454:
Peter and Pat – all these aspects heighten the total inability of the characters to come to terms with and break out of their inhibited mental and physical state. Hilda, of course, mirrors this situation since she is handicapped through fault of birth, while the others have the potential to lead happy lives but do not, the hard-hitting propaganda of
382:
for £20 a week. That was the deal and that’s how we got to make the picture for £18,500 — 35 mm, 111 minutes, Eastmancolour and costing peanuts. But the thing was that the minimum amount that the BFI, in their rules, could put into a film was £100 and their contribution to the budget of Bleak
Moments was £100, which made it possible to make the film.
441:-eating Pat (resplendent in home-knitted jerseys of the type she is constantly knitting), horrified when her mother leaves her false teeth out when 'guests are here' in the shape of a mute twenty-nine-year-old with a mental age of two; and Norman, nervously strumming one drug song after another on his guitar, confessing that he comes not from
453:
is a telling indictment of a society which provides education and a tolerable degree of affluence, but fails to teach people to understand themselves, and thus to communicate with others. The flat, two-dimensional photography, the exaggerated slowness and repetition of the action, the over-acting of
432:
still retains many theatrical elements – confined locations, emphasis on dialogue, finely drawn and executed characterisation, and little action in the cinematic sense of the word. But where the camera excels is in its pinpointing of numerous details which make the circumstances of these characters
381:
In order for it to be an ‘official experimental film’... to be registered as a BFI experiment, it had to be a BFI film, and being an ‘official experiment’ meant that you didn’t have to pay union rates. So, everybody who worked on the film, no matter what department and including the actors, did it
475:(writing in 1996) wrote that "Even though the sound quality is poor and the pace a little on the leisurely side - there is tonal assurance and technical finesse in the presentation of the marvellous performances that proclaims both originality and talent. Sylvia is heard playing
31:
533:, the innovative and radical producer, admired the stage performance and was impressed with the subsequent film. He 'spotted Leigh's potential immediately' and his support would prove invaluable. Garnett was providing several films a year for the
370:, "delivered the main financial backing, as well as unused spare bits of film rolls." Finney visited the actors during rehearsal. Leigh later said Memorial provided £14,000 and put in more money during post production when the filmmakers ran out.
262:
Sylvia leads a quiet life caring for her sister Hilda who has complex care needs. Their lonely suburban existence is accentuated by a social awkwardness that detaches them from the community and fuels a life of seclusion and despair.
327:
said "the actors succeed in creating an atmosphere of tangible discomfort but what they ultimately assemble is a subjective sketch, not a description or even a statement on the problem of verbal communicaiton. Leigh invited
493:
called 'the significance of the unexamined life.' Even the exterior shots have a plaintive, insistent quality, with beautifully composed views of pebbledash houses and garages, of clear roads and tall trees, around
398:
would have been a great box office success. But there's just no film industry in this country... All serious film directors have to work in television." However he made a number of films for television at the BBC.
489:
atmosphere, unrelieved by the sort of cathartic climax that characterises most of Leigh's subsequent work." And
Coveney praised Leigh's "poetic sensitivity to what
433:
so frighteningly authentic. The film may be considered on two levels: first, as a tragi-comedy – with Sylvia, the secret sherry-drinker; Peter, the advocate of
953:
460:, with which it is bound to be compared, but it grows in stature through avoiding sensationalism, and is an encouraging directorial debut from Mike Leigh."
527:
is a masterpiece, plain and simple... its greatness is not just in the direction or subject, but in the complete singularity of the performances."
316:
The film is based on a stage play which presented at the Open Space
Theatre in March 1970. Leigh says the play was created in three weeks. He cast
511:
called it, "the most remarkable début by a
British director, working on an absurdly low budget and with unknown actors, that I have ever seen."
2022:
449:. As a tragi-comedy the film is overlong and slow-moving, but contains episodes of genuine humour and pathos. On a second, more metaphysical
769:
1763:
1264:
377:
was on the board at the time, had seen the play, and was encouraging of Leigh's plans to turn it into a movie. Leigh explains:
2099:
2094:
2084:
2079:
1221:
727:
1288:
933:
2074:
1667:
785:
394:
Leigh did not make a theatrical feature film until 1988. In 1977 he said "People like me should be making feature films.
485:
over the opening credits. The general inability to express inner feelings reinforces a mood of bleak, Slavic despair..
1958:
616:
1675:
287:
2089:
1480:
1320:
456:
1870:
1448:
645:
2104:
1795:
1584:
1408:
1257:
1114:
857:
1843:
1747:
1568:
1154:
958:
411:
in 1971 but did not receive a commercial release until May 1972. The film won the Golden
Leopard at the
1424:
1296:
1047:
879:
247:
1659:
1336:
1138:
808:
424:
1707:
1007:
926:
803:
408:
174:
1640:
1464:
1392:
1250:
569:
It has also seen US release by Water Bearer Films, Inc. on VHS (1998), DVD (2004), and in their
1942:
1902:
1827:
1715:
1520:
1512:
1504:
1456:
1312:
1106:
983:
608:
598:
577:
555:
138:
386:
Rehearsals started in
January 1971 and went for four weeks, followed by six weeks of filming.
335:
Following the play, Leigh had an unhappy experience directing Earl
Cameron in a production of
1982:
1632:
1576:
1488:
1178:
1031:
412:
332:
to come and see the play and
Garnett was encouraging about Leigh's desire to go into films.
1683:
1536:
1229:
991:
886:
1731:
771:
An autobiography of
British cinema : as told by the filmmakers and actors who made it
8:
2069:
1974:
1552:
1400:
1368:
1344:
1055:
919:
299:
1918:
1878:
1851:
1699:
1691:
1592:
1472:
1440:
1328:
1304:
1130:
1098:
894:
873:
539:
481:
346:
had formed their own production company, Autumn
Productions, and Leigh wanted to adapt
251:
1819:
1811:
2046:
1966:
1170:
999:
851:
723:
673:
612:
519:
1771:
1624:
1528:
1432:
434:
317:
2014:
2006:
1608:
1496:
1384:
1162:
1122:
1071:
717:
604:
472:
374:
1910:
2030:
1990:
1934:
1894:
1755:
1352:
1273:
1242:
1213:
1186:
490:
366:
355:
293:
224:
2063:
2038:
1360:
903:
559:
507:
428:
wrote: "Originally conceived as a stage play by Mike Leigh and Leslie Blair,
351:
1950:
1886:
1779:
1600:
1205:
1015:
530:
495:
464:
329:
239:
1787:
1723:
1079:
1023:
898:
514:
845:
1926:
1376:
1063:
1039:
942:
499:
446:
278:
243:
89:
44:
339:
in Bermuda, after which he resolved only to work on his own material.
1998:
1146:
442:
438:
343:
70:
554:
has been released in 4:3 aspect ratio several times in the UK: VHS (
1835:
1560:
1416:
1803:
486:
30:
1739:
1544:
476:
360:
911:
633:
National Heroes: British Cinema in the Seventies and Eighties
600:
The Reluctant Escapologist: Adventures in Alternative Theatre
468:
called it "a striking and entirely original first feature."
250:. Leigh's screenplay is based on a 1970 stage play at the
534:
753:
Malcolm, Derek (27 March 1972). "Laugh with the loner".
415:
and received an arthouse release in the USA and Canada.
576:
A remastered Blu-ray of the film was released by the
254:, about the dysfunctional life of a young secretary.
827:
Malcolm, Derek (25 May 1972). "Strangled laughter".
437:
who cannot string a coherent sentence together; the
2061:
1272:
816:(456): 107. 1 January 1972 – via ProQuest.
320:as Sylvia's father but he left after four days.
537:, and would also produce Leigh's next project,
1258:
927:
868:. Laura Barnett (as told to). 1 January 2013.
358:'s Memorial Films, which had recently made
1265:
1251:
934:
920:
566:box set (Spirit Entertainment Ltd, 2008).
350:. He was able to realise that desire when
275:Sarah Stephenson as Hilda, Sylvia's sister
29:
767:
711:
709:
650:British Film Institute Collections Search
638:
596:
1764:Why Has Bodhi-Dharma Left for the East?
826:
752:
748:
746:
715:
2062:
2023:Vengeance Is Mine, All Others Pay Cash
706:
1246:
915:
625:
743:
668:
666:
1668:Antonio Gramsci: The Days of Prison
13:
373:The BFI is credited on the movie.
14:
2116:
839:
722:. HarperCollins. pp. 85–86.
719:The World According to Mike Leigh
698:"Banal talk of improvised play".
663:
1676:The Idlers of the Fertile Valley
558:/Connoisseur Video, 2000), DVD (
1321:When Willie Comes Marching Home
858:"Mike Leigh on his first film,
820:
796:
16:1971 British film by Mike Leigh
1871:Off to the Revolution by a 2CV
941:
792:. 7 November 1977. p. 25.
778:
761:
691:
597:Bradwell, Mike (8 July 2010).
590:
564:The Mike Leigh Film Collection
562:, 2008, 2015), and as part of
543:, for BBC Television in 1973.
1:
786:"Wrapping up a slice of life"
583:
571:Mike Leigh Collection, Vol. 2
546:
311:
306:
62:1970 stage play by Mike Leigh
2100:1970s English-language films
2095:1971 directorial debut films
2085:Films directed by Mike Leigh
2080:British films based on plays
1796:The Place on a Grey Tricorne
1585:They Have Changed Their Face
1274:Golden Leopard winning films
702:. 17 March 1970. p. 16.
418:
389:
7:
1844:Skin of Man, Heart of Beast
1748:Distant Voices, Still Lives
10:
2121:
2075:British comedy-drama films
407:The film was shown at the
402:
165:30 November 1971
1862:
1651:
1409:The Emperor's Nightingale
1280:
1197:
1090:
967:
949:
809:The Monthly Film Bulletin
768:McFarlane, Brian (1997).
674:"Bleak Moments (Blu-ray)"
425:The Monthly Film Bulletin
364:and was about to produce
220:
212:
204:
194:
156:
148:
120:
112:
104:
76:
66:
58:
50:
40:
28:
23:
1289:And Then There Were None
1222:Too Much of a Good Thing
1641:The Son of Amir Is Dead
1465:Transport from Paradise
1393:The Sheep Has Five Legs
774:. Methuen. p. 359.
284:Joolia Cappleman as Pat
266:
257:
2090:Golden Leopard winners
1716:Stranger Than Paradise
1521:Those Who Wear Glasses
1513:Charles, Dead or Alive
1313:The Farm of Seven Sins
1225:(1979, broadcast 1992)
1107:The Permissive Society
954:Awards and nominations
878:: CS1 maint: others (
384:
139:British Film Institute
1983:Right Now, Wrong Then
1959:The Girl from Nowhere
1577:On the Point of Death
1489:Courage for Every Day
1179:The Short and Curlies
413:Locarno Film Festival
379:
180:25 May 1972
1537:No Path Through Fire
716:Coveney, M. (1997).
635:, Harrap, 1985 p 225
409:London Film Festival
272:Anne Raitt as Sylvia
2105:1970s British films
1975:From What Is Before
1481:Four in the Morning
1425:Ten North Frederick
1345:The Composer Glinka
890:at BFI Screenonline
700:The Daily Telegraph
1692:To Love the Damned
1449:Fires on the Plain
1305:Germany, Year Zero
1008:Secrets & Lies
631:Alexander Walker,
580:in November 2021.
296:as Norman's friend
252:Open Space Theatre
238:is a 1971 British
152:Contemporary Films
132:Autumn Productions
2057:
2056:
1967:Story of My Death
1732:Jezioro Bodeńskie
1240:
1239:
1171:Four Days in July
729:978-0-00-638339-0
520:Chicago Sun Times
248:directorial debut
231:
230:
2112:
1772:Accidental Waltz
1633:Tűzoltó utca 25.
1625:The Illumination
1529:Three Sad Tigers
1267:
1260:
1253:
1244:
1243:
936:
929:
922:
913:
912:
908:at Letterbox DVD
883:
877:
869:
833:
832:
824:
818:
817:
800:
794:
793:
782:
776:
775:
765:
759:
758:
750:
741:
740:
738:
736:
713:
704:
703:
695:
689:
688:
686:
684:
670:
661:
660:
658:
656:
642:
636:
629:
623:
622:
594:
573:box set (2004).
505:John Coleman in
318:George Coulouris
187:
185:
172:
170:
108:Bahram Manocheri
94:Joolia Cappleman
86:Sarah Stephenson
33:
21:
20:
2120:
2119:
2115:
2114:
2113:
2111:
2110:
2109:
2060:
2059:
2058:
2053:
2015:Vitalina Varela
2007:A Land Imagined
1943:Winter Vacation
1858:
1820:Nénette et Boni
1647:
1609:Znaki na drodze
1569:End of the Road
1505:The Visionaries
1497:Entranced Earth
1441:Il bell'Antonio
1276:
1271:
1241:
1236:
1193:
1155:Home Sweet Home
1131:Abigail's Party
1123:Knock for Knock
1086:
963:
945:
940:
871:
870:
856:
842:
837:
836:
825:
821:
804:"Bleak Moments"
802:
801:
797:
784:
783:
779:
766:
762:
751:
744:
734:
732:
730:
714:
707:
697:
696:
692:
682:
680:
672:
671:
664:
654:
652:
646:"Bleak Moments"
644:
643:
639:
630:
626:
619:
605:Nick Hern Books
595:
591:
586:
549:
482:E-flat Nocturne
473:Michael Coveney
421:
405:
392:
375:Bruce Beresford
325:Daily Telegraph
314:
309:
302:as Pat's mother
269:
260:
197:
190:
183:
181:
168:
166:
159:
144:
143:
125:
123:
100:
36:
17:
12:
11:
5:
2118:
2108:
2107:
2102:
2097:
2092:
2087:
2082:
2077:
2072:
2055:
2054:
2052:
2051:
2043:
2035:
2027:
2019:
2011:
2003:
1995:
1987:
1979:
1971:
1963:
1955:
1947:
1939:
1935:She, a Chinese
1931:
1923:
1915:
1907:
1899:
1891:
1883:
1875:
1866:
1864:
1860:
1859:
1857:
1856:
1848:
1840:
1832:
1824:
1816:
1808:
1800:
1792:
1784:
1776:
1768:
1760:
1756:Schmetterlinge
1752:
1744:
1736:
1728:
1720:
1712:
1704:
1696:
1688:
1680:
1672:
1664:
1655:
1653:
1649:
1648:
1646:
1645:
1637:
1629:
1621:
1613:
1605:
1597:
1589:
1581:
1573:
1565:
1557:
1549:
1541:
1533:
1525:
1517:
1509:
1501:
1493:
1485:
1477:
1469:
1461:
1453:
1445:
1437:
1429:
1421:
1413:
1405:
1397:
1389:
1381:
1373:
1365:
1357:
1353:The Glass Wall
1349:
1341:
1333:
1325:
1317:
1309:
1301:
1297:Man About Town
1293:
1284:
1282:
1278:
1277:
1270:
1269:
1262:
1255:
1247:
1238:
1237:
1235:
1234:
1226:
1218:
1210:
1201:
1199:
1195:
1194:
1192:
1191:
1187:A Running Jump
1183:
1175:
1167:
1159:
1151:
1143:
1135:
1127:
1119:
1111:
1103:
1094:
1092:
1088:
1087:
1085:
1084:
1076:
1068:
1060:
1052:
1048:Happy-Go-Lucky
1044:
1036:
1032:All or Nothing
1028:
1020:
1012:
1004:
996:
988:
980:
971:
969:
965:
964:
962:
961:
956:
950:
947:
946:
939:
938:
931:
924:
916:
910:
909:
901:
892:
884:
854:
841:
840:External links
838:
835:
834:
819:
795:
777:
760:
742:
728:
705:
690:
662:
637:
624:
617:
588:
587:
585:
582:
548:
545:
491:G.K.Chesterton
420:
417:
404:
401:
391:
388:
356:Michael Medwin
313:
310:
308:
305:
304:
303:
297:
294:Donald Sumpter
291:
285:
282:
276:
273:
268:
265:
259:
256:
229:
228:
222:
218:
217:
214:
210:
209:
208:United Kingdom
206:
202:
201:
198:
195:
192:
191:
189:
188:
178:
162:
160:
157:
154:
153:
150:
149:Distributed by
146:
145:
142:
141:
136:
135:Memorial Films
133:
129:
128:
126:
121:
118:
117:
114:
110:
109:
106:
105:Cinematography
102:
101:
99:
98:
95:
92:
87:
84:
80:
78:
74:
73:
68:
64:
63:
60:
56:
55:
52:
48:
47:
42:
38:
37:
34:
26:
25:
15:
9:
6:
4:
3:
2:
2117:
2106:
2103:
2101:
2098:
2096:
2093:
2091:
2088:
2086:
2083:
2081:
2078:
2076:
2073:
2071:
2068:
2067:
2065:
2049:
2048:
2044:
2041:
2040:
2039:Critical Zone
2036:
2033:
2032:
2028:
2025:
2024:
2020:
2017:
2016:
2012:
2009:
2008:
2004:
2001:
2000:
1996:
1993:
1992:
1988:
1985:
1984:
1980:
1977:
1976:
1972:
1969:
1968:
1964:
1961:
1960:
1956:
1953:
1952:
1948:
1945:
1944:
1940:
1937:
1936:
1932:
1929:
1928:
1924:
1921:
1920:
1916:
1913:
1912:
1908:
1905:
1904:
1900:
1897:
1896:
1892:
1889:
1888:
1884:
1881:
1880:
1876:
1873:
1872:
1868:
1867:
1865:
1861:
1854:
1853:
1849:
1846:
1845:
1841:
1838:
1837:
1833:
1830:
1829:
1825:
1822:
1821:
1817:
1814:
1813:
1809:
1806:
1805:
1801:
1798:
1797:
1793:
1790:
1789:
1785:
1782:
1781:
1777:
1774:
1773:
1769:
1766:
1765:
1761:
1758:
1757:
1753:
1750:
1749:
1745:
1742:
1741:
1737:
1734:
1733:
1729:
1726:
1725:
1721:
1718:
1717:
1713:
1710:
1709:
1705:
1702:
1701:
1697:
1694:
1693:
1689:
1686:
1685:
1681:
1678:
1677:
1673:
1670:
1669:
1665:
1662:
1661:
1660:The Big Night
1657:
1656:
1654:
1650:
1643:
1642:
1638:
1635:
1634:
1630:
1627:
1626:
1622:
1619:
1618:
1617:Bleak Moments
1614:
1611:
1610:
1606:
1603:
1602:
1598:
1595:
1594:
1590:
1587:
1586:
1582:
1579:
1578:
1574:
1571:
1570:
1566:
1563:
1562:
1558:
1555:
1554:
1550:
1547:
1546:
1542:
1539:
1538:
1534:
1531:
1530:
1526:
1523:
1522:
1518:
1515:
1514:
1510:
1507:
1506:
1502:
1499:
1498:
1494:
1491:
1490:
1486:
1483:
1482:
1478:
1475:
1474:
1470:
1467:
1466:
1462:
1459:
1458:
1454:
1451:
1450:
1446:
1443:
1442:
1438:
1435:
1434:
1433:Killer's Kiss
1430:
1427:
1426:
1422:
1419:
1418:
1414:
1411:
1410:
1406:
1403:
1402:
1398:
1395:
1394:
1390:
1387:
1386:
1382:
1379:
1378:
1374:
1371:
1370:
1366:
1363:
1362:
1361:Prince Bayaya
1358:
1355:
1354:
1350:
1347:
1346:
1342:
1339:
1338:
1337:Julius Caesar
1334:
1331:
1330:
1326:
1323:
1322:
1318:
1315:
1314:
1310:
1307:
1306:
1302:
1299:
1298:
1294:
1291:
1290:
1286:
1285:
1283:
1279:
1275:
1268:
1263:
1261:
1256:
1254:
1249:
1248:
1245:
1232:
1231:
1230:Greek Tragedy
1227:
1224:
1223:
1219:
1216:
1215:
1211:
1208:
1207:
1203:
1202:
1200:
1196:
1189:
1188:
1184:
1181:
1180:
1176:
1173:
1172:
1168:
1165:
1164:
1160:
1157:
1156:
1152:
1149:
1148:
1144:
1141:
1140:
1139:Kiss of Death
1136:
1133:
1132:
1128:
1125:
1124:
1120:
1117:
1116:
1112:
1109:
1108:
1104:
1101:
1100:
1096:
1095:
1093:
1089:
1082:
1081:
1077:
1074:
1073:
1069:
1066:
1065:
1061:
1058:
1057:
1053:
1050:
1049:
1045:
1042:
1041:
1037:
1034:
1033:
1029:
1026:
1025:
1021:
1018:
1017:
1013:
1010:
1009:
1005:
1002:
1001:
997:
994:
993:
992:Life Is Sweet
989:
986:
985:
981:
978:
977:
976:Bleak Moments
973:
972:
970:
968:Feature films
966:
960:
957:
955:
952:
951:
948:
944:
937:
932:
930:
925:
923:
918:
917:
914:
907:
906:
905:Bleak Moments
902:
900:
896:
893:
891:
889:
888:Bleak Moments
885:
881:
875:
867:
863:
861:
860:Bleak Moments
855:
853:
849:
848:
847:Bleak Moments
844:
843:
831:. p. 12.
830:
823:
815:
811:
810:
805:
799:
791:
787:
781:
773:
772:
764:
756:
749:
747:
731:
725:
721:
720:
712:
710:
701:
694:
679:
675:
669:
667:
651:
647:
641:
634:
628:
620:
618:9781854595386
614:
610:
606:
602:
601:
593:
589:
581:
579:
574:
572:
567:
565:
561:
560:Soda Pictures
557:
553:
552:Bleak Moments
544:
542:
541:
536:
532:
528:
526:
525:Bleak Moments
522:
521:
516:
512:
510:
509:
508:New Statesman
503:
501:
497:
492:
488:
484:
483:
478:
474:
469:
467:
466:
461:
459:
458:
452:
451:Bleak Moments
448:
444:
440:
436:
431:
430:Bleak Moments
427:
426:
416:
414:
410:
400:
397:
387:
383:
378:
376:
371:
369:
368:
363:
362:
357:
353:
352:Albert Finney
349:
345:
340:
338:
333:
331:
326:
321:
319:
301:
298:
295:
292:
289:
288:Mike Bradwell
286:
283:
280:
277:
274:
271:
270:
264:
255:
253:
249:
245:
241:
237:
236:
235:Bleak Moments
226:
223:
219:
215:
211:
207:
203:
199:
193:
179:
176:
164:
163:
161:
158:Release dates
155:
151:
147:
140:
137:
134:
131:
130:
127:
119:
115:
111:
107:
103:
97:Mike Bradwell
96:
93:
91:
88:
85:
82:
81:
79:
75:
72:
69:
65:
61:
57:
53:
49:
46:
43:
39:
32:
27:
24:Bleak Moments
22:
19:
2045:
2037:
2029:
2021:
2013:
2005:
1997:
1989:
1981:
1973:
1965:
1957:
1951:Back to Stay
1949:
1941:
1933:
1925:
1917:
1911:Das Fräulein
1909:
1901:
1893:
1887:Khamosh Pani
1885:
1877:
1869:
1863:2001–present
1850:
1842:
1834:
1826:
1818:
1810:
1802:
1794:
1786:
1780:Johnny Suede
1778:
1770:
1762:
1754:
1746:
1738:
1730:
1722:
1714:
1708:The Princess
1706:
1698:
1690:
1682:
1674:
1666:
1658:
1639:
1631:
1623:
1616:
1615:
1607:
1601:Private Road
1599:
1591:
1583:
1575:
1567:
1559:
1551:
1543:
1535:
1527:
1519:
1511:
1503:
1495:
1487:
1479:
1471:
1463:
1455:
1447:
1439:
1431:
1423:
1415:
1407:
1401:Carmen Jones
1399:
1391:
1383:
1375:
1369:Gate of Hell
1367:
1359:
1351:
1343:
1335:
1327:
1319:
1311:
1303:
1295:
1287:
1228:
1220:
1212:
1206:The Box Play
1204:
1185:
1177:
1169:
1161:
1153:
1145:
1137:
1129:
1121:
1113:
1105:
1097:
1078:
1070:
1062:
1056:Another Year
1054:
1046:
1038:
1030:
1022:
1016:Career Girls
1014:
1006:
998:
990:
982:
975:
974:
904:
887:
866:The Guardian
865:
859:
846:
829:The Guardian
828:
822:
813:
807:
798:
790:The Guardian
789:
780:
770:
763:
757:. p. 8.
755:The Guardian
754:
733:. Retrieved
718:
699:
693:
681:. Retrieved
677:
653:. Retrieved
649:
640:
632:
627:
599:
592:
575:
570:
568:
563:
551:
550:
538:
531:Tony Garnett
529:
524:
518:
513:
506:
504:
496:West Norwood
480:
470:
465:The Guardian
463:
462:
455:
450:
429:
423:
422:
406:
395:
393:
385:
380:
372:
365:
359:
347:
344:Leslie Blair
341:
336:
334:
330:Tony Garnett
324:
322:
315:
261:
240:comedy-drama
234:
233:
232:
196:Running time
116:Leslie Blair
71:Leslie Blair
18:
1919:The Rebirth
1879:The Longing
1788:Autumn Moon
1724:Alpine Fire
1593:The Friends
1473:Black Peter
1115:Nuts in May
1099:Hard Labour
1080:Hard Truths
1024:Topsy-Turvy
899:Roger Ebert
895:1972 review
540:Hard Labour
515:Roger Ebert
471:The critic
457:Family Life
396:Nuts in May
200:106 minutes
67:Produced by
41:Directed by
35:Film poster
2070:1971 films
2064:Categories
1927:Parque via
1903:Nine Lives
1828:The Mirror
1457:The Winner
1377:Wild Fruit
1091:Television
1064:Mr. Turner
1040:Vera Drake
984:High Hopes
943:Mike Leigh
683:3 December
607:. p.
584:References
547:Home media
500:Tulse Hill
487:Chekhovian
447:Scunthorpe
342:Leigh and
312:Background
307:Production
279:Eric Allan
244:Mike Leigh
184:1972-05-25
169:1971-11-30
122:Production
90:Eric Allan
83:Anne Raitt
54:Mike Leigh
51:Written by
45:Mike Leigh
1999:Mrs. Fang
1652:1976–2000
1281:1946–1975
1147:Grown-Ups
874:cite news
735:1 January
655:23 August
445:but from
443:Doncaster
419:Reception
390:Aftermath
300:Liz Smith
290:as Norman
124:companies
113:Edited by
2031:Regra 34
1836:Mr. Zhao
1684:The Herd
1561:Soleil O
1417:Il Grido
1385:Rotation
1163:Meantime
1072:Peterloo
678:BFI Shop
439:Malteser
337:Gallileo
281:as Peter
242:film by
213:Language
77:Starring
59:Based on
1991:Godless
1895:Private
1804:Khomreh
1214:Ecstasy
517:in the
435:McLuhan
403:Release
367:Gumshoe
348:Moments
246:in his
216:English
205:Country
182: (
167: (
2050:(2024)
2042:(2023)
2034:(2022)
2026:(2021)
2018:(2019)
2010:(2018)
2002:(2017)
1994:(2016)
1986:(2015)
1978:(2014)
1970:(2013)
1962:(2012)
1954:(2011)
1946:(2010)
1938:(2009)
1930:(2008)
1922:(2007)
1914:(2006)
1906:(2005)
1898:(2004)
1890:(2003)
1882:(2002)
1874:(2001)
1855:(2000)
1852:Father
1847:(1999)
1839:(1998)
1831:(1997)
1823:(1996)
1815:(1995)
1807:(1994)
1799:(1993)
1791:(1992)
1783:(1991)
1775:(1990)
1767:(1989)
1759:(1988)
1751:(1988)
1743:(1987)
1740:O Bobo
1735:(1986)
1727:(1985)
1719:(1984)
1711:(1983)
1703:(1981)
1700:Chakra
1695:(1980)
1687:(1979)
1679:(1978)
1671:(1977)
1663:(1976)
1644:(1975)
1636:(1974)
1628:(1973)
1620:(1972)
1612:(1971)
1604:(1971)
1596:(1971)
1588:(1971)
1580:(1971)
1572:(1970)
1564:(1970)
1556:(1970)
1548:(1970)
1545:Lilika
1540:(1969)
1532:(1969)
1524:(1969)
1516:(1969)
1508:(1968)
1500:(1967)
1492:(1966)
1484:(1965)
1476:(1964)
1468:(1963)
1460:(1962)
1452:(1961)
1444:(1960)
1436:(1959)
1428:(1958)
1420:(1957)
1412:(1955)
1404:(1955)
1396:(1954)
1388:(1954)
1380:(1954)
1372:(1954)
1364:(1954)
1356:(1953)
1348:(1953)
1340:(1953)
1332:(1952)
1329:Hunted
1324:(1950)
1316:(1949)
1308:(1948)
1300:(1947)
1292:(1946)
1233:(1989)
1217:(1979)
1209:(1965)
1190:(2012)
1182:(1987)
1174:(1984)
1166:(1983)
1158:(1982)
1150:(1980)
1142:(1977)
1134:(1977)
1126:(1976)
1118:(1976)
1110:(1975)
1102:(1973)
1083:(2024)
1075:(2018)
1067:(2014)
1059:(2010)
1051:(2008)
1043:(2004)
1035:(2002)
1027:(1999)
1019:(1997)
1011:(1996)
1003:(1993)
995:(1990)
987:(1988)
979:(1971)
726:
615:
523:said "
477:Chopin
361:If....
227:18,500
221:Budget
175:London
173: (
2047:Toxic
1198:Plays
1000:Naked
959:Works
1553:Mujo
880:link
852:IMDb
737:2023
724:ISBN
685:2021
657:2024
613:ISBN
498:and
354:and
323:The
267:Cast
258:Plot
1812:Raï
897:by
850:at
578:BFI
556:BFI
535:BBC
502:."
479:'s
2066::
876:}}
872:{{
864:.
814:39
812:.
806:.
788:.
745:^
708:^
676:.
665:^
648:.
611:.
609:90
603:.
1266:e
1259:t
1252:v
935:e
928:t
921:v
882:)
862:"
739:.
687:.
659:.
621:.
225:£
186:)
177:)
171:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
