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John Rhys Evans

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During his professional career, John Rhys Evans participated in many operatic festivals: the Cestrian Male Voice Choir’s 32nd Festival at the Central Hall, the Annual Celebrity Concert in Pontypridd; the Philopera Circle at St. Pancras Town Hall Festival, sang Ernani (Verdi);, Bolton Choral Union at
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After Evans returned to London he took a job in the social services. Then came the meeting with his wife, who was from Mexico City, and the beginning of the road to his come-back. He moved to Mexico City in 1973, where he joined the local church choir and was heard by a representative from the
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On 8 February 1974, he performed at a Concert in Mexico City with tenor Ray Fitzimmons, Margaret McFee Navarro and pianist Erika Kubacsek. Critic comments were of a "voice with exceptional quality, warm rich in overtones with that dark rolling sound in the lower register suggestive of the
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During a career that lasted from 1953 to 1994, Evans played more than forty roles. His debut as a concert artiste in Wales made a very good impression. He was received warmly by the audience and in his first solo, the prologue from Leoncavallo’s
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He left London to sing at the major opera houses of Europe for many years. In 1968 he ended a season in Austria during which time he sang over twenty operettas and five operas – in German. He also performed and spent some time on stage in France.
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After he moved to Mexico City and Washington, D.C., he continued to sing in lesser roles as he had to relinquish his demanding career of an international opera singer due to illness. While in Mexico City, the University Club presented
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voice to which is added a keen dramatic style." Other critics wrote: "Evans, with glorious voice and classic profile, looks capable of sweeping every woman in town off her feet. He is a dashing Danilo, brimful of charm and
435:, who became a world-famous opera singer. Geraint noted in his autobiography that Sarah had a heart condition and found it difficult to cope with her children, so that Geraint often looked after John and his sisters. 523:, he showed a richness of tone and an impressive powerful voice, which lasted throughout his career. The choir, at the time, was under the direction of his father, William J. Evans. 478: 484:
Evans decided to become a professional singer at the age of 27. After studying at the Guildhall School of Music, he launched his singing career with an engagement at the
450:. He took a job as a costing clerk at the Aero Zip Fastener Company in Wales (1950–1952), where he was responsible for weekly wage analysis for seven hundred employees. 457:, but decided to take singing lessons to placate his parents, as they insisted and encouraged him to sing, his father saw the potential in his voice. He studied at the 720:). He was active singing in the British Embassy Players and the St. David's Welsh American Society. He also conducted many singing festivals in Washington D.C. and 779:
He also performed many recitals, concerts, appeared on television and the radio. His professional experience extended to voice over (dubbing) for films, opera and
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looks"; "Evans, the Danilo, is a down-to-earth unromantic figure, but he has an agreeable assurance and a strong baritone voice of unusual but pleasantly resonant
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While in France, he suffered a heart attack, which led him to recover in hospital for five months. On his return to the U.K., he starred in a production of
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At Glyndebourne he was recognized having a rich, resonant voice to which a keen dramatic style was added. His items were very well received, particularly
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He made his début as a concert artiste in Wales at the Regent Ballroom Hopkinstown in October 1962. In his first solo, the prologue from Leoncavallo's
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After living three years in Mexico City, Evans moved to Washington D.C. where he continued his singing career, but opted for lesser roles with the
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Evans appeared in the premieres of several operas including two operas by British composers which were staged for the first time in the U.K. at
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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he showed a richness of tone and impressive power. His diction and clarity of tone were excellent. His reputation rose quickly as a
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which was most feelingly sung in Welsh. He was a permanent guest artiste at the Glyndebourne Festival for over two years, appearing in
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is easy to imagine but more difficult to bring to reality. His semi-suppressed lechery and inherent dignity were well interpreted.
972: 815:– "His powerful voice coped magnificently with the pieces’ challenges" – His appearances at Glyndebourne included the officer in 638: 875:
Concert Hall where he was one of four soloists performing. At Glyndebourne Festival, the most outstanding example was Verdi’s
244: 142: 1052: 1025: 216: 114: 902: 823:, and Belcore – L’elisir d’amore ; and the Count – Le nozze di Figaro, He was offered Pizarro but turned it down. 431:. His mother, Sarah Anne, a church organist, was William's second wife; his first marriage had produced an older son, 377: 223: 121: 281: 263: 161: 52: 850:. Yet he can whittle the top into as pointed and ringing a tone as to practically put it into the tenor category." 306:(5 September 1930 – 2 January 2010) was a Welsh baritone noted for operatic roles including the leading man in the 1089: 197: 38: 230: 128: 201: 624:
gave a most admirable interpretation and that he "sang most nobly stressing a fine bass and control". (1964)
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who had an impressive natural vocal quality and glorious voice. His portrayal of Count Almaviva In the
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as his first piece – the first non-Welsh item of the evening, but exhibited his national pride in
442:. His family moved to Cilfynydd in 1941. After grammar school (1941-1948), he enrolled in the 941: 836: 816: 713: 571: 190: 864: 642:(led by Ronald Good) in The Lewisham Concert Hall; Glyndebourne Festival where he sang Verdi's 549: 458: 330: 318: 914: 415:
and Evans learned Welsh before he learned English. He was the son of William John Evans, a
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John Rhys Evans recorded the role of the Police Officer on an EMI recording of
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Evans sang different operas at Glyndebourne in 1961, featuring Don Pizarro in
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John was educated at Hopkinstown Junior School, Cilfynydd School and later at
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He participated as a soloist in several concerts and festivals, including
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John Rhys Evans was born into a very artistic and musical family in
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From 1964 to 1969 he was the leading man in London's West End in
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Please help to demonstrate the notability of the topic by citing
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and other leading roles in operatic companies, among them the
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Glyndebourne recorded: sixty years of recording, 1934–1994
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At Glyndebourne Festival, Evans chose Verdi’s dramatic:
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and Sesto Bonscantini. He also recorded T.S. Eliot’s
830:, a critic wrote: "Evans Welsh Baritone has a rich, 761:and Don Giovanni. The production was broadcast by 204:. Unsourced material may be challenged and removed. 1034: 843:"; "He has an impressive natural vocal quality." 693:at the Palace of Fine Arts with singers from the 1066: 765:on 24 August 1961 and Act II was transmitted on 1007: 909:in 1969. After the ceremony he was invited by 446:(1949–1950), but was medically discharged with 901:Evans was invited to sing as a soloist at the 563:. His several encores included the spiritual 1003:. British Institute of Recorded Sound. 1975. 896: 387:He was the half-brother of the opera singer 1041:Paul Campion; Rosy Runciman (1 June 1994). 566:Were you there when they crucified my Lord? 53:Learn how and when to remove these messages 1105:Military personnel from Rhondda Cynon Taf 469:, Music Department, Germany (1958–1959). 282:Learn how and when to remove this message 264:Learn how and when to remove this message 162:Learn how and when to remove this message 1017:Sir Geraint Evans: a knight at the opera 967: 965: 476: 295: 944:and became a participant member of the 786: 1067: 1085:20th-century Welsh male opera singers 962: 871:at the Bromley Philharmonic Choir in 1014:Geraint Evans; Noėl Goodwin (1985). 913:to a private reception on board the 859:Victoria Hall where he sang in the 423:best musicians at the time and the 202:adding citations to reliable sources 173: 59: 18: 1095:20th-century British Army personnel 13: 903:Investiture of the Prince of Wales 378:Investiture of the Prince of Wales 14: 1116: 1100:Royal Army Service Corps soldiers 881:, from which he performed Iago’s 34:This article has multiple issues. 926:A Night of the Great Opera Arias 736:e with Victoria de los Angeles, 459:Royal Academy of Music and Drama 178: 64: 23: 973:"John Rhys Evans: Death notice" 867:, the Welsh Municipal Concert; 748:. The recording is now in the 472: 189:needs additional citations for 42:or discuss these issues on the 991: 826:Writing of his performance in 453:Evans had planned to become a 77:notability guideline for music 1: 955: 727: 394: 853: 7: 538:Glyndebourne Festival Opera 10: 1121: 710:Kennedy Center Opera House 669:and gave a performance in 84:reliable secondary sources 73:The topic of this article 897:Reputation and retirement 465:, London (1954–1958) and 463:Guildhall School of Music 440:Pontypridd Grammar School 75:may not meet Knowledge's 526:His first appearance in 444:Royal Army Service Corps 1090:British operatic basses 817:Il Barbiere di Siviglia 774:Il Barbiere di Siviglia 742:Murder in the Cathedral 572:Il barbiere di Siviglia 500:. This was followed by 491:Murder in the Cathedral 461:in London (1952–1954); 328:, and leading roles in 1047:. Julia MacRae Books. 591:The Marriage of Figaro 550:The Marriage of Figaro 481: 429:Côr Meibion Pontypridd 419:, who became one of 319:The Marriage of Figaro 300: 734:The Barber of Servill 480: 316:, Count Almaviva in 299: 787:Reputation – critics 712:(1988–1994) and the 512:Welsh National Opera 198:improve this article 893:(sung in Welsh) . 750:Library of Congress 744:with British actor 699:New York City Opera 679:Palace of Fine Arts 411:. His family was 821:Le Nozze di Figaro 802:Marriage of Figaro 769:on 6 August 1961. 695:Metropolitan Opera 618:Derby Choral Union 614:Elizabeth Maconchy 482: 301: 79: 1054:978-1-85681-069-2 1027:978-0-7088-2741-3 930:Dite Alla Giovine 907:Caernarvon Castle 772:He also recorded 718:Barber of Seville 646:and a Welsh song 587:L'Elisir de Amore 467:Munich University 389:Sir Geraint Evans 382:Caernarvon Castle 313:The Vagabond King 292: 291: 284: 274: 273: 266: 248: 213:"John Rhys Evans" 172: 171: 164: 146: 111:"John Rhys Evans" 74: 57: 1112: 1059: 1058: 1038: 1032: 1031: 1011: 1005: 1004: 995: 989: 988: 986: 984: 979:. 7 January 2010 969: 938:Washington Opera 891:Cân Yr Arad Goch 865:Wexford Festival 813:Cân Yr Arad Goch 706:Washington Opera 691:Madame Butterfly 648:Cân Yr Arad Goch 337:Madame Butterfly 331:L'elisir d'amore 322:; Don Carlos in 287: 280: 269: 262: 258: 255: 249: 247: 206: 182: 174: 167: 160: 156: 153: 147: 145: 104: 68: 67: 60: 49: 27: 26: 19: 1120: 1119: 1115: 1114: 1113: 1111: 1110: 1109: 1065: 1064: 1063: 1062: 1055: 1039: 1035: 1028: 1012: 1008: 997: 996: 992: 982: 980: 977:Washington Post 971: 970: 963: 958: 946:British Players 942:Wolf Trap Opera 899: 856: 828:The Merry Widow 789: 730: 714:Wolf Trap Opera 630:The Merry Widow 475: 448:rheumatic fever 397: 355:The Gypsy Baron 304:John Rhys Evans 288: 277: 276: 275: 270: 259: 253: 250: 207: 205: 195: 183: 168: 157: 151: 148: 105: 103: 81: 69: 65: 28: 24: 17: 12: 11: 5: 1118: 1108: 1107: 1102: 1097: 1092: 1087: 1082: 1077: 1061: 1060: 1053: 1033: 1026: 1006: 1000:Recorded Sound 990: 960: 959: 957: 954: 928:where he sang 898: 895: 855: 852: 788: 785: 763:BBC television 729: 726: 667:Die Fledermaus 547:from Mozart's 545:Non Piu Andrai 488:in the operas 474: 471: 413:Welsh-speaking 396: 393: 367:Die Fledermaus 310:, the King in 290: 289: 272: 271: 186: 184: 177: 170: 169: 72: 70: 63: 58: 32: 31: 29: 22: 15: 9: 6: 4: 3: 2: 1117: 1106: 1103: 1101: 1098: 1096: 1093: 1091: 1088: 1086: 1083: 1081: 1078: 1076: 1073: 1072: 1070: 1056: 1050: 1046: 1045: 1037: 1029: 1023: 1019: 1018: 1010: 1002: 1001: 994: 978: 974: 968: 966: 961: 953: 951: 947: 943: 939: 935: 931: 927: 921: 919: 918: 912: 908: 904: 894: 892: 888: 884: 880: 879: 874: 870: 866: 862: 851: 849: 844: 842: 838: 833: 829: 824: 822: 818: 814: 810: 805: 803: 799: 795: 794:Ill Pagliacci 784: 782: 777: 775: 770: 768: 764: 760: 759: 753: 751: 747: 743: 739: 735: 725: 723: 719: 715: 711: 707: 702: 700: 696: 692: 688: 682: 680: 674: 672: 668: 663: 659: 657: 653: 649: 645: 641: 640: 634: 632: 631: 625: 623: 619: 615: 611: 610:The Departure 607: 603: 599: 598:Sadlers Wells 594: 592: 588: 584: 580: 579: 574: 573: 568: 567: 562: 561: 557:from Verdi's 556: 552: 551: 546: 541: 539: 535: 534: 529: 524: 522: 521: 515: 513: 509: 508:Covent Garden 505: 504: 499: 498: 493: 492: 487: 479: 470: 468: 464: 460: 456: 451: 449: 445: 441: 436: 434: 433:Geraint Evans 430: 426: 422: 418: 414: 410: 406: 402: 392: 390: 385: 383: 379: 375: 374: 369: 368: 363: 362: 357: 356: 351: 350: 345: 344: 339: 338: 333: 332: 327: 326: 321: 320: 315: 314: 309: 305: 298: 294: 286: 283: 268: 265: 257: 246: 243: 239: 236: 232: 229: 225: 222: 218: 215: –  214: 210: 209:Find sources: 203: 199: 193: 192: 187:This article 185: 181: 176: 175: 166: 163: 155: 144: 141: 137: 134: 130: 127: 123: 120: 116: 113: –  112: 108: 107:Find sources: 101: 97: 93: 89: 85: 78: 71: 62: 61: 56: 54: 47: 46: 41: 40: 35: 30: 21: 20: 1043: 1036: 1016: 1009: 999: 993: 983:25 September 981:. 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