263:, writing in 1972, claimed the opposite for Wells—that he rejected eclecticism and embraced the use of precedent (Hitchcock called it "direct inspiration"). He saw Wells's design for the Villard Houses not only as a harbinger of the shift to the classical and symmetrical, but also as part of a broader transition from European to American leadership in architectural design, writing that "a change in American architecture came...in the early eighties with the designing and building of the Villard houses in New York." According to Hitchcock, "the rejection of the English High Victorian and even of Shavian-manorial irregularity and picturesqueness is here at its extreme even at the very beginning. It was, moreover, almost immediately reflected in the planning of 's H.A.C. Taylor house in Newport, a year or two later, in which there was a return to the formal Anglo-Palladian mode of the eighteenth century." Noting that the classical trend came several years later to England, Hitchcock opined that "this was the point where the tide turns, when American leadership, although not yet much followed, was beginning to be recognized abroad."
270:, but attributed White's shift to the classical more to his 1884 European honeymoon, writing, "...White's wedding trip through Europe opened his eyes. Returning, supported by Wells, he began to practice—and preach—Italian Renaissance as a style and a tradition better suited to American needs than any or all phases of Gothic, Romanesque, or...strictly classical architecture." William Mitchell Kendall, who became a partner in the firm in 1906, recalled Wells's role as having been subsidiary to those of the partners: "So far as I know his work was confined to the details of building. In that he was supreme. Nobody before or since has equalled him in the appropriateness and scale of his ornamentation: and this of course gave great character to the buildings he decorated. But the ensemble, and by implication, the kind of decoration, was invariably decided by a member of the firm."
274:
McKim or White, and therefore gave Wells a significant say in the overall design. Years later, Mead wrote of Wells's status as first among equals among the firm's employees during its early days: "In 1879, shortly before the establishment of the firm, Joseph M. Wells came into our office...I suppose he had merely a good high school education, but he was one of the most learned young men in literature and art whom I have ever met, and a most original thinker...in his quiet, almost unsocial, way he immediately made an impression upon all of us, and became our intimate friend and associate, not only in our work but in our daily lives...I recall the times when we four were working together in the bonds of true fellowship."
290:
298:
1896:
210:, where he studied subjects such as art, music, dancing, and ethics, and where he was required to keep a daily journal (which he continued to keep for the rest of his life). In 1870, according to the census taken that year, he lived with his parents and siblings in New York City on Horatio Street, age 18, no occupation given. He worked in Boston for the architects
31:
668:
work address. In the 1875, 1876, and 1877 directories, Luce has an office at 17 Pemberton Square, and Wells is listed as working at that address; in 1878 Luce has an office at 11 Pemberton Square, and Wells is working at the same address (which in the 1875 and 1876 Directories is Luce's home address).
255:
Earlier, in 1924, Magonigle made even greater claims for Wells, writing that "there was a moment of great promise in the history of
American design when it looked as though the influence of the genius of Joseph Morrill Wells would direct American thought toward a virile and fruitful eclecticism that
667:
In the 1873 Boston
Directory, Wells is absent, presumably living in New York; Luce is a draftsman working at 17 Pembroke, presumably for the architect Gridley Bryant who had offices there. In the 1874 Directory, the firm of Peabody & Stearns has offices at 60 Devonshire, which Wells gave as his
273:
Nevertheless, there were instances where Wells had greater responsibility for the composition. William R. Mead, a partner more inclined to manage than design, collaborated with Wells on major projects in Kansas City and Omaha for the New York Life
Insurance Company, projects that failed to interest
189:
In 1860, Thomas and Sarah Wells lived at
Roxbury with their four children, but by 1870, the family was living in New York City at 9 Horatio Street ("between West 4th and Hudson Streets"), where they remained until about 1873, and where Thomas Wells pursued his many business interests. One of these
173:
By 1849, the year Thomas Foster Wells married Sarah
Morrill, he was in partnership with John Emery Gowen, trading in West India goods and importing liquors and wine. In the 1850s, Wells and Gowen conducted marine salvage operations while selling deep-sea diving gear, doing business as "Wells &
193:
By 1874, the family was living in a house at 137 Highland Street near
Roxbury, from which Thomas Wells commuted to his office at 3 Merchants Row in Boston, where he worked in real estate. In 1880, Thomas and Sarah Wells were living with their daughter Annie at Winchester, Massachusetts, a Boston
225:
In 1879, Wells joined McKim, Mead & White and remained there until his death in 1890. Notwithstanding his many contributions to the firm's work, he was obscure in life and for a time thereafter (in 1908, the artist Will Low wrote that Wells's "practice was absorbed in that of the firm of
256:
would lead in its turn toward an architecture we could fairly call our own...but Wells died in the very early nineties...the World's Fair came on and turned our minds toward Greece and Rome, and another
Classic revival ensued...and so began the baneful use of precedent..."
230:
called him "a man of genius unknown to the outer world and, indeed, no more familiar to many of the younger generation in his profession..."). His current reputation as having been an important member of the firm derives in part from the recollections of the architect
178:, established "a line of clipper packets between Boston and Australia, which the war put an end to." Wells's maritime ventures harken back to the days of his seafaring great-grandfathers: Captain Francis Wells, a wine merchant, shipper, and captain of the
243:
away from the "romantic and picturesque forms" he admired before he entered his classical phase in the mid-1880s. He credited Wells with the design (based on White's preliminary sketches) of the firm's
505: : 10 November 2020), Joseph M Weld, 1 Mar 1853; citing Birth, Roxbury, Suffolk, Massachusetts, United States, Massachusetts Secretary of the Commonwealth, Boston; FHL microfilm 004240782.
266:
Others took a more measured view of Wells's influence. Charles
Baldwin, Stanford White's biographer, acknowledged Wells's having introduced the Renaissance to the firm with his facades for the
182:, the ship on which he brought his family in 1723 from England to Boston; and Col. Joseph Foster, a Gloucester merchant active in the West Indies trade, and a notable participant in the
150:(now a part of Boston) on March 1, 1853, the son of Thomas Foster Wells (1822–1903), a shipping merchant and salvager of shipwrecks, and his wife, Sarah Morrill Wells (1828–1897).
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was the New York Metal and
Chemical Manufacturing Co., incorporated in 1870 by Wells and others to convert scrap tin into iron, using Wells's patented methods.
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Boston City
Directory 1848–49, p. 266. Thomas Foster Wells (1822–1903) is sometimes conflated with Thomas Gilman Wells (1822–1848), who was a printer.
138:, and to have been an important influence in the firm's transition in the mid-1880s away from the romantic and picturesque, and toward the classical.
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once told him that he had "learned more from than from any other source." Magonigle claimed that it was Wells who "weaned" the architect
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Boston City Directory, (Boston: Sampson, Davenport & Co., 1873), p. 958. In 1875, 1876, and 1877, they lived at 141 Highland.
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An Illustrated Biographical Catalogue of the Principals, Teachers, and Students of the West Newton English and Classical School
235:, who for a time worked alongside Wells, and recalled him in an article written in 1934. According to Magonigle, the architect
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1940:
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suburb, where the father worked as a "trader in stocks," and where for a time he was president of the Granular Metal Co.
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681:(New York: Harper & Row, 1983), see notes for pp. 86–87. Roth wrote that Wells worked for Luce first, then P&S.
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of 1911, Magonigle recalled that McKim had told him that "he had learned more from Joseph Wells than from any other
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Thomas F. Wells, New York, N.Y., "Patent No. 128,001, Apparatus for Removing Tin from Tinners' Waste," granted 1872.
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126:(1853–1890) was an American architect, known for his contributions to the work of the notable architecture firm of
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501:"Massachusetts, Town Clerk, Vital and Town Records, 1626-2001," database with images, FamilySearch (
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Henry-Russell Hitchcock, "Foreign Influence in American Painting and Architecture after 1860," in
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Gowen Submarine Armor." According to the writer of his obituary, Wells, in the years before the
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593:"General Term, Supreme Court, N.Y., County of New York (Delamater vs. Rhodes)," Vol. 10, 1876.
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published a drawing signed by Wells, but this may have been a freelance commission.
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Wells's last assignment at McKim, Mead & White was to design the details for
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514:"New York, New York City Municipal Deaths, 1795-1949", database, FamilySearch (
320:. The tombstone was removed in 2019, and restored and reinstalled in May 2020.
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746:, ed. Robert Judson Clark (New York: Metropolitan Museum of Art, 1972).
368:(New York: Harcourt, Brace and Company, 1931), pp. 156, 161, 172.
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1374:
658: : 29 May 2021), Joseph M Wells in entry for Mary I Wells, 1870.
575: : 29 May 2021), Joseph M Wells in entry for Mary I Wells, 1870.
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Hitchcock is referring to the British architect Richard Norman Shaw.
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H. Van Buren Magonigle, "Architectural Plagiarism as A Fine Art,"
654:"United States Census, 1870", database with images, FamilySearch (
571:"United States Census, 1870", database with images, FamilySearch (
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744:
The Shaping of Art and Architecture in Nineteenth-century America
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202:
Beginning in 1865 until about 1869, Joseph Wells attended the
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690:
H. Van Buren Magonigle, "A Half Century of Architecture, 4,"
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354:(New York: Charles Scribner's Sons, 1913), pp. 419–421.
347:(New York: Charles Scribner's Sons, 1908), pp. 275–277.
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architects where he was employed," and in 1913, the critic
218:
from 1875 to 1878. In January 1877, the New York architect
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Joseph Morrill Wells' tombstone after restoration in 2020.
281:(completed in 1890), but illness kept him from the task.
478:, art collector, Joseph Wells’s first cousin once removed
30:
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First Congregational Church Parsonage and Carriage House
158:(1795–1868) were grandparents. Joseph Wells' brother,
130:. Wells is said to have admired the architects of the
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772:(New York: Dodd, Mead & Co., 1931), pp. 360–361.
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https://www.familysearch.org/ark:/61903/1:1:M868-TBT
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https://www.familysearch.org/ark:/61903/1:1:M868-TBT
516:
https://www.familysearch.org/ark:/61903/1:1:2WD3-C6W
503:
https://www.familysearch.org/ark:/61903/1:1:FH56-ZF7
162:(1851–1916), was a professor of mathematics at the
472:, silent film actress; Joseph Wells's first cousin
518: : 3 June 2020), Joseph Merrill Wells, 1890.
166:and the author of numerous textbooks such as the
1912:
316:erected a tombstone in the form of a tall Greek
1088:Saint Mary of the Assumption Church and Rectory
798:(New York: Dodd, Mead & Co., 1931), p. 114.
759:(New York: Dodd, Mead & Co., 1931), p. 215.
248:(1884), and the detailing of the facade of the
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305:Wells died of pneumonia on February 2, 1890.
380:The Villard Houses; Life Story of a Landmark
301:A detail of Joseph Morrill Wells' tombstone.
1292:Springfield Fire & Marine Insurance Co.
308:He was buried in the Oak Grove Cemetery in
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785:(New York: Knopf Doubleday, 2010), p. 291.
620:1880 US Census, Winchester, Massachusetts.
484:, politician, Joseph Wells’s second cousin
378:Mosette Broderick and William C. Shopsin.
359:The Life and Times of Charles Follen McKim
29:
338:The Architect's and Builder's Pocket-Book
214:from 1874 to 1875, and for the architect
1682:Denotes addition, alteration, or remodel
1220:Christ Episcopal Church and Parish House
562:1860 US Census, Ward 4, City of Roxbury.
401:McKim, Mead & White: The Masterworks
340:(New York: John Wiley & Sons, 1902).
312:, where Stanford White and the sculptor
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204:West Newton English and Classical School
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1478:Central Railroad of New Jersey Terminal
549:"Great Grandson of Samuel Adams Dead,"
460:, mathematician, Joseph Wells's brother
375:(New York: Dodd, Mead & Co., 1931).
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807:New York City Municipal Death Records.
424:(New York: The Monacelli Press, 2020).
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466:, artist; Joseph Wells’s first cousin
406:Samuel G. White and Elizabeth White.
399:Samuel G. White and Elizabeth White.
394:The Houses of McKim, Mead & White
345:A Chronicle of Friendships, 1873–1900
164:Massachusetts Institute of Technology
98:Thomas Foster Wells and Sarah Morrill
783:Triumvarite: McKim, Mead & White
454:, poets, Joseph Wells's grandparents
415:Triumvirate: McKim, Mead & White
679:McKim, Mead & White, Architects
389:(New York: Harper & Row, 1983).
387:McKim, Mead & White, Architects
361:(New York: Houghton Mifflin, 1929).
329:"Joseph Morrill Wells" (Obituary),
13:
724:, Vol. 6 (September 1924), p. 112.
417:(New York: Knopf Doubleday, 2010).
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198:Education and architectural career
14:
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1286:Norfolk Couunty Registry of Deeds
1094:John Payson Williston Observatory
584:New York City Directory, 1872-73.
452:Anna Maria Wells and Thomas Wells
333:, Vol XII, No. 7 (February 1890).
168:Elementary Treatise on Logarithms
146:Joseph Morrill Wells was born in
1936:American neoclassical architects
1921:19th-century American architects
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1346:George Thorndike Angell Memorial
959:Union Church of Northeast Harbor
1418:Unitarian Church of the Messiah
1100:Second Harrison Gray Otis House
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382:(New York: Viking Press, 1980).
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252:'s New York clubhouse (1891).
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1604:Daniel Webster Robinson House
1526:Joseph Horne Department Store
1424:Dr. George Ashe Bronson House
1412:St. Louis School of Fine Arts
1316:Statue of George Frisbie Hoar
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1358:Cambridge Memorial Flagstaff
1304:Union Trust Company Building
1046:R. H. White Department Store
1022:Cathedral Church of St. Paul
7:
1583:Providence Journal Building
1274:Dorchester Heights Monument
1196:Rev. William Lawrence House
428:
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1957:
1941:Peabody and Stearns people
1268:Soldiers' Memorial Library
410:(New York: Rizzoli, 2008).
403:(New York: Rizzoli, 2003).
396:(New York: Rizzoli, 1998).
233:Harold Van Buren Magonigle
208:West Newton, Massachusetts
206:(aka the Allen School) in
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331:Architecture and Building
156:Anna Maria (Foster) Wells
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1845:Frederick Lincoln Savage
1840:Orlando Whitney Norcross
1720:John Goddard Stearns Jr.
1298:Whitinsville High School
1238:Trinity Episcopal Church
422:Stanford White in Detail
408:Stanford White Architect
284:
113:, New York (contributor)
1106:Henry Bradlee Jr. House
1058:Smith College Gymnasium
633:(self-published, 2010).
540:(self-published, 2010).
435:McKim, Mead & White
261:Henry-Russell Hitchcock
128:McKim, Mead & White
1875:Edmund Russell Willson
1855:Julius A. Schweinfurth
1745:Francis Richmond Allen
1499:Union League Clubhouse
1070:Shepherd Brooks Estate
1034:Frances M. McKay House
1028:J. Murray Forbes House
440:Augustus Saint-Gaudens
314:Augustus Saint-Gaudens
310:Medford, Massachusetts
302:
294:
148:Roxbury, Massachusetts
52:Roxbury, Massachusetts
1870:Edmund M. Wheelwright
1815:Charles Wilson Killam
1334:Roslindale Substation
1214:Russia Wharf Building
1136:Wigglesworth Building
977:Bangor Public Library
845:Peabody & Stearns
705:The American Yearbook
482:Frederick Adams Wells
464:Annie Renouf-Whelpley
300:
292:
279:Madison Square Garden
212:Peabody & Stearns
142:Early life and family
1903:at Wikimedia Commons
1865:Joseph Morrill Wells
1790:Charles Sumner Frost
1760:Clarence H. Blackall
1713:Robert Swain Peabody
1472:Lawrenceville School
1364:Mary E. Wells School
1160:Saint Paul's Rectory
1082:Union Club of Boston
794:Charles C. Baldwin.
768:Charles C. Baldwin.
755:Charles C. Baldwin.
371:Charles C. Baldwin.
352:Art and Common Sense
184:Battle of Gloucester
124:Joseph Morrill Wells
23:Joseph Morrill Wells
1901:Peabody and Stearns
1795:Edward T. P. Graham
1740:John Scudder Adkins
1532:East Liberty Market
1520:Harvey Childs House
1385:James J. Hill House
1322:Egleston Substation
1232:Worcester City Hall
1178:First Parish Church
1076:Saint Paul's Church
781:Mosette Broderick,
553:, January 16, 1903.
551:The Winchester Star
413:Mosette Broderick.
250:Century Association
220:Richard Morris Hunt
132:Italian Renaissance
1850:A. C. Schweinfurth
1775:John Hutchins Cady
1750:Robert Day Andrews
1391:Duluth Union Depot
1340:Custom House Tower
1190:Hasty Pudding Club
1130:Joseph Davis House
971:Bangor High School
911:John Rogers Studio
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70:New York, New York
16:American architect
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1899:Media related to
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1825:Ellis F. Lawrence
1755:Charles L. Bevins
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1430:Security Building
1352:St. James Theatre
1202:Exchange Building
476:John Witt Randall
420:Samuel G. White.
392:Samuel G. White.
366:The Brown Decades
350:Royal Cortissoz.
336:Frank E. Kidder.
186:in August 1775.
121:
120:
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1805:S. Wesley Haynes
1800:Charles R. Greco
1765:Warren R. Briggs
1734:Pierce P. Furber
1727:George A. Fuller
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1328:Lechmere Viaduct
1262:Middlesex School
1244:Newell Boathouse
1172:Divinity Library
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1004:Bussey Institute
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385:Leland M. Roth.
343:Will Hicok Low.
216:Clarence S. Luce
180:Hempstead Galley
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62:February 2, 1890
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364:Lewis Mumford,
357:Charles Moore.
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324:Further reading
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136:Donato Bramante
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1562:
1559:Vinland Estate
1556:
1549:
1547:
1539:
1538:
1536:
1535:
1529:
1523:
1516:
1514:
1506:
1505:
1503:
1502:
1495:
1493:
1485:
1484:
1482:
1481:
1475:
1468:
1466:
1458:
1457:
1455:
1454:
1447:
1445:
1437:
1436:
1434:
1433:
1427:
1421:
1415:
1408:
1406:
1398:
1397:
1395:
1394:
1388:
1381:
1379:
1371:
1370:
1368:
1367:
1361:
1355:
1349:
1343:
1337:
1331:
1325:
1319:
1313:
1310:Weld Boathouse
1307:
1301:
1295:
1289:
1283:
1280:Cotting School
1277:
1271:
1265:
1259:
1256:Dudley Station
1253:
1247:
1241:
1235:
1229:
1223:
1217:
1211:
1205:
1199:
1193:
1187:
1184:Fiske Building
1181:
1175:
1169:
1163:
1157:
1151:
1145:
1139:
1133:
1127:
1121:
1115:
1109:
1103:
1097:
1091:
1085:
1079:
1073:
1067:
1061:
1055:
1049:
1043:
1037:
1031:
1025:
1019:
1013:
1007:
1001:
994:
992:
984:
983:
981:
980:
974:
968:
962:
955:
953:
945:
944:
942:
941:
935:
928:
926:
918:
917:
915:
914:
907:
905:
897:
896:
894:
893:
887:
881:
874:
872:
860:
859:
849:
848:
841:
840:
833:
826:
818:
810:
809:
800:
796:Stanford White
787:
774:
770:Stanford White
761:
757:Stanford White
748:
735:
726:
713:
696:
683:
670:
660:
647:
635:
622:
613:
604:
595:
586:
577:
564:
555:
542:
529:
520:
507:
493:
492:
490:
487:
486:
485:
479:
473:
467:
461:
455:
447:
444:
443:
442:
437:
430:
427:
426:
425:
418:
411:
404:
397:
390:
383:
376:
373:Stanford White
369:
362:
355:
348:
341:
334:
325:
322:
286:
283:
268:Villard Houses
259:The historian
246:Villard Houses
241:Stanford White
199:
196:
143:
140:
119:
118:
115:
114:
111:Villard Houses
108:
104:
103:
100:
99:
96:
92:
91:
88:
84:
83:
78:
74:
73:
68:
66:(aged 36)
60:
56:
55:
50:
39:
35:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
1953:
1942:
1939:
1937:
1934:
1932:
1929:
1927:
1924:
1922:
1919:
1918:
1916:
1902:
1897:
1891:
1881:
1878:
1876:
1873:
1871:
1868:
1866:
1863:
1861:
1860:Timothy Walsh
1858:
1856:
1853:
1851:
1848:
1846:
1843:
1841:
1838:
1836:
1833:
1831:
1828:
1826:
1823:
1821:
1818:
1816:
1813:
1811:
1808:
1806:
1803:
1801:
1798:
1796:
1793:
1791:
1788:
1786:
1783:
1781:
1778:
1776:
1773:
1771:
1768:
1766:
1763:
1761:
1758:
1756:
1753:
1751:
1748:
1746:
1743:
1741:
1738:
1736:
1735:
1731:
1729:
1728:
1724:
1722:
1721:
1717:
1715:
1714:
1710:
1709:
1706:
1699:
1695:
1681:
1680:
1675:
1668:
1665:
1664:
1662:
1660:
1654:
1647:
1644:
1643:
1641:
1639:
1637:West Virginia
1633:
1626:
1623:
1622:
1620:
1618:
1612:
1605:
1602:
1601:
1599:
1597:
1591:
1584:
1581:
1578:
1575:
1572:
1569:
1566:
1563:
1560:
1557:
1554:
1551:
1550:
1548:
1546:
1540:
1533:
1530:
1527:
1524:
1521:
1518:
1517:
1515:
1513:
1507:
1500:
1497:
1496:
1494:
1492:
1486:
1479:
1476:
1473:
1470:
1469:
1467:
1465:
1459:
1452:
1449:
1448:
1446:
1444:
1442:New Hampshire
1438:
1431:
1428:
1425:
1422:
1419:
1416:
1413:
1410:
1409:
1407:
1405:
1399:
1392:
1389:
1386:
1383:
1382:
1380:
1378:
1372:
1365:
1362:
1359:
1356:
1353:
1350:
1347:
1344:
1341:
1338:
1335:
1332:
1329:
1326:
1323:
1320:
1317:
1314:
1311:
1308:
1305:
1302:
1299:
1296:
1293:
1290:
1287:
1284:
1281:
1278:
1275:
1272:
1269:
1266:
1263:
1260:
1257:
1254:
1251:
1248:
1245:
1242:
1239:
1236:
1233:
1230:
1227:
1224:
1221:
1218:
1215:
1212:
1209:
1206:
1203:
1200:
1197:
1194:
1191:
1188:
1185:
1182:
1179:
1176:
1173:
1170:
1167:
1166:King's Chapel
1164:
1161:
1158:
1155:
1154:Divinity Hall
1152:
1149:
1146:
1143:
1142:Groton School
1140:
1137:
1134:
1131:
1128:
1125:
1122:
1119:
1116:
1113:
1110:
1107:
1104:
1101:
1098:
1095:
1092:
1089:
1086:
1083:
1080:
1077:
1074:
1071:
1068:
1065:
1062:
1059:
1056:
1053:
1050:
1047:
1044:
1041:
1038:
1035:
1032:
1029:
1026:
1023:
1020:
1017:
1016:Smith Academy
1014:
1011:
1010:Matthews Hall
1008:
1005:
1002:
999:
998:Boylston Hall
996:
995:
993:
991:
989:Massachusetts
985:
978:
975:
972:
969:
966:
965:Drexel Estate
963:
960:
957:
956:
954:
952:
946:
939:
936:
933:
930:
929:
927:
925:
919:
912:
909:
908:
906:
904:
898:
891:
890:Antlers Hotel
888:
885:
882:
879:
876:
875:
873:
871:
865:
861:
854:
850:
846:
839:
834:
832:
827:
825:
820:
819:
816:
804:
797:
791:
784:
778:
771:
765:
758:
752:
745:
739:
730:
723:
717:
710:
706:
700:
693:
692:Pencil Points
687:
680:
674:
664:
657:
651:
644:
639:
632:
626:
617:
608:
599:
590:
581:
574:
568:
559:
552:
546:
539:
533:
524:
517:
511:
504:
498:
494:
483:
480:
477:
474:
471:
468:
465:
462:
459:
458:Webster Wells
456:
453:
450:
449:
441:
438:
436:
433:
432:
423:
419:
416:
412:
409:
405:
402:
398:
395:
391:
388:
384:
381:
377:
374:
370:
367:
363:
360:
356:
353:
349:
346:
342:
339:
335:
332:
328:
327:
321:
319:
315:
311:
306:
299:
291:
282:
280:
275:
271:
269:
264:
262:
257:
253:
251:
247:
242:
238:
237:Charles McKim
234:
229:
223:
221:
217:
213:
209:
205:
195:
191:
187:
185:
181:
177:
171:
169:
165:
161:
160:Webster Wells
157:
153:
149:
139:
137:
134:, especially
133:
129:
125:
116:
112:
109:
105:
101:
97:
93:
89:
85:
82:
79:
75:
71:
61:
57:
53:
48:March 1, 1853
40:
36:
32:
27:
20:
1864:
1820:Westray Ladd
1810:Burnham Hoyt
1770:Henry Budden
1732:
1725:
1718:
1711:
1678:
1625:Volta Bureau
1553:The Breakers
1544:Rhode Island
1511:Pennsylvania
1124:Bayley House
1064:Dupee Estate
938:Plum Orchard
803:
795:
790:
782:
777:
769:
764:
756:
751:
743:
738:
729:
721:
716:
708:
704:
699:
691:
686:
678:
673:
663:
650:
642:
638:
630:
629:Chuck Veit,
625:
616:
607:
598:
589:
580:
567:
558:
550:
545:
537:
536:Chuck Veit,
532:
523:
510:
497:
446:Wells family
421:
414:
407:
400:
393:
386:
379:
372:
365:
358:
351:
344:
337:
330:
307:
304:
276:
272:
265:
258:
254:
224:
201:
192:
188:
179:
172:
167:
152:Samuel Adams
145:
123:
122:
64:(1890-02-02)
1931:1890 deaths
1926:1853 births
1606:(1885–1886)
1567:(1887–1892)
1565:Rough Point
1561:(1882–1883)
1528:(1898–1900)
1474:(1884–1895)
1432:(1890–1892)
1393:(1890–1892)
1387:(1887–1891)
1366:(1916–1917)
1342:(1911–1915)
1318:(1907–1908)
1300:(1905–1907)
1264:(1901–1917)
1240:(1898–1899)
1226:Town Stable
1222:(1897–1902)
1204:(1889–1891)
1168:(1886–1922)
1144:(1884–1902)
1120:(1883–1885)
1090:(1880–1886)
1006:(1870–1871)
902:Connecticut
886:(1881–1882)
880:(1877–1880)
878:Cutler Hall
77:Nationality
1915:Categories
1702:Architects
1463:New Jersey
1208:Wheatleigh
884:Glen Eyrie
709:living man
489:References
87:Occupation
44:1853-03-01
1830:Ion Lewis
1658:Wisconsin
1646:Pinecrest
1577:Fairholme
1571:Rockhurst
1376:Minnesota
1148:Elm Court
932:Dungeness
857:Buildings
470:Mai Wells
176:Civil War
107:Buildings
95:Parent(s)
90:Architect
1490:New York
1403:Missouri
1118:Kragsyde
869:Colorado
429:See also
170:(1878).
81:American
1595:Vermont
1084:(1880s)
923:Georgia
645:(1893).
1669:(1885)
1648:(1892)
1627:(1893)
1585:(1906)
1579:(1896)
1573:(1891)
1555:(1878)
1534:(1900)
1522:(1896)
1501:(1880)
1480:(1889)
1453:(1910)
1426:(1885)
1420:(1880)
1414:(1879)
1360:(1913)
1354:(1912)
1348:(1912)
1336:(1911)
1330:(1910)
1324:(1909)
1312:(1907)
1306:(1907)
1294:(1905)
1288:(1905)
1282:(1903)
1276:(1902)
1270:(1901)
1258:(1901)
1252:(1901)
1246:(1900)
1234:(1898)
1228:(1898)
1216:(1897)
1210:(1893)
1198:(1888)
1192:(1888)
1186:(1888)
1180:(1888)
1174:(1887)
1162:(1886)
1156:(1886)
1150:(1885)
1138:(1884)
1132:(1884)
1126:(1884)
1114:(1883)
1108:(1882)
1102:(1882)
1096:(1881)
1078:(1880)
1072:(1880)
1066:(1880)
1060:(1879)
1054:(1878)
1048:(1877)
1042:(1875)
1036:(1875)
1030:(1873)
1024:(1873)
1018:(1872)
1012:(1871)
1000:(1870)
979:(1912)
973:(1912)
967:(1903)
961:(1887)
940:(1898)
934:(1896)
913:(1878)
892:(1883)
950:Maine
318:stele
285:Death
1679:Key:
59:Died
38:Born
703:In
1917::
711:."
837:e
830:t
823:v
46:)
42:(
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