Knowledge

Parody music

Source 📝

2558: 2568: 432:", the marching song of the American Civil War, was based on the tune of an earlier camp-meeting and revival hymn, and was later fitted with the words "Mine eyes have seen the glory of the coming of the Lord", by Julia Ward Howe. This practice continued into the First World War, with many of the soldiers' songs being based on hymn tunes (for instance "When this lousy war is over", to the tune of " 3596: 3584: 394:. However, Tilmouth and Sherr comment that although these works exhibit "the kind of interaction of composer and model that was characteristic of 16th-century parody", they nevertheless employ "a stylistic dichotomy far removed from it". The same authors comment that the use of old music in the scores of 52:
In music, parody has been used for many different purposes and in various musical contexts: as a serious compositional technique, as an unsophisticated re-use of well-known melody to present new words, and as an intentionally humorous, even mocking, reworking of existing musical material, sometimes
766:
In 1942, BartĂłk listened to the first broadcast performance of the symphony, "and was struck both by the endless repetitions of the first movement's main theme ... and by the resemblance of part of that theme to a Viennese cabaret song of his acquaintance. This is what 'interrupts' the otherwise
60:
in the 16th century, and, in the 20th century, the use of folk tunes in popular song, and neo-classical works written for the concert hall, drawing on earlier styles. "Parody" in this serious sense continues to be a term in musicological use, existing alongside the more common use of the term to
1027: 103:, which was strong in Germany by that time though the word's use was infrequent and casual. It was only in modern times that the term "parody technique" came into general use as a historical musicological term, especially after the publication of Peter Wagner’s 190:
tunes and compositional styles. After the middle of the 17th century, composers sought to create "a unique musical treatment appropriate to the text and the circumstances of performance". Thereafter the serious parody became rare until the 20th century.
776:
For example: "Hagen gives Siegfried a magic potion that makes him forget all about BrĂŒnnhilde and fall in love with Gutrune Gibich, who, by the way, is the only woman Siegfried has ever come across who hasn't been his aunt – I'm not making this up, you
143:
in the derived work, but the whole substance of the source – its themes, rhythms, chords and chord progressions – is absorbed into the new piece and subjected to free variation in such a way that a fusion of old and new elements is
767:
tranquil and expressive 'Intermezzo': the ironic point being that BartĂłk treats the 'interruption' in precisely what is the harshly satirical, sarcastic, circus-ring manner of Shostakovich himself in other contexts."
412:
Popular music has used parody in a variety of ways. These include parodies of earlier music, for comic or (sometimes) serious effect; parodies of musical and performing styles; and parodies of particular performers.
729:
as "Art, Imitation and Exercise". Art, one's personal skills and talents, was expected to follow Imitation, the life or works of great predecessors, and the two must combine in Exercise, the synthesis of Art and
446:
has often been written to existing tunes, or slight modifications of them. This is another very old (and usually non-humorous) kind of musical parody that still continues. For instance,
212:
arias then in fashion. Thereafter "parody" in music has generally been associated with humorous or satiric treatment of borrowed or imitative material. Later in the 18th century,
466:
and his City Slickers parodied popular music in their own way, not by changing lyrics, but adding wild sound effects and comedic stylings to formerly staid old songs. The 1957
1531: 1564: 1134: 107:
in 1913. Although the practice of borrowing preexisting polyphonic textures dates back to the 14th century, these earlier manifestations are closer to the technique of
111:
than to the parody of 16th-century music. In the latter part of the 15th century, composers began to include the other voices of a polyphonic model in basically
1156: 1175: 1191: 232:
as a musical joke for his friends; several of the movements contain musical parody, radically changing the tempo and instrumentation of well-known melodies.
353: 2604: 597: 3441: 1284: 3434: 1541: 3409: 2872: 2597: 1708: 129: 1496: 2886: 310:, which parodies the words and music of the cycle by presenting their supposed absurdities in a mock-academic lecture format. 1299: 99:, which were used to acknowledge the source of borrowed musical material. Such preferences for Greek terms were a product of 719:
During the Renaissance, a prevailing view of the balance between originality and homage to earlier artists was summed up by
3370: 582: 2878: 676: 384: 2590: 200: 238: 3631: 2894: 1677: 1651: 1608: 1467: 1442: 1417: 1321: 1209: 978: 1392: 1259: 1153: 1373: 1350: 1239: 1172: 157: 2526: 3182: 1369: 1346: 437: 433: 160:, used a wide range of earlier music in their masses, drawing on existing secular as well as religious pieces. 17: 3216: 2929: 2672: 2103: 1922: 1776: 1476: 1447: 1422: 1397: 1326: 1290: 1214: 247: 1266:, Oxford University Press 2009, Oxford Reference Online, Oxford University Press, accessed 21 February 2012 1246:, Oxford University Press 2009, Oxford Reference Online, Oxford University Press, accessed 21 February 2012 2850: 874: 570: 973: 3626: 1701: 1113: 398:
similarly "engenders a conflict foreign to the total synthesis that was the aim of 16th-century parody".
228: 1088: 1005: 946: 901: 825: 585:
currently perform comedy parodies of popular songs from a wide of genres primarily on folk instruments.
3574: 589: 372: 553:
created parodies of popular songs in the 1950s and 1960s, mocking the musical conventions of the day,
3621: 3489: 3017: 2357: 797: 745: 317: 137:
The essential feature of parody technique is that not merely a single part is appropriated to form a
149: 3494: 3206: 2783: 2650: 1856: 1565:"What's the Deal With the Fast-Food-Themed Black Sabbath Cover Band Playing Brooklyn This Weekend?" 3448: 3227: 2138: 2005: 1223: 407: 298: 213: 3600: 3519: 3499: 2506: 1990: 1907: 1694: 451: 341: 91:
by the German composer Jakob Paix, as the equivalent of the previously usual Latin expressions
1028:"Anne Russell: Accomplished musical comedian famous for her lampooning of Wagner's Ring cycle" 264:
songs set to popular melodies of the time, involved some of the broadest musical parodies. In
223: 3546: 3514: 3111: 2212: 2128: 1841: 725: 173: 87:
The earliest musical application of this Greek term was only in 1587, on the title-page of a
2175: 3221: 3012: 2491: 2187: 1985: 1897: 1846: 1001: 484: 429: 395: 100: 2255: 1995: 187: 8: 3556: 3509: 3504: 3484: 3245: 3106: 2934: 2845: 2640: 2613: 1851: 1536: 696: 535: 500: 390: 357: 243: 3420: 3233: 3022: 2808: 2467: 2426: 2170: 2165: 2000: 1927: 1118: 1093: 1010: 984: 951: 906: 879: 830: 601: 578: 182: 367:
Serious parody was revived, in modified form, in the 20th century, with such works as
3616: 3464: 3093: 2919: 2762: 2717: 2692: 2635: 2567: 2374: 2118: 2113: 1673: 1647: 1640: 1626: 1604: 1569: 1295: 740: 720: 609: 474: 450:
took the tune of the old slave song "No more auction block for me" as the basis for "
325: 321: 313: 153: 2262: 624:, a pioneering composer and singer in the Jewish music genre, reworks the lyrics of 507:, who has parodied Sullivan, folk music, ragtime and Viennese operetta. The pianist 293: 266: 3167: 3132: 2840: 2813: 2788: 2747: 2737: 2687: 2446: 2441: 2123: 1912: 1109: 629: 558: 467: 368: 345: 329: 233: 216:
parodied the lame melodies and routine forms of lesser composers of his day in his
2302: 2292: 2250: 1380:
Oxford University Press, 2007. Oxford Reference Online. Accessed 21 February 2012
1357:
Oxford University Press, 2007. Oxford Reference Online. Accessed 21 February 2012
289: 3524: 3339: 3334: 3314: 3162: 3101: 3045: 2914: 2803: 2561: 2496: 2394: 2282: 2202: 2148: 1949: 1902: 1741: 1179: 1160: 515: 470: 379: 337: 280:
was the subject of Viennese parodies in the decades after his death. Parodies of
276: 3147: 2287: 3383: 2976: 2944: 2855: 2712: 2682: 2677: 2533: 2418: 2384: 2347: 2207: 2197: 2021: 1963: 1939: 1877: 1736: 1618: 1583: 1084: 750: 681: 655: 349: 281: 218: 3610: 3561: 3459: 3324: 3319: 3289: 3274: 3157: 3002: 2954: 2757: 2742: 2662: 2571: 2543: 2538: 2486: 2481: 2456: 2192: 1934: 1882: 1872: 1746: 1630: 1501: 1196: 641: 637: 625: 621: 605: 554: 531: 519: 496: 479: 356:. The parodic use of well-known tunes with new lyrics is a common feature of 186:. As musical fashions changed, however, there was little cause to re-use old 177: 172:
period, there continued to be parodies with serious intent, an example being
169: 139: 116: 112: 2582: 3588: 3551: 3152: 2981: 2924: 2798: 2793: 2657: 2511: 2431: 2399: 2379: 2369: 2337: 2332: 2240: 2158: 2108: 1887: 1771: 1751: 1481: 1452: 1427: 1402: 1331: 1279: 1219: 1054: 1032: 617: 550: 508: 425: 417: 333: 303: 257: 208: 108: 38: 3541: 3329: 3279: 3262: 3127: 3083: 2939: 2752: 2516: 2501: 2472: 2404: 2364: 2342: 2297: 2272: 2267: 2217: 2182: 1944: 1892: 1826: 671: 633: 566: 562: 523: 463: 271: 88: 82: 57: 46: 1497:"Meet Richard Cheese: He'll grate on you, make you laugh and sing along" 1484:. Muze Inc and Oxford University Press, 2009, accessed 21 February 2012 1455:. Muze Inc and Oxford University Press, 2009, accessed 21 February 2012 1430:. Muze Inc and Oxford University Press, 2009, accessed 21 February 2012 1405:. Muze Inc and Oxford University Press, 2009, accessed 21 February 2012 1334:. Muze Inc and Oxford University Press, 2009, accessed 21 February 2012 581:
became famous for their parodies of pop performers in the 1970s, whilst
495:
Parodists of music from the concert hall or lyric theatre have included
45:, or copying the particular style of a composer or performer, or even a 3360: 3284: 3073: 3007: 2645: 2476: 2277: 2222: 2143: 2133: 2036: 2026: 1917: 1806: 1796: 1791: 1182:, The First World War Poetry Digital Archive, accessed 19 February 2012 1163:, The First World War Poetry Digital Archive, accessed 19 February 2012 650: 613: 593: 527: 504: 499:, known for adding comic words to existing works by such composers as 3309: 3257: 3137: 3078: 2966: 2767: 2722: 2707: 2697: 2521: 2153: 1816: 1516: 1059: 645: 539: 447: 443: 421: 361: 73:, which came from the Greek Ï€Î±ÏáżłÎŽÎŻÎ± (lit. "burlesque poem" or song). 2061: 596:, who have generally put new lyrics to largely unchanged music, and 3529: 3415: 3239: 3211: 3142: 3068: 3053: 2961: 2436: 2307: 2081: 1761: 1731: 691: 686: 659: 648:
industry. parody in the 21st century has included the 2005 musical
489: 56:
Examples of musical parody with completely serious intent include
3454: 3428: 3172: 2997: 2971: 2835: 2461: 2245: 757:
to the ponderous double bass, for a truly elephantine character".
749:
at an agonisingly slow pace; the Elephant who artfully transfers
604:
keeps the lyrics intact but alters the musical style, performing
574: 148:
Many of the most famous composers of the 16th century, including
1670:
A Theory of Parody: The Teachings of Twentieth-Century Art Forms
3177: 3063: 3058: 2949: 2732: 2667: 2389: 2076: 2071: 2066: 2051: 2046: 1801: 1766: 1717: 545: 328:), was himself parodied by later composers from Saint-Saëns to 261: 42: 1045:
Russell, Anna. "The Anna Russell Album", CBS Classics LP 61665
644:-themed props and costumes with altered lyrics satirizing the 3269: 3250: 2727: 2451: 2312: 1781: 1756: 927:
Beauchamp, Marie-Claude (1993). Notes to Chandos CD CHAN 9246
457: 364:, British theatrical styles popularised in the 19th century. 37:, involves changing or copying existing (usually well known) 1668:
Hutcheon, Linda (1985). "3. The Pragmatic Range of Parody".
511:
is also noted for parodies of classical and operatic works.
3536: 3403: 1786: 1811: 1686: 1532:"Weekly radio show's hotter than a jalapeno gefilte fish" 1066: 936:
Palmer, Christopher (1991). Notes to Chandos CD CHAN 8947
478:
parodied the then very fashionable commercial variety of
133:, Michael Tilmouth and Richard Sherr write of the genre: 69:
The word "parody" derives from the post-classical Latin
242:(1943) features the appearance (followed by a trombone 852: 840: 3572: 1646:. Madison, Wisconsin: University of Wisconsin Press. 199:
The parodic elements of Bach's "Cantate burlesque",
1639: 1283: 883:, Oxford Music Online, accessed 19 February. 2012 588:Parodists with differing techniques have included 436:" and "We are Fred Karno's Army", to the tune of " 302:cycle by turning the themes into dance rhythm) to 1514:Besser, Yisroel. "Where Country and Soul Merge". 1141:, Oxford Music Online, accessed 19 February 2012 1122:, Oxford Music Online, accessed 19 February 2012 1097:, Oxford Music Online, accessed 19 February 2012 988:, Oxford Music Online, accessed 19 February 2012 955:, Oxford Music Online, accessed 19 February 2012 910:, Oxford Music Online, accessed 19 February 2012 834:, Oxford Music Online, accessed 19 February 2012 482:. A musical using heavy parody was the 1959 show 206:are humorous in intent, making fun of the florid 3608: 1603:. Oxford and New York: Oxford University Press. 1562: 1210:"Jones, Spike Spiked! The Music of Spike Jones" 1014:, Oxford Music Online, accessed 14 August 2010 522:, a supposedly newly discovered member of the 2908:Cinema / television / video 2612: 2598: 1702: 632:themes. Another example of musical parody is 598:Richard Cheese and Lounge Against the Machine 270:Mozart parodied the elaborate solemnities of 3442:Palimpsests: Literature in the Second Degree 1642:Sir Philip Sidney: selected prose and poetry 1264:The Oxford Companion to the American Musical 1244:The Oxford Companion to the American Musical 1154:"Trench Songs – When this Lousy War is Over" 546:Parodies of performing styles and performers 2605: 2591: 1709: 1695: 1556: 538:music, as well as introducing elements of 458:Parodies of earlier works in popular music 401: 194: 1637: 1173:"Trench Songs – We are Fred Karno's Army" 846: 130:Grove's Dictionary of Music and Musicians 1586:, Altar Boyz, accessed 21 February 2012 1563:Keyes, J. Edward (September 11, 2015). 1378:The Concise Oxford Dictionary of Music. 1355:The Concise Oxford Dictionary of Music. 702: 316:, a frequent parodist (of among others 14: 3609: 1617: 1529: 1278: 1072: 256:In theatrical music, the 18th century 2586: 1690: 1523: 968: 966: 964: 824:Tilmouth, Michael and Richard Sherr. 61:refer to parody for humorous effect. 1598: 1508: 923: 921: 919: 896: 894: 892: 869: 867: 858: 820: 818: 816: 814: 812: 810: 808: 806: 628:and other mainstream hits to convey 583:The Bar-Steward Sons of Val Doonican 972:Cook, Elisabeth and Stanley Sadie. 677:Composer tributes (classical music) 488:, which poked fun at old-fashioned 352:and others. His own music has been 24: 1661: 1226:, 2009, accessed 21 February 2012 961: 945:Price, Curtis and Robert D. Hume. 25: 3643: 979:The New Grove Dictionary of Opera 916: 889: 864: 803: 526:, whose creative output parodies 382:'s neo-classical works including 246:) of a theme from Shostakovich's 3594: 3582: 2566: 2557: 2556: 1623:The Music of Sir Arthur Sullivan 1192:"Bob Dylan, Blowin' in the Wind" 530:scholarship, the conventions of 428:and substituted secular words. " 1577: 1490: 1461: 1436: 1411: 1386: 1363: 1340: 1315: 1272: 1252: 1232: 1203: 1185: 1166: 1147: 1128: 1103: 1078: 1048: 1039: 1020: 994: 939: 930: 770: 760: 1530:Israel, Steve (23 July 2000). 789: 733: 713: 561:". The bandleader and pianist 434:What a Friend We Have in Jesus 76: 13: 1: 3371:Pierre Menard, Author of the 3217:Archetypal literary criticism 2777:Literature / theatre 1477:Encyclopedia of Popular Music 1448:Encyclopedia of Popular Music 1423:Encyclopedia of Popular Music 1398:Encyclopedia of Popular Music 1327:Encyclopedia of Popular Music 1291:Encyclopedia of Popular Music 1215:Encyclopedia of Popular Music 3183:Source criticism in the arts 2851:Readymades of Marcel Duchamp 1520:, April 14, 2010, pp. 42-50. 1057:. "Home grown on Broadway", 571:Jonathan and Darlene Edwards 569:, created the musical duo, " 64: 7: 3384:Reality Hunger: A Manifesto 1294:. Oxford University Press. 1200:, accessed 19 February 2012 665: 438:The Church's One Foundation 296:(sending up music from the 229:The Carnival of the Animals 168:After the beginning of the 10: 3648: 3490:Appropriation in sociology 1716: 1638:Kimbrough, Robert (1983). 405: 163: 80: 3495:Articulation in sociology 3473: 3396: 3348: 3298: 3195: 3120: 3092: 3044: 3035: 3018:Revivalism (architecture) 2990: 2907: 2864: 2831: 2822: 2776: 2628: 2621: 2552: 2417: 2325: 2231: 2096: 2014: 1978: 1971: 1962: 1865: 1834: 1825: 1724: 1139:Oxford Companion to Music 798:Oxford English Dictionary 746:Orpheus in the Underworld 640:tribute band who utilize 416:Before the 20th century, 3632:Humor in classical music 3207:Aesthetic interpretation 1063:, 31 January 1976, p. 11 577:acts. The British group 308:Introduction to the Ring 113:cantus firmus structures 3449:The Pictures Generation 3228:The Death of the Author 2006:Theatre of ancient Rome 1486:(subscription required) 1457:(subscription required) 1432:(subscription required) 1407:(subscription required) 1382:(subscription required) 1359:(subscription required) 1336:(subscription required) 1268:(subscription required) 1248:(subscription required) 1228:(subscription required) 1224:Oxford University Press 1143:(subscription required) 1124:(subscription required) 1099:(subscription required) 1016:(subscription required) 990:(subscription required) 957:(subscription required) 912:(subscription required) 885:(subscription required) 836:(subscription required) 408:Parody in popular music 402:Parody in popular music 340:parodied the styles of 195:Concert works and opera 121:Missa Fortuna desperata 3520:Copyright infringement 3500:Cultural appropriation 1599:Boyd, Malcolm (2000). 1260:"Little Mary Sunshine" 873:Burkholder, J. Peter. 739:"Tortoises dancing to 654:, which parodies both 573:", as a parody of bad 239:Concerto for Orchestra 146: 53:for satirical effect. 3547:Participatory culture 3515:Intellectual property 2213:Theatre of the Absurd 1672:. New York: Methuen. 1625:. London: Macmillan. 565:and his wife, singer 514:The musical satirist 286:Souvenirs de Bayreuth 135: 27:Composition technique 3222:Artistic inspiration 3046:Intertextual figures 3013:Parody advertisement 2188:Shakespearean comedy 1986:Ancient Greek comedy 1468:"Yankovic, 'Weird Al 703:Notes and references 485:Little Mary Sunshine 420:frequently borrowed 396:Peter Maxwell Davies 125:Missa Rosa playsante 105:Geschichte der Messe 101:Renaissance humanism 93:missa ad imitationem 3557:Recontextualisation 3510:Information society 3505:History of printing 3485:Academic dishonesty 3246:Genius (literature) 2935:Literal music video 2846:Photographic mosaic 2641:Chopped and screwed 1537:Times Herald-Record 1374:"Schickele, Peter " 1372:and Joyce Kennedy. 1349:and Joyce Kennedy. 1135:"John Brown's Body" 1112:and Clive Chapman. 1075:, pp. 150–153. 1026:O'Connor, Patrick. 1000:Wagstaff, John and 900:Tilmouth, Michael. 861:, pp. 178–180. 755:Dance of the Sylphs 697:Victorian burlesque 590:"Weird Al" Yankovic 452:Blowin' in the Wind 358:Victorian burlesque 354:parodied ever since 222:. A century later, 3627:Musical techniques 3234:Divine inspiration 3023:Video game modding 2865:By source material 2176:ComĂ©die larmoyante 2171:Sentimental comedy 2166:Restoration comedy 2129:Commedia dell'arte 2001:Corral de comedias 1544:on 21 October 2014 1178:2012-02-24 at the 1159:2012-02-24 at the 1119:Grove Music Online 1094:Grove Music Online 1011:Grove Music Online 985:Grove Music Online 952:Grove Music Online 907:Grove Music Online 880:Grove Music Online 831:Grove Music Online 602:The Lounge Kittens 579:The Barron Knights 503:and Sullivan; and 183:Christmas Oratorio 176:'s reuse of three 3570: 3569: 3477:artistic concepts 3465:Russian formalism 3191: 3190: 3031: 3030: 2920:Anime music video 2903: 2902: 2895:Statue of Liberty 2693:Musical quotation 2636:Bootleg recording 2580: 2579: 2358:Musical comedians 2321: 2320: 2119:Comedy of manners 2114:Comedy of humours 2104:Boulevard theatre 2092: 2091: 1996:ComĂ©die-Italienne 1991:ComĂ©die-Française 1958: 1957: 1570:The Village Voice 1443:"Barron Knights" 1301:978-0-19-531373-4 1258:Hischak, Thomas. 1238:Hischak, Thomas. 1110:Branscombe, Peter 1036:, 24 October 2006 1006:"Messager, AndrĂ©" 721:Sir Philip Sidney 430:John Brown's Body 260:, which included 16:(Redirected from 3639: 3622:Music and humour 3599: 3598: 3597: 3587: 3586: 3585: 3578: 3389: 3379: 3366: 3197:Related artistic 3163:Imitation in art 3133:Assemblage (art) 3042: 3041: 2841:Combine painting 2829: 2828: 2814:Verbatim theatre 2789:Cut-up technique 2688:Music plagiarism 2626: 2625: 2607: 2600: 2593: 2584: 2583: 2570: 2560: 2559: 2507:Self-referential 2124:Comedy of menace 1976: 1975: 1969: 1968: 1832: 1831: 1711: 1704: 1697: 1688: 1687: 1683: 1657: 1645: 1634: 1614: 1587: 1584:"About the show" 1581: 1575: 1574: 1560: 1554: 1553: 1551: 1549: 1540:. Archived from 1527: 1521: 1512: 1506: 1505:, 21 August 2008 1494: 1488: 1487: 1471: 1465: 1459: 1458: 1440: 1434: 1433: 1415: 1409: 1408: 1393:"Freberg, Stan" 1390: 1384: 1383: 1370:Kennedy, Michael 1367: 1361: 1360: 1347:Kennedy, Michael 1344: 1338: 1337: 1319: 1313: 1312: 1310: 1308: 1287: 1276: 1270: 1269: 1256: 1250: 1249: 1236: 1230: 1229: 1207: 1201: 1189: 1183: 1170: 1164: 1151: 1145: 1144: 1132: 1126: 1125: 1107: 1101: 1100: 1082: 1076: 1070: 1064: 1052: 1046: 1043: 1037: 1024: 1018: 1017: 998: 992: 991: 970: 959: 958: 943: 937: 934: 928: 925: 914: 913: 898: 887: 886: 871: 862: 856: 850: 844: 838: 837: 822: 801: 793: 778: 774: 768: 764: 758: 737: 731: 726:Defence of Poesy 717: 662:" style of pop. 559:Heartbreak Hotel 385:The Fairy's Kiss 21: 3647: 3646: 3642: 3641: 3640: 3638: 3637: 3636: 3607: 3606: 3605: 3601:Classical music 3595: 3593: 3583: 3581: 3573: 3571: 3566: 3552:Pirate politics 3525:Derivative work 3478: 3476: 3469: 3392: 3387: 3377: 3364: 3353: 3351: 3344: 3340:Story structure 3335:Stock character 3315:Formula fiction 3303: 3301: 3300:Standard blocks 3294: 3200: 3198: 3187: 3116: 3088: 3037: 3027: 2986: 2915:Abridged series 2899: 2887:Michelangelo's 2879:Michelangelo's 2860: 2825: 2818: 2804:Jukebox musical 2772: 2617: 2611: 2581: 2576: 2548: 2413: 2395:Animated sitcom 2317: 2283:Musical theatre 2233: 2227: 2203:Stand-up comedy 2149:One-person show 2139:Improvisational 2088: 2010: 1954: 1908:Science fiction 1861: 1821: 1742:Comedy festival 1720: 1715: 1680: 1667: 1664: 1662:Further reading 1654: 1619:Hughes, Gervase 1611: 1590: 1582: 1578: 1561: 1557: 1547: 1545: 1528: 1524: 1513: 1509: 1495: 1491: 1485: 1469: 1466: 1462: 1456: 1441: 1437: 1431: 1416: 1412: 1406: 1391: 1387: 1381: 1368: 1364: 1358: 1351:"Borge, Victor" 1345: 1341: 1335: 1320: 1316: 1306: 1304: 1302: 1285:"Sherman Allan" 1277: 1273: 1267: 1257: 1253: 1247: 1237: 1233: 1227: 1222:. Muze Inc and 1208: 1204: 1190: 1186: 1180:Wayback Machine 1171: 1167: 1161:Wayback Machine 1152: 1148: 1142: 1133: 1129: 1123: 1108: 1104: 1098: 1085:Schwandt, Erich 1083: 1079: 1071: 1067: 1053: 1049: 1044: 1040: 1025: 1021: 1015: 999: 995: 989: 971: 962: 956: 944: 940: 935: 931: 926: 917: 911: 899: 890: 884: 872: 865: 857: 853: 845: 841: 835: 823: 804: 794: 790: 781: 775: 771: 765: 761: 738: 734: 718: 714: 705: 668: 630:Orthodox Jewish 548: 516:Peter Schickele 460: 410: 404: 277:The Magic Flute 274:arias. His own 197: 166: 85: 79: 67: 28: 23: 22: 15: 12: 11: 5: 3645: 3635: 3634: 3629: 3624: 3619: 3604: 3603: 3591: 3568: 3567: 3565: 3564: 3559: 3554: 3549: 3544: 3539: 3534: 3533: 3532: 3527: 3522: 3512: 3507: 3502: 3497: 3492: 3487: 3481: 3479: 3474: 3471: 3470: 3468: 3467: 3462: 3457: 3452: 3445: 3438: 3431: 3426: 3418: 3413: 3410:De Copia Rerum 3406: 3400: 3398: 3394: 3393: 3391: 3390: 3380: 3367: 3356: 3354: 3349: 3346: 3345: 3343: 3342: 3337: 3332: 3327: 3322: 3317: 3312: 3306: 3304: 3299: 3296: 3295: 3293: 3292: 3287: 3282: 3277: 3272: 3267: 3266: 3265: 3255: 3254: 3253: 3248: 3243: 3231: 3224: 3219: 3214: 3209: 3203: 3201: 3196: 3193: 3192: 3189: 3188: 3186: 3185: 3180: 3175: 3170: 3165: 3160: 3155: 3150: 3145: 3140: 3135: 3130: 3124: 3122: 3121:Other concepts 3118: 3117: 3115: 3114: 3109: 3104: 3098: 3096: 3090: 3089: 3087: 3086: 3081: 3076: 3071: 3066: 3061: 3056: 3050: 3048: 3039: 3033: 3032: 3029: 3028: 3026: 3025: 3020: 3015: 3010: 3005: 3000: 2994: 2992: 2988: 2987: 2985: 2984: 2979: 2974: 2969: 2964: 2959: 2958: 2957: 2947: 2945:Re-cut trailer 2942: 2937: 2932: 2927: 2922: 2917: 2911: 2909: 2905: 2904: 2901: 2900: 2898: 2897: 2892: 2884: 2876: 2868: 2866: 2862: 2861: 2859: 2858: 2853: 2848: 2843: 2838: 2832: 2826: 2823: 2820: 2819: 2817: 2816: 2811: 2806: 2801: 2796: 2791: 2786: 2780: 2778: 2774: 2773: 2771: 2770: 2765: 2760: 2755: 2750: 2745: 2740: 2735: 2730: 2725: 2720: 2715: 2713:Plunderphonics 2710: 2705: 2700: 2695: 2690: 2685: 2680: 2675: 2670: 2665: 2660: 2655: 2654: 2653: 2643: 2638: 2632: 2630: 2623: 2619: 2618: 2610: 2609: 2602: 2595: 2587: 2578: 2577: 2575: 2574: 2564: 2553: 2550: 2549: 2547: 2546: 2541: 2536: 2531: 2530: 2529: 2519: 2514: 2509: 2504: 2499: 2494: 2489: 2484: 2479: 2470: 2465: 2459: 2454: 2449: 2444: 2439: 2434: 2429: 2423: 2421: 2415: 2414: 2412: 2411: 2410: 2409: 2408: 2407: 2402: 2397: 2387: 2382: 2372: 2367: 2362: 2361: 2360: 2355: 2350: 2345: 2340: 2329: 2327: 2323: 2322: 2319: 2318: 2316: 2315: 2310: 2305: 2300: 2295: 2290: 2285: 2280: 2275: 2270: 2265: 2263:ComĂ©die-ballet 2260: 2259: 2258: 2253: 2243: 2237: 2235: 2229: 2228: 2226: 2225: 2220: 2215: 2210: 2208:Street theatre 2205: 2200: 2195: 2190: 2185: 2180: 2179: 2178: 2168: 2163: 2162: 2161: 2151: 2146: 2141: 2136: 2131: 2126: 2121: 2116: 2111: 2106: 2100: 2098: 2094: 2093: 2090: 2089: 2087: 2086: 2085: 2084: 2079: 2074: 2069: 2064: 2056: 2055: 2054: 2049: 2041: 2040: 2039: 2031: 2030: 2029: 2018: 2016: 2012: 2011: 2009: 2008: 2003: 1998: 1993: 1988: 1982: 1980: 1973: 1966: 1960: 1959: 1956: 1955: 1953: 1952: 1947: 1942: 1937: 1932: 1931: 1930: 1925: 1915: 1910: 1905: 1900: 1895: 1890: 1885: 1880: 1875: 1869: 1867: 1863: 1862: 1860: 1859: 1854: 1849: 1844: 1838: 1836: 1829: 1823: 1822: 1820: 1819: 1814: 1809: 1804: 1799: 1794: 1789: 1784: 1779: 1774: 1769: 1764: 1759: 1754: 1749: 1744: 1739: 1737:Comedic device 1734: 1728: 1726: 1722: 1721: 1714: 1713: 1706: 1699: 1691: 1685: 1684: 1678: 1663: 1660: 1659: 1658: 1652: 1635: 1615: 1609: 1589: 1588: 1576: 1555: 1522: 1507: 1489: 1460: 1435: 1418:"Weston, Paul" 1410: 1385: 1362: 1339: 1322:"Lehrer, Tom" 1314: 1300: 1282:, ed. (2009). 1271: 1251: 1231: 1202: 1184: 1165: 1146: 1127: 1102: 1077: 1065: 1047: 1038: 1019: 993: 960: 947:"Ballad opera" 938: 929: 915: 888: 863: 851: 847:Kimbrough 1983 839: 802: 787: 780: 779: 769: 759: 732: 711: 704: 701: 700: 699: 694: 689: 684: 679: 674: 667: 664: 656:Christian rock 547: 544: 459: 456: 406:Main article: 403: 400: 267:CosĂŹ fan tutte 196: 193: 165: 162: 81:Main article: 78: 75: 66: 63: 35:musical parody 26: 18:Parody (music) 9: 6: 4: 3: 2: 3644: 3633: 3630: 3628: 3625: 3623: 3620: 3618: 3615: 3614: 3612: 3602: 3592: 3590: 3580: 3579: 3576: 3563: 3562:Remix culture 3560: 3558: 3555: 3553: 3550: 3548: 3545: 3543: 3540: 3538: 3535: 3531: 3528: 3526: 3523: 3521: 3518: 3517: 3516: 3513: 3511: 3508: 3506: 3503: 3501: 3498: 3496: 3493: 3491: 3488: 3486: 3483: 3482: 3480: 3472: 3466: 3463: 3461: 3460:Postmodernism 3458: 3456: 3453: 3451: 3450: 3446: 3444: 3443: 3439: 3437: 3436: 3432: 3430: 3427: 3425: 3424: 3419: 3417: 3414: 3412: 3411: 3407: 3405: 3402: 3401: 3399: 3395: 3386: 3385: 3381: 3375: 3374: 3368: 3363: 3362: 3358: 3357: 3355: 3350:Epoch-marking 3347: 3341: 3338: 3336: 3333: 3331: 3328: 3326: 3325:Jazz standard 3323: 3321: 3320:Genre fiction 3318: 3316: 3313: 3311: 3308: 3307: 3305: 3297: 3291: 3290:Western canon 3288: 3286: 3283: 3281: 3278: 3276: 3275:Genre studies 3273: 3271: 3268: 3264: 3261: 3260: 3259: 3256: 3252: 3249: 3247: 3244: 3242: 3241: 3237: 3236: 3235: 3232: 3229: 3225: 3223: 3220: 3218: 3215: 3213: 3210: 3208: 3205: 3204: 3202: 3194: 3184: 3181: 3179: 3176: 3174: 3171: 3169: 3166: 3164: 3161: 3159: 3156: 3154: 3151: 3149: 3146: 3144: 3141: 3139: 3136: 3134: 3131: 3129: 3126: 3125: 3123: 3119: 3113: 3110: 3108: 3105: 3103: 3100: 3099: 3097: 3095: 3091: 3085: 3082: 3080: 3077: 3075: 3072: 3070: 3067: 3065: 3062: 3060: 3057: 3055: 3052: 3051: 3049: 3047: 3043: 3040: 3034: 3024: 3021: 3019: 3016: 3014: 3011: 3009: 3006: 3004: 3003:Internet meme 3001: 2999: 2996: 2995: 2993: 2989: 2983: 2980: 2978: 2975: 2973: 2970: 2968: 2965: 2963: 2960: 2956: 2955:Shot-for-shot 2953: 2952: 2951: 2948: 2946: 2943: 2941: 2938: 2936: 2933: 2931: 2930:Found footage 2928: 2926: 2923: 2921: 2918: 2916: 2913: 2912: 2910: 2906: 2896: 2893: 2891: 2890: 2885: 2883: 2882: 2877: 2875: 2874: 2870: 2869: 2867: 2863: 2857: 2854: 2852: 2849: 2847: 2844: 2842: 2839: 2837: 2834: 2833: 2830: 2827: 2821: 2815: 2812: 2810: 2807: 2805: 2802: 2800: 2797: 2795: 2792: 2790: 2787: 2785: 2782: 2781: 2779: 2775: 2769: 2766: 2764: 2761: 2759: 2756: 2754: 2751: 2749: 2746: 2744: 2743:Sound collage 2741: 2739: 2736: 2734: 2731: 2729: 2726: 2724: 2721: 2719: 2716: 2714: 2711: 2709: 2706: 2704: 2701: 2699: 2696: 2694: 2691: 2689: 2686: 2684: 2681: 2679: 2676: 2674: 2673:Interpolation 2671: 2669: 2666: 2664: 2663:Cover version 2661: 2659: 2656: 2652: 2649: 2648: 2647: 2644: 2642: 2639: 2637: 2634: 2633: 2631: 2627: 2624: 2620: 2615: 2614:Appropriation 2608: 2603: 2601: 2596: 2594: 2589: 2588: 2585: 2573: 2569: 2565: 2563: 2555: 2554: 2551: 2545: 2542: 2540: 2539:Ventriloquism 2537: 2535: 2532: 2528: 2525: 2524: 2523: 2520: 2518: 2515: 2513: 2510: 2508: 2505: 2503: 2500: 2498: 2495: 2493: 2492:Observational 2490: 2488: 2485: 2483: 2480: 2478: 2474: 2471: 2469: 2466: 2463: 2460: 2458: 2455: 2453: 2450: 2448: 2445: 2443: 2440: 2438: 2435: 2433: 2430: 2428: 2425: 2424: 2422: 2420: 2416: 2406: 2403: 2401: 2398: 2396: 2393: 2392: 2391: 2388: 2386: 2383: 2381: 2378: 2377: 2376: 2373: 2371: 2368: 2366: 2363: 2359: 2356: 2354: 2351: 2349: 2346: 2344: 2341: 2339: 2336: 2335: 2334: 2331: 2330: 2328: 2324: 2314: 2311: 2309: 2306: 2304: 2303:OpĂ©ra comique 2301: 2299: 2296: 2294: 2293:OpĂ©ra bouffon 2291: 2289: 2286: 2284: 2281: 2279: 2276: 2274: 2271: 2269: 2266: 2264: 2261: 2257: 2254: 2252: 2251:CafĂ©-chantant 2249: 2248: 2247: 2244: 2242: 2239: 2238: 2236: 2230: 2224: 2221: 2219: 2216: 2214: 2211: 2209: 2206: 2204: 2201: 2199: 2196: 2194: 2193:Sketch comedy 2191: 2189: 2186: 2184: 2181: 2177: 2174: 2173: 2172: 2169: 2167: 2164: 2160: 2157: 2156: 2155: 2152: 2150: 2147: 2145: 2142: 2140: 2137: 2135: 2132: 2130: 2127: 2125: 2122: 2120: 2117: 2115: 2112: 2110: 2107: 2105: 2102: 2101: 2099: 2095: 2083: 2080: 2078: 2075: 2073: 2070: 2068: 2065: 2063: 2060: 2059: 2057: 2053: 2050: 2048: 2045: 2044: 2042: 2038: 2035: 2034: 2032: 2028: 2025: 2024: 2023: 2020: 2019: 2017: 2013: 2007: 2004: 2002: 1999: 1997: 1994: 1992: 1989: 1987: 1984: 1983: 1981: 1977: 1974: 1970: 1967: 1965: 1961: 1951: 1948: 1946: 1943: 1941: 1938: 1936: 1933: 1929: 1926: 1924: 1921: 1920: 1919: 1916: 1914: 1911: 1909: 1906: 1904: 1901: 1899: 1896: 1894: 1891: 1889: 1886: 1884: 1881: 1879: 1876: 1874: 1871: 1870: 1868: 1864: 1858: 1855: 1853: 1850: 1848: 1845: 1843: 1840: 1839: 1837: 1833: 1830: 1828: 1824: 1818: 1815: 1813: 1810: 1808: 1805: 1803: 1800: 1798: 1795: 1793: 1790: 1788: 1785: 1783: 1780: 1778: 1777:Impressionist 1775: 1773: 1770: 1768: 1765: 1763: 1760: 1758: 1755: 1753: 1750: 1748: 1747:Comedy troupe 1745: 1743: 1740: 1738: 1735: 1733: 1730: 1729: 1727: 1723: 1719: 1712: 1707: 1705: 1700: 1698: 1693: 1692: 1689: 1681: 1679:0-252-06938-2 1675: 1671: 1666: 1665: 1655: 1653:0-299-09130-9 1649: 1644: 1643: 1636: 1632: 1628: 1624: 1620: 1616: 1612: 1610:0-19-514222-5 1606: 1602: 1597: 1596: 1595: 1594: 1585: 1580: 1572: 1571: 1566: 1559: 1543: 1539: 1538: 1533: 1526: 1519: 1518: 1511: 1504: 1503: 1502:Las Vegas Sun 1498: 1493: 1483: 1479: 1478: 1473: 1464: 1454: 1450: 1449: 1444: 1439: 1429: 1425: 1424: 1419: 1414: 1404: 1400: 1399: 1394: 1389: 1379: 1375: 1371: 1366: 1356: 1352: 1348: 1343: 1333: 1329: 1328: 1323: 1318: 1303: 1297: 1293: 1292: 1286: 1281: 1280:Larkin, Colin 1275: 1265: 1261: 1255: 1245: 1241: 1235: 1225: 1221: 1217: 1216: 1211: 1206: 1199: 1198: 1197:Rolling Stone 1193: 1188: 1181: 1177: 1174: 1169: 1162: 1158: 1155: 1150: 1140: 1136: 1131: 1121: 1120: 1115: 1111: 1106: 1096: 1095: 1090: 1086: 1081: 1074: 1069: 1062: 1061: 1056: 1055:Barnes, Clive 1051: 1042: 1035: 1034: 1029: 1023: 1013: 1012: 1007: 1003: 997: 987: 986: 981: 980: 975: 969: 967: 965: 954: 953: 948: 942: 933: 924: 922: 920: 909: 908: 903: 902:"Parody (ii)" 897: 895: 893: 882: 881: 876: 870: 868: 860: 855: 849:, p. xi. 848: 843: 833: 832: 827: 821: 819: 817: 815: 813: 811: 809: 807: 800: 799: 792: 788: 786: 785: 773: 763: 756: 752: 748: 747: 742: 736: 728: 727: 722: 716: 712: 710: 709: 698: 695: 693: 690: 688: 685: 683: 680: 678: 675: 673: 670: 669: 663: 661: 657: 653: 652: 647: 643: 639: 638:Black Sabbath 635: 631: 627: 626:country music 623: 622:Country Yossi 619: 615: 611: 607: 603: 599: 595: 591: 586: 584: 580: 576: 572: 568: 564: 560: 556: 555:Elvis Presley 552: 543: 541: 537: 533: 529: 528:musicological 525: 521: 520:P. D. Q. Bach 517: 512: 510: 506: 502: 498: 497:Allan Sherman 493: 491: 487: 486: 481: 480:Calypso music 477: 476: 472: 469: 465: 462:In the 1940s 455: 453: 449: 445: 441: 439: 435: 431: 427: 423: 419: 414: 409: 399: 397: 393: 392: 387: 386: 381: 377: 375: 370: 365: 363: 359: 355: 351: 347: 343: 339: 335: 331: 327: 323: 319: 315: 311: 309: 305: 301: 300: 295: 291: 287: 283: 279: 278: 273: 269: 268: 263: 259: 254: 252: 250: 245: 241: 240: 235: 231: 230: 225: 221: 220: 215: 211: 210: 205: 203: 192: 189: 185: 184: 179: 175: 171: 161: 159: 155: 151: 145: 142: 141: 140:cantus firmus 134: 132: 131: 126: 122: 118: 117:Jacob Obrecht 114: 110: 106: 102: 98: 97:missa super 
 94: 90: 84: 74: 72: 62: 59: 58:parody masses 54: 50: 48: 47:general style 44: 40: 39:musical ideas 36: 32: 19: 3475:Related non- 3447: 3440: 3433: 3422: 3408: 3397:Theorization 3382: 3372: 3359: 3238: 3153:Found object 3148:DĂ©tournement 2982:YouTube poop 2977:Video mashup 2925:Collage film 2888: 2880: 2871: 2799:Found poetry 2794:Flarf poetry 2703:Parody music 2702: 2683:Music mashup 2658:Contrafactum 2400:Black sitcom 2380:Mockumentary 2352: 2288:OpĂ©ra bouffe 2256:CafĂ©-thĂ©Ăątre 2241:Ballad opera 2159:Harlequinade 2109:Comedy-drama 1888:Mockumentary 1772:Impersonator 1752:Comic timing 1669: 1641: 1622: 1600: 1592: 1591: 1579: 1568: 1558: 1546:. Retrieved 1542:the original 1535: 1525: 1515: 1510: 1500: 1492: 1482:Colin Larkin 1475: 1463: 1453:Colin Larkin 1446: 1438: 1428:Colin Larkin 1421: 1413: 1403:Colin Larkin 1396: 1388: 1377: 1365: 1354: 1342: 1332:Colin Larkin 1325: 1317: 1305:. Retrieved 1289: 1274: 1263: 1254: 1243: 1234: 1220:Colin Larkin 1213: 1205: 1195: 1187: 1168: 1149: 1138: 1130: 1117: 1105: 1092: 1080: 1068: 1058: 1050: 1041: 1033:The Guardian 1031: 1022: 1009: 996: 983: 977: 950: 941: 932: 905: 878: 854: 842: 829: 826:"Parody (i)" 796: 791: 783: 782: 772: 762: 754: 744: 735: 724: 715: 707: 706: 649: 587: 551:Stan Freberg 549: 513: 509:Victor Borge 494: 483: 473: 461: 442: 426:church music 418:popular song 415: 411: 389: 383: 373: 366: 334:Savoy operas 312: 307: 304:Anna Russell 297: 285: 275: 265: 258:ballad opera 255: 248: 237: 227: 219:Musical Joke 217: 207: 201: 198: 181: 167: 147: 138: 136: 128: 124: 120: 109:contrafactum 104: 96: 92: 86: 70: 68: 55: 51: 34: 31:Parody music 30: 29: 3542:Open source 3330:Plot device 3280:Originality 3263:Fan fiction 3128:After (art) 3084:Translation 2940:Parody film 2824:Visual arts 2753:Tribute act 2616:in the arts 2468:Documentary 2464:(dry humor) 2427:Alternative 2405:Teen sitcom 2298:Opera buffa 2273:Light music 2268:Comedy club 2218:Tragicomedy 2183:Shadow play 1114:"Pantomime" 1089:"Burlesque" 1073:Hughes 1959 1002:Andrew Lamb 875:"Borrowing" 672:Comedy rock 634:Mac Sabbath 616:songs in a 567:Jo Stafford 563:Paul Weston 524:Bach family 464:Spike Jones 284:range from 272:opera seria 224:Saint-SaĂ«ns 89:parody mass 83:Parody mass 77:Renaissance 3611:Categories 3435:Nachahmung 3421:Dionysian 3361:L.H.O.O.Q. 3285:Simulacrum 3094:Adaptation 3074:Plagiarism 3008:Joke theft 2991:Other arts 2784:Assemblage 2646:Contrafact 2375:Television 2278:Music hall 2223:Vaudeville 2144:Macchietta 2134:Double act 2043:Indonesia 2037:Mo lei tau 2033:Hong Kong 2027:Xiangsheng 1898:Remarriage 1807:Visual gag 1797:Punch line 1792:Prank call 1548:12 October 795:"Parody", 784:References 730:Imitation. 651:Altar Boyz 642:McDonald's 594:Bob Rivers 505:Tom Lehrer 501:Ponchielli 424:and other 422:hymn tunes 391:Pulcinella 380:Stravinsky 348:, Mozart, 174:J. S. Bach 158:Palestrina 115:, such as 49:of music. 3310:Archetype 3302:and forms 3258:Fan labor 3138:Bricolage 3079:Quotation 2967:TV format 2873:Mona Lisa 2768:Vaporwave 2763:Variation 2723:Quodlibet 2718:Potpourri 2708:Pasticcio 2698:Nightcore 2522:Slapstick 2447:Christian 2442:Character 2419:Subgenres 2234:and dance 2154:Pantomime 1940:Slapstick 1913:Screwball 1817:Word play 1631:500626743 1517:Mishpacha 1240:"Jamaica" 1087:, et al. 1060:The Times 859:Boyd 2000 741:Offenbach 658:and the " 646:fast food 540:slapstick 536:classical 448:Bob Dylan 444:Folk song 374:Classical 369:Prokoviev 362:pantomime 332:. In the 326:Meyerbeer 322:Donizetti 314:Offenbach 262:satirical 249:Leningrad 244:raspberry 226:composed 144:achieved. 65:Etymology 41:, and/or 3617:Parodies 3530:Fair use 3423:imitatio 3416:Diegesis 3240:Afflatus 3212:Anti-art 3199:concepts 3143:Citation 3107:Literary 3069:Pastiche 3054:Allusion 3038:concepts 3036:General 2962:Supercut 2748:Standard 2738:Sampling 2622:By field 2562:Category 2497:Physical 2308:Operetta 2082:Sarugaku 1950:Thriller 1842:American 1762:Humorist 1732:Comedian 1621:(1959). 1176:Archived 1157:Archived 974:"Parody" 692:Pastiche 687:Soramimi 666:See also 660:boy band 542:comedy. 518:created 490:operetta 468:Broadway 376:Symphony 338:Sullivan 330:Sondheim 294:Messager 251:Symphony 178:cantatas 150:Victoria 3575:Portals 3455:Pop art 3429:Mimesis 3373:Quixote 3173:Reprise 3112:Theatre 2998:In-joke 2972:Vidding 2836:Collage 2534:Surreal 2462:Deadpan 2348:Hip hop 2246:Cabaret 1972:Country 1964:Theatre 1928:Mexican 1923:Italian 1903:Romance 1878:Fantasy 1857:Italian 1847:British 1835:Country 1593:Sources 751:Berlioz 723:in his 620:style. 575:cabaret 532:Baroque 475:Jamaica 471:musical 346:Bellini 209:da capo 204:Cantata 202:Peasant 180:in his 170:Baroque 164:Baroque 71:parodia 3388:(2010) 3378:(1939) 3365:(1919) 3178:Satire 3168:Mashup 3158:Homage 3064:Parody 3059:Calque 2950:Remake 2733:Riddim 2678:Medley 2668:DJ mix 2572:Portal 2544:Zombie 2527:Topics 2487:Insult 2482:Horror 2457:Cringe 2390:Sitcom 2353:Parody 2077:Rakugo 2072:Owarai 2067:Manzai 2062:Kyƍgen 2058:Japan 2052:Ludruk 2047:Lenong 1979:Europe 1945:Stoner 1935:Silent 1893:Parody 1883:Horror 1873:Action 1852:French 1802:Satire 1767:Humour 1725:Topics 1718:Comedy 1676:  1650:  1629:  1607:  1480:. Ed. 1451:. Ed. 1426:. Ed. 1401:. Ed. 1330:. Ed. 1307:23 May 1298:  1218:. Ed. 777:know!" 682:Mashup 618:lounge 612:, and 342:Handel 282:Wagner 234:BartĂłk 214:Mozart 154:Lassus 43:lyrics 3589:Music 3352:works 3270:Genre 3251:Muses 2889:PietĂ  2881:David 2856:Swipe 2809:Trope 2758:Trope 2728:Remix 2629:Music 2512:Shock 2452:Clown 2432:Black 2385:Roast 2370:Radio 2365:Novel 2338:Album 2333:Music 2326:Media 2313:Revue 2232:Music 2097:Genre 2022:China 1866:Genre 1782:Irony 1757:Farce 708:Notes 610:metal 350:Verdi 318:Gluck 290:FaurĂ© 188:modal 127:. In 33:, or 3537:Meme 3404:Dada 3102:Film 2651:list 2517:Sick 2502:Prop 2473:High 2437:Blue 2343:Rock 2198:Spex 2015:Asia 1827:Film 1787:Joke 1674:ISBN 1648:ISBN 1627:OCLC 1605:ISBN 1601:Bach 1550:2014 1309:2021 1296:ISBN 636:, a 614:rock 592:and 557:'s " 534:and 440:"). 388:and 378:and 360:and 324:and 299:Ring 292:and 156:and 123:and 2477:low 1918:Sex 1812:Wit 743:'s 606:rap 600:or 454:". 371:'s 306:'s 288:by 236:'s 119:'s 95:or 3613:: 3376:" 2475:/ 1567:. 1534:. 1499:, 1474:, 1445:, 1420:, 1395:, 1376:, 1353:, 1324:, 1288:. 1262:, 1242:, 1212:, 1194:, 1137:, 1116:, 1091:, 1030:, 1008:. 1004:. 982:, 976:, 963:^ 949:, 918:^ 904:, 891:^ 877:, 866:^ 828:, 805:^ 753:' 608:, 492:. 344:, 336:, 320:, 253:. 152:, 3577:: 3369:" 3230:" 3226:" 2606:e 2599:t 2592:v 1710:e 1703:t 1696:v 1682:. 1656:. 1633:. 1613:. 1573:. 1552:. 1472:" 1470:' 1311:. 20:)

Index

Parody (music)
musical ideas
lyrics
general style
parody masses
Parody mass
parody mass
Renaissance humanism
contrafactum
cantus firmus structures
Jacob Obrecht
Grove's Dictionary of Music and Musicians
cantus firmus
Victoria
Lassus
Palestrina
Baroque
J. S. Bach
cantatas
Christmas Oratorio
modal
Peasant Cantata
da capo
Mozart
Musical Joke
Saint-Saëns
The Carnival of the Animals
BartĂłk
Concerto for Orchestra
raspberry

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑