Knowledge

Ludwig Forum für Internationale Kunst

Source 📝

404: 133: 247:'s ballerina clown, which is set up in the courtyard of the Ludwig Forum, also looks far into history and over the continents. He has a twin in Los Angeles, set up on the roof of the Public Library of Santa Monica, directly on the Pacific Ocean. The clown was originally created for the Metropolis show, which is now regarded as the benchmark among experts. It was shown at the beginning of 1991 in the Gropius Bau in Berlin and from which the work for Aachen was acquired on the occasion of the reopening of the Ludwig Forum in the summer of the same year. 392: 122: 25: 140: 322:
Brigitte Franzen was director of the Ludwig Forum from 2009 to 2015. The exhibition programme and the presentation of the collection at this time were based on annual leitmotifs, such as the 2009 video/film and 2010 architecture and space. In this context, the Ludwig Forum has positioned itself as an
180:
Since 1968, founding director Wolfgang Becker has worked closely with the Ludwig collector couple and in 1970, the municipal museum Neue Galerie - Sammlung Ludwig was founded in Aachen from common ideas. It was one of the first museums for contemporary art in Germany and was originally located in the
289:
In addition to solo and group exhibitions of internationally renowned artists, the Ludwig Forum 2010 presented contemporary architecture for the first time under the title West Arch - A new Generation in Architecture. In 2011, the Ludwig Forum for International Art celebrated its 20th anniversary.
185:
to found the Verein der Freunde der Neuen Galerie on 9 February 1971. In 1991, the museum moved into the rooms of Emil Brauer, an umbrella factory built in 1928 in the international style and shut down in 1988, and henceforth called itself the Ludwig Forum for International Art. The Friends of the
197:
The Ludwig Forum's collection comprises more than 3,000 works, mainly from the collection of the collectors Peter and Irene Ludwig, from all genres of art and from many countries. The Ludwig Collection is particularly well known for its pop art collections and its focus on American art since the
376:
The umbrella factory Brauer, Jülicher Straße 97-109, is a two- and three-storey building by the architects Josef Bachmann and Alexander Lürken from 1928, which was listed in 1977 as 3-storey skeleton building with rounded corners and flat roof; the facades are yellow bricked, the base with red
326:
Andreas Beitin has been director of the Ludwig Forum since February 2016. He was attracted by the challenge and work with the renowned collection of the house. However, he has refrained from presenting the collection in his own new way in favour of temporary exhibitions. Beitin's mission is to
202:
in East Berlin. This led to a lively exchange with artists from Eastern Germany. In the 1980s and 1990s, the Ludwigs traveled to Russia and soon began collecting contemporary Soviet and Chinese art. Today, many of these positions and artist personalities are world famous, such as
377:
clinker facing. The building, which was rather atypical for Aachen in its time, was borrowed from the Bauhaus style with its very striking designs. Typical features include the play with basic geometric shapes, such as the round window above the former main entrance.
290:
The exhibitions Hyper Real - Kunst und Amerika um 1970 and Nie wieder störungsfrei - Aachen Avantgarde from 1964 onwards, covering the history of the museum and the collection to current artistic positions and issues, concluded the exhibition.
222:
Some of the works that the Ludwig Forum houses are not missing in any encyclopedia on modern art history and thus belong to a kind of world memory of 20th century art. These include, for example, the photorealistic painting Medici by
536: 403: 299:
Founding director Wolfgang Becker was in office from 1970 to 2001. Under his supervision, important exhibitions have taken place, such as Cliché/antique (1970), Robert Filliou: Commemor (1970) and the Havana Biennial
166:
is a museum for modern art in Aachen. It is based on the Ludwig Collection, which was brought together by the Aachen collector couple Irene and Peter Ludwig, and is supported by the Peter and Irene Ludwig Foundation.
243:
in Kassel. Hanson also produced the Mona-Lisa from Aachen, a hyper-realistic sculpture of a woman with a shopping trolley, affectionately known as the Supermarket Lady.
303:
From 2002 to 2008, Harald Kunde led the Ludwig Forum's fortunes and positioned the institution with monographic exhibitions of well-known contemporary artists such as
323:
exhibition house and museum with a transdisciplinary profile. Franzen left the Forum to serve as the new managing director of the Peter and Irene Ludwig Foundation.
42: 584: 89: 61: 68: 153: 589: 75: 599: 132: 57: 189:
Since the move, the museum has focused on contemporary art. By 2011, the number of visitors had increased to around 55,000 per year.
219:. In addition, an important collection of video art was built up in the house, which today has some 200 works of art in the city. 594: 432: 391: 82: 380:
In 1988, the building was fundamentally rebuilt and restored according to the designs of Aachen architect Fritz Eller.
250:
The video archive of the Ludwig Forum comprises a collection of approximately 200 video works by video artists such as
108: 46: 283: 181:
Alte Kurhaus Aachen. Conservative hostility motivated gynaecologist Hugo Jung and five other professors at
364:
2017–2018: dis/order. Art and Activism in Russia since 2000, (17. November 2017 bis 18. February 2018)
35: 259: 182: 355: 316: 8: 464: 500: 428: 410: 338: 244: 275: 604: 367:
2018: Flashes of the Future - The Art of the ’68ers or The Power of the Powerless
251: 240: 212: 578: 552: 538: 308: 271: 224: 304: 279: 267: 255: 228: 208: 204: 121: 312: 236: 263: 235:
in Manhattan. Both works were exhibited in 1972 at the now legendary
216: 24: 199: 492: 519: 452: 232: 139: 342: 186:
Ludwig Forum was formed from the friends' association.
425:
Nie wieder störungsfrei! Aachen Avantgarde seit 1964
361:
2017: Art X Cuba - Contemporary Positions since 1989
327:
further develop the Ludwig Forum as a living house.
49:. Unsourced material may be challenged and removed. 198:1960s. In 1977, the collector couple first showed 576: 157:Ludwig Forum für Internationale Kunst, Aachen 413:at the Ludwig Forum für Internationale Kunst 585:Buildings and structures completed in 1928 345:(curators Andreas Beitin and Holger Otten) 331: 125:Ludwig Forum for International Art, Aachen 397:Ludwigforum für Internationale Kunst 2005 109:Learn how and when to remove this message 120: 351:2017: Erik Levine - As a Matter of Fact 58:"Ludwig Forum für Internationale Kunst" 577: 507:. The Lord Mayor of the City of Aachen 227:or the sculpture group Bowery Bums by 146:Ludwig Forum für Internationale Kunst 590:Art museums and galleries in Germany 501:"Ludwig Forum for International Art" 47:adding citations to reliable sources 18: 522:. Peter and Irene Ludwig Foundation 520:"Peter und Irene Ludwig foundation" 231:, which shows three beggars of the 13: 564:Ludwig Forum for International Art 418: 164:Ludwig Forum for International Art 14: 616: 600:Museums in North Rhine-Westphalia 485: 293: 402: 390: 348:2017: LuForm - Design Department 138: 131: 23: 453:Peter und Irene Ludwig Stiftung 34:needs additional citations for 457: 446: 1: 595:Modern art museums in Germany 439: 192: 16:Art museum in Aachen, Germany 7: 371: 10: 621: 383: 175: 170: 341:- The collages from the 427:, Kerber Verlag, 2011, 332:Exhibitions (selection) 183:RWTH Aachen University 126: 493:"Ludwig Forum Aachen" 409:Ballerina Clown from 124: 553:50.78111°N 6.10194°E 356:Franz Erhard Walther 317:Atelier van Lieshout 154:class=notpageimage| 43:improve this article 548: /  127: 558:50.78111; 6.10194 495:. City of Aachen. 433:978-3-86678-602-8 411:Jonathan Borofsky 358:- Handlung denken 339:Mies van der Rohe 245:Jonathan Borofsky 119: 118: 111: 93: 612: 572: 571: 569: 568: 567: 565: 560: 559: 554: 549: 546: 545: 544: 541: 530: 528: 527: 515: 513: 512: 496: 479: 478: 476: 475: 461: 455: 450: 406: 394: 276:Ulrike Rosenbach 142: 141: 135: 114: 107: 103: 100: 94: 92: 51: 27: 19: 620: 619: 615: 614: 613: 611: 610: 609: 575: 574: 563: 561: 557: 555: 551: 550: 547: 542: 539: 537: 535: 534: 525: 523: 518: 510: 508: 499: 491: 488: 483: 482: 473: 471: 463: 462: 458: 451: 447: 442: 421: 419:Further reading 414: 407: 398: 395: 386: 374: 334: 315:(2007) and the 296: 252:Klaus vom Bruch 241:Harald Szeemann 213:Huang Yong Ping 195: 178: 173: 160: 159: 158: 156: 150: 149: 148: 147: 143: 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 618: 608: 607: 602: 597: 592: 587: 532: 531: 516: 497: 487: 486:External links 484: 481: 480: 469:ludwigforum.de 465:"Ludwig Forum" 456: 444: 443: 441: 438: 437: 436: 420: 417: 416: 415: 408: 401: 399: 396: 389: 385: 382: 373: 370: 369: 368: 365: 362: 359: 352: 349: 346: 333: 330: 329: 328: 324: 320: 301: 295: 294:Administration 292: 284:William Wegman 194: 191: 177: 174: 172: 169: 152: 151: 145: 144: 137: 136: 130: 129: 128: 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 617: 606: 603: 601: 598: 596: 593: 591: 588: 586: 583: 582: 580: 573: 570: 521: 517: 506: 505:www.aachen.de 502: 498: 494: 490: 489: 470: 466: 460: 454: 449: 445: 434: 430: 426: 423: 422: 412: 405: 400: 393: 388: 387: 381: 378: 366: 363: 360: 357: 353: 350: 347: 344: 340: 336: 335: 325: 321: 318: 314: 310: 309:Franz Gertsch 306: 302: 298: 297: 291: 287: 285: 281: 277: 273: 272:Nam June Paik 269: 265: 261: 260:Douglas Davis 257: 253: 248: 246: 242: 238: 234: 230: 226: 225:Franz Gertsch 220: 218: 214: 210: 206: 201: 190: 187: 184: 168: 165: 155: 134: 123: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: –  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 533: 524:. Retrieved 509:. Retrieved 504: 472:. Retrieved 468: 459: 448: 424: 379: 375: 305:Sophie Calle 288: 280:Wolf Vostell 268:Bruce Nauman 256:Peter Campus 249: 229:Duane Hanson 221: 209:Erik Bulatov 205:Ilya Kabakov 196: 188: 179: 163: 161: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 556: / 337:2016–2017: 313:Chuck Close 237:documenta 5 579:Categories 562: ( 540:50°46′52″N 526:2015-03-02 511:2015-03-02 474:2018-05-25 440:References 264:Joan Jonas 193:Collection 69:newspapers 217:Ai Weiwei 99:June 2023 372:Building 311:(2006), 307:(2005), 543:6°6′7″E 384:Gallery 319:(2008). 300:(1998). 200:Pop Art 176:History 83:scholar 605:Aachen 431:  354:2017: 233:Bowery 171:Museum 85:  78:  71:  64:  56:  90:JSTOR 76:books 429:ISBN 343:MoMA 282:and 215:and 162:The 62:news 239:by 45:by 581:: 503:. 467:. 286:. 278:, 274:, 270:, 266:, 262:, 258:, 254:, 211:, 207:, 566:) 529:. 514:. 477:. 435:. 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

Index


verification
improve this article
adding citations to reliable sources
"Ludwig Forum für Internationale Kunst"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message

Ludwig Forum für Internationale Kunst
class=notpageimage|
RWTH Aachen University
Pop Art
Ilya Kabakov
Erik Bulatov
Huang Yong Ping
Ai Weiwei
Franz Gertsch
Duane Hanson
Bowery
documenta 5
Harald Szeemann
Jonathan Borofsky
Klaus vom Bruch
Peter Campus
Douglas Davis
Joan Jonas

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.