612:. New footage was shot in April and May 1995. Bradley said they consisted of entirely new material and were not truly re-shoots. Angelique's origin and relationships with Pinhead and the LeMarchand line were changed. Many scenes were removed during editing, especially from the LeMarchand storyline. Angelique and Pinhead originally had a more violent and adversarial relationship; Angelique represented an older, more chaotic version of Hell that favors drawn-out temptation, and Pinhead represented an ascetic, results-based order that takes over. The theatrical cut makes this more ambiguous and replaces some of their hostility with sexual tension. The final cut was 85 minutes long. When Yagher saw the finished film, he felt it strayed too far from his original vision and had his name removed from the credits, using the
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the will of Hell, though Kane says he exercises more independence than
Angelique. The LeMarchand bloodline are slaves to the Lament Configuration; John, and, to a lesser extent, Phillip are also slaves to their obsession with Angelique. Mirror images feature prominently in the film, including the twin cenobite and literal mirrors that Angelique and Paul use. In Kane's analysis, Paul not only mirrors his ancestors but also Pinhead, whom he emulates to become stronger. Kane describes how darkness and light also show up in the film, sometimes literally, as when light kills Pinhead, and sometimes metaphorically, as when Angelique and Pinhead show elements of their underlying humanity.
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376:. The two immediately clash, as Pinhead represents a shift in the ideologies of Hell, which she left behind two hundred years ago: while Angelique believes in corrupting people through temptation, Pinhead is fanatically devoted to pain and suffering. Despite their conflicting views, the pair forge an uneasy alliance to kill Merchant before he can complete the Elysium Configuration, an anti-Lament Configuration that creates perpetual light and would serve to permanently close all gateways to Hell.
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which was changed so that the 22nd century Paul
Merchant narrates his ancestors' story, and a happy ending was added. Yagher, coming off the difficult shoot, declined to direct the new scenes and left the production, citing a lack of time and energy. Though he was not necessarily opposed to Miramax's suggested changes, Yagher said he also did not want to see the film slowly morph into a different product after spending so much effort on it.
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relationship with John; in the shooting script, Phillip's obsession with
Angelique and the Lament Configuration more explicitly mirrored that of a marital affair. Kane writes that Paul avoids death by ignoring relationships and is rewarded with a relationship once he redeems his bloodline. Jacques orders Angelique to kill Phillip out of jealousy, and it is this same jealousy that later causes his death at Angelique's hands.
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task, Kane writes, because of his knowledge of the past, including his ancestors' plans and their failings. The characters frequently reference time in dialog, and clocks are a common background element, especially in
Phillip's toy shop. In the space station, a countdown announces the time until the Elysium Configuration will kill Pinhead and his fellow Cenobites. Before he dies, Pinhead announces, "I am forever!"
552:, was recruited to perform special effects. Tunnicliffe was worried that Yagher would want to perform the effects himself, but Yagher wanted to collaborate with Image Animation and believed their experience with prior films in the series would be valuable. Yagher himself only contributed to the Chatter Beast. For Angelique's appearance, Tunnicliffe was inspired by
29:
319:, including Pinhead (Bradley) and Angelique (Vargas). Hundreds of years in the future, the toymaker's descendant (also played by Ramsay), an engineer, has designed a space station that he believes can trap and destroy the Cenobites. Major themes include time, toys and game-playing, adultery and slavery.
682:. In the original shooting script, demonic gamblers served Angelique. She plays sexual games with her victims, and Pinhead toys with mortals for amusement. Kane draws parallels to video games when John uses a computer to design the Elysium Configuration, and Kane compares the space station scenes to a
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According to Kane, many of the characters' relationships are based on slavery and bondage. Angelique is a slave to de L'Isle, then
Jacques. When she rebels against the new austerity in Hell, she comes into conflict with Pinhead, who eventually puts her under his control. Pinhead himself is a slave to
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In 2127, Rimmer disbelieves Dr. Merchant's story and has him locked away. Pinhead and his followers β now including an enslaved
Angelique β have already been freed after Merchant opened the box. Upon learning of Dr. Merchant's intentions, they kill the entire crew of the ship, save for Rimmer and Dr.
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Angelique and
Pinhead initially collaborate to corrupt Merchant, but Pinhead grows tired of Angelique's seductive techniques and threatens to kill Merchant's wife and child. Having grown accustomed to a decadent life on Earth, Angelique wants no part of Hell's new fanatical austerity, and she intends
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Doug
Bradley, who had played Pinhead in all the previous films, joined the cast first. Bradley agreed the film should focus more on the other characters, and several lesser-known actors joined in major roles, including Canadian Bruce Ramsay and Chilean Valentina Vargas. As the script was scaled back
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as
Angelique / Peasant Girl. Vargas said she was reluctant to take the role because of nightmares about Pinhead, but she soon became interested in exploring her character's seductive and evil nature. Originally a demon summoned through black magic who commissions the Lament Configuration, her origin
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demanded new scenes be shot. It was subsequently completed by
Chappelle. The new scenes and re-shoots changed several characters' relationships, gave the film a happy ending, introduced Pinhead earlier, and cut 25 minutes. Yagher felt the changes diverged too strongly from his vision and was granted
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wrote that if Barker himself had rewritten and directed the film, it might have worked; however, the writing is convoluted, and the film's atmosphere is "more repellent than intriguing". Thomas praised the acting of Bradley, Cottrell, and Ramsay but called the rest of the cast "mediocre". In rating
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Dr. Merchant distracts Pinhead with a hologram while he boards an escape pod with Rimmer. Once clear of the station, he activates the Elysium Configuration. A series of powerful lasers and mirrors create a field of perpetual light, while the station transforms and folds around the light to create a
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to summon a demon, Angelique, through the box. LeMarchand runs home in terror, where he begins working on blueprints for a second box which will neutralize the effects of the first. Returning to L'Isle's mansion to steal the box, LeMarchand discovers that Jacques has killed L'Isle and taken control
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his favorite. While acknowledging fan criticism, he identified the film's expanded mythology and religious themes as making it more interesting than previous installments. Cowan describes Pinhead's dismissive rejection of God's will as possibly symbolic of modern society's views on religion. Katie
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Miramax's reaction was negative, however, and they demanded that Pinhead receive a more prominent role and appear earlier. Atkins said they knew about the script but possibly panicked when they saw the reality. Miramax's demands required rewrites; Pinhead was inserted into the opening of the film,
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Kane identifies several themes in the film. The first, time, is evident in the film's non-linear narrative, which takes place in the past, present, and future. Kane compares the flashbacks told from the future with time travel stories. Though Paul does not travel through time, he succeeds in his
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In 1996, LeMarchand's descendant, John Merchant, has built a skyscraper in Manhattan that resembles the Lament Configuration. Seeing an article on the building in a magazine, Angelique asks Jacques to take her to the United States so that she can confront him. When Jacques denies her request,
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Kane identifies sex, death, and adultery as frequently intertwined, though he says this is somewhat weakened in the theatrical cut. Angelique tempts the LeMarchand bloodline, and adultery results in their death. Due to cuts made during editing, Kane says this is most evident in Angelique's
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Filming began in Los Angeles in August 1994. Locations included the I. Magnin Building, which was rumored to be haunted, and an abandoned factory, which was converted into the space station. Problems began early and continued throughout production. Bradley called it "the shoot from hell".
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called it "a pointless mess" without a likable protagonist. The reviewer further criticized the acting and said the grotesque special effects have become tiresome since the first film, except for the space-based effects. Also criticizing the special effects, Richard Harrington wrote in
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to force Merchant to activate the Elysium Configuration and destroy Hell, thus freeing her from its imperatives. However, Merchant's flawed prototype fails. Pinhead kills Merchant, but his wife opens Angelique's Lament Configuration, sending Pinhead and Angelique back to Hell.
372:
Angelique kills him, as Merchant poses a threat to Hell. Angelique travels to the United States, where she fails to seduce Merchant. Discovering the Lament Configuration in the building's foundation, Angelique tricks a security guard into solving it, which summons
498:, which featured a building whose architecture resembled the Lament Configuration. Barker suggested a three-part film set in different time periods, and Peter Atkins added the LeMarchand storyline, going back to Barker's novella. Atkins had previously written
587:, replaced the original cinematographer, the assistant director was called away on an emergency, several people suffered from illnesses, and Bradley said the art department and camera crew were all dismissed within the first week. Despite the issues,
540:. Yagher was initially hesitant about taking the job, as he did not want to do a retread of the previous installments of the series. However, he was impressed with the script and became enthusiastic after Barker described his vision for the film.
832:, Matt Serafini rated it 2.5/5 stars and wrote that the film was not respected by producers, ultimately causing it to become "a half-baked compromise" that does not live up to its interesting premise, ultimately degenerating into a generic
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stories, as he could not see anywhere for the series to go creatively, but he recognized Miramax had a financial interest in keeping the series alive. Bradley said he was open to reprising his role, but Barker's reaction was more negative.
493:
Clive Barker, acting as executive producer, wanted a fresh turn for the series after two sequels to his original 1987 film. The initial premise for the film, a shape-changing structure used to trap Pinhead, was inspired by the ending of
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and was released on March 19, 1996. Kane wrote of it: "The whole score is powerful, blending unconventional instrumentation occasionally augmented by a chorus". Kane highlighted the chase sequence music in the Chatter Beast's scenes.
521:
sequels". This screenplay featured a linear timeline, more special effects, and violent confrontations between Pinhead and Angelique. When Miramax was unwilling to provide a budget to realize these scenes, the film was scaled back.
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was not screened for critics. It was released on March 8, 1996, in the United States and Canada, where it grossed $ 4.5 million in its opening weekend and came in fifth place. At the end of its U.S. run, it grossed $ 9.3 million.
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as Philippe "Toymaker" LeMarchand / John Merchant / Dr. Paul Merchant. Ramsay called Philippe an ambitious but good man who is seduced by Angelique's power. He described John as more self-aware and mature; Paul, he said, is
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game in which Paul insists only he can win the endgame. Pinhead makes many references to game-playing, including when he kills John, and John's wife, Bobbi, references game-playing when she sends Pinhead back to Hell.
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Merchant, who escape. Dr. Merchant reveals that the Minos is, in fact, the final, perfected form of the Elysium Configuration, and that by activating it, he can kill Pinhead and permanently seal the gateway to Hell.
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over Angelique, who agrees to be his slave so long as he does not impede the wishes of Hell. The pair kill LeMarchand, and Jacques informs him that his bloodline is now cursed for helping to open a portal to Hell.
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pseudonym, an alias used by directors who want to go uncredited. Miramax released it in the United States on March 8, where it grossed $ 9 million. It was not screened for critics and received negative reviews.
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film to receive a theatrical release, though it was released direct-to-video in the UK. Following the film's release, questions of a sequel immediately rose. Atkins said he was uninterested in exploring more
677:
Toys and game-playing are a common theme in the film series, all of which feature the Lament Configuration, a mystical puzzle box created by a toymaker. Kane identifies these themes as "much more blatant" in
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that they are "decidedly gross but not particularly frightening". Harrington said the film would need a "a far bigger budget and some real input from horrormeister Clive Barker" to realize its aspirations.
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s J. R. Taylor gave it a letter grade of "B" and called it "actually rather interesting" despite its incoherent moments, which are made more tolerable when watched on DVD. After watching a marathon of
440:
as Rimmer. Originally male, Rimmer was rewritten in a later draft after several female characters were streamlined out, including a descendant of Kirsty Cotton who would serve as Paul's love interest.
570:, Bradley's make-up as Pinhead had changed to make it easier to apply and take off at the cost of increased discomfort. Tunnicliffe reverted to the old make-up, which he believed looked better.
446:
as Genevieve LeMarchand. In the script, Genevieve is also depicted as more suspicious of her husband, whom she suspects to be having an affair. This was mostly removed during editing.
315:
In the 18th century, a celebrated toymaker (Ramsay) is hired to create his greatest work, the Lament Configuration, not knowing that it will allow the summoning of the demonic
467:, a Cenobite. The script describes it as pieced together from the remains of a dog and a man after a car accident. St. Michael played the Chatter Beast as an animal.
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as Duc de L'Isle. In the script, de L'Isle had a larger part, but some of his scenes were given to Jacques when Angelique's origin changed. He is modeled after the
355:
The film flashes back to Paris, France, 1796. Dr. Merchant's ancestor, Phillip LeMarchand, a French toymaker, makes the Lament Configuration on commission from the
352:, destroying the robot in the process. The guards break through the door and apprehend Merchant, who agrees to explain his motivations to their leader, Rimmer.
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completed uncredited reshoots on the film without Yagher's involvement. Yagher additionally disavowed the theatrical film and requested to be credited as
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in the climax. Serafini identified Vargas' role as wasted and said the thin material limits the supporting cast. Also reviewing the film of video,
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as Jacques, de L'Isle's assistant. Jacques initially had a smaller role, but he was rewritten and expanded upon when Angelique's origin changed.
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massive box. The light is trapped within the box, killing Pinhead and his followers, thus ending Pinhead's existence, this time, permanently.
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526:, known for his low-budget horror films, was approached to direct but backed out after artistic disagreements. Special effects technician
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was completed on time and within its budget. The initial cut of the film, shown to studio executives in early 1995, was 110 minutes.
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once again to save money, the number of characters was reduced, and several were rewritten to have simpler motivations and origins.
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404:. In the shooting script, Pinhead had a violently antagonistic relationship with Angelique. This was softened during editing and
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The film had a troubled history and, after completing the film, original director Yagher left the production when distributor
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363:. Upon delivering the box to L'Isle, LeMarchand watches as he and his assistant Jacques sacrifice a peasant girl and use her
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as Bobbi Merchant. Bobbi was written to mirror Larry from the first film, both of whom suspect their spouses of infidelity.
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was brought in to complete the film. Atkins wrote three new scenes, and, when he became unavailable, Barker recommended
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received negative reviews on release. Kane wrote that "reviewers lined up to criticize and condemn the movie". On the
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that he designed. As armed guards attempt to break through the door, Merchant manipulates a robot into solving the
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864:, called it "an entertaining mess". Rife wrote that fans passionately defend the film, and, despite its flaws,
782:, assigned the film a score of 21 out of 100, based on 10 critics, indicating "generally unfavorable" reviews.
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aristocrat Duc de L'Isle. Unbeknownst to LeMarchand, L'Isle's specifications for the box make it a portal to
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film to be released theatrically and the last to have any major official involvement with series creator
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284:, reprising his role and now the only remaining original character and cast member. It also features
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506:. Atkins and Barker pitched the idea to Miramax, who greenlit it without requiring an outline.
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wrote that the film is "incoherent and (except for Mr. Bradley's Pinhead) wretchedly acted".
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The film also received retrospective reviews. Reviewing the film on Blu-ray for
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774:, 24% of 17 critics' reviews are positive, with an average rating of 4.1/10.
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1349:"MOVIE REVIEW : 'Hellraiser: Bloodline' Has More Diabolical Designs"
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In 2127, Dr. Paul Merchant, an engineer, seals himself in a room aboard
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Rife, who also watched the series in a marathon for a retrospective at
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Cowan, Douglas E. (2012). Clark, Terry Ray; Clanton, Dan W. (eds.).
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followed in October 2000, going direct-to-video. Dimension released
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described the screenplay as ambitious and "one of the best of the
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323:
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was subsequently hired after his cost-saving directing work on
265:
1771:"Watching all 9 Hellraiser movies is an exercise in masochism"
1300:"Hellraiser 4: Bloodline (Original Soundtrack) - Daniel Licht"
408:, and a hinted sexual attraction between them was introduced.
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called it the most ambitious but worst of the film series.
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755:released it on Blu-ray for the first time in 2011.
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1687:"FILM REVIEW;Where Tempers And Heads Tend to Fly"
548:of Image Animation, who had previously worked on
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1517:"Hellraiser: Bloodline Blu-ray (Hellraiser IV)"
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300:in his first major film role. It was the last
2519:English-language science fiction horror films
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647:to certain ideas, incidents, or controversies
2303:Mighty Ducks the Movie: The First Face-Off
2166:Films credited as having been directed by
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1741:Understanding Religion and Popular Culture
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657:this issue before removing this message.
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2311:An Alan Smithee Film: Burn Hollywood Burn
2101:Sherlock Holmes and the Servants of Hell
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889:List of films featuring space stations
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1806:The Hellraiser Films and Their Legacy
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751:on VHS and DVD in 1996 and 2001, and
511:The Hellraiser Films and Their Legacy
2439:Films based on works by Clive Barker
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651:create a more balanced presentation
13:
2429:American supernatural horror films
2404:1990s science fiction horror films
1647:Harrington, Richard (1996-03-09).
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253:and the fourth installment in the
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1618:"Review: 'Hellraiser: Bloodline'"
1379:"Hellraiser: Bloodline (Blu-ray)"
970:"Hellraiser Iv: Bloodline (1996)"
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2449:Films directed by Joe Chappelle
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819:the film one star out of four,
609:Candyman: Farewell to the Flesh
606:, who had previously worked on
2454:Films directed by Kevin Yagher
2444:Films credited to Alan Smithee
2419:American space adventure films
1685:Holden, Stephen (1996-03-09).
1458:Naugle, Patrick (2001-06-29).
962:
901:
753:Echo Bridge Home Entertainment
562:, converting the imagery of a
1:
1649:"'Hellraiser': Dawn of a Dud"
1377:Serafini, Matt (2011-05-14).
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737:
698:
483:
2459:Films scored by Daniel Licht
2399:1990s English-language films
2239:Morgan Stewart's Coming Home
1431:Taylor, J. R. (1996-11-22).
1347:Thomas, Kevin (1996-03-11).
944:AFI Catalog of Feature Films
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153:Trans Atlantic Entertainment
7:
2484:Films shot in New York City
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574:Filming and post-production
251:science fiction horror film
10:
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2514:1996 science fiction films
2474:Films set in New York City
1769:Rife, Katie (2014-10-30).
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703:The score was composed by
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1019:"Hellraiser 4: Bloodline"
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2319:A River Made to Drown In
2287:The Birds II: Land's End
2271:The Shrimp on the Barbie
894:
849:films, religion scholar
246:Hellraiser IV: Bloodline
2424:American splatter films
1811:McFarland & Company
1713:"Hellraiser: Bloodline"
1491:"Hellraiser: Bloodline"
1460:"Hellraiser: Bloodline"
1433:"Hellraiser: Bloodline"
939:"Hellraiser: Bloodline"
477:Mark and Michael Polish
391:
335:
180:March 8, 1996
33:Promotional film poster
2509:Religious horror films
2479:Films set in the 2120s
975:British Film Institute
868:never becomes boring.
2494:Films shot in Toronto
2434:Dimension Films films
2414:American sequel films
2295:Hellraiser: Bloodline
2215:Appointment with Fear
2191:Death of a Gunfighter
1858:Hellraiser: Bloodline
1847:Hellraiser: Bloodline
1836:Hellraiser: Bloodline
1585:Hellraiser: Bloodline
1545:Hellraiser: Bloodline
249:) is a 1996 American
240:Hellraiser: Bloodline
22:Hellraiser: Bloodline
2394:1990s American films
1438:Entertainment Weekly
839:Entertainment Weekly
533:Tales from the Crypt
463:Jody St. Michael as
350:Lament Configuration
2489:Films shot in Paris
2107:"Hellraiser" (song)
2082:Hellraiser: Origins
1927:The Scarlet Gospels
1920:The Hellbound Heart
1654:The Washington Post
1088:, p. 133, 149.
878:Hellraiser: Inferno
794:The Washington Post
744:Hellraiser: Inferno
566:to flayed skin. In
546:Gary J. Tunnicliffe
2346:Related pseudonyms
1967:III: Hell on Earth
1748:. pp. 56β58.
1692:The New York Times
1289:, p. 151β154.
1277:, p. 148β150.
1265:, p. 145β148.
1253:, p. 144β145.
1229:, p. 141-142.
1217:, p. 140β141.
1202:, p. 138β139.
1190:, p. 136β137.
1061:, p. 137β138.
805:The New York Times
2469:Films set in 1996
2464:Films set in 1796
2389:1996 horror films
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2133:
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1672:Highbeam Research
1354:Los Angeles Times
982:on April 27, 2016
815:Los Angeles Times
768:review aggregator
671:
670:
649:. Please help to
641:This section may
444:Charlotte Chatton
276:, the film stars
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2093:Related articles
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1507:
1506:
1504:
1503:
1487:
1481:
1480:
1478:
1477:
1468:. Archived from
1455:
1449:
1448:
1446:
1445:
1428:
1419:
1413:
1407:
1401:
1395:
1394:
1392:
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1374:
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1364:
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1344:
1333:
1327:
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1278:
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1266:
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1203:
1197:
1191:
1185:
1179:
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1155:
1149:
1143:
1137:
1131:
1125:
1119:
1113:
1104:
1098:
1089:
1083:
1077:
1071:
1062:
1056:
1050:
1044:
1035:
1034:
1032:
1031:
1015:
1006:
1000:
991:
990:
988:
987:
978:. Archived from
966:
960:
959:
957:
956:
947:. Archived from
935:
915:
905:
851:Douglas E. Cowan
844:
780:weighted average
666:
663:
636:
635:
628:
479:as Siamese Twins
473:as Jack Merchant
438:Christine Harnos
419:Valentina Vargas
290:Valentina Vargas
187:
185:
83:Valentina Vargas
31:
19:
18:
16:1996 horror film
2534:
2533:
2529:
2528:
2527:
2525:
2524:
2523:
2374:
2373:
2372:
2367:
2341:
2231:Let's Get Harry
2170:
2164:
2134:
2129:
2111:
2088:
2064:
2029:
1939:
1907:
1896:
1863:Rotten Tomatoes
1831:
1821:
1796:
1791:
1790:
1781:
1779:
1767:
1763:
1756:
1736:
1732:
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1679:
1666:
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1627:
1616:
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1599:
1581:
1580:
1576:
1561:
1559:
1552:Rotten Tomatoes
1541:
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1515:
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1359:
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1328:
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1092:
1084:
1080:
1072:
1065:
1057:
1053:
1045:
1038:
1029:
1027:
1024:Box Office Mojo
1017:
1016:
1009:
1001:
994:
985:
983:
968:
967:
963:
954:
952:
937:
936:
929:
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919:
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902:
897:
885:
880:
874:
842:
778:, which uses a
772:Rotten Tomatoes
761:
740:
714:
701:
667:
661:
658:
637:
633:
626:
583:, who had shot
576:
554:Morticia Addams
502:and co-written
491:
486:
465:Chatterer Beast
454:Marquis de Sade
450:Mickey Cottrell
394:
365:flayed-off skin
338:
243:(also known as
197:
190:
183:
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174:
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149:Dimension Films
141:
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92:
66:Nancy Rae Stone
50:
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2369:
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2366:
2365:
2363:George Spelvin
2360:
2355:
2349:
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2323:
2315:
2307:
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2155:
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2112:
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2109:
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2096:
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2084:(failed pitch)
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1829:External links
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800:Stephen Holden
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724:was the final
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669:
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653:. Discuss and
640:
638:
631:
625:
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585:Hellraiser III
575:
572:
568:Hellraiser III
550:Hellraiser III
504:Hellraiser III
496:Hellraiser III
490:
489:Pre-production
487:
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471:Courtland Mead
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458:Gilles de Rais
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2199:The Challenge
2196:
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2185:
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2173:
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2098:
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2071:
2067:
2061:
2060:Kirsty Cotton
2058:
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1960:II: Hellbound
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1820:9781476600697
1816:
1812:
1808:
1807:
1802:
1798:
1797:
1778:
1777:
1776:The A.V. Club
1772:
1765:
1757:
1755:9781136316043
1751:
1747:
1743:
1742:
1734:
1720:
1719:
1714:
1708:
1694:
1693:
1688:
1681:
1673:
1663:on 2018-11-18
1661:
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1498:
1497:
1492:
1486:
1472:on 2016-04-04
1471:
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1440:
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1434:
1427:
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1384:Dread Central
1380:
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1004:
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997:
981:
977:
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971:
965:
951:on 2017-06-29
950:
946:
945:
940:
934:
932:
927:
913:
909:
908:Joe Chappelle
904:
900:
890:
887:
886:
879:
869:
867:
863:
862:
861:The A.V. Club
856:
852:
848:
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840:
835:
831:
830:Dread Central
826:
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817:
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735:
732:
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723:
718:
709:
706:
696:
692:
688:
685:
681:
675:
665:
662:December 2016
656:
652:
648:
646:
639:
630:
629:
621:
619:
615:
611:
610:
605:
601:
600:Joe Chappelle
596:
592:
590:
589:Hellraiser IV
586:
582:
571:
569:
565:
561:
560:
555:
551:
547:
541:
539:
535:
534:
529:
525:
524:Stuart Gordon
520:
516:
512:
507:
505:
501:
500:Hellraiser II
497:
478:
475:
472:
469:
466:
462:
459:
455:
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439:
436:
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346:space station
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325:
320:
318:
313:
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307:
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287:
283:
279:
275:
274:Joe Chappelle
271:
267:
263:
259:
257:
252:
248:
247:
242:
241:
232:$ 9.3 million
231:
227:
223:
219:
215:
211:
208:United States
207:
203:
199:
193:
179:
178:
176:
170:
167:
166:Miramax Films
164:
160:
152:
150:
147:
146:
143:
135:
132:
129:
125:
118:
115:
113:Randy Bricker
112:
111:
109:
105:
102:
99:
95:
89:
86:
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81:
79:
76:
75:
73:
69:
65:
61:
57:
53:
47:
44:
43:
41:
37:
30:
25:
20:
2333:
2327:Woman Wanted
2325:
2317:
2309:
2301:
2294:
2293:
2285:
2279:Solar Crisis
2277:
2269:
2261:
2253:
2245:
2237:
2229:
2221:
2213:
2207:City in Fear
2205:
2197:
2189:
2181:
2168:Alan Smithee
2099:
2081:
2022:
2014:
2007:
2000:
1993:
1986:
1979:
1973:
1972:
1965:
1958:
1951:
1932:
1925:
1918:
1902:
1899:Clive Barker
1857:
1846:
1835:
1805:
1794:Bibliography
1780:. Retrieved
1774:
1764:
1740:
1733:
1722:. Retrieved
1716:
1707:
1696:. Retrieved
1690:
1680:
1670:– via
1665:. Retrieved
1660:the original
1652:
1628:. Retrieved
1626:. 1996-03-10
1621:
1612:
1597:Fandom, Inc.
1590:
1584:
1577:
1560:. Retrieved
1550:
1544:
1537:
1525:
1511:
1500:. Retrieved
1494:
1485:
1474:. Retrieved
1470:the original
1463:
1453:
1442:. Retrieved
1436:
1411:
1399:
1388:. Retrieved
1382:
1358:. Retrieved
1352:
1309:. Retrieved
1303:
1294:
1282:
1270:
1258:
1246:
1234:
1222:
1195:
1183:
1171:
1159:
1147:
1135:
1123:
1081:
1054:
1028:. Retrieved
1022:
984:. Retrieved
980:the original
973:
964:
953:. Retrieved
949:the original
942:
912:Alan Smithee
903:
865:
859:
854:
846:
837:
834:slasher film
827:
820:
813:
810:Kevin Thomas
803:
792:
785:
784:
763:
762:
748:
742:
741:
730:
725:
721:
716:
715:
705:Daniel Licht
702:
693:
689:
684:shoot 'em up
679:
676:
672:
659:
645:undue weight
642:
618:Alan Smithee
607:
597:
593:
588:
584:
581:Gerry Lively
577:
567:
557:
549:
542:
531:
528:Kevin Yagher
518:
510:
508:
503:
499:
495:
492:
412:Bruce Ramsay
398:Doug Bradley
386:
382:
378:
370:
354:
341:
339:
329:Alan Smithee
321:
314:
306:Clive Barker
301:
286:Bruce Ramsay
278:Doug Bradley
270:Kevin Yagher
255:
245:
244:
239:
238:
237:
196:Running time
173:Release date
131:Daniel Licht
101:Gerry Lively
88:Doug Bradley
78:Bruce Ramsay
58:Peter Atkins
46:Kevin Yagher
2353:David Agnew
2255:I Love N.Y.
2247:Ghost Fever
2009:Revelations
1465:DVD Verdict
604:Rand Ravich
564:nun's habit
538:Joel Silver
310:2022 reboot
308:until the
224:$ 4 million
63:Produced by
39:Directed by
2384:1996 films
2378:Categories
2035:Characters
2023:Hellraiser
1988:Hellseeker
1952:Hellraiser
1912:Literature
1904:Hellraiser
1801:Kane, Paul
1782:2016-05-26
1724:2016-05-25
1698:2016-05-25
1667:2016-10-02
1630:2016-05-25
1602:October 1,
1600:Retrieved
1592:Metacritic
1562:October 2,
1502:2016-05-25
1476:2016-05-25
1444:2016-05-25
1390:2016-05-25
1360:2016-05-25
1311:2016-07-03
1030:2016-05-25
986:2016-05-25
955:2017-06-28
922:References
847:Hellraiser
776:Metacritic
738:Home media
731:Hellraiser
726:Hellraiser
699:Soundtrack
616:pseudonym
559:Sister Act
519:Hellraiser
484:Production
432:Adam Scott
415:weathered.
302:Hellraiser
298:Adam Scott
256:Hellraiser
229:Box office
200:85 minutes
184:1996-03-08
138:Production
55:Written by
2263:Catchfire
2053:Chatterer
2043:Cenobites
2002:Hellworld
1974:Bloodline
1746:Routledge
1530:Kane 2013
1416:Kane 2013
1404:Kane 2013
1330:Kane 2013
1287:Kane 2013
1275:Kane 2013
1263:Kane 2013
1251:Kane 2013
1239:Kane 2013
1227:Kane 2013
1215:Kane 2013
1200:Kane 2013
1188:Kane 2013
1176:Kane 2013
1164:Kane 2013
1152:Kane 2013
1140:Kane 2013
1128:Kane 2013
1116:Kane 2013
1101:Kane 2013
1086:Kane 2013
1074:Kane 2013
1059:Kane 2013
1047:Kane 2013
1003:Kane 2013
866:Bloodline
855:Bloodline
764:Bloodline
759:Reception
749:Bloodline
722:Bloodline
717:Bloodline
680:Bloodline
598:Director
515:Paul Kane
513:, author
426:Kim Myers
357:libertine
342:The Minos
317:Cenobites
294:Kim Myers
140:companies
119:Jim Prior
107:Edited by
2223:Stitches
2125:Category
2016:Judgment
1852:AllMovie
1803:(2013).
1718:TV Guide
1305:AllMusic
883:See also
822:TV Guide
770:website
406:pick-ups
213:Language
127:Music by
116:Rod Dean
71:Starring
2183:Fade In
2048:Pinhead
1981:Inferno
1623:Variety
853:called
812:of the
787:Variety
712:Release
655:resolve
402:Pinhead
374:Pinhead
324:Miramax
282:Pinhead
262:prequel
216:English
205:Country
182: (
2338:(2015)
2335:Old 37
2330:(1999)
2322:(1999)
2314:(1997)
2306:(1997)
2298:(1996)
2290:(1994)
2282:(1990)
2274:(1990)
2266:(1990)
2258:(1987)
2250:(1987)
2242:(1987)
2234:(1986)
2226:(1985)
2218:(1985)
2210:(1980)
2202:(1970)
2194:(1969)
2186:(1969)
2026:(2022)
1995:Deader
1955:(1987)
1817:
1752:
872:Sequel
624:Themes
266:sequel
264:and a
258:series
221:Budget
2175:Films
2069:Other
1944:Films
895:Notes
843:'
643:lend
2076:Cast
1841:IMDb
1815:ISBN
1750:ISBN
1604:2023
1564:2023
556:and
536:for
456:and
392:Cast
361:Hell
344:, a
336:Plot
327:the
296:and
272:and
1901:'s
1861:at
1850:at
1839:at
1496:IGN
802:of
614:DGA
509:In
400:as
280:as
2380::
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292:,
288:,
2159:e
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