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313:, editor of several Shakespeare editions, interprets this a little differently, saying that Shakespeare may not have originally intended both roles to be played by the same person, but that directors combined the roles to save money. In any case, act V, scene 1, is the only scene in which both men are present at the same time. In cases where one actor was playing both roles, Egeus' character would probably have filled both roles in this scene, absorbing Philostrate's lines into his own.
280:), all plays had to be approved by the Master of Revels prior to being performed. Shakespeare seems to be poking fun at the profession through Philostrate. At one point, when Theseus asks Philostrate to recommend a play to help pass the time, he lists several which sound ridiculous, such as "the battle with the centaurs to be sung by an Athenian eunuch to the harp". These names are humorous examples of the types of plays that were actually being performed around the time of
132:' court, meaning he is in charge of his lord's entertainments, making recommendations to Theseus, as well as altering the text of some of the plays performed in his court. Shakespeare may have used this character to poke fun at play censorship in London at the time. In early performances of the play, the actor who played this character probably also played the part of
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of the play. In act V, scene 1, for example, the quartos say "Call
Philostrate" in several places where the 1623 Folio says "Call Egeus". This would be an easy mistake to make if one actor had spoken both parts in this scene. One actor filling both roles explains the jumbled dialogue in this scene.
275:
had her own Master of the Revels—appointed to oversee all entertainment in London. Before a play could be performed, its script had to go through him, and whenever the Queen wanted to see a play, he would make recommendations. By 1581 (over a decade before the writing of
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and the others are about to perform and to make suggestions for improvement. It is also his duty to advise
Theseus on matters of entertainment. Theseus calls him "our usual manager of mirth". The official term for Philostrate's position in the court is the
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However, during act V, there is no mention of Egeus, nor does he have a speaking role. It is logical, however, that he would have been in attendance since it is also his daughter Hermia's wedding that the group if there to celebrate.
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As
Theseus's head guard, Philostrate is asked to defend his Lord and also makes recommendations for plays to help while away the time. He is also the one who chooses plays for Theseus. Theseus rejects all of the plays except
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character is meant to be the same person in a continuation of the story. However, the two characters have little else in common. Another candidate for the source of
Philostrate's character is
140:'s strict father. There is only one scene in act V where both Egeus and Philostrate are present, and in this scene Egeus' character would have taken all of Philostrate's lines as his own.
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has proved difficult to trace. There is no clear parallel to its plot in the literature of his time. However, many of its characters' names and relationships are borrowed from
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and
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despite
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was dramatised nearly twenty years later by Shakespeare and
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575:. Dover Publications:1963. ASIN: B000MDK90G. p. XIV–XV.
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498:. Chicago: University of Chicago Press, 1993. p. 140.
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222:.) Chaucer himself took the name Philostrate from
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165:Unless you can find sport in their intents,
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536:. p. 21–22.
302:First Folio
261:Nick Bottom
224:Boccaccio's
71:Philostrate
27:Philostrate
1404:Categories
1394:Literature
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1171:The Lovers
971:Literature
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361:23 October
321:References
42:Created by
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444:. p. 369.
380:(1996) .
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175:Hippolyta
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588: 5.1
468:. p. 68.
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214:Fletcher
52:Based on
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396:3 March
234:Troilus
185:Context
130:Theseus
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1202:Faerie
1193:(1991)
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282:Dream
278:Dream
250:Comus
226:poem
134:Egeus
1092:Puck
888:Film
868:1970
852:2016
847:1992
842:1981
837:1969
821:2017
816:1999
811:1968
806:1959
801:1935
794:Film
764:Puck
748:Snug
703:and
694:and
685:and
676:and
554:ISBN
530:ISBN
462:ISBN
438:ISBN
398:2014
363:2016
345:ISBN
304:and
236:and
1216:Art
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216:as
128:at
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