29:
478:
327:
440:
435:
473:
468:
463:
458:
377:
372:
367:
362:
357:
322:
317:
312:
307:
430:
425:
420:
415:
410:
405:
400:
395:
236:
relies on a more stripped-down production that departs from the orchestral arrangements, operatic vocals, and contemporary pop and chopped-and-screwed hip-hop production of their past releases. The production employs drums, vocals, and violently overdriven guitars, deriving its sound from
502:
s
Grayson Haver Currin said that the album embraces the "bluntly fatalistic" sound of the duo by being "mercilessly distilled and efficient, reminding us there's no time to waste." Similarly, Sam Shepherd of
211:(2018). Recorded in 2019, the album was engineered by the duo's frequent collaborator, Seth Manchester, and mastered by Matt Colton. It features contributions from Chrissy Wolpert and vocalist Ben Eberle.
245:. Described by the band "as an exploration of the extremes and micro-tonality of distortion" the album lyrically addresses themes of death and despondence. The record opens with a reading of Scottish poet
491:, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an average score of 80 based on 7 reviews, indicating "generally favourable reviews".
215:
I think that's just a fancy way of saying that we tried to focus more on the distortion and reverb, which is how we sound live we just tried to recreate that to the best of our ability.
519:
writer Max
Heilman praised the stripped-down concept and impenetrable execution of the album and summarized it as "the purest summation of the Body's artistry."
1040:
207:
509:
called it "a brutal album", writing that "somehow, there's an odd clarity to be found amongst all the noise, distortion and decay." Paul
Simpson of
728:
1084:
1026:
513:
lauded the duo's "piercing vocals" and regarded the album as "undeniably some of their most direct and punishing work."
967:
1012:
922:
1074:
800:
1079:
998:
861:
827:
765:
28:
249:'s "The Kaleidoscope", that was written by him after the early death of his wife, Lesley Dunn, in 1981.
893:
242:
92:
960:
1069:
1004:
8:
1032:
1018:
866:
495:
386:
953:
923:"The Body Harness the Heart of Darkness on Pulverizing 'I've Seen All I Need to See'"
991:
449:
238:
87:
976:
733:
182:
139:
129:
41:
181:
is the eighth full-length studio album by the
American experimental metal band
1063:
186:
122:
729:"The Body Announce New Album 'I've Seen All I Need to See', Share New Song"
246:
117:
831:
221:
202:
201:. The opening track, "A Lament" was served simultaneously as the album's
80:
897:
488:
276:
927:
805:
770:
656:
515:
510:
505:
348:
336:
299:
197:
On
October 13, 2020, the Body announced the release of the album,
205:. It marks the duo's first non-collaborative studio album since
36:
945:
766:"I've Seen All I Need to See | Songs, Reviews, Credits"
185:. The album was released on January 29, 2021, through
1041:I Have Fought Against It, but I Can't Any Longer.
208:I Have Fought Against It, but I Can't Any Longer.
1061:
722:
720:
687:Seth Manchester – drums, programming, keyboard
455:
354:
304:
961:
392:
859:
717:
855:
853:
851:
849:
968:
954:
759:
757:
755:
753:
751:
27:
916:
914:
860:Currin Haver, Grayson (8 February 2021).
820:
700:Seth Manchester – engineering, production
192:
862:"The Body – I've Seen All I Need to See"
846:
828:"I've Seen All I Need to See – The Body"
801:"The Body – I've Seen All I Need To See"
798:
727:Pappis, Konstantinos (13 October 2020).
920:
763:
748:
1062:
911:
726:
949:
794:
792:
790:
788:
706:Alexander Barton – art design, layout
637:
626:
615:
604:
593:
582:
571:
560:
549:
285:
262:
252:
888:
886:
884:
1027:Ascending a Mountain of Heavy Light
457:
356:
306:
13:
1085:Albums produced by Seth Manchester
785:
394:
14:
1096:
1013:One Day You Will Ache Like I Ache
881:
799:Shepherd, Sam (30 January 2021).
764:Simpson, Paul (27 January 2021).
921:Heilman, Max (27 January 2021).
522:
476:
471:
466:
461:
456:
438:
433:
428:
423:
418:
413:
408:
403:
398:
393:
375:
370:
365:
360:
355:
325:
320:
315:
310:
305:
690:Chrissy Wolpert – piano, vocals
537:
228:
1:
999:You, Whom I Have Always Hated
710:
975:
650:
7:
1048:I've Seen All I Need to See
575:"Eschatological Imperative"
530:I've Seen All I Need to See
234:I’ve Seen All I Need to See
199:I've Seen All I Need to See
178:I've Seen All I Need to See
160:I've Seen All I Need to See
22:I've Seen All I Need to See
10:
1101:
671:Chip King – guitar, vocals
668:Lee Buford – drums, vocals
52:January 29, 2021
983:
655:Credits are adapted from
544:
541:
536:
293:
290:
270:
267:
220:Lee Buford on the album,
152:Mental Wounds Not Healing
146:
138:
128:
116:
100:
79:
71:
63:
48:
35:
26:
21:
619:"The Handle / the Blade"
703:Matt Colton – mastering
564:"Tied Up and Locked in"
1075:The Body (band) albums
226:
193:Background and release
16:2021 album by the Body
597:"The City is Shelled"
213:
75:Machines with Magnets
1080:Thrill Jockey albums
681:Max Goldman – vocals
676:Additional musicians
258:Professional ratings
894:"Metacritic Review"
684:Ben Eberle – vocals
586:"A Pain of Knowing"
533:
259:
528:
257:
253:Critical reception
1057:
1056:
1036:
1022:
1008:
834:. 29 January 2021
647:
646:
630:"Path of Failure"
608:"They are Coming"
485:
484:
243:power electronics
174:
173:
170:
169:
93:power electronics
1092:
1030:
1016:
1002:
992:I Shall Die Here
970:
963:
956:
947:
946:
940:
939:
937:
935:
918:
909:
908:
906:
904:
890:
879:
878:
876:
874:
857:
844:
843:
841:
839:
824:
818:
817:
815:
813:
796:
783:
782:
780:
778:
761:
746:
745:
743:
741:
724:
640:
539:
534:
527:
501:
481:
480:
479:
475:
474:
470:
469:
465:
464:
460:
459:
443:
442:
441:
437:
436:
432:
431:
427:
426:
422:
421:
417:
416:
412:
411:
407:
406:
402:
401:
397:
396:
380:
379:
378:
374:
373:
369:
368:
364:
363:
359:
358:
330:
329:
328:
324:
323:
319:
318:
314:
313:
309:
308:
263:Aggregate scores
260:
256:
239:death industrial
224:
148:
147:
112:
111:
107:
88:Death industrial
59:
57:
31:
19:
18:
1100:
1099:
1095:
1094:
1093:
1091:
1090:
1089:
1060:
1059:
1058:
1053:
979:
974:
944:
943:
933:
931:
919:
912:
902:
900:
892:
891:
882:
872:
870:
858:
847:
837:
835:
826:
825:
821:
811:
809:
797:
786:
776:
774:
762:
749:
739:
737:
734:Our Culture Mag
725:
718:
713:
653:
648:
638:
525:
499:
477:
472:
467:
462:
439:
434:
429:
424:
419:
414:
409:
404:
399:
376:
371:
366:
361:
326:
321:
316:
311:
255:
231:
225:
219:
195:
163:
154:
134:Seth Manchester
109:
105:
104:
55:
53:
44:
17:
12:
11:
5:
1098:
1088:
1087:
1082:
1077:
1072:
1055:
1054:
1052:
1051:
1044:
1037:
1023:
1009:
995:
987:
985:
981:
980:
973:
972:
965:
958:
950:
942:
941:
910:
880:
845:
819:
784:
747:
715:
714:
712:
709:
708:
707:
704:
701:
697:
696:
692:
691:
688:
685:
682:
678:
677:
673:
672:
669:
665:
664:
652:
649:
645:
644:
641:
635:
634:
631:
628:
624:
623:
620:
617:
613:
612:
609:
606:
602:
601:
598:
595:
591:
590:
587:
584:
580:
579:
576:
573:
569:
568:
565:
562:
558:
557:
554:
551:
547:
546:
543:
540:
526:
524:
521:
483:
482:
453:
445:
444:
390:
382:
381:
352:
344:
343:
340:
332:
331:
302:
296:
295:
292:
288:
287:
283:
282:
279:
273:
272:
269:
265:
264:
254:
251:
230:
227:
217:
194:
191:
172:
171:
168:
167:
165:
156:
144:
143:
136:
135:
132:
126:
125:
120:
114:
113:
102:
98:
97:
96:
95:
90:
83:
77:
76:
73:
69:
68:
65:
61:
60:
50:
46:
45:
40:
33:
32:
24:
23:
15:
9:
6:
4:
3:
2:
1097:
1086:
1083:
1081:
1078:
1076:
1073:
1071:
1068:
1067:
1065:
1050:
1049:
1045:
1043:
1042:
1038:
1034:
1029:
1028:
1024:
1020:
1015:
1014:
1010:
1006:
1001:
1000:
996:
994:
993:
989:
988:
986:
984:Studio albums
982:
978:
971:
966:
964:
959:
957:
952:
951:
948:
930:
929:
924:
917:
915:
899:
895:
889:
887:
885:
869:
868:
863:
856:
854:
852:
850:
833:
829:
823:
808:
807:
802:
795:
793:
791:
789:
773:
772:
767:
760:
758:
756:
754:
752:
736:
735:
730:
723:
721:
716:
705:
702:
699:
698:
694:
693:
689:
686:
683:
680:
679:
675:
674:
670:
667:
666:
662:
661:
660:
658:
642:
639:Total length:
636:
632:
629:
625:
621:
618:
614:
610:
607:
603:
599:
596:
592:
588:
585:
581:
577:
574:
570:
566:
563:
559:
555:
552:
548:
535:
532:track listing
531:
523:Track listing
520:
518:
517:
512:
508:
507:
498:
497:
492:
490:
454:
452:
451:
447:
446:
391:
389:
388:
384:
383:
353:
351:
350:
346:
345:
341:
339:
338:
334:
333:
303:
301:
298:
297:
289:
286:Review scores
284:
280:
278:
275:
274:
266:
261:
250:
248:
244:
240:
235:
223:
216:
212:
210:
209:
204:
200:
190:
188:
187:Thrill Jockey
184:
180:
179:
166:
162:
161:
157:
153:
150:
149:
145:
141:
137:
133:
131:
127:
124:
123:Thrill Jockey
121:
119:
115:
103:
99:
94:
91:
89:
86:
85:
84:
82:
78:
74:
70:
66:
62:
51:
47:
43:
38:
34:
30:
25:
20:
1047:
1046:
1039:
1033:Full of Hell
1025:
1019:Full of Hell
1011:
997:
990:
932:. Retrieved
926:
901:. Retrieved
871:. Retrieved
865:
836:. Retrieved
822:
810:. Retrieved
804:
775:. Retrieved
769:
738:. Retrieved
732:
654:
529:
514:
504:
494:
493:
486:
448:
385:
347:
335:
247:Douglas Dunn
233:
232:
214:
206:
198:
196:
177:
176:
175:
159:
158:
151:
37:Studio album
1070:2021 albums
832:Apple Music
229:Composition
222:Apple Music
203:lead single
1064:Categories
934:8 February
903:8 February
898:Metacritic
873:8 February
838:8 February
812:8 February
777:8 February
740:8 February
711:References
695:Production
553:"A Lament"
489:Metacritic
277:Metacritic
142:chronology
56:2021-01-29
867:Pitchfork
651:Personnel
496:Pitchfork
387:Pitchfork
977:The Body
928:Exclaim!
806:musicOMH
771:AllMusic
663:The Body
657:AllMusic
516:Exclaim!
511:AllMusic
506:musicOMH
349:musicOMH
337:Exclaim!
300:AllMusic
218:—
183:the Body
140:The Body
130:Producer
64:Recorded
49:Released
42:the Body
39: by
164:(2021)
155:(2018)
54: (
1031:(with
1017:(with
1003:(with
545:Length
294:Rating
291:Source
281:80/100
271:Rating
268:Source
101:Length
72:Studio
643:38:00
542:Title
500:'
450:Uncut
118:Label
81:Genre
1005:Thou
936:2021
905:2021
875:2021
840:2021
814:2021
779:2021
742:2021
633:5:08
622:3:38
611:4:44
600:5:38
589:5:40
578:4:37
567:2:55
556:5:54
342:8/10
241:and
67:2019
538:No.
487:At
1066::
925:.
913:^
896:.
883:^
864:.
848:^
830:.
803:.
787:^
768:.
750:^
731:.
719:^
659:.
627:8.
616:7.
605:6.
594:5.
583:4.
572:3.
561:2.
550:1.
189:.
110:00
106:38
1035:)
1021:)
1007:)
969:e
962:t
955:v
938:.
907:.
877:.
842:.
816:.
781:.
744:.
108::
58:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.