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Kontakion

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The Slavic kondakar has the old gestic notation which referred (in the first row) to the hand signs used by the choirleaders to coordinate the singers. Except for the ephymnion the whole prooimion and the oikoi were recited by a soloist called "monophonaris" (the hand sign were not so important than
1690:
Medieval manuscripts preserved about 750 kontakia since the 9th century, about two thirds had been composed since the 10th century, but they were rather liturgical compositions with about two or six oikoi, each one concluded by a refrain identical to the introduction (prooimion). Longer compositions
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A kontakion is a poetic form frequently encountered in Byzantine hymnography. It was probably based on Syriac hymnographical traditions, which were transformed and developed in Greek-speaking Byzantium. It was a homiletic genre and could be best described as a "sermon in verse accompanied by music".
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is wound. While the genre dates to at least the 6th century, the word itself is attested only in the 9th century. The name is likely a reference to the fact that kontakions tend to be lengthy and have a large number of stanzas, thus metaphorically or literally requiring a great deal of "scrolling".
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Within the cathedral rite developed a truncated which reduced the kontakion to one oikos or just to the prooimion, while the music was elaborated to a melismatic style. The classical repertoire consisted of 42 kontakia-idiomela, and 44 kontakia-prosomoia made about a limited number of model stanzas
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established an own local school earlier (even if it is no longer present in the modern books), while the Stoudites embraced the genre kontakion with own new compositions. The only explanation is that different customs must have existed simultaneously, the truncated and the long kontakion, but also
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Psaltikon-Kontakarion (prokeimena, allelouiaria, kontakarion with integrated hypakoai, hypakoai anastasima, the complete Akathistos hymn, kontakia anastasima, stichera heothina, appendix with refrains of the allelouiaria in oktoechos order) written by monk Neophyte (mid 14th
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and became a kind of para-liturgical genre. In the modern practice it is reduced to heirmologic melos which allowed the celebration of the whole Akathist on the morning service of the fourth Sunday of Great Lent. This Akathist was traditionally ascribed to
1834:, but recent scholarship has disapproved it. In Slavic hymnography the so-called Akafist became a genre of its own which was dedicated to various saints; while not part of any prescribed service, these may be prayed as a devotional hymn at any time. 1804:
for the day calls for more than one kontakion at matins, the kontakion and oikos of the more significant feast is sung after the sixth ode, while those of the less significant feast are transferred to the place following the third ode, before the
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Since the late 13th century, when the Court and the Patriarchate returned from exile in Nikaia, the former cathedral rite was not continued and thus, also the former celebration of kontakion changed. The only entire kontakion celebrated was the
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in 1894, where she noted that "a fine Russian hymn, always sung at funerals throughout the Greek Church, was sung without accompaniment, & was very impressive". She certainly heard Birkbeck's translation when it was sung at the funeral of
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Psaltikon (Prokeimena, Allelouiaria, Hypakoai, Anti-cherouvikon for the Liturgy of Presanctified Gifts) and Kontakarion (menaion with integrated movable cycle) with Middle Byzantine round notation written in a monastic context (about
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This kontakion-idiomelon by Romanos the Melodist was composed in echos varys (the grave mode) and the prooimion was chosen as model for the prosomoion of the resurrection kontakion Ἐκ τῶν τοῦ ᾍδου πυλῶν in the same echos.
1012: 2882: 2267:. The text is attributed to the "humble Anastasios", probably a Byzantine monk writing in the 6th or 7th century, although the exact date is a matter of debate. It was translated into English from Russian by 1735:, which frequently includes the name of the poet. For example, Romanos' poems often include the acrostic "Of the Humble Romanos" or "The Poem of the Humble Romanos". The last line of the prelude introduces a 487: 1768:, or even the whole congregation, joined in the refrain. The length of many kontakia — indeed, the epic character of some — suggest that the majority of the text must have been delivered in a kind of 1699:
consisting of fourteen prooimia-idiomela and thirteen okoi-idiomela which could be combined independently. This classical repertoire was dominated by classical composers of the 6th and 7th centuries.
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Incomplete Kontakarion (Prokeimena, Stichologia for Christmas and Theophany, Allelouiaria, Hypakoai anastasima, kontakia) in short psaltikon style with Middle Byzantine Round notation (late 13th c.)
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Liturgy, Architecture and Art of the Byzantine World: Papers of the XVIII International Byzantine Congress (Moscow, 8–15 August 1991) and Other Essays Dedicated to the Memory of Fr. John Meyendorff
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Oikematarion kalophonikon based on papadic compositions by Michael Aneotos and kalopismoi by Ioannis Glykys copied by Gregorios Monachos at the Mone Esphigmenou on the Holy Mount Athos (1437)
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The truncated form consists only of the first stanza called "koukoulion" (now referred to as simply "the kontakion") and the first oikos, while the other oikoi became omitted. Within the
517: 1851:) and they belong to the old core repertoire of 86 kontakia which had been all known as part of the cathedral rite. Thus, they can be found with notation in the kontakarion-psaltikon. 1788:. Assumptions that kontakia replaced canon poetry or vice versa that the Stoudites replaced the kontakia with Hagiopolitan canon poetry, always remained controversial. The Patriarch 832: 1858:
served as melodic models used to compose other kontakia. The kontakion for Easter for instance was used to compose an Old Church Slavonic kondak in honour of the local saints
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The current practice treats the kontakion as a proper troparion, based on the text of the prooimion, dedicated to a particular feast of the menaion or the moveable cycle.
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the feast of Annunciation (25 March). In later kontakaria and oikemataria which treated all 24 oikoi in a kalophonic way, the Akathist was written as part of the
1527:). A kontakion sometimes has a biblical theme and may feature a dialogue between biblical characters. The only kontakion that is used in full length today is the 2268: 527: 845: 532: 344: 3751: 1825:, within the oikematarion the complete kontakion filled half the volume of the whole book. As such it could only be performed in short sections throughout 731: 462: 3756: 2302:, her daughters asked that the kontakion be included in the service as it was a favourite of their mother's, a suggestion which was blocked by Bishop 1894:
during the ephymnion). The Middle Byzantine notation used in the Greek kontakarion-psaltikon rather showed the melismatic melos behind these signs.
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The last example is not a model, but a kontakion-prosomoion which had been composed over the melody of Romanos the Melodist's Nativity kontakion
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was also mentioned in his vita. Until the twelfth century, it was sung every year at the imperial banquet on that feast by the joint choirs of
1022: 4111: 1439: 1105: 2999:. Holy Trinity Orthodox School, Russian Orthodox Church Abroad, 466 Foothill Blvd, Box 397, La Canada, California 91011, USA. Archived from 3893: 2348: 2271:, an English theologian and musicologist who studied Russian church music in Moscow in 1890. The traditional tune, known in English as the 435: 1785: 1231: 638: 445: 180: 65: 1687:— but meter and music have greatly heightened the drama and rhetorical beauty of the speaker's often profound and very rich meditation. 4207: 3323: 3659: 2299: 1661: 467: 279: 274: 1432: 623: 289: 238: 213: 1135: 243: 1691:
were the Slavic Akafist which were inspired by an acrostic kontakion whose 24 stanzas started with each letter of the alphabet (
3031:Тvпико́нъ сіесть уста́въ (Title here transliterated into Russian; actually in Church Slavonic) (The Typicon which is the Order) 827: 784: 284: 203: 85: 3247:
Nižegorodsky Kondakar' of the Blagoveščensky Monastery, introduced, described and transcribed by Tatiana Shvets (about 1200)
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Kontakarion without musical notation organised as a menaion, triodion (at least in part), and pentekostarion (10th century)
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rather than having music composed for every word, but unfortunately the original music to the kontakia has not survived.
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The Magis' visit to the newborn Child is celebrated in the Orthodox Church on 25 December rather than on 6 January (the
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Lingas, Alexander (1995). "The Liturgical Place of the Kontakion in Constantinople". In Akentiev, Constantin C. (ed.).
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were usually sung by protopsaltes during the morning services, the first part for the morning service with its
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in Constantinople. Most of the poem takes the form of a dialogue between the Mother of God and the Magi.
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is not just a collection of kontakia: in the tradition of the Cathedral Rite (like that practiced at the
1367: 658: 233: 3203: 2463:. Памятники славяно-русской письменности. Новая серия. Vol. 1–3. Moscow: Языки славянских культур. 2758: 2717: 2295: 1941: 1878:) was repeated like a refrain after each oikos and its melody was used in all kontakia composed in the 1185: 807: 415: 372: 360: 23: 4217: 3941: 2352: 871: 765: 618: 599: 309: 70: 4192: 4166: 3781: 3645: 2333: 1683:
In character it is similar to the early Byzantine festival sermons in prose — a genre developed by
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Originally the kontakion was a Syriac form of poetry, which became popular in Constantinople under
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during the 7th century. Romanos' works had been widely acknowledged as a crucial contribution to
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The Kontakion of the Departed with Parratt's arrangement was included in the first edition of
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Autocephaly and canonicity recognized by Constantinople and 3 other autocephalous Churches:
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may have heard this kontakion in Russian at a memorial service in London for the death of
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Lexiko tis neas ellinikis glossas (Dictionary of the Modern Greek Language — in Greek)
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Koder, Johannes (2008). "Imperial Propaganda in the Kontakia of Romanos the Melode".
3083: 3044:. Vol. 1–3. Hamburg (Habilitation 1961 at University of Hamburg). Archived from 3016: 2971: 2944: 2775: 2552: 2542: 2464: 2319: 1684: 1307: 1302: 1271: 1160: 750: 109: 3315: 2912:"The order of service for Queen's committal at St George's Chapel at Windsor Castle" 1664:, in some kontakia he also supported Emperor Justinian by writing state propaganda. 3829: 3761: 3706: 3701: 2363: 2303: 2048:, originally provided for the feast of Annunciation (nine months before Nativity). 1492: 1347: 1322: 1150: 925: 802: 587: 324: 319: 151: 3430: 3254: 3041:
Das mittelbyzantinische Kontaktienrepertoire. Untersuchungen und kritische Edition
1784:
during solemn occasions (a festive night vigil) and was usually celebrated at the
1547:), which means "rod" or "stick" and refers specifically to the rod around which a 1205: 1200: 4121: 4034: 3819: 3746: 3741: 3696: 3668: 3418: 3349: 2695: 2646: 2379: 2339: 1800:
for the kontakion and oikos is after the sixth ode of the canon; however, if the
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in 1906, and has since appeared in several other Anglican hymn books, including
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teaching on prayers for the dead. Nevertheless, it was sung at the funeral of
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Theology and poetry in early Byzantium: the Kontakia of Romanos the Melodist
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Within the cathedral rite, the ritual context of the long kontakion was the
1707:
The form generally consists of 18 to 24 metrically identical stanzas called
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from all dangers that can be do thou deliver us, that we may cry to thee:
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Museum of Ancient Greek, Byzantine and Post-Byzantine Musical Instruments
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All we go down to the dust, and, weeping o'er the grave we make our song:
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British Royal and State Funerals: Music and Ceremonial since Elizabeth I
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The Origins of Russian Music - Introduction to the Kondakarian Notation
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and we are mortal, formed of the earth, and unto earth shall we return;
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on 6 January celebrates the Baptism of Christ in the Orthodox Church).
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Receive me as one repentant, and make me as one of Thy hired servants.
1652:, Anastasios and Kyriakos during the 6th century and was continued by 3951: 3915: 3910: 3866: 3569: 3513: 3404: 2569:
Concerning the inauguration of the Hagia Sophia, see Johannes Koder (
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and of thanksgiving as ones rescued out of sufferings, O Theotokos;
4013: 3903: 3886: 3556: 3486: 3394: 2494: 2484: 2311: 2045: 1822: 1732: 1692: 1632: 1055: 985: 973: 962: 401: 3637: 2461:Типографский Устав: Устав с кондакарем конца XI — начала XII века 1897: 3931: 3623: 3588: 3549: 3414: 3368: 3130:. Byzantino Rossica. Vol. 1. St. Petersburg. pp. 50–57. 1818: 1801: 1797: 1736: 1636: 1500: 1070: 920: 378:
Spiritual independence recognized by Georgian Orthodox Church:
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Autocephalous Churches who are officially part of the communion:
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For other kontakia-prosomoia of the same model, see the article
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According to the melodic system of the cathedral rite, certain
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Perhaps the kontakion which is best known in the west is the
2233:δέξαι με μετανοοῦντα, καὶ ποίησόν με, ὡς ἕνα τῶν μισθίων σου. 2231: 2218: 2208: 2150: 2133: 2074: 2059: 2021: 1985: 1970: 1924: 1918: 1913: 1879: 1867: 1846: 1765: 1740: 1725: 1717: 1709: 1564: 1065: 968: 2423:аможе вси человецы пойдем, надгробное рыдание творяще песнь: 1495:
around the 6th century and is closely associated with Saint
2698:, section "The Fourth Sunday of Lent", Retrieved 2012-01-17 2272: 2242:
Wherefore, I cry unto Thee with the voice of the Prodigal:
1624: 1481: 930: 2415:Сам Един еси Безсмертный, сотворивый и создавый человека: 2386:, intended for congregational singing and set to the tune 2614:
St. Romanos the Melodist, On the Life of Christ: Kontakia
1731:. The first letters of each of the stanzas often form an 2970:. Cambridge, MA: Harvard University Press. p. 457. 2541:. Cambridge: Cambridge University Press. pp. 9–11. 2441:
for so thou didst ordain when thou createdst me, saying:
2417:земнии убо от земли создахомся, и в землю туюжде пойдем, 2052:
Kontakion of the Annunciation of the Most Holy Theotokos
1775: 1593:) this became the name of the book of the prechanter or 2848:"Give Rest, O Christ, To Your Servant With Your Saints" 2403:τὰς ψυχὰς τῶν δούλων σου ἔνθα οὐκ ἔστι πόνος, οὐ λύπη, 2310:, on the grounds that the text was not in keeping with 2240:
I squandered on vices the wealth which Thou gavest me.
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Archbishop Averky († 1976); Archbishop Laurus (2000).
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that Thou, in truth, art the Effulgence of the Father.
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Autocephaly recognized by some autocephalous Churches
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Thou only art immortal, the Creator and Maker of man;
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Ms. K-5349, f.75v-76r). Edition by Boris Uspenskiy (
1845:
The examples chosen here are only the introduction (
1745:", which is repeated at the end of all the stanzas. 1613:
was the most voluminous part, and acquired the name
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A form of hymn in the Byzantine liturgical tradition
2275:Melody, was edited by Birkbeck's close friend, Sir 2244:I have sinned before Thee, O compassionate Father. 2204:(9th week before Easter, 2nd week of the triodion) 2109:
but as thou art one with might which is invincible,
2069:ἐκ παντοίων με κινδύνων ἐλευθέρωσον, ἵνα κράζω σοί∙ 1976:τὴν δύναμιν, καὶ ἀνέστης ὡς νικητής, Χριστὲ ὁ Θεός, 1840: 4188:6th-century establishments in the Byzantine Empire 3293:"Sinai, Saint Catherine's Monastery, Ms. Gr. 1262" 3280:"Sinai, Saint Catherine's Monastery, Ms. Gr. 1314" 3267:"Sinai, Saint Catherine's Monastery, Ms. Gr. 1280" 2854:. The Hymn Society in the United States and Canada 2757:Quoted according to the Blagoveščensky kondakar' ( 2716:Quoted according to the Blagoveščensky kondakar' ( 2370:, which he wrote as a present for Russian cellist 2366:used the Kiev Melody as one of four themes in his 2044:Another example composed in the same echos is the 1748:The main body of a kontakion was chanted from the 3231:"Sinai, Saint Catherine's Monastery, Ms. Gr. 925" 2443:'Dust thou art, and unto dust shalt thou return.' 1467: 4179: 2410:души раб Твоих, идеже несть болезнь, ни печаль, 2382:, wrote a paraphrase of this kontakion in 1982, 2152:ὅτι σὺ ὑπάρχεις ἀληθῶς, τοῦ Πατρὸς τὸ ἀπαύγασμα. 2238:Having foolishly abandoned Thy paternal glory, 2183:and Thy disciples, as much as they could bear, 2038:Thou Who dost grant resurrection to the fallen. 2842: 2840: 2821: 2819: 2746:Holy Trinity Monastery (Jordanville, New York) 2405:οὐ στεναγμός, ἀλλὰ ζωὴ ἀτελεύτητος: ἀλληλούϊα. 2343:in the United States. It has been sung at the 2222:ἐν κακοῖς ἐσκόρπισα, ὅν μοι παρέδωκας πλοῦτον· 2034:Rejoice! and giving peace unto Thine apostles, 3653: 3331: 2220:Τῆς πατρῴας, δόξης σου, ἀποσκιρτήσας ἀφρόνως, 2174: 2157: 2096: 2081: 2007: 1992: 1935: 1930: 1907: 1902: 1440: 2518: 2459:Uspenskiy, Boris Aleksandrovič, ed. (2006). 2384:Christ the victorious, give to your servants 2254: 2187:so that when they should see Thee crucified, 2122:Kontakion of the Transfiguration of the Lord 2105:we thy servants dedicate a feast of victory 1987:δωρούμενος ὁ τοῖς πεσοῦσι παρέχων ἀνάστασιν. 3021:: CS1 maint: numeric names: authors list ( 2837: 2816: 2774:Quoted according to the Tipografsky Ustav ( 2536: 2419:якоже повелел еси, Создавый мя и рекий ми: 2202:Kontakion of the Sunday of the Prodigal Son 3660: 3646: 3338: 3324: 3140:: CS1 maint: location missing publisher ( 3078:Floros, Constantin; Neil K. Moran (2009). 2189:they would know Thy passion to be willing, 2181:On the mount Thou was (sic) transfigured, 1447: 1433: 3202:Trypanis, Constantine Athanasius (1968). 3069:) CS1 maint: location missing publisher ( 2026:and didst arise as victory, O Christ God, 1980:Χαίρετε, καὶ τοῖς σοῖς Ἀποστόλοις εἰρήνην 3201: 3149:Birkbeck, Rose Katherine Gurney (1922). 3148: 2594: 2592: 2224:ὅθεν σοι τὴν τοῦ Ἀσώτου, φωνὴν κραυγάζω· 1896: 1619: 3180: 2943:. London: Windmill Books. p. 436. 2616:. San Francisco: Harper. pp. 1–12. 4180: 3166:. Woodbridge, Suffolk: Boydell Press. 2936: 2598:See the edition by Constantin Floros ( 2434:neither sighing, but life everlasting. 2139:τὴν δόξαν σου Χριστὲ ὁ Θεὸς ἐθεάσαντο· 2067:ἀλλʹ ὡς ἔχουσα τὸ κράτος απροσμάχητον, 2063:ὡς λυτρωθεῖσα τῶν δεινῶν εὐχαριστήρια, 1499:(d. 556). Kontakions have a number of 3641: 3319: 3159: 2963: 2779: 2736: 2734: 2732: 2730: 2589: 2458: 2091:ѿ вьсѣхъ мѧ бѣдъ свободи и да зовѹ ти 1998:и въскрьсе ꙗко побѣдителъ христе боже 1776:The liturgical place of the kontakion 1491:The kontakion form originated in the 2892:. The Royal Household. 16 April 2021 2611: 2532: 2530: 2412:ни воздыхание, но жизнь безконечная. 2226:Ἥμαρτον ἐνώπιόν σου Πάτερ οἰκτίρμον, 2020:yet didst Thou destroy the power of 1817:. Its original place was within the 1793:the ritual context of both customs. 1403:Encyclical of the Eastern Patriarchs 1013:Differences from the Catholic Church 879:History of Eastern Orthodox theology 3667: 3311:Kontakion on the Nativity of Christ 2612:Lash, Archimandrite Ephrem (1995). 2087:въсписаѥть ти градъ твои богородице 2014:Though Thou didst descend into the 2000:женамъ мюроносицѧмъ радость провѣща 725:Other possible ecumenical councils: 488:Australia, New Zealand, and Oceania 13: 3382:List of New Testament lectionaries 3291: 3278: 3265: 3241: 3223: 3152:Life and Letters of W. J. Birkbeck 2940:Benjamin Britten: A Life For Music 2762: 2727: 2721: 2676: 2432:where sorrow and pain are no more; 2401:Μετὰ τῶν ἁγίων ἀνάπαυσον, Χριστέ, 2281:St George's Chapel, Windsor Castle 2065:ἀναγράφω σοι ἡ πόλις σου, Θεοτόκε· 2061:Τῇ ὑπερμάχῳ στρατηγῷ τὰ νικητήρια, 1953: 1945: 14: 4229: 4208:Eastern Orthodox liturgical music 3304: 3229: 3155:. London: Longmans, Green and Co. 2527: 2176:ꙗко ты ѥси въ истинѹ отьче сиꙗниѥ 1994:Аще и въ гробъ съниде бесъмьртьне 1972:Εἰ καὶ ἐν τάφῳ κατῆλθες ἀθάνατε, 1519:) and begin with a prologue (the 595:American Orthodox Catholic Church 4162: 4161: 3803: 3622: 3205:Fourteen Early Byzantine Cantica 2967:The Harvard University Hymn Book 2667:See the Oikematarion written at 2421:яко земля еси и в землю отыдеши, 2298:in 1896. During the planning of 1841:Prooimia of 4 classical kontakia 498:Belgium, Holland, and Luxembourg 38: 2957: 2930: 2904: 2875: 2866: 2828: 2807: 2798: 2785: 2768: 2751: 2710: 2701: 2682: 2661: 2519:Mpampiniotis, Georgios (1998). 2430:to thy servant with thy saints, 2185:beheld Thy glory, O Christ God; 2143:τὸ μὲν πάθος νοήσωσιν ἑκούσιον, 2141:ἵνα ὅταν σὲ ἴδωσι σταυρούμενον, 2089:нъ ꙗко имѹщи дьржавѹ непобѣдимѹ 2002:и своимъ апостолѡмъ миръ дарова 1978:γυναιξὶ Μυροφόροις φθεγξάμενος. 1866:. The concluding verse called " 1543:derives from the Greek κόνταξ ( 818:Christianization of Kievan Rus' 679:First Seven Ecumenical Councils 3253: 2652: 2633: 2620: 2605: 2576: 2563: 2523:. Athens: Kentro lexikologias. 2512: 2447:Alleluia, alleluia, alleluia. 2137:καὶ ὡς ἐχώρουν οἱ Μαθηταί σου, 2098:радѹи сѧ невѣсто неневѣстьнаꙗ. 2085:ꙗко избывъ ѿ зълъ благодарениꙗ 2083:Възбраньнѹмѹ воѥводѣ побѣдьнаꙗ 1961: 1631:chanting his kontakion (1649, 1: 3570:Idiomela, Avtomela, Prosomoia 2834:Range 2016, pp. 271 & 279 2740:Translation according to the 2500: 2425:Аллилуиа, Аллилуиа, Аллилуиа. 2345:state and ceremonial funerals 2191:and would preach to the world 2167:страсть ѹбо разѹмѣють вольнѹю 2165:да ѥгда тѧ ѹзьрѧть распинаѥма 2163:славѹ твою христе боже видѣша 2115:Rejoice, thou Bride Unwedded. 2103:To thee, the Champion Leader, 1929:and its kontakion-prosomoion 1862:, two martyre princes of the 1248:Intercession of the Theotokos 1023:Opposition to papal supremacy 842:Moscow–Constantinople schism 543:Switzerland and Liechtenstein 4144:School of Ecclesiastic Music 3208:. Vienna: H. Böhlaus Nachf. 3184:What we did for the Russians 3125: 3096: 3037: 2658:Тvпико́нъ, p 7, 11, 12, etc. 2627: 2599: 2570: 1925: 1919: 1880: 1868: 1847: 1790:Germanus I of Constantinople 1741: 1726: 1718: 1710: 1534: 813:Christianization of Bulgaria 7: 3187:. Lulu Press. p. 194. 3038:Floros, Constantin (2015). 2537:Gador-Whyte, Sarah (2017). 2478: 2452: 2408:Со святыми упокой, Христе, 2161:и ꙗко въмѣщахѹ ѹченици твои 2135:Ἐπὶ τοῦ ὄρους μετεμορφώθης, 1936: 1908: 1760:) after the reading of the 1677:Church of the Holy Apostles 1654:Sergius I of Constantinople 1368:Photios I of Constantinople 885:20th century (Neo-Palamism) 808:Christianization of Georgia 10: 4234: 3077: 2988: 2362:In 1971, British composer 2296:Prince Henry of Battenberg 2219: 2209: 2134: 2060: 2009:падъшимъ подаꙗ въскрьсениѥ 1971: 1940:(24 July Boris and Gleb) ( 1914: 1874: 1643: 1569:; loaned into Slavonic as 1565: 1468: 1018:Opposition to the Filioque 561:Noncanonical jurisdictions 4198:Genres of Byzantine music 4152: 4104: 4068: 4027: 3994: 3942:Byzantine Musical Symbols 3924: 3859: 3838: 3812: 3801: 3684: 3675: 3619: 3583: 3537: 3495: 3475: 3443: 3390: 3356: 3181:Skinner, Michael (2008). 2353:Philip, Duke of Edinburgh 2306:with the support of King 2261:Kontakion of the Departed 2255:Kontakion of the Departed 2158: 2082: 1993: 1931: 1903: 1669:On the Nativity of Christ 1578: 1529:Akathist to the Theotokos 1255:The four fasting periods: 1136:Eastern Orthodox marriage 744:Other important councils: 600:American World Patriarchs 518:Great Britain and Ireland 3160:Range, Matthias (2016). 3082:. Frankfurt, M. : Lang. 3065:: CS1 maint: location ( 2964:Gomes, Peter J. (2007). 2918:. BBC. 19 September 2022 2505: 2334:Hymns Ancient and Modern 2300:Victoria's state funeral 1629:St. Romanos the Melodist 1298:Athanasius of Alexandria 548:United States of America 340:Czech Lands and Slovakia 162:Four Marks of the Church 4203:Eastern Christian hymns 3732:Joseph the Hymnographer 3629:Christianity portal 2232: 2151: 2075: 1986: 1702: 1658:Sophronius of Jerusalem 1555:A hymn book containing 1488:liturgical tradition. 1131:Eastern Orthodox bowing 32:Eastern Orthodox Church 4096:Thrasyvoulos Stanitsas 3969:Hagiopolitan Octoechos 3964:Neobyzantine Octoechos 3722:Theophanes the Branded 2584:Feast of the Theophany 2450: 2252: 2199: 2175: 2145:τῷ δὲ κόσμω κηρύξωσιν, 2119: 2097: 2076:Χαῖρε Νύμφη ἀνύμφευτε. 2042: 2008: 1974:ἀλλὰ τοῦ ᾍδου καθεῖλες 1965: 1926:ēchos plagios tetartos 1881:ēchos plagios tetartos 1640: 1408:Eastern Orthodox cross 573:Spiritual Christianity 4127:Monastery of Stoudios 4076:Greek Byzantine Choir 3099:Dumbarton Oaks Papers 2937:Powell, Neil (2014). 2398: 2372:Mstislav Rostropovich 2349:Sir Winston Churchill 2269:William John Birkbeck 2265:Kontakion of the Dead 2215: 2159:На горѣ прѣобрази сѧ 2130: 2056: 1967: 1900: 1848:prooimion, koukoulion 1752:by a cleric (often a 1662:Byzantine hymnography 1623: 1418:Statistics by country 1343:Maximus the Confessor 771:Constantinople (1872) 4213:Liturgy of the Hours 4156:*also music theorist 4091:Konstantinos Pringos 3937:72 equal temperament 3737:Joseph the Confessor 3717:Theodore the Studite 3692:Romanos the Melodist 2825:Skinner 2008, p. 194 2813:Birkbeck 1922, p. 40 2804:Trypanis 1968, p. 51 2428:Give rest, O Christ, 1996:нъ адѹ раздрѹши силѹ 1937:Ašte i ubǐjena bysta 1650:Romanos the Melodist 1511:, stanzas; singular 1497:Romanos the Melodist 1353:Theodore the Studite 1318:Gregory of Nazianzus 1176:Russian bell ringing 1101:Liturgical entrances 911:Essence vs. Energies 906:Contemplative prayer 659:Evangelical Orthodox 481:Episcopal assemblies 204:Ecumenical Patriarch 157:Apostolic succession 3712:Stephen the Sabaite 2030:myrrh-bearing women 1888:Kontakion of Pascha 1667:Romanos' kontakion 1476:, plural κοντάκια, 1363:Cyril and Methodius 1333:Cyril of Alexandria 1220:Liturgical calendar 1036:Liturgy and worship 672:Ecumenical councils 75:History of theology 4086:Iakovos Nafpliotis 4081:Nikodimos Kabarnos 4040:Solon Hadjisolomos 3795:Janus Plousiadenos 3752:Nikephoros Ethikos 2872:Range 2016, p. 297 2694:2011-07-26 at the 2645:2011-07-26 at the 2626:Alexander Lingas ( 2328:The English Hymnal 2291:Tsar Alexander III 2279:, the organist of 2210:Ἡ παρθένος σήμερον 1966: 1932:Аще и убьѥна быста 1912:(Easter kontakion 1641: 1313:Cyril of Jerusalem 1243:Feast of Orthodoxy 538:Spain and Portugal 46:Christ Pantocrator 4175: 4174: 4138:Only-begotten Son 4055:Miloš Velimirović 3974:Papadic Octoechos 3846:Paschal troparion 3825:George Pachymeres 3788:Manuel Chrysaphes 3678:List of composers 3635: 3634: 3453:Canon of the Odes 3089:978-3-631-59553-4 2470:978-5-9551-0131-6 2368:Cello Suite No. 3 2320:Westminster Abbey 2213:in echos tritos. 2169:мирѹ же провѣдѧть 2018:, O Immortal One, 1856:kontakia-idiomela 1786:Blachernae Chapel 1685:Ephrem the Syrian 1457: 1456: 1308:Basil of Caesarea 1303:Ephrem the Syrian 1186:Sign of the cross 1161:Paschal troparion 941:Mystical theology 751:Quinisext Council 452:Semi-Autonomous: 97:View of salvation 4225: 4218:Christian prayer 4165: 4164: 3830:Manuel Bryennios 3807: 3791: 3762:John Koukouzelis 3757:Gregorios Glykys 3707:Cosmas of Maiuma 3702:John of Damascus 3662: 3655: 3648: 3639: 3638: 3627: 3626: 3350:liturgical books 3347:Eastern Orthodox 3340: 3333: 3326: 3317: 3316: 3300: 3288: 3275: 3262: 3250: 3238: 3219: 3198: 3177: 3156: 3145: 3139: 3131: 3122: 3105:: 275–291, 281. 3093: 3074: 3064: 3056: 3054: 3053: 3034: 3026: 3020: 3012: 3010: 3008: 2982: 2981: 2961: 2955: 2954: 2934: 2928: 2927: 2925: 2923: 2908: 2902: 2901: 2899: 2897: 2887: 2879: 2873: 2870: 2864: 2863: 2861: 2859: 2844: 2835: 2832: 2826: 2823: 2814: 2811: 2805: 2802: 2796: 2789: 2783: 2772: 2766: 2755: 2749: 2738: 2725: 2714: 2708: 2707:Тvпико́нъ, p 437 2705: 2699: 2686: 2680: 2669:Mone Esphigmenou 2665: 2659: 2656: 2650: 2637: 2631: 2624: 2618: 2617: 2609: 2603: 2596: 2587: 2580: 2574: 2567: 2561: 2560: 2534: 2525: 2524: 2516: 2474: 2364:Benjamin Britten 2304:Randall Davidson 2235: 2228: 2227: 2212: 2211: 2178: 2171: 2170: 2154: 2147: 2146: 2100: 2093: 2092: 2078: 2071: 2070: 2011: 2004: 2003: 1989: 1982: 1981: 1939: 1934: 1933: 1928: 1922: 1917: 1916: 1911: 1906: 1905: 1883: 1877: 1876: 1871: 1850: 1744: 1729: 1721: 1713: 1597:, also known as 1580: 1568: 1567: 1493:Byzantine Empire 1471: 1470: 1449: 1442: 1435: 1348:John of Damascus 1323:Gregory of Nyssa 1151:Paschal greeting 1116:Memorial service 926:Hypostatic union 803:Byzantine Empire 588:Old Calendarists 209:Episcopal polity 152:Christian Church 42: 19: 18: 4233: 4232: 4228: 4227: 4226: 4224: 4223: 4222: 4193:Byzantine music 4178: 4177: 4176: 4171: 4148: 4122:Cappella Romana 4100: 4064: 4035:Enrica Follieri 4023: 3990: 3920: 3855: 3834: 3820:Michael Psellos 3808: 3799: 3786: 3747:Constantine VII 3742:Leo VI the Wise 3697:Andrew of Crete 3680: 3671: 3669:Byzantine music 3666: 3636: 3631: 3621: 3615: 3579: 3533: 3491: 3471: 3439: 3386: 3352: 3344: 3307: 3226: 3224:Further reading 3216: 3195: 3174: 3133: 3132: 3090: 3058: 3057: 3051: 3049: 3029: 3014: 3013: 3006: 3004: 3003:on 26 July 2011 2991: 2986: 2985: 2978: 2962: 2958: 2951: 2935: 2931: 2921: 2919: 2910: 2909: 2905: 2895: 2893: 2885: 2881: 2880: 2876: 2871: 2867: 2857: 2855: 2846: 2845: 2838: 2833: 2829: 2824: 2817: 2812: 2808: 2803: 2799: 2790: 2786: 2773: 2769: 2756: 2752: 2739: 2728: 2715: 2711: 2706: 2702: 2696:Wayback Machine 2687: 2683: 2679:, ff.67v-131r). 2666: 2662: 2657: 2653: 2647:Wayback Machine 2638: 2634: 2625: 2621: 2610: 2606: 2597: 2590: 2581: 2577: 2568: 2564: 2549: 2535: 2528: 2517: 2513: 2508: 2503: 2481: 2471: 2455: 2449: 2446: 2444: 2442: 2440: 2438: 2436: 2435: 2433: 2431: 2429: 2427: 2426: 2424: 2422: 2420: 2418: 2416: 2414: 2413: 2411: 2409: 2407: 2406: 2404: 2402: 2380:Carl P. 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Malta 482: 474: 473: 472: 450: 441:Bessarabia (RP) 405: 394: 393: 392: 390: 388: 365: 349: 345:North Macedonia 268: 257: 256: 255: 183: 173: 172: 171: 140: 137: 122: 114: 52: 17: 12: 11: 5: 4231: 4221: 4220: 4215: 4210: 4205: 4200: 4195: 4190: 4173: 4172: 4170: 4169: 4158: 4157: 4153: 4150: 4149: 4147: 4146: 4141: 4134: 4129: 4124: 4119: 4114: 4108: 4106: 4102: 4101: 4099: 4098: 4093: 4088: 4083: 4078: 4072: 4070: 4066: 4065: 4063: 4062: 4057: 4052: 4047: 4042: 4037: 4031: 4029: 4025: 4024: 4022: 4021: 4016: 4011: 4010: 4009: 4002:Byzantine lyra 3998: 3996: 3992: 3991: 3989: 3988: 3983: 3982: 3981: 3971: 3966: 3961: 3960: 3959: 3949: 3944: 3939: 3934: 3928: 3926: 3922: 3921: 3919: 3918: 3913: 3908: 3907: 3906: 3896: 3891: 3890: 3889: 3882:Byzantine Rite 3879: 3874: 3869: 3863: 3861: 3857: 3856: 3854: 3853: 3848: 3842: 3840: 3836: 3835: 3833: 3832: 3827: 3822: 3816: 3814: 3810: 3809: 3802: 3800: 3798: 3797: 3792: 3784: 3779: 3774: 3772:Joannes Glykys 3769: 3764: 3759: 3754: 3749: 3744: 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2023: 2017: 2010: 1988: 1963: 1959: 1955: 1954:Sin. Gr. 1280 1951: 1947: 1943: 1938: 1927: 1921: 1910: 1899: 1895: 1891: 1889: 1885: 1882: 1870: 1865: 1861: 1857: 1852: 1849: 1838: 1835: 1833: 1828: 1824: 1820: 1816: 1815:Akathist hymn 1810: 1808: 1803: 1799: 1794: 1791: 1787: 1783: 1773: 1771: 1767: 1763: 1759: 1755: 1751: 1746: 1743: 1738: 1734: 1730: 1728: 1722: 1720: 1714: 1712: 1700: 1696: 1694: 1688: 1686: 1680: 1678: 1674: 1670: 1665: 1663: 1659: 1655: 1651: 1638: 1634: 1630: 1626: 1622: 1618: 1616: 1612: 1608: 1604: 1600: 1596: 1592: 1588: 1584: 1576: 1572: 1562: 1558: 1553: 1550: 1546: 1542: 1532: 1530: 1526: 1522: 1518: 1514: 1510: 1506: 1502: 1498: 1494: 1489: 1487: 1483: 1479: 1475: 1466: 1462: 1450: 1445: 1443: 1438: 1436: 1431: 1430: 1428: 1427: 1419: 1416: 1414: 1411: 1409: 1406: 1404: 1401: 1399: 1396: 1394: 1391: 1390: 1383: 1382: 1374: 1371: 1369: 1366: 1364: 1361: 1359: 1356: 1354: 1351: 1349: 1346: 1344: 1341: 1339: 1338:John Climacus 1336: 1334: 1331: 1329: 1326: 1324: 1321: 1319: 1316: 1314: 1311: 1309: 1306: 1304: 1301: 1299: 1296: 1295: 1291:Major figures 1288: 1287: 1278: 1275: 1273: 1270: 1268: 1265: 1263: 1262:Nativity Fast 1260: 1259: 1254: 1253: 1249: 1246: 1244: 1241: 1240: 1236:Other feasts: 1235: 1233: 1230: 1228: 1227:Paschal cycle 1225: 1224: 1221: 1216: 1215: 1207: 1204: 1202: 1199: 1197: 1194: 1192: 1189: 1187: 1184: 1182: 1179: 1177: 1174: 1172: 1169: 1167: 1164: 1162: 1159: 1157: 1154: 1152: 1149: 1147: 1144: 1142: 1139: 1137: 1134: 1132: 1129: 1127: 1124: 1122: 1119: 1117: 1114: 1112: 1109: 1107: 1104: 1102: 1099: 1097: 1094: 1092: 1089: 1087: 1084: 1082: 1079: 1077: 1074: 1072: 1069: 1067: 1064: 1062: 1059: 1057: 1054: 1053: 1049: 1046: 1044: 1041: 1040: 1037: 1032: 1031: 1024: 1021: 1019: 1016: 1014: 1011: 1010: 1006: 1005: 1001: 999: 998: 994: 992: 989: 987: 984: 982: 981: 977: 975: 972: 970: 967: 965: 964: 959: 958: 954: 952: 949: 947: 944: 942: 939: 937: 934: 932: 929: 927: 924: 922: 919: 917: 914: 912: 909: 907: 904: 902: 899: 897: 894: 893: 886: 882: 881: 880: 877: 876: 873: 868: 867: 857: 854: 852: 849: 847: 844: 843: 841: 839: 838:North America 836: 834: 831: 829: 826: 824: 821: 819: 816: 814: 811: 809: 806: 804: 801: 799: 796: 794: 791: 790: 786: 781: 780: 772: 769: 767: 764: 762: 759: 757: 754: 752: 749: 748: 743: 742: 738: 735: 733: 730: 729: 724: 723: 719: 716: 714: 711: 709: 706: 704: 701: 699: 696: 694: 691: 689: 686: 685: 680: 677: 676: 673: 668: 667: 660: 657: 656: 650: 647: 645: 642: 640: 637: 635: 632: 630: 627: 625: 622: 620: 617: 616: 615: 614: 609: 606: 605: 601: 598: 596: 593: 589: 586: 584: 581: 580: 579: 576: 574: 571: 569: 568:Old Believers 566: 565: 558: 557: 549: 546: 544: 541: 539: 536: 534: 531: 529: 528:Latin America 526: 524: 521: 519: 516: 514: 511: 509: 506: 504: 501: 499: 496: 494: 491: 489: 486: 485: 478: 477: 469: 466: 464: 461: 459: 456: 455: 453: 447: 444: 442: 439: 437: 436:Americas (RP) 434: 432: 429: 427: 424: 422: 419: 417: 414: 412: 409: 408: 404:jurisdictions 403: 398: 397: 391: 385: 384:Ukraine (UOC) 382: 381: 379: 374: 373:Ukraine (OCU) 371: 370: 368: 362: 359: 358: 356: 354: 346: 343: 341: 338: 336: 333: 331: 328: 326: 323: 321: 318: 316: 313: 311: 308: 306: 303: 301: 298: 296: 293: 291: 288: 286: 283: 281: 278: 276: 273: 272: 267:jurisdictions 266: 265:Autocephalous 261: 260: 252: 249: 245: 242: 241: 240: 237: 235: 232: 230: 227: 225: 222: 220: 217: 215: 212: 210: 207: 205: 202: 200: 197: 195: 192: 190: 187: 186: 182: 177: 176: 168: 165: 163: 160: 158: 155: 153: 150: 148: 145: 144: 139: 133: 129: 125: 124: 118: 117: 111: 110:View of icons 108: 106: 105: 101: 99: 98: 94: 92: 89: 87: 84: 82: 79: 76: 72: 69: 67: 64: 63: 61: 60: 56: 55: 51: 47: 41: 37: 36: 33: 30: 29: 25: 21: 20: 4136: 4117:Protopsaltes 4060:Egon Wellesz 3979:Nana (echos) 3898: 3608: 3601: 3594: 3587: 3562: 3555: 3548: 3543:Sticherarion 3541: 3506: 3499: 3480: 3479: 3464: 3459:Heirmologion 3457: 3374: 3369:Epistle Book 3367: 3360: 3296: 3283: 3270: 3258: 3246: 3234: 3204: 3183: 3162: 3151: 3127: 3102: 3098: 3079: 3050:. 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1827:Great Lent 1807:kathismata 1770:recitative 1764:, while a 1727:prooimoion 1723:(cowl) or 1719:koukoulion 1607:prokeimena 1525:koukoulion 1521:prooimoion 1267:Great Lent 1146:Paraklesis 1126:Omophorion 1081:Holy Water 980:Philokalia 639:Montenegro 468:ROCOR (MP) 458:Crete (EP) 431:China (MP) 426:Japan (MP) 402:Autonomous 280:Alexandria 121:Background 44:Mosaic of 3952:Octoechos 3916:Sticheron 3911:Troparion 3899:Kontakion 3867:Aposticha 3851:Octoechos 3813:Theorists 3685:Composers 3514:Troparion 3405:Polyeleos 3136:cite book 3111:0070-7546 3061:cite book 2793:idiomelon 2724:, f. 66). 2689:Liturgics 2640:Liturgics 2557:992462921 2490:Troparion 2322:in 1925. 1890:(Easter) 1869:ephymnion 1782:pannychis 1742:ephymnion 1599:psaltikon 1581:), but a 1579:кондакарь 1541:kontakion 1539:The word 1535:Etymology 1486:Byzantine 1474:kondakion 1469:κοντάκιον 1461:kontakion 1277:Dormition 1201:Vestments 1196:Troparion 1191:Sticheron 1181:Semantron 1171:Prosphora 1096:Kontakion 1004:Theotokos 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Index

a series
Eastern Orthodox Church
Christ Pantocrator (Deesis mosaic detail)
Christ Pantocrator
Hagia Sophia
Structure
Theology
History of theology
Liturgy
Church history
Holy Mysteries
View of salvation
View of Mary
View of icons
Crucifixion
Resurrection
Ascension
of Jesus

Christianity
Christian Church
Apostolic succession
Four Marks of the Church
Orthodoxy
Organization
Autonomy
Autocephaly
Patriarchate
Ecumenical Patriarch
Episcopal polity
Canon law
Clergy

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