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While travelling on a South-bound train on company business, he sees a young woman, Maria, about to be put off by the conductor. She has no ticket and cannot afford to buy one. Bianchi helps Maria stay on the train, and she asks if he could do her one more favour. Maria has just been abandoned by her
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rates a round of applause for its sensitive treatment of a thoroughly unspectacular subject." The critic described Cervi's performance as "a beautifully wrought characterization" and
Benetti's as "finely etched" and "poignant". Concerning the storyline, the critic wrote that "the improbability is
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She is terrified and begs
Bianchi to come home with her and pass himself off as her husband. The deception needs only last a couple of days, after which he can go back to his normal life and job and Maria can claim to have been abandoned. Bianchi decides that taking a couple of days off work is a
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Especially the first part of
Blasetti's comedy, which takes place in a crowded bus, comes across (despite its unrefined observations) as a striking novelty and a veritable photograph of life. But the fact remains that the director seems to have been carried away by his enthusiasm, although
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is certainly a film of quality. Its second lyrical-nostalgic part is not weaker that the first, although with its popular-generic tone it shows only the surface of events and reduces feelings to simple opposites: dislike and friendship, obstinacy and tolerance, despair and
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wrote in 1948: "Although the
Italian film artisans have been garnering justifiable acclaim here for the biting realism of their topical portraits, kudos has not been the rule where other themes were concerned. So it is pleasant to report that
434:, where they assessed it as a break from the "banal" cinema of Blasetti's preceding period, and a return to a style he had employed ten years before, which they described as "innovative". Klinowski and Garbicz acknowledged that
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Arriving on the farm, Bianchi finds it hard to maintain the lie, but in an impassioned speech, convinces Maria's father to let her stay at home. After which, he goes back to his wife and family without mentioning the incident.
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boyfriend upon becoming pregnant and she is now on her way back to the family farm. She has nowhere else to go but is certain that her father will throw her out as soon as he realizes that Maria is unmarried.
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40:
229:. It tells the story of a married man who agrees to act as the husband of a young pregnant woman who has been abandoned by her boyfriend. Aesthetically, it is close to
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movement, but came up with several reservations about the film, and wrote how they would have preferred if the neorealists to a greater extent had been inspired by
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The film premiered in Italy on 23 December 1942. It was released in the United States on 20 November 1948.
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small price to pay for saving Maria's honour for the rest of her life and gets off the train with her.
256:, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
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554:"The Screen in Review; Gino Cervi Quits for a Time a Boring Life in the Film '4 Steps in the Clouds'"
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The story deals with Paolo
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outweighed by the performances of the cast and adeptness of direction, which makes
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Feature Cinema in the 20th
Century: Volume One: 1913-1950: a Comprehensive Guide
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as Best Film from any Source. The movie was remade several times, including
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Jacek
Klinowski and Adam Garbicz covered the film in their 2012 book
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217:) is a 1942 Italian comedy-drama film directed and co-written by
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529:"Ecco i cento film italiani da salvare Corriere della Sera"
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instead of
Blasetti's films. The critics wrote about
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582:Klinowski, Jacek; Garbicz, Adam (2012).
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248:In 2008, the film was included on the
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335:as Pasquale – Fratello di Maria
250:Italian Ministry of Cultural Heritage
1064:Films scored by Alessandro Cicognini
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329:as Antonio, l'autista della corriera
341:as Luisa, madre di Maria e Pasquale
241:. The film's sets were designed by
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432:Feature Cinema in the 20th Century
347:as Luca, padre di Maria e Pasquale
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606:
427:both believable and diverting."
1069:Films shot at CinecittĂ Studios
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521:
365:as Il contadino sulla corriera
353:as Il fattorino della corriera
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1:
1034:Italian black-and-white films
873:An Adventure of Salvator Rosa
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254:100 Italian films to be saved
1044:1940s Italian-language films
993:Me, Me, Me... and the Others
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377:as La maestra sulla corriera
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614:Quattro passi fra le nuvole
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359:as Il droghiere di Campolo
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135:SocietĂ Italiana Cines
849:The Countess of Parma
809:The Table of the Poor
704:Alludugaaru Vachcharu
672:The Virtuous Bigamist
502:Alludugaaru Vachcharu
478:The Virtuous Bigamist
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266:The Virtuous Bigamist
259:It was nominated for
977:Three Fables of Love
913:Un giorno nella vita
680:A Walk in the Clouds
552:A. W. (1948-11-22).
484:A Walk in the Clouds
389:as Il settentrionale
272:A Walk in the Clouds
120:Alessandro Cicognini
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961:Lucky to Be a Woman
889:The Jester's Supper
757:Alessandro Blasetti
712:Dhai Akshar Prem Ke
508:Dhai Akshar Prem Ke
219:Alessandro Blasetti
67:Alessandro Blasetti
54:Alessandro Blasetti
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559:The New York Times
440:Italian neorealist
414:The New York Times
231:Italian neorealism
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945:Too Bad She's Bad
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16:(Redirected from
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221:, starring
110:Václav VĂch
84:Produced by
50:Directed by
1024:1942 films
1018:Categories
565:2016-04-26
538:2021-03-11
515:References
449:Ossessione
309:Gino Cervi
285:Gino Cervi
223:Gino Cervi
180:95 minutes
164:1942-12-23
127:Production
96:Gino Cervi
60:Written by
865:Backstage
841:Aldebaran
511:in 2000.
408:Reception
275:in 1995.
27:1942 film
317:as Maria
193:Language
116:Music by
92:Starring
921:Fabiola
696:Pooveli
664:Remakes
496:Pooveli
471:Remakes
400:Release
209:Italian
196:Italian
185:Country
162: (
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1004:(1969)
996:(1966)
988:(1963)
980:(1962)
972:(1957)
964:(1956)
956:(1954)
948:(1954)
940:(1952)
932:(1950)
924:(1949)
916:(1946)
908:(1945)
900:(1942)
892:(1942)
884:(1941)
876:(1939)
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860:(1938)
852:(1937)
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820:(1933)
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772:(1929)
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985:LiolĂ
801:Palio
261:BAFTA
188:Italy
825:1860
619:IMDb
590:ISBN
466:joy.
303:Cast
279:Plot
239:Rome
225:and
146:ENIC
769:Sun
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237:in
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