
3108:
3014:
2834:The Fault in Our Stars
2632:
2038:16th century in poetry
1988:
1987:, Cordelia's Farewell
1928:Julius Caesar Scaliger
1765:(c.1365–1441) and the
1743:Ezzelino III da Romano
1687:Julius Caesar Scaliger
1575:
1458:
1438:
1404:
1385:
1246:non-Aristotelian drama
1047:
1027:
1007:
983:
34:. For other uses, see
7790:Ancient Greek theatre
7298:Lamentation of Christ
7049:Theatrical technician
6955:Theatrical Technician
6915:Electrician (theatre)
6889:Production management
6420:Philosophy portal
5325:Styan, J. L. (2000).
4552:Tragedy in Transition
4524:www.broadwayworld.com
4308:10.1353/nlh.2004.0024
4151:"Tragédie en musique"
3103:
3009:
2895:Further information:
2822:Froth on the Daydream
2743:Further information:
2620:
2550:The Witch of Edmonton
2406:Tamburlaine the Great
2001:Shakespearean tragedy
1977:
1877:Galeotto del Carretto
1781:Gian Giorgio Trissino
1747:Cangrande della Scala
1569:
1448:
1433:
1401:Poetics, VI 1449b 2–3
1396:) to such emotions.
1389:
1371:
1041:ancient Greek tragedy
1033:
1013:
989:
973:
860:Literature portal
7718:The Triumph of Death
7620:Death and the Maiden
7292:Death and the Maiden
7252:and mortality in art
7069:Light board operator
6854:Costume construction
6365:Philosophy of design
6245:In Praise of Shadows
6235:The Critic as Artist
5263:Greek Tragic Theatre
5220:The Birth of Tragedy
5215:Nietzsche, Friedrich
5170:Ley, Graham (2007).
5126:. Arrow. p. 22.
5059:Dukore, ed. (1974).
4495:. 18 November 2009.
4296:New Literary History
4276:The Death of Tragedy
4115:Enciclopedia on line
4057:Enciclopedia on line
4053:"Mussato, Albertino"
4031:Enciclopedia on line
4027:"Lovati, Lovato de'"
3142:Tragédies en musique
2814:The Death of Tragedy
2791:modernist literature
2625:as Nero in Racine's
2606:The Birth of Tragedy
2421:The Duchess of Malfi
2383:Troilus and Cressida
2313:Antony and Cleopatra
1932:Lodovico Castelvetro
1918:and the precepts of
1865:Filostrato e Panfila
1608:. Five years later,
1417:The Birth of Tragedy
1318:(grape harvest) and
1230:deterritorialisation
945:Western civilization
634:Groups and movements
7704:The Shadow of Death
7697:The Garden of Death
7641:La Calavera Catrina
7627:Death and the Miser
7104:Wardrobe supervisor
7074:Lighting technician
6965:Wardrobe supervisor
6910:Carpenter (theatre)
6849:Theatrical property
6819:Technical rehearsal
6568:English Renaissance
6375:Philosophy of music
6350:Mathematical beauty
4779:Chiari, J. (1965).
3470:Elam, Keir (1980).
3433:: primary material.
3397:, pp. 193–209.
3239:was not written by
2989:and not a tragedy.
2897:Poetics (Aristotle)
2858:The Handmaid's Tale
2852:Requiem for a Dream
2587:tragédie en musique
2583:tragédie en musique
2542:A Yorkshire Tragedy
2391:Christopher Marlowe
2301:William Shakespeare
1836:Iphigenia in Tauris
1572:Iphigenia in Tauris
1412:Friedrich Nietzsche
1086:to the more recent
981:William Shakespeare
935:response, the term
253:Short prose fiction
156:Major written forms
18:Renaissance tragedy
7805:History of theatre
7795:Ancient inventions
7517:Hamlet's soliloquy
7440:Catacombs of Paris
7265:All flesh is grass
7208:Outline of theatre
7079:Spotlight operator
7044:Technical director
7029:Production manager
6945:Spotlight operator
6894:Company management
6884:Technical director
6573:Spanish Golden Age
6562:Commedia dell'arte
6370:Philosophy of film
6360:Patterns in nature
6330:Applied aesthetics
6305:Why Beauty Matters
6091:Life imitating art
5952:Art for art's sake
5437:"What is Tragedy?"
5222:and Other Writings
5210:, pp. 894–7).
5203:The New York Times
5189:Lucas, FL (1954).
5072:Rethinking Tragedy
4838:Aristotle (1932).
4800:, pp. 114–56.
4493:www.ocregister.com
4463:www.thecrimson.com
4156:Grove Music Online
3962:, pp. 36, 47.
3828:Euripides (1997).
3530:The deipnosophists
2904:wrote in his work
2785:Modern development
2633:
2526:Arden of Faversham
2517:, and loneliness.
2088:Metaphysical poets
1989:
1979:Edwin Austin Abbey
1952:Spanish Golden Age
1637:Seneca's tragedies
1576:
1470:Hellenistic period
1459:
1457:, 2nd century BCE.
1084:Friedrich Schiller
1048:
1028:
1025:Punjabi literature
1008:
984:
747:Lists and outlines
223:Long prose fiction
7820:Theatrical genres
7772:
7771:
7768:
7767:
7655:Pyramid of Skulls
7588:Et in Arcadia ego
7216:
7215:
7138:
7137:
6986:Lighting designer
6578:French Classicism
6496:
6495:
6428:
6427:
6380:Psychology of art
6255:Art as Experience
5372:Williams, Raymond
5317:978-1-4051-2161-3
5181:978-0-226-47761-9
5114:978-0-521-41245-2
5083:978-0-8018-8740-6
5051:978-0-9792332-0-3
5038:Six Gothic Dramas
5009:978-0-205-35878-6
4990:978-81-7156-379-1
4812:, pp. 567–8.
4391:Chapple, Tobias.
4177:978-1-56159-263-0
4016:, pp. 49–50.
3666:Easterling, P. E.
3637:"Greece, Ancient"
3613:978-1-4051-5205-1
3382:, pp. 13–84.
3358:, pp. 14–16.
2775:Miss Sara Sampson
2745:Bourgeois tragedy
2726:Later development
2577:to about that of
2573:from the time of
2507:domestic violence
2269:
2268:
1731:Albertino Mussato
1727:Lovato de' Lovati
1706:was dominated by
1630:Stoic philosopher
1602:Livius Andronicus
1354:of the leader of
1096:August Strindberg
949:cultural identity
894:
893:
646:
645:
501:
500:
308:
307:
16:(Redirected from
7837:
7830:Greek inventions
7506:Book of the Dead
7469:The Seventh Seal
7425:
7424:
7243:
7236:
7229:
7220:
7219:
7206:
7205:
7196:
7195:
7186:
7176:
7175:
7166:
7165:
7120:Musical ensemble
6981:Costume designer
6879:Stage management
6869:
6868:
6844:Set construction
6523:
6516:
6509:
6500:
6499:
6455:
6448:
6441:
6432:
6431:
6418:
6417:
6416:
6310:
6300:
6290:
6280:
6270:
6260:
6250:
6240:
6230:
6220:
6210:
6200:
6190:
6180:
5479:
5472:
5465:
5456:
5455:
5450:
5440:
5419:Toscano, Alberto
5389:
5367:
5348:
5321:
5302:
5300:
5298:
5276:
5254:
5235:
5205:
5194:
5185:
5166:
5139:
5127:
5124:Opera: a History
5118:
5087:
5075:
5064:
5055:
5032:
5013:
4994:
4972:
4953:Benjamin, Walter
4948:
4926:
4914:
4903:
4891:
4872:
4863:
4861:
4859:
4825:
4819:
4813:
4807:
4801:
4795:
4789:
4788:
4776:
4770:
4769:, Section 1135b.
4764:
4758:
4752:
4746:
4745:
4737:
4731:
4730:, Section 1452b.
4725:
4719:
4718:
4712:
4702:
4696:
4695:
4693:
4691:
4663:
4657:
4656:
4654:
4652:
4624:
4618:
4617:
4615:
4613:
4585:
4579:
4578:
4576:
4574:
4546:
4540:
4539:
4537:
4535:
4518:Bustin, Jeremy.
4515:
4509:
4508:
4506:
4504:
4485:
4479:
4478:
4476:
4474:
4454:
4448:
4447:
4445:
4443:
4423:
4417:
4416:
4410:
4408:
4388:
4382:
4381:
4376:
4374:
4354:
4348:
4347:
4345:
4343:
4293:
4285:
4279:
4274:George Steiner,
4272:
4266:
4260:
4254:
4248:
4242:
4236:
4230:
4224:
4218:
4212:
4206:
4200:
4194:
4193:
4191:
4189:
4153:
4145:
4139:
4133:
4127:
4126:
4124:
4122:
4107:
4101:
4100:
4090:
4084:
4083:
4075:
4069:
4068:
4066:
4064:
4049:
4043:
4042:
4040:
4038:
4023:
4017:
4011:
4005:
3999:
3990:
3984:
3978:
3972:
3963:
3957:
3951:
3945:
3936:
3935:
3903:
3897:
3896:, p. 33–34.
3891:
3885:
3879:
3873:
3872:
3854:
3848:
3847:
3825:
3819:
3813:
3807:
3801:
3792:
3791:—and beyond it".
3762:
3756:
3750:
3744:
3743:, pp. 32–3.
3738:
3732:
3726:
3720:
3714:
3708:
3702:
3696:
3690:
3684:
3683:
3661:
3655:
3654:
3632:
3626:
3625:
3595:
3589:
3583:
3574:
3573:, Section 1449b.
3568:
3559:
3553:
3547:
3546:
3544:
3542:
3524:
3518:
3512:
3503:
3492:
3486:
3485:
3467:
3461:
3455:
3449:
3443:
3434:
3428:
3422:
3416:
3410:
3404:
3398:
3392:
3383:
3377:
3371:
3365:
3359:
3353:
3347:
3322:
3316:
3310:
3301:
3300:
3288:
3282:
3281:
3273:
3257:
3250:
3244:
3236:Prometheus Bound
3233:The theory that
3231:
3225:
3210:
3204:
3199:
3168:
3131:
3126:
3125:
3083:tragic collision
2808:Critics such as
2637:Pierre Corneille
2495:structural abuse
2441:Domestic tragedy
2435:Domestic tragedy
2376:Titus Andronicus
2362:Romeo and Juliet
2261:
2254:
2247:
2177:Bohorič alphabet
2009:
2008:
1869:Antonio Cammelli
1853:António Ferreira
1845:hendecasyllables
1704:Medieval theatre
1665:fabula praetexta
1641:fabula crepidata
1606:Roman literature
1424:in the original
1402:
1383:
1281:= "he-goat" and
1268:
1267:
1234:mid-19th century
1128:—which includes
996:Layla and Majnun
976:Romeo and Juliet
965:Raymond Williams
915:) is a genre of
910:
909:
886:
879:
872:
858:
857:
856:
512:
511:
319:
318:
220:
219:
64:
50:
49:
21:
7845:
7844:
7840:
7839:
7838:
7836:
7835:
7834:
7815:Literary genres
7775:
7774:
7773:
7764:
7723:
7690:The Ambassadors
7574:
7526:
7474:
7454:
7416:
7345:
7253:
7247:
7217:
7212:
7154:
7134:
7108:
7094:Property master
7010:
6991:Scenic designer
6969:
6930:Property master
6898:
6858:
6834:Lighting design
6779:
6770:
6719:
6675:Musical theatre
6653:
6532:
6527:
6497:
6492:
6464:
6459:
6429:
6424:
6414:
6412:
6389:
6313:
6308:
6298:
6288:
6285:Critical Essays
6278:
6268:
6258:
6248:
6238:
6228:
6218:
6208:
6198:
6188:
6178:
6162:
5935:
5849:Ortega y Gasset
5642:
5554:
5488:
5483:
5400:
5394:
5392:
5386:
5364:
5337:
5318:
5296:
5294:
5273:
5251:
5232:
5182:
5155:
5136:Samlichte Werke
5115:
5084:
5052:
5042:Baillie, Joanna
5029:
5010:
4991:
4969:
4945:
4923:
4896:Baillie, Joanna
4888:
4857:
4855:
4833:
4828:
4820:
4816:
4808:
4804:
4796:
4792:
4777:
4773:
4765:
4761:
4753:
4749:
4738:
4734:
4726:
4722:
4703:
4699:
4689:
4687:
4680:
4664:
4660:
4650:
4648:
4641:
4625:
4621:
4611:
4609:
4602:
4586:
4582:
4572:
4570:
4563:
4547:
4543:
4533:
4531:
4516:
4512:
4502:
4500:
4487:
4486:
4482:
4472:
4470:
4455:
4451:
4441:
4439:
4424:
4420:
4406:
4404:
4397:www.litro.co.uk
4389:
4385:
4372:
4370:
4363:www.latimes.com
4355:
4351:
4341:
4339:
4286:
4282:
4273:
4269:
4261:
4257:
4249:
4245:
4237:
4233:
4225:
4221:
4213:
4209:
4201:
4197:
4187:
4185:
4178:
4146:
4142:
4134:
4130:
4120:
4118:
4109:
4108:
4104:
4091:
4087:
4077:
4076:
4072:
4062:
4060:
4051:
4050:
4046:
4036:
4034:
4025:
4024:
4020:
4012:
4008:
4000:
3993:
3985:
3981:
3973:
3966:
3958:
3954:
3946:
3939:
3904:
3900:
3892:
3888:
3880:
3876:
3869:
3855:
3851:
3844:
3826:
3822:
3814:
3810:
3802:
3795:
3763:
3759:
3751:
3747:
3739:
3735:
3727:
3723:
3715:
3711:
3703:
3699:
3691:
3687:
3680:
3662:
3658:
3651:
3633:
3629:
3614:
3596:
3592:
3584:
3577:
3569:
3562:
3554:
3550:
3540:
3538:
3525:
3521:
3513:
3506:
3493:
3489:
3482:
3468:
3464:
3456:
3452:
3444:
3437:
3429:
3425:
3417:
3413:
3405:
3401:
3393:
3386:
3378:
3374:
3366:
3362:
3354:
3350:
3323:
3319:
3315:, p. 1118.
3311:
3304:
3289:
3285:
3274:
3270:
3266:
3261:
3260:
3251:
3247:
3232:
3228:
3211:
3207:
3169:
3165:
3160:
3152:Revenge tragedy
3127:
3120:
3117:
3068:
2920:). Aristotle's
2899:
2893:
2867:
2787:
2759:bourgeois class
2751:
2741:
2728:
2615:
2596:Gesamtkunstwerk
2560:
2511:social shunning
2443:
2437:
2428:The White Devil
2369:Timon of Athens
2265:
2236:
2235:
2234:
2199:
2191:
2190:
2181:
2141:
2133:
2132:
2131:
2119:
2102:
2093:
2083:
2056:
2048:
2047:
2023:
2015:-era literature
2007:
1972:
1960:Tirso de Molina
1774:Gregorio Correr
1700:
1695:
1663:example of the
1619:Marcus Pacuvius
1582:
1580:Senecan tragedy
1564:
1556:deus ex machina
1509:12,000 people.
1465:
1443:
1403:
1400:
1384:
1382:IV, 1449a 10–15
1378:
1262:Classical Greek
1258:
1138:Saint Augustine
919:based on human
890:
854:
852:
785:Literary awards
651:Dramatic genres
392:science fiction
70:Oral literature
46:
39:
32:Tragedy (event)
28:
23:
22:
15:
12:
11:
5:
7843:
7833:
7832:
7827:
7822:
7817:
7812:
7807:
7802:
7797:
7792:
7787:
7770:
7769:
7766:
7765:
7763:
7762:
7755:
7748:
7741:
7733:
7731:
7725:
7724:
7722:
7721:
7714:
7707:
7700:
7693:
7686:
7679:
7672:
7665:
7658:
7651:
7644:
7637:
7630:
7623:
7616:
7613:Death and Life
7609:
7606:Death and Fire
7602:
7601:
7600:
7595:
7584:
7582:
7576:
7575:
7573:
7572:
7565:
7558:
7551:
7544:
7536:
7534:
7528:
7527:
7525:
7524:
7519:
7514:
7509:
7502:
7497:
7490:
7482:
7480:
7476:
7475:
7473:
7472:
7464:
7462:
7456:
7455:
7453:
7452:
7447:
7445:Sedlec Ossuary
7442:
7437:
7435:Capuchin Crypt
7431:
7429:
7422:
7418:
7417:
7415:
7414:
7409:
7404:
7399:
7394:
7389:
7384:
7379:
7374:
7369:
7364:
7359:
7353:
7351:
7347:
7346:
7344:
7343:
7338:
7333:
7326:
7319:
7312:
7305:
7300:
7295:
7288:
7281:
7274:
7267:
7261:
7259:
7255:
7254:
7246:
7245:
7238:
7231:
7223:
7214:
7213:
7211:
7210:
7200:
7190:
7180:
7170:
7159:
7156:
7155:
7153:
7152:
7146:
7144:
7140:
7139:
7136:
7135:
7133:
7132:
7127:
7122:
7116:
7114:
7110:
7109:
7107:
7106:
7101:
7096:
7091:
7089:Sound operator
7086:
7081:
7076:
7071:
7066:
7061:
7056:
7051:
7046:
7041:
7036:
7031:
7026:
7020:
7018:
7012:
7011:
7009:
7008:
7003:
7001:Sound engineer
6998:
6996:Sound designer
6993:
6988:
6983:
6977:
6975:
6971:
6970:
6968:
6967:
6962:
6960:Technical crew
6957:
6952:
6947:
6942:
6937:
6935:Pyrotechnician
6932:
6927:
6925:Make-up artist
6922:
6917:
6912:
6906:
6904:
6900:
6899:
6897:
6896:
6891:
6886:
6881:
6875:
6873:
6866:
6860:
6859:
6857:
6856:
6851:
6846:
6841:
6836:
6831:
6826:
6824:Technical week
6821:
6816:
6811:
6806:
6801:
6796:
6791:
6785:
6783:
6772:
6771:
6769:
6768:
6763:
6758:
6753:
6748:
6743:
6738:
6733:
6727:
6725:
6721:
6720:
6718:
6717:
6712:
6707:
6702:
6697:
6692:
6687:
6682:
6677:
6672:
6667:
6661:
6659:
6655:
6654:
6652:
6651:
6650:
6649:
6639:
6633:
6632:
6627:
6622:
6617:
6611:
6610:
6605:
6600:
6595:
6590:
6585:
6580:
6575:
6570:
6565:
6558:
6553:
6548:
6542:
6540:
6534:
6533:
6526:
6525:
6518:
6511:
6503:
6494:
6493:
6491:
6490:
6485:
6480:
6475:
6469:
6466:
6465:
6458:
6457:
6450:
6443:
6435:
6426:
6425:
6423:
6422:
6410:
6405:
6400:
6394:
6391:
6390:
6388:
6387:
6382:
6377:
6372:
6367:
6362:
6357:
6355:Neuroesthetics
6352:
6347:
6342:
6337:
6335:Arts criticism
6332:
6327:
6321:
6319:
6315:
6314:
6312:
6311:
6301:
6291:
6281:
6271:
6261:
6251:
6241:
6231:
6221:
6211:
6205:On the Sublime
6201:
6191:
6181:
6170:
6168:
6164:
6163:
6161:
6160:
6155:
6150:
6145:
6140:
6135:
6130:
6125:
6118:
6113:
6108:
6103:
6098:
6093:
6088:
6083:
6076:
6071:
6069:Interpretation
6066:
6061:
6056:
6051:
6046:
6041:
6036:
6031:
6026:
6021:
6016:
6011:
6006:
6001:
5996:
5991:
5986:
5985:
5984:
5979:
5969:
5964:
5962:Artistic merit
5959:
5954:
5949:
5943:
5941:
5937:
5936:
5934:
5933:
5926:
5921:
5916:
5911:
5906:
5901:
5896:
5891:
5886:
5881:
5876:
5871:
5866:
5861:
5856:
5851:
5846:
5841:
5836:
5831:
5826:
5821:
5816:
5811:
5806:
5801:
5796:
5791:
5786:
5781:
5776:
5771:
5766:
5761:
5756:
5751:
5746:
5741:
5736:
5731:
5726:
5721:
5716:
5711:
5706:
5701:
5696:
5691:
5686:
5681:
5676:
5671:
5666:
5661:
5656:
5650:
5648:
5644:
5643:
5641:
5640:
5633:
5628:
5623:
5618:
5613:
5611:Psychoanalysis
5608:
5603:
5598:
5593:
5588:
5583:
5578:
5573:
5568:
5562:
5560:
5556:
5555:
5553:
5552:
5547:
5542:
5537:
5532:
5527:
5522:
5517:
5512:
5507:
5502:
5496:
5494:
5490:
5489:
5482:
5481:
5474:
5467:
5459:
5453:
5452:
5442:
5432:
5416:
5399:
5398:External links
5396:
5391:
5390:
5384:
5376:Modern Tragedy
5368:
5362:
5349:
5335:
5322:
5316:
5303:
5277:
5271:
5255:
5249:
5236:
5230:
5211:
5199:Miller, Arthur
5195:
5186:
5180:
5167:
5153:
5140:
5128:
5119:
5113:
5088:
5082:
5065:
5056:
5050:
5033:
5027:
5014:
5008:
4995:
4989:
4973:
4967:
4949:
4943:
4931:Barker, Howard
4927:
4921:
4904:
4892:
4886:
4873:
4864:
4834:
4832:
4829:
4827:
4826:
4824:, p. 572.
4814:
4802:
4790:
4771:
4767:Aristotle 1932
4759:
4747:
4732:
4728:Aristotle 1932
4720:
4697:
4678:
4658:
4639:
4619:
4600:
4580:
4561:
4541:
4510:
4480:
4457:Meehan, Ryan.
4449:
4418:
4383:
4349:
4280:
4267:
4255:
4253:, p. 894.
4243:
4231:
4219:
4207:
4205:, p. 178.
4195:
4176:
4140:
4128:
4102:
4085:
4070:
4044:
4018:
4006:
4004:, pp. 50.
3991:
3979:
3964:
3952:
3937:
3898:
3886:
3874:
3867:
3849:
3842:
3830:"Introduction"
3820:
3818:, p. 379.
3808:
3793:
3765:Cartledge 1997
3757:
3755:, p. 444.
3745:
3733:
3721:
3719:, p. 140.
3709:
3707:, p. 206.
3697:
3685:
3678:
3656:
3649:
3627:
3612:
3590:
3586:Nietzsche 1999
3575:
3571:Aristotle 1932
3560:
3556:Aristotle 1987
3548:
3519:
3504:
3487:
3480:
3462:
3450:
3435:
3423:
3411:
3399:
3384:
3372:
3360:
3348:
3325:Nietzsche 1999
3317:
3302:
3283:
3267:
3265:
3262:
3259:
3258:
3245:
3226:
3205:
3171:Middle English
3162:
3161:
3159:
3156:
3155:
3154:
3149:
3144:
3139:
3133:
3132:
3129:Theatre portal
3116:
3113:
3067:
3064:
3063:
3062:
3052:
3046:
3043:
2967:character flaw
2892:
2889:
2866:
2863:
2810:George Steiner
2786:
2783:
2749:Augustan drama
2740:
2737:
2732:Joanna Baillie
2727:
2724:
2672:
2671:
2660:
2657:
2614:
2611:
2593:'s concept of
2591:Richard Wagner
2559:
2556:
2555:
2554:
2546:
2538:
2530:
2479:Eugene O'Neill
2439:Main article:
2436:
2433:
2432:
2431:
2424:
2410:
2409:
2402:
2387:
2386:
2379:
2372:
2365:
2358:
2351:
2344:
2337:
2330:
2323:
2316:
2297:
2296:
2289:
2279:
2267:
2266:
2264:
2263:
2256:
2249:
2241:
2238:
2237:
2233:
2232:
2227:
2222:
2217:
2212:
2207:
2201:
2200:
2197:
2196:
2193:
2192:
2180:
2179:
2174:
2169:
2164:
2159:
2154:
2149:
2143:
2142:
2139:
2138:
2135:
2134:
2130:
2125:
2120:
2118:
2113:
2108:
2103:
2101:
2100:
2091:
2090:
2084:
2082:
2081:
2076:
2071:
2065:
2064:
2063:
2057:
2054:
2053:
2050:
2049:
2046:
2045:
2040:
2035:
2030:
2024:
2021:
2020:
2017:
2016:
1971:
1968:
1857:Inês de Castro
1795:'s account of
1759:Antonio Loschi
1712:morality plays
1699:
1696:
1694:
1691:
1615:Quintus Ennius
1610:Gnaeus Naevius
1586:Roman Republic
1563:
1560:
1461:Main article:
1442:
1439:
1398:
1376:
1352:improvisations
1295:or was what a
1293:choral dancing
1275:trag(o)-aoidiā
1257:
1254:
1238:Bertolt Brecht
1236:onwards. Both
1219:the tragicomic
1111:Samuel Beckett
1004:Nizami Ganjavi
925:main character
892:
891:
889:
888:
881:
874:
866:
863:
862:
849:
848:
847:
846:
841:
836:
831:
826:
821:
816:
808:
807:
797:
796:
795:
794:
793:
792:
782:
777:
772:
767:
762:
757:
749:
748:
744:
743:
742:
741:
736:
731:
726:
721:
713:
712:
706:
705:
704:
703:
698:
693:
688:
683:
682:
681:
676:
666:
661:
653:
652:
648:
647:
644:
643:
642:
641:
636:
631:
623:
622:
618:
617:
616:
615:
610:
605:
600:
595:
590:
585:
580:
575:
570:
565:
557:
556:
550:
549:
548:
547:
542:
537:
532:
527:
519:
518:
508:
507:
503:
502:
499:
498:
497:
496:
491:
486:
481:
476:
471:
466:
461:
456:
451:
450:
449:
444:
431:
430:
424:
423:
422:
421:
416:
411:
410:
409:
404:
399:
394:
389:
384:
379:
374:
369:
364:
359:
354:
344:
339:
334:
326:
325:
315:
314:
310:
309:
306:
305:
304:
303:
298:
293:
288:
283:
278:
273:
268:
263:
255:
254:
250:
249:
248:
247:
238:
233:
225:
224:
218:
217:
212:
207:
206:
205:
195:
190:
189:
188:
183:
173:
172:
171:
158:
157:
153:
152:
151:
150:
145:
144:
143:
138:
128:
123:
122:
121:
116:
111:
106:
101:
96:
91:
86:
73:
72:
66:
65:
57:
56:
26:
9:
6:
4:
3:
2:
7842:
7831:
7828:
7826:
7823:
7821:
7818:
7816:
7813:
7811:
7808:
7806:
7803:
7801:
7798:
7796:
7793:
7791:
7788:
7786:
7783:
7782:
7780:
7760:
7756:
7753:
7749:
7746:
7742:
7739:
7735:
7734:
7732:
7730:
7726:
7720:
7719:
7715:
7713:
7712:
7708:
7706:
7705:
7701:
7699:
7698:
7694:
7692:
7691:
7687:
7685:
7684:
7680:
7678:
7677:
7673:
7671:
7670:
7666:
7664:
7663:
7659:
7657:
7656:
7652:
7650:
7649:
7645:
7643:
7642:
7638:
7636:
7635:
7631:
7629:
7628:
7624:
7622:
7621:
7617:
7615:
7614:
7610:
7608:
7607:
7603:
7599:
7596:
7594:
7591:
7590:
7589:
7586:
7585:
7583:
7581:
7577:
7571:
7570:
7566:
7564:
7563:
7559:
7557:
7556:
7552:
7550:
7549:
7545:
7543:
7542:
7541:Danse macabre
7538:
7537:
7535:
7533:
7529:
7523:
7520:
7518:
7515:
7513:
7510:
7508:
7507:
7503:
7501:
7498:
7496:
7495:
7491:
7489:
7488:
7484:
7483:
7481:
7477:
7471:
7470:
7466:
7465:
7463:
7461:
7457:
7451:
7448:
7446:
7443:
7441:
7438:
7436:
7433:
7432:
7430:
7426:
7423:
7419:
7413:
7410:
7408:
7405:
7403:
7400:
7398:
7395:
7393:
7390:
7388:
7385:
7383:
7380:
7378:
7375:
7373:
7372:Funerary text
7370:
7368:
7365:
7363:
7360:
7358:
7355:
7354:
7352:
7348:
7342:
7339:
7337:
7334:
7332:
7331:
7327:
7325:
7324:
7320:
7318:
7317:
7316:Mono no aware
7313:
7311:
7310:
7306:
7304:
7301:
7299:
7296:
7294:
7293:
7289:
7287:
7286:
7285:Danse Macabre
7282:
7280:
7279:
7275:
7273:
7272:
7268:
7266:
7263:
7262:
7260:
7256:
7251:
7244:
7239:
7237:
7232:
7230:
7225:
7224:
7221:
7209:
7201:
7199:
7191:
7189:
7185:
7181:
7179:
7171:
7169:
7161:
7160:
7157:
7151:
7148:
7147:
7145:
7143:Miscellaneous
7141:
7131:
7130:Pit orchestra
7128:
7126:
7123:
7121:
7118:
7117:
7115:
7111:
7105:
7102:
7100:
7097:
7095:
7092:
7090:
7087:
7085:
7082:
7080:
7077:
7075:
7072:
7070:
7067:
7065:
7062:
7060:
7057:
7055:
7052:
7050:
7047:
7045:
7042:
7040:
7037:
7035:
7034:Stage manager
7032:
7030:
7027:
7025:
7022:
7021:
7019:
7017:
7013:
7007:
7004:
7002:
6999:
6997:
6994:
6992:
6989:
6987:
6984:
6982:
6979:
6978:
6976:
6972:
6966:
6963:
6961:
6958:
6956:
6953:
6951:
6948:
6946:
6943:
6941:
6938:
6936:
6933:
6931:
6928:
6926:
6923:
6921:
6918:
6916:
6913:
6911:
6908:
6907:
6905:
6901:
6895:
6892:
6890:
6887:
6885:
6882:
6880:
6877:
6876:
6874:
6870:
6867:
6865:
6861:
6855:
6852:
6850:
6847:
6845:
6842:
6840:
6837:
6835:
6832:
6830:
6827:
6825:
6822:
6820:
6817:
6815:
6812:
6810:
6807:
6805:
6802:
6800:
6797:
6795:
6792:
6790:
6787:
6786:
6784:
6782:
6777:
6773:
6767:
6764:
6762:
6759:
6757:
6754:
6752:
6749:
6747:
6744:
6742:
6739:
6737:
6734:
6732:
6729:
6728:
6726:
6722:
6716:
6713:
6711:
6708:
6706:
6703:
6701:
6698:
6696:
6693:
6691:
6690:Improvisation
6688:
6686:
6683:
6681:
6678:
6676:
6673:
6671:
6668:
6666:
6663:
6662:
6660:
6656:
6648:
6645:
6644:
6643:
6640:
6638:
6635:
6634:
6631:
6628:
6626:
6623:
6621:
6618:
6616:
6613:
6612:
6609:
6606:
6604:
6601:
6599:
6596:
6594:
6591:
6589:
6586:
6584:
6581:
6579:
6576:
6574:
6571:
6569:
6566:
6564:
6563:
6559:
6557:
6554:
6552:
6549:
6547:
6544:
6543:
6541:
6539:
6535:
6531:
6524:
6519:
6517:
6512:
6510:
6505:
6504:
6501:
6489:
6486:
6484:
6481:
6479:
6476:
6474:
6471:
6470:
6467:
6463:
6456:
6451:
6449:
6444:
6442:
6437:
6436:
6433:
6421:
6411:
6409:
6406:
6404:
6401:
6399:
6396:
6395:
6392:
6386:
6385:Theory of art
6383:
6381:
6378:
6376:
6373:
6371:
6368:
6366:
6363:
6361:
6358:
6356:
6353:
6351:
6348:
6346:
6343:
6341:
6338:
6336:
6333:
6331:
6328:
6326:
6323:
6322:
6320:
6316:
6307:
6306:
6302:
6297:
6296:
6292:
6287:
6286:
6282:
6276:
6272:
6266:
6262:
6257:
6256:
6252:
6247:
6246:
6242:
6236:
6232:
6227:
6226:
6222:
6217:
6216:
6212:
6207:
6206:
6202:
6197:
6196:
6192:
6187:
6186:
6182:
6177:
6176:
6175:Hippias Major
6172:
6171:
6169:
6165:
6159:
6156:
6154:
6151:
6149:
6146:
6144:
6141:
6139:
6136:
6134:
6131:
6129:
6126:
6124:
6123:
6119:
6117:
6114:
6112:
6109:
6107:
6104:
6102:
6099:
6097:
6094:
6092:
6089:
6087:
6084:
6082:
6081:
6077:
6075:
6072:
6070:
6067:
6065:
6062:
6060:
6057:
6055:
6052:
6050:
6047:
6045:
6042:
6040:
6037:
6035:
6034:Entertainment
6032:
6030:
6027:
6025:
6022:
6020:
6017:
6015:
6012:
6010:
6007:
6005:
6002:
6000:
5997:
5995:
5992:
5990:
5987:
5983:
5980:
5978:
5975:
5974:
5973:
5970:
5968:
5965:
5963:
5960:
5958:
5957:Art manifesto
5955:
5953:
5950:
5948:
5947:Appropriation
5945:
5944:
5942:
5938:
5932:
5931:
5927:
5925:
5922:
5920:
5917:
5915:
5912:
5910:
5907:
5905:
5902:
5900:
5897:
5895:
5892:
5890:
5887:
5885:
5882:
5880:
5877:
5875:
5872:
5870:
5867:
5865:
5862:
5860:
5857:
5855:
5852:
5850:
5847:
5845:
5842:
5840:
5839:Merleau-Ponty
5837:
5835:
5832:
5830:
5827:
5825:
5822:
5820:
5817:
5815:
5812:
5810:
5807:
5805:
5802:
5800:
5797:
5795:
5792:
5790:
5787:
5785:
5782:
5780:
5777:
5775:
5772:
5770:
5767:
5765:
5762:
5760:
5757:
5755:
5752:
5750:
5747:
5745:
5742:
5740:
5737:
5735:
5732:
5730:
5727:
5725:
5722:
5720:
5717:
5715:
5712:
5710:
5707:
5705:
5702:
5700:
5697:
5695:
5692:
5690:
5687:
5685:
5682:
5680:
5677:
5675:
5672:
5670:
5667:
5665:
5662:
5660:
5657:
5655:
5654:Abhinavagupta
5652:
5651:
5649:
5645:
5639:
5638:
5634:
5632:
5629:
5627:
5624:
5622:
5619:
5617:
5614:
5612:
5609:
5607:
5606:Postmodernism
5604:
5602:
5599:
5597:
5594:
5592:
5589:
5587:
5584:
5582:
5579:
5577:
5574:
5572:
5569:
5567:
5564:
5563:
5561:
5557:
5551:
5548:
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5538:
5536:
5533:
5531:
5528:
5526:
5523:
5521:
5518:
5516:
5513:
5511:
5508:
5506:
5503:
5501:
5498:
5497:
5495:
5491:
5487:
5480:
5475:
5473:
5468:
5466:
5461:
5460:
5457:
5448:
5443:
5438:
5433:
5431:
5429:
5424:
5420:
5417:
5415:
5411:
5410:
5405:
5402:
5401:
5395:
5387:
5385:0-7011-1260-3
5381:
5377:
5373:
5369:
5365:
5363:0-7486-1987-9
5359:
5355:
5350:
5346:
5342:
5338:
5336:0-8204-4489-8
5332:
5328:
5323:
5319:
5313:
5309:
5308:Greek Tragedy
5304:
5292:
5289:. Gutenberg.
5288:
5287:
5282:
5278:
5274:
5272:0-415-11894-8
5268:
5264:
5260:
5256:
5252:
5250:0-521-42383-X
5246:
5242:
5237:
5233:
5231:0-521-63987-5
5227:
5223:
5221:
5216:
5212:
5209:
5204:
5200:
5196:
5192:
5187:
5183:
5177:
5173:
5168:
5164:
5160:
5156:
5154:1-4051-0770-7
5150:
5146:
5141:
5137:
5133:
5129:
5125:
5120:
5116:
5110:
5106:
5102:
5098:
5094:
5089:
5085:
5079:
5074:
5073:
5066:
5062:
5057:
5053:
5047:
5043:
5039:
5034:
5030:
5028:0-8014-8154-6
5024:
5020:
5015:
5011:
5005:
5001:
4996:
4992:
4986:
4982:
4978:
4974:
4970:
4968:1-85984-899-0
4964:
4960:
4959:
4954:
4950:
4946:
4944:0-7190-5249-1
4940:
4936:
4932:
4928:
4924:
4922:0-521-43437-8
4918:
4913:
4912:
4905:
4901:
4897:
4893:
4889:
4887:0-87220-033-7
4883:
4879:
4874:
4870:
4865:
4853:
4849:
4845:
4841:
4836:
4835:
4823:
4818:
4811:
4806:
4799:
4794:
4787:. p. 41.
4786:
4782:
4775:
4768:
4763:
4756:
4751:
4743:
4736:
4729:
4724:
4716:
4711:
4710:
4701:
4685:
4681:
4679:9781472538604
4675:
4671:
4670:
4662:
4646:
4642:
4640:9780814209295
4636:
4632:
4631:
4623:
4607:
4603:
4601:9781351607834
4597:
4594:. Routledge.
4593:
4592:
4584:
4568:
4564:
4562:9780470691304
4558:
4554:
4553:
4545:
4529:
4525:
4521:
4514:
4498:
4494:
4490:
4484:
4468:
4464:
4460:
4453:
4437:
4433:
4429:
4422:
4415:
4402:
4398:
4394:
4387:
4380:
4368:
4364:
4360:
4353:
4337:
4333:
4329:
4325:
4321:
4317:
4313:
4309:
4305:
4301:
4297:
4292:
4284:
4277:
4271:
4265:, p. 13.
4264:
4259:
4252:
4247:
4241:, p. 41.
4240:
4235:
4229:, p. 38.
4228:
4223:
4217:, p. xi.
4216:
4211:
4204:
4199:
4183:
4179:
4173:
4169:
4165:
4161:
4157:
4152:
4144:
4138:, p. 22.
4137:
4132:
4116:
4112:
4106:
4098:
4097:
4089:
4081:
4074:
4058:
4054:
4048:
4032:
4028:
4022:
4015:
4010:
4003:
3998:
3996:
3989:, p. 49.
3988:
3983:
3977:, p. 47.
3976:
3971:
3969:
3961:
3956:
3950:, p. 43.
3949:
3944:
3942:
3933:
3929:
3925:
3921:
3917:
3913:
3909:
3902:
3895:
3890:
3883:
3878:
3870:
3868:9781350113411
3864:
3860:
3853:
3845:
3843:0-413-71650-3
3839:
3835:
3831:
3824:
3817:
3812:
3806:, p. 15.
3805:
3800:
3798:
3790:
3786:
3782:
3778:
3774:
3770:
3766:
3761:
3754:
3749:
3742:
3737:
3730:
3725:
3718:
3713:
3706:
3701:
3695:, p. 54.
3694:
3693:Goldhill 1997
3689:
3681:
3679:0-521-42351-1
3675:
3671:
3667:
3660:
3652:
3650:0-521-43437-8
3646:
3642:
3638:
3631:
3623:
3619:
3615:
3609:
3605:
3601:
3594:
3587:
3582:
3580:
3572:
3567:
3565:
3557:
3552:
3536:
3532:
3531:
3523:
3517:, p. 13.
3516:
3511:
3509:
3501:
3497:
3491:
3483:
3481:9780416720501
3477:
3473:
3466:
3459:
3454:
3447:
3442:
3440:
3432:
3427:
3420:
3415:
3408:
3407:Benjamin 1998
3403:
3396:
3391:
3389:
3381:
3380:Williams 1966
3376:
3370:, p. 16.
3369:
3368:Williams 1966
3364:
3357:
3356:Williams 1966
3352:
3345:
3341:
3340:dismemberment
3337:
3333:
3330:
3326:
3321:
3314:
3309:
3307:
3298:
3294:
3287:
3279:
3272:
3268:
3255:
3249:
3242:
3238:
3237:
3230:
3223:
3222:
3217:
3216:
3209:
3203:
3198:
3193:
3192:Ancient Greek
3189:
3186:
3182:
3179:
3178:Middle French
3175:
3172:
3167:
3163:
3153:
3150:
3148:
3145:
3143:
3140:
3138:
3135:
3134:
3130:
3124:
3119:
3112:
3107:
3102:
3100:
3096:
3092:
3088:
3084:
3080:
3076:
3072:
3061:
3057:
3053:
3051:
3047:
3044:
3042:
3038:
3034:
3033:
3032:
3029:
3027:
3023:
3019:
3013:
3008:
3006:
3005:ancient Greek
3002:
2997:
2995:
2990:
2988:
2984:
2980:
2976:
2972:
2968:
2964:
2963:
2958:
2954:
2949:
2947:
2943:
2939:
2935:
2934:
2929:
2928:
2923:
2919:
2918:
2913:
2909:
2908:
2903:
2898:
2888:
2885:
2881:
2876:
2872:
2862:
2860:
2859:
2854:
2853:
2848:
2847:
2842:
2841:
2836:
2835:
2830:
2829:
2824:
2823:
2817:
2815:
2811:
2806:
2804:
2800:
2799:Howard Barker
2796:
2795:Arthur Miller
2792:
2782:
2780:
2776:
2772:
2768:
2764:
2760:
2756:
2755:Enlightenment
2750:
2746:
2736:
2733:
2723:
2721:
2717:
2712:
2710:
2709:
2704:
2700:
2696:
2692:
2688:
2684:
2680:
2678:
2669:
2665:
2661:
2658:
2654:
2653:
2652:
2650:
2646:
2642:
2638:
2631:
2629:
2624:
2621:French actor
2619:
2613:Neo-classical
2610:
2608:
2607:
2602:
2598:
2597:
2592:
2588:
2584:
2580:
2576:
2571:
2570:
2565:
2552:
2551:
2547:
2544:
2543:
2539:
2536:
2535:
2531:
2528:
2527:
2523:
2522:
2521:
2518:
2516:
2512:
2508:
2504:
2500:
2496:
2492:
2488:
2484:
2480:
2476:
2475:Arthur Miller
2470:
2467:
2463:
2462:Ancient Greek
2458:
2456:
2452:
2448:
2442:
2430:
2429:
2425:
2423:
2422:
2418:
2417:
2416:
2414:
2408:
2407:
2403:
2401:
2400:
2396:
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2392:
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2380:
2378:
2377:
2373:
2371:
2370:
2366:
2364:
2363:
2359:
2357:
2356:
2352:
2350:
2349:
2345:
2343:
2342:
2338:
2336:
2335:
2334:Julius Caesar
2331:
2329:
2328:
2324:
2322:
2321:
2317:
2315:
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2310:
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2240:
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2228:
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2223:
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2213:
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2203:
2202:
2195:
2194:
2189:
2186:
2185:
2178:
2175:
2173:
2170:
2168:
2165:
2163:
2160:
2158:
2155:
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2150:
2148:
2145:
2144:
2137:
2136:
2129:
2126:
2124:
2121:
2117:
2114:
2112:
2109:
2107:
2104:
2099:
2096:
2095:
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2089:
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2077:
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2052:
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2044:
2041:
2039:
2036:
2034:
2031:
2029:
2026:
2025:
2019:
2018:
2014:
2011:
2010:
2006:
2002:
1998:
1994:
1986:
1985:
1980:
1976:
1967:
1965:
1961:
1957:
1953:
1949:
1945:
1941:
1937:
1933:
1929:
1925:
1921:
1917:
1912:
1909:
1905:
1901:
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1756:
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1748:
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1736:
1732:
1728:
1725:
1721:
1720:miracle plays
1717:
1713:
1709:
1708:mystery plays
1705:
1690:
1688:
1684:
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1634:
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1626:
1624:
1623:Lucius Accius
1620:
1616:
1611:
1607:
1603:
1599:
1595:
1591:
1590:Greek tragedy
1587:
1581:
1573:
1568:
1559:
1557:
1553:
1548:
1544:
1540:
1536:
1531:
1530:
1524:
1521:
1517:
1516:
1510:
1507:
1506:
1501:
1495:
1493:
1492:
1488:. Aeschylus'
1487:
1483:
1479:
1475:
1471:
1464:
1463:Greek tragedy
1456:
1452:
1447:
1437:
1432:
1429:
1427:
1423:
1419:
1418:
1413:
1409:
1397:
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1364:
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1353:
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1343:
1339:
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1328:
1323:
1321:
1317:
1313:
1309:
1305:
1302:
1298:
1294:
1290:
1289:
1285:= "to sing" (
1284:
1280:
1276:
1272:
1263:
1253:
1251:
1247:
1243:
1239:
1235:
1231:
1228:
1224:
1220:
1216:
1212:
1208:
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1189:
1187:
1183:
1179:
1175:
1171:
1167:
1163:
1159:
1155:
1151:
1147:
1143:
1139:
1135:
1131:
1127:
1123:
1122:postmodernist
1120:
1119:Heiner Müller
1116:
1112:
1108:
1104:
1101:
1097:
1093:
1089:
1085:
1081:
1077:
1073:
1069:
1065:
1061:
1057:
1053:
1046:
1042:
1038:
1037:
1032:
1026:
1022:
1018:
1017:
1012:
1005:
1001:
997:
993:
988:
982:
978:
977:
972:
968:
966:
962:
958:
954:
950:
946:
942:
938:
934:
930:
926:
922:
918:
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898:
887:
882:
880:
875:
873:
868:
867:
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864:
861:
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845:
842:
840:
837:
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832:
830:
827:
825:
822:
820:
817:
815:
812:
811:
810:
809:
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802:
799:
798:
791:
788:
787:
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783:
781:
778:
776:
773:
771:
768:
766:
763:
761:
758:
756:
753:
752:
751:
750:
746:
745:
740:
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735:
732:
730:
727:
725:
722:
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716:
715:
714:
711:
708:
707:
702:
699:
697:
694:
692:
689:
687:
684:
680:
677:
675:
672:
671:
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665:
662:
660:
657:
656:
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654:
650:
649:
640:
637:
635:
632:
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619:
614:
611:
609:
606:
604:
601:
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586:
584:
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561:
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559:
558:
555:
552:
551:
546:
543:
541:
538:
536:
533:
531:
528:
526:
523:
522:
521:
520:
517:
514:
513:
510:
509:
506:Poetry genres
505:
504:
495:
492:
490:
487:
485:
482:
480:
477:
475:
472:
470:
467:
465:
462:
460:
457:
455:
452:
448:
445:
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440:
439:
438:
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429:
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417:
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412:
408:
405:
403:
400:
398:
395:
393:
390:
388:
385:
383:
380:
378:
375:
373:
370:
368:
365:
363:
360:
358:
357:coming-of-age
355:
353:
350:
349:
348:
345:
343:
340:
338:
335:
333:
330:
329:
328:
327:
324:
321:
320:
317:
316:
312:
311:
302:
299:
297:
294:
292:
289:
287:
286:Flash fiction
284:
282:
279:
277:
274:
272:
269:
267:
264:
262:
259:
258:
257:
256:
252:
251:
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117:
115:
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107:
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100:
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90:
87:
85:
82:
81:
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77:
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74:
71:
68:
67:
63:
59:
58:
55:
52:
51:
48:
44:
37:
33:
19:
7800:Drama genres
7716:
7709:
7702:
7695:
7688:
7681:
7674:
7667:
7660:
7653:
7646:
7639:
7632:
7625:
7618:
7611:
7604:
7587:
7567:
7560:
7553:
7546:
7539:
7504:
7494:Bardo Thodol
7492:
7487:Ars moriendi
7485:
7467:
7428:Architecture
7406:
7367:Funerary art
7328:
7321:
7314:
7309:Memento mori
7307:
7290:
7283:
7276:
7269:
7016:Running crew
7006:Video design
6940:Running crew
6839:Sound design
6794:Curtain Call
6715:Variety show
6684:
6642:20th century
6637:19th century
6583:Neoclassical
6560:
6473:Architecture
6303:
6293:
6283:
6253:
6243:
6223:
6213:
6203:
6193:
6183:
6173:
6152:
6120:
6096:Magnificence
6078:
5928:
5894:Schopenhauer
5729:Coomaraswamy
5647:Philosophers
5635:
5566:Aestheticism
5426:
5408:
5393:
5375:
5353:
5326:
5307:
5295:. Retrieved
5285:
5262:
5240:
5218:
5202:
5190:
5171:
5144:
5135:
5123:
5096:
5071:
5060:
5037:
5018:
4999:
4980:
4956:
4934:
4910:
4899:
4877:
4868:
4858:26 September
4856:. Retrieved
4843:
4817:
4805:
4798:Bradley 2007
4793:
4780:
4774:
4762:
4754:
4750:
4741:
4735:
4723:
4708:
4700:
4688:. Retrieved
4668:
4661:
4649:. Retrieved
4629:
4622:
4610:. Retrieved
4590:
4583:
4571:. Retrieved
4551:
4544:
4532:. Retrieved
4523:
4513:
4501:. Retrieved
4492:
4483:
4471:. Retrieved
4462:
4452:
4440:. Retrieved
4431:
4421:
4412:
4405:. Retrieved
4396:
4386:
4378:
4371:. Retrieved
4362:
4352:
4342:26 September
4340:. Retrieved
4299:
4295:
4283:
4275:
4270:
4258:
4246:
4239:Baillie 1798
4234:
4227:Baillie 1798
4222:
4210:
4198:
4186:. Retrieved
4159:
4155:
4143:
4131:
4119:. Retrieved
4114:
4105:
4095:
4088:
4079:
4073:
4061:. Retrieved
4056:
4047:
4035:. Retrieved
4030:
4021:
4009:
3982:
3955:
3915:
3911:
3901:
3889:
3884:, p. 7.
3877:
3858:
3852:
3833:
3823:
3811:
3760:
3748:
3736:
3729:Taxidou 2004
3724:
3712:
3700:
3688:
3669:
3659:
3640:
3630:
3603:
3593:
3558:, p. 6.
3551:
3539:. Retrieved
3529:
3522:
3499:
3490:
3471:
3465:
3458:Pfister 1988
3453:
3446:Carlson 1993
3426:
3421:, p. 1.
3414:
3402:
3395:Taxidou 2004
3375:
3363:
3351:
3320:
3296:
3286:
3277:
3271:
3248:
3234:
3229:
3219:
3213:
3208:
3201:
3187:
3180:
3173:
3166:
3109:
3104:
3094:
3090:
3079:A.C. Bradley
3075:epistemology
3071:G.W.F. Hegel
3069:
3030:
3025:
3020:tragedy the
3018:Aristotelian
3015:
3010:
3000:
2998:
2991:
2987:misadventure
2970:
2960:
2950:
2931:
2925:
2915:
2906:
2900:
2883:
2879:
2874:
2870:
2868:
2856:
2850:
2844:
2838:
2832:
2826:
2820:
2818:
2813:
2807:
2802:
2788:
2781:in Germany.
2778:
2774:
2766:
2763:George Lillo
2752:
2729:
2713:
2706:
2681:
2673:
2648:
2644:
2640:
2634:
2626:
2604:
2594:
2586:
2582:
2567:
2561:
2548:
2540:
2532:
2524:
2519:
2483:Henrik Ibsen
2471:
2459:
2455:aristocratic
2451:Neoclassical
2444:
2426:
2419:
2413:John Webster
2411:
2404:
2397:
2388:
2381:
2374:
2367:
2360:
2353:
2346:
2339:
2332:
2325:
2318:
2311:
2298:
2293:Revenge play
2291:
2281:
2275:
2270:
2198:Scandinavian
2182:
2092:
2005:Revenge play
1997:Heroic drama
1982:
1981:(1852–1911)
1964:Lope de Vega
1954:playwrights
1913:
1896:Aristophanes
1881:
1872:
1864:
1860:
1848:
1840:
1834:
1830:
1820:
1816:
1808:
1804:
1801:Carthaginian
1784:
1778:
1766:
1754:
1738:
1701:
1675:
1668:
1664:
1654:
1644:
1640:
1627:
1613:playwrights—
1594:Roman Empire
1583:
1571:
1546:
1542:
1534:
1527:
1525:
1520:Greek chorus
1513:
1511:
1503:
1496:
1491:The Persians
1489:
1466:
1434:
1430:
1415:
1405:
1390:
1386:
1379:
1372:
1345:
1324:
1319:
1315:
1311:
1286:
1282:
1278:
1274:
1259:
1242:Augusto Boal
1223:epic theatre
1192:
1190:
1158:Schopenhauer
1126:philosophers
1092:Henrik Ibsen
1088:naturalistic
1076:Lope de Vega
1049:
1034:
1015:
974:
957:Elizabethans
936:
912:
896:
895:
695:
419:Encyclopedic
397:supernatural
313:Prose genres
169:closet drama
47:
7662:Roman Widow
7500:Book of Job
7198:WikiProject
7064:Electrician
6829:Performance
6781:Scenography
6710:Radio drama
6603:Romanticism
6588:Restoration
6189:(c. 335 BC)
6179:(c. 390 BC)
6158:Work of art
6111:Picturesque
5967:Avant-garde
5924:Winckelmann
5799:Kierkegaard
5724:Collingwood
5694:Baudrillard
5621:Romanticism
5591:Historicism
5525:Mathematics
5445:Aristotle.
5409:In Our Time
5208:Dukore 1974
4977:Bradley, AC
4757:, Aristotle
4690:22 November
4651:22 November
4612:22 November
4573:22 November
4302:(1): 1–15.
4263:Barker 1989
4251:Miller 1949
3918:: 172–191.
3816:Kovacs 2005
3474:. Methuen.
3448:: analysis.
3431:Dukore 1974
3419:Felski 2008
3344:individuals
3336:sentimental
3332:enthusiasts
3313:Banham 1998
3147:She-tragedy
3087:tragic hero
2994:anagnorisis
2971:hamartanein
2933:Oedipus Rex
2880:substantive
2846:Rabbit Hole
2683:Jean Racine
2643:(1635) and
2628:Britannicus
2564:Jacopo Peri
2499:child abuse
2305:Elizabethan
2286:protagonist
2140:Continental
2079:Anglo-Irish
2061:Elizabethan
2013:Reformation
1735:Latin verse
1693:Renaissance
1679:soliloquies
1598:Roman drama
1331:5th-century
1162:Kierkegaard
1103:Nurul Momen
1090:tragedy of
1080:Jean Racine
1072:Shakespeare
1036:The Bacchae
1016:Heer Ranjha
994:tragedy of
933:paradoxical
824:Composition
701:Tragicomedy
540:Verse novel
428:Non-fiction
332:Speculative
271:Short story
141:spoken word
131:Performance
104:heroic epic
7810:Humanities
7779:Categories
7512:Left Ginza
7479:Literature
7357:Death mask
7278:Consolatio
7271:Carpe diem
7188:Wiktionary
6872:Management
6776:Stagecraft
6630:Postmodern
6615:Naturalism
6128:Recreation
6106:Perception
5999:Creativity
5699:Baumgarten
5689:Baudelaire
5571:Classicism
5486:Aesthetics
5259:Rehm, Rush
5132:Hegel, GWF
4848:Fyfe, W.H.
4822:Hegel 1927
4810:Hegel 1927
4783:. London:
4534:26 January
4503:26 January
4473:26 January
4442:26 January
4407:26 January
4373:26 January
4215:Colón 2007
3882:Lucas 1954
3785:golden age
3753:Brown 1998
3717:Styan 2000
3541:12 January
3264:References
3137:Classicism
3060:Prometheus
2922:definition
2917:Peripeteia
2875:derivative
2666:says that
2515:depression
2491:alcoholism
2320:Coriolanus
1991:See also:
1873:Sophonisba
1841:Sophonisba
1797:Sophonisba
1789:vernacular
1785:Sophonisba
1656:Hippolytus
1635:. Nine of
1578:See also:
1500:satyr play
1426:dithyrambs
1359:dithyrambs
1336:tragedy),
1327:Golden Age
1271:contracted
1209:). In the
1021:Waris Shah
899:(from the
739:Postmodern
674:historical
613:Villanelle
494:Travelogue
489:Persuasive
469:Journalism
447:philosophy
414:Historical
382:paranormal
342:Children's
215:Electronic
89:fairy tale
54:Literature
7569:Totentanz
7125:Orchestra
7113:Musicians
7054:Carpenter
7039:Stagehand
6950:Stagehand
6903:Technical
6864:Personnel
6799:Rehearsal
6741:Indonesia
6625:Modernism
6608:Melodrama
6133:Reverence
6039:Eroticism
6009:Depiction
5982:Masculine
5884:Santayana
5844:Nietzsche
5789:Hutcheson
5779:Heidegger
5764:Greenberg
5719:Coleridge
5684:Balthasar
5669:Aristotle
5631:Theosophy
5626:Symbolism
5601:Modernism
5586:Formalism
5447:"Poetics"
5297:28 August
4979:(2007) .
4955:(1998) .
4902:. London.
4840:"Poetics"
4332:201768479
4316:0028-6087
4078:"Drama".
3932:0094-114X
3789:democracy
3781:Euripides
3777:Sophocles
3773:Aeschylus
3769:Athenians
3622:299571432
3500:Epistulae
3329:Dionysiac
3293:"Tragedy"
3241:Aeschylus
3202:tragōidia
3188:tragoedia
3056:Phorcides
3041:Discovery
2946:catharsis
2927:Eumenides
2902:Aristotle
2891:Aristotle
2739:Bourgeois
2691:Sophocles
2687:Euripides
2668:catharsis
2664:Aristotle
2662:Although
2603:, in his
2601:Nietzsche
2487:addiction
2466:Aristotle
2464:theorist
2447:classical
2341:King Lear
2230:Icelandic
2215:Norwegian
1984:King Lear
1948:Euripides
1944:Sophocles
1940:Suetonius
1924:Aristotle
1908:humanists
1892:Euripides
1884:Sophocles
1879:of 1502.
1827:Euripides
1739:Eccerinis
1651:Euripides
1547:ekkyklêma
1539:Agamemnon
1535:ekkyklêma
1529:ekkyklêma
1486:Euripides
1482:Sophocles
1478:Aeschylus
1453:. Greek,
1394:catharsis
1338:Aristotle
1308:Athenaeus
1304:sacrifice
1256:Etymology
1232:from the
1215:melodrama
1166:Nietzsche
1134:Aristotle
1115:modernist
1100:Natyaguru
1064:Euripides
1060:Sophocles
1056:Aeschylus
1045:Euripides
967:puts it.
941:tradition
929:catharsis
921:suffering
913:tragōidia
834:Narrative
819:Magazines
814:Sociology
805:criticism
775:Movements
734:Modernist
724:Classical
516:Narrative
352:adventure
296:Religious
266:Novelette
231:Anthology
186:narrative
136:audiobook
94:folk play
7752:Erlkönig
7593:Guercino
7580:Painting
7562:Erlkönig
7382:Memorial
7330:Ubi sunt
7168:Category
7150:Glossary
7059:Fly crew
7024:Call boy
6920:Fly crew
6647:timeline
6593:Augustan
6556:Medieval
6408:Category
6340:Axiology
6209:(c. 500)
6199:(c. 100)
6074:Judgment
6029:Emotions
6024:Elegance
6004:Cuteness
5977:Feminine
5940:Concepts
5909:Tanizaki
5889:Schiller
5874:Richards
5864:Rancière
5834:Maritain
5769:Hanslick
5709:Benjamin
5581:Feminism
5550:Theology
5530:Medieval
5520:Japanese
5515:Internet
5374:(1966).
5345:40856937
5291:Archived
5283:(1809).
5261:(1992).
5163:56834832
4933:(1989).
4898:(1798).
4852:Archived
4684:Archived
4645:Archived
4606:Archived
4567:Archived
4528:Archived
4497:Archived
4467:Archived
4436:Archived
4401:Archived
4367:Archived
4336:Archived
4324:20057818
4188:23 March
4182:Archived
4121:23 March
4063:23 March
4037:23 March
3894:Ley 2007
3834:Plays VI
3705:Ley 2007
3535:Archived
3533:. Wisc.
3197:τραγῳδία
3181:tragedie
3174:tragedie
3115:See also
3095:Antigone
3091:Oresteia
3037:Peripety
2962:hamartia
2865:Theories
2840:Fat City
2828:The Road
2773:'s play
2708:Bérénice
2569:Euridice
2493:, debt,
2303:and his
2172:Romanian
2111:Morality
2106:Pastoral
2074:Scottish
2022:Overview
1936:Plutarch
1849:A Castro
1817:Rosmunda
1809:Rosmunda
1779:In 1515
1771:Venetian
1755:Achilles
1737:tragedy
1543:Oresteia
1505:Oresteia
1451:Dionysus
1449:Mask of
1408:Hellenic
1399:—
1377:—
1367:Dionysos
1342:art form
1334:Athenian
1312:trygodia
1266:τραγῳδία
1174:Benjamin
1142:Voltaire
990:Ancient
961:Hellenes
955:and the
907:τραγῳδία
829:Language
760:Glossary
729:Medieval
664:Libretto
593:Limerick
545:National
535:Dramatic
525:Children
454:Anecdote
437:Academic
377:military
198:Nonsense
99:folksong
79:Folklore
7825:Tragedy
7598:Poussin
7421:Artwork
7407:Tragedy
7397:Requiem
7341:Vanitas
7303:Macabre
7178:Commons
7099:Dresser
6724:Regions
6685:Tragedy
6620:Realism
6538:History
6530:Theatre
6483:Terence
6478:Plautus
6403:Outline
6318:Related
6185:Poetics
6153:Tragedy
6143:Sublime
6116:Quality
6101:Mimesis
6059:Harmony
6044:Fashion
6019:Ecstasy
6014:Disgust
5930:more...
5899:Scruton
5824:Lyotard
5759:Goodman
5739:Deleuze
5674:Aquinas
5664:Alberti
5637:more...
5616:Realism
5596:Marxism
5576:Fascism
5559:Schools
5545:Science
5500:Ancient
5423:Tragedy
5412:at the
5404:Tragedy
4831:Sources
4785:Jenkins
4755:Poetics
3668:(ed.).
3215:Cyclops
3026:Poetics
3001:Poetics
2912:fortune
2907:Poetics
2884:contain
2656:plays).
2355:Othello
2348:Macbeth
2225:Finnish
2220:Swedish
2210:Faroese
2167:Sorbian
2128:Revenge
2123:Tragedy
2116:History
2055:British
1970:Britain
1904:Plautus
1900:Terence
1861:Pamfila
1833:on the
1819:on the
1787:in the
1769:of the
1763:Vicenza
1683:revenge
1670:Octavia
1646:Phaedra
1552:mechane
1380:Poetics
1347:Poetics
1344:in his
1283:aeidein
1227:generic
1194:Poetics
1186:Deleuze
1150:Diderot
1107:Nemesis
992:Persian
937:tragedy
897:Tragedy
770:Writers
755:Outline
719:Ancient
710:History
696:Tragedy
573:Epigram
459:Epistle
442:history
402:western
387:romance
372:fantasy
337:Realist
323:Fiction
291:Parable
276:Drabble
261:Novella
245:romance
210:Ergodic
126:Oration
119:proverb
7729:Poetry
7648:Plague
7412:Wreath
7377:Lament
7258:Themes
6974:Design
6766:Poland
6761:Persia
6705:Circus
6700:Ballet
6680:Comedy
6598:Weimar
6488:Seneca
6309:(2009)
6299:(1977)
6289:(1946)
6279:(1939)
6269:(1935)
6259:(1934)
6249:(1933)
6239:(1891)
6229:(1835)
6219:(1757)
6086:Kitsch
6064:Humour
5994:Comedy
5972:Beauty
5914:Vasari
5904:Tagore
5879:Ruskin
5819:Lukács
5809:Langer
5754:Goethe
5679:Balázs
5659:Adorno
5540:Nature
5505:Africa
5382:
5360:
5343:
5333:
5314:
5269:
5247:
5228:
5178:
5161:
5151:
5111:
5080:
5048:
5025:
5006:
4987:
4965:
4941:
4919:
4884:
4676:
4637:
4598:
4559:
4330:
4322:
4314:
4174:
3930:
3865:
3840:
3779:, and
3676:
3647:
3620:
3610:
3496:Horace
3478:
3221:Rhesus
3050:Peleus
2975:archer
2703:Phèdre
2699:pathos
2695:Seneca
2649:Le Cid
2645:Le Cid
2553:(1621)
2545:(1608)
2537:(1607)
2529:(1592)
2327:Hamlet
2284:: the
2205:Danish
2162:Slovak
2152:German
2003:, and
1920:Horace
1916:Seneca
1890:, and
1888:Seneca
1831:Oreste
1829:, and
1822:Hecuba
1805:Oreste
1799:, the
1767:Progne
1751:Verona
1724:Paduan
1716:farces
1661:extant
1633:Seneca
1484:, and
1474:extant
1455:Myrina
1422:satyrs
1356:choral
1316:trygos
1301:ritual
1297:chorus
1279:tragos
1221:, and
1211:modern
1207:comedy
1184:, and
1082:, and
1068:Seneca
998:; the
953:Greeks
844:Estate
801:Theory
790:poetry
780:Cycles
691:Script
686:Satire
659:Comedy
608:Sonnet
603:Qasida
578:Ghazal
563:Ballad
484:Nature
474:Letter
407:horror
367:erotic
301:Wisdom
281:Sketch
236:Serial
176:Poetry
148:Saying
109:legend
7532:Music
7387:Mummy
7362:Elegy
7350:Forms
7250:Death
6804:Stage
6756:Korea
6751:Japan
6746:Italy
6736:India
6731:China
6695:Opera
6665:Drama
6658:Types
6551:Roman
6546:Greek
6398:Index
6167:Works
6148:Taste
6138:Style
5919:Wilde
5859:Plato
5854:Pater
5814:Lipps
5774:Hegel
5744:Dewey
5734:Danto
5714:Burke
5535:Music
5510:India
5493:Areas
5040:. By
4715:10–11
4328:S2CID
4320:JSTOR
3342:into
3190:<
3185:Latin
3183:<
3176:<
3158:Notes
3066:Hegel
3022:story
2979:spear
2641:Medée
2623:Talma
2579:Gluck
2575:Lully
2558:Opera
2503:crime
2157:Swiss
2147:Czech
2069:Welsh
1562:Roman
1515:aulos
1441:Greek
1363:hymns
1314:from
1273:from
1203:lyric
1182:Lacan
1178:Camus
1170:Freud
1154:Hegel
1130:Plato
1019:, by
917:drama
901:Greek
765:Books
679:moral
639:Poets
621:Lists
583:Haiku
568:Elegy
554:Lyric
464:Essay
362:crime
347:Genre
241:Novel
203:verse
193:Prose
181:lyric
164:Drama
84:fable
7460:Film
7402:Tomb
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