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lifestyles of the different classes. At one point, Mrs. Bender's lexicon differs significantly from that of
Laetitia, such as when the latter corrects her for using the term "toilet" as opposed to "lavatory" and when Laetitia tells Mrs. Bender "chop chop" when the latter is, in her view, taking too long to ascend the stairs to her house. Later, Valerie throws their mother an "indescribably vulgar" party for her 70th birthday.
373:, in that both sought to portray the lifestyles of the working classes. However, Adair continued, whereas Waugh's goal was to encourage self-described liberal audiences to trust their inner fears of the working classes, Leigh's objective is to encourage audiences to instead trust their liberal ideals, not their fears of the working classes.
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The film's second half has been described as more thematically serious compared to the first half. One central event to the film is when Cyril's mother loses her keys, and she then is forced to rely on her wealthy neighbours and her children for assistance, displaying a stark contrast between the
347:" sister; Laetitia and Rupert, his mother's upper-middle class neighbours; and a country traveller who stays with Cyril and whom they nickname E.T. because he repeatedly fails to make his way home. Both Cyril and Shirley are highly critical of then-Prime Minister
318:, released in 1983. This gap in his filmography was attributable in part to his process for creating films: When he applied for financial backing, he did not yet have finished scripts, preferring to allow actors, once they were hired, to use
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One theme displayed throughout the film is that no two characters fully understand each other's perspectives or lives, with the sole exceptions of Cyril and
Shirley. In a review for
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area of London. The plot centres on the interaction of Cyril and his family with members of
England's different social classes, including his elderly mother, who lives in a
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awarded the film four out of four stars and concluded that it was "an alive and challenging film, one that throws our own assumptions and evasions back at us".
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to create the dialogue. As a result, given the absence of a concrete script, many potential financial backers were reluctant to support Leigh's work.
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style, the film is ultimately a social comedy concerning culture clashes between different classes and belief systems. According to the critic
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The film centres on Cyril and
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designated it as a "critic's pick" and commended it for being "enjoyably whimsical without ever losing its cutting edge".
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contrasts the economic and spiritual conditions of siblings. And in developing some of the themes in
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Upon its release, the film was well received. On the
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472:The film made £245,549 in the UK.
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878:The World According to Mike Leigh
705:Leigh, Mike (24 September 1988).
493:Best Actress – Leading Role
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736:Adair, Gilbert (January 1989).
306:, director Mike Leigh had made
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662:Ebert, Roger (14 April 1989).
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550:: FIPRESCI Prize (Mike Leigh)
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343:neighbourhood; Valerie, his "
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1340:1980s English-language films
1330:Films directed by Mike Leigh
738:"Classtrophobia: High Hopes"
536:Nominated: Best Foreign Film
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844:"45th Venice Film Festival"
517:Best Supporting Performance
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162:24 September 1988
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406:Heather Tobias as Valerie
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64:Simon Channing-Williams
1310:1988 independent films
1272:(1979, broadcast 1992)
1154:The Permissive Society
1001:Awards and nominations
608:British Film Institute
476:Awards and nominations
1226:The Short and Curlies
795:europeanfilmawards.eu
542:Venice Film Festival
483:European Film Awards
1345:1980s British films
1335:Films set in London
943:at BFI Screenonline
610:. 2005. p. 24.
571:"High Hopes (1988)"
1055:Secrets & Lies
935:TCM Movie Database
711:The New York Times
458:The New York Times
227:is a 1988 British
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1218:Four Days in July
892:978-0-00-255518-0
626:boxofficemojo.com
446:review aggregator
366:Sight & Sound
349:Margaret Thatcher
247:, and elsewhere.
239:family living in
231:film directed by
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18:1988 British film
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866:Bibliography
851:. Retrieved
848:fipresci.org
847:
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826:. Retrieved
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798:. Retrieved
794:
791:"High Hopes"
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773:. Retrieved
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764:"High Hopes"
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664:"High Hopes"
639:Coveney 1996
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580:. Retrieved
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495:(Ruth Sheen)
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252:Philip Davis
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241:King's Cross
229:comedy drama
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178:Running time
155:Release date
105:David Bamber
77:Philip Davis
60:Victor Glynn
15:
1162:Nuts in May
1146:Hard Labour
1127:Hard Truths
1071:Topsy-Turvy
775:17 December
675:17 December
522:Nominated:
519:(Edna Doré)
462:Roger Ebert
341:gentrifying
128:Jon Gregory
118:Roger Pratt
56:Produced by
38:Directed by
1300:1988 films
1294:Categories
1138:Television
1111:Mr. Turner
1087:Vera Drake
1031:High Hopes
990:Mike Leigh
949:High Hopes
941:High Hopes
930:High Hopes
919:High Hopes
908:High Hopes
881:. London:
853:11 January
828:11 January
800:11 January
641:, p.
582:1 February
557:References
468:Box office
412:as Lætitia
391:as Shirley
389:Ruth Sheen
383:Phil Davis
304:High Hopes
293:Background
277:High Hopes
269:', "As in
256:Ruth Sheen
233:Mike Leigh
224:High Hopes
213:Box office
166:1988-09-24
82:Ruth Sheen
51:Mike Leigh
48:Written by
42:Mike Leigh
24:High Hopes
1194:Grown-Ups
524:Best Film
435:Reception
418:as Rupert
403:as Martin
395:Edna Doré
286:Grown-Ups
124:Edited by
87:Edna Dore
1210:Meantime
1119:Peterloo
924:AllMovie
875:(1996).
544:(Italy)
448:website
440:Critical
424:as Wayne
385:as Cyril
315:Meantime
272:Meantime
197:Language
134:Music by
70:Starring
1261:Ecstasy
933:at the
748:6 March
744:: 64–65
716:6 March
430:as Suzi
326:Summary
302:Before
263:realist
200:English
187:Country
182:112 min
164: (
1280:(1989)
1264:(1979)
1256:(1965)
1237:(2012)
1229:(1987)
1221:(1984)
1213:(1983)
1205:(1982)
1197:(1980)
1189:(1977)
1181:(1977)
1173:(1976)
1165:(1976)
1157:(1975)
1149:(1973)
1130:(2024)
1122:(2018)
1114:(2014)
1106:(2010)
1098:(2008)
1090:(2004)
1082:(2002)
1074:(1999)
1066:(1997)
1058:(1996)
1050:(1993)
1042:(1990)
1034:(1988)
1026:(1971)
889:
533:(USA)
359:Themes
245:London
205:Budget
1245:Plays
1047:Naked
1006:Works
819:(PDF)
604:(PDF)
913:IMDb
887:ISBN
855:2023
830:2023
802:2023
777:2023
750:2021
718:2021
677:2023
584:2024
576:BBFC
377:Cast
331:Plot
283:and
952:at
922:at
911:at
643:189
548:Won
513:Won
499:Won
489:Won
456:of
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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