Heal's - Knowledge

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Habitat. Former buying director at Habitat, Geoff Davey was appointed as managing director at Heal's. Conran implemented a fast-paced reorganisation plan as he wanted to celebrate Habitat's 20th anniversary in the following year. The cabinet making unit was closed in 1983, with the bedding factory being moved out of Tottenham Court Road to Islington, and Buzz ended as it clashed with Habitat's own ranges. Heal's Fabrics were merged into the newly formed Heal's Products Division in 1984, ending their own fabric collections. The building was made into Habitat Mothercare's new headquarters, with the 1962 extension becoming Habitat's new lead store, with a branch of NOW, the men's clothing retailer and Mothercare included, with Heal's downsized. The Mansard Gallery was shut, to allow for the upper floors to be converted into the groups offices and design studio space. A poster, based on a 1928 Heal's advertisement by R. P. Gossip, was created by Conran Design group artist Helen Senior to advertise the newly redeveloped store. Conran himself updated the Heals four poster emblem, and Susan Goodden was commissioned to write a history of Heal's. Conran reopened in Heal's an outdoor furniture showroom and included an updated version of a Sir Ambrose Heal bench design.

594: 726:. In 1971, Carpet Layers moved to a new workshop in Haringey, being renamed Carpet Layers and Curtain Makers Ltd to reflect the subsidiary's expansion, but the company lost Tom Worthington, who retired being replaced by D S Neill. Further expansion occurred in 1972, when a new store was opened in Guildford. The company's finances however started struggling by the mid 70s because of the oil crisis. Profits of £616,000 had been recorded in 1972, but this fell to £552,000 in 1973, and lead to a far larger drop of £292,000 in 1974. The company closed Bowles of Brighton in 1975, but Heal's Contracts opened offices for a short time in Glasgow and Dubai. In 1976, the company purchased the remaining 50% share holding in H.G. Dunn of Bromley upon Geoffrey Dunn's retirement, later renaming the store Heal's of Bromley, and purchased selected assets of cabinet makers, Archie Shine Ltd. 808:

was rectified in 1998 with the opening of a fourth store, by returning to Kingston Upon Thames where they had previously had a store under Storehouse's ownership. The new store had helped the company record profits of £2.59 million, and Colin Pilgrim announced in 1999 that they were still planning to open stores nationwide. In 2000, Heal's launched their own website, but speculation of a takeover bid was circulating after corporate raiders Brian Myerson and Julian Treger purchased an 18% shareholding in Heal's with financiers stating the share price undervalued the business. The company announced pre-tax profits of £4.3 million on a turnover of £33.7 million for 2000–01, however in June 2001, directors announced they were reviewing their strategic options including a possible sale of the business as the share price wasn't reflective of the company's true value.

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the business. During 2022, Heal's extended their concession stores by opening units within Fenwick's Canterbury and York stores, and returned to the King's Road for a third time with a new outlet store replacing the Walton-on-Thames store. The company had to close its Brighton store after the landlord would not renew its lease, and announced that there had been a drop off in sales and profits, with the company earning £1.4 million in pre-tax profits. A further reduction in profits was reported in 2022–23, dropping to £800,000, though sales remained similar and Wittington Investments reporting that the profit margin had been hit by inflation on both goods and wages. During 2023 the new look Tottenham Court Road store opened after a major refurbishment of the site by joint owners

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losses of £3.5 million for 2006–07, its fourth consecutive year of losses, but an improvement on the previous years £4.5 million loss. Wittington Investments sold 20% of the store to the company's management team in part of an incentive scheme to improve the company performance. In 2010 it was announced that the Manchester store would be closing due to poor sales. In 2014, the business relaunched Heal's own fabric collection. The company however was losing money, with a loss of £10.7 million for 2014–15, though sales had grown by 9%. As part of a strategic management review, the King's Road, Chelsea and Guildford stores were closed down, though a new concept digital store opened in

260:. By 1815, Heal had started selling carpets, and in 1818 the business was moved to 203 Tottenham Court Road, London, to be closer to other furniture business. The business has operated from its present site in Tottenham Court Road, moving to no. 196 in 1840, the same year that John Harris Heal Junior, son of the founder of the same name, took charge of the company from his widowed mother, Fanny, who had run the firm after the death of her husband in 1833. Between 1833 and 1844, the company had traded as Fanny Heal & Son, before becoming Heal & Son. During this time the company moved into the manufacturing of bedroom furniture, with the business promoting the 515: 1668:, joined Heal's in 1923 to run their toy department after her acting career failed. She would go on to have an affair with Ambrose, and was reportedly not of the temperament required for the job, with reports that on one occasion she flung one of the shop assistants across the china department. Another incident was the sale of the Heal's bronze cat, that sits at the top of the spiral staircase. The bronze sculpture was made by Chassagne, the French sculptor, and had been bought in 1925 by Ambrose. The cat was sold by Smith for £40 to a Heal's customer, but Ambrose wrote to the customer retracting the sale, with a card saying 792:

the same year, Heal's lost their Royal Warrant. During 1991, a combined catering contract was signed by Heal's and Storehouse with Catering & Allied Services, a UK first, to manage both organisations restaurants at Tottenham Court Road. By 1995, the company had been turned around with sales increased by 20% over two years and had announced profits of £1.2 million, with the company changing their ranges into more eclectic styles from the bland offerings offered by Storehouse at the end of their ownership. Managing director Colin Pilgrim announced plans to expand with new branches, with the first open on 1 December in

272:'s monthly instalments to visit Heal's to see their furniture displayed in room settings, which would later become a standard for all furniture retailers. John Harris Heal Jnr died in 1876, and the business was run by his brother-in-law, Alfred Brewer, along with John Harris son's, Harris and Ambrose. In 1894, Brewer retired and Ambrose Senior took over as chairman. Ambrose Senior purchased the British patent rights from John Staple, which improved the support of springs in upholstery, and then set up Staples & Co. as an independent bedding factory using these patents, with his son Harold given control. 622:. In the world of furniture, Heal's invested in Clive Latimer's Plymet furniture range, and as well as promoting Scandinavian furniture, they retailed modernist pieces designed by British artists such as Robert Heritage and Robin Day. The company expanded in 1955 by the purchase of architectural joiners, J. L. Green & Vardy, who were based in Essex Road, Islington. A year later, Heal's own cabinet making factory was moved from Tottenham Court Road to share premises in Islington. With Heal's Wholesale and Export Ltd being mainly involved in the textile business, the company name was changed in 1958 to 550:, where they won first prize for the sole storage unit. During the same year, Tom Worthington took charge of Heal's Wholesale and Export and started to develop the textile side of the business, where Heal's purchased the cloth, selected the designs and then employed printers to produce the finished article. In 1949, the Utility controls were amended so Heal's could design and manufacture their own furniture, but under the rules set out, it had to be sold at a set price and so had to be produced in larger numbers than Heal's would normally have done. Heal's also presented at the 1951 427: 730:

Furniture was closed in 1979, with a small cabinet making unit opening back at Tottenham Court Road. In May 1980, Heal's reported that turnover was at £11.34 million but they had lost a smaller amount at £192,000, with the retail sale profits not helping against the disappointing performance of Heal's Contracts. In 1980, Anthony retired as chairman and was replaced by his son Oliver, who tried to recapture Heal's past by staging the Classics exhibition in 1981. Oliver had said at the 1980 AGM that Heal's had

462: 391: 783:. Storehouse however had a chequered existence, making a £114.9 million pre-tax profit in 1987–88, but in the following year this had fallen to just £11.3 million, a 90% drop. Heal's range during the later days of Storehouse ownership was seen as being of a bland personality. In 1989, the furnishing division of Storehouse, which included Heal's and Habitat, lost £10 million, so early in 1990 they closed Heal's stores in Reading, Lakeside, Kingston upon Thames and Croydon at a cost of £3 million. 438:, with Heal's becoming a showcase for the designs and work of the organisations members. In the same year, Ambrose and sales manager, Hamilton Temple Smith, patented a unit furniture system design, which along with a plan to use former World War I to mass-produce bedroom furniture failed to be commercially successful. Ambrose, who had been influenced by Scandinavian design after Heal's had received a commission from the Hotel Standard in Norrkopping, and in 1923 was captivated by 450:. During 1927, Heal's was given the Royal Warrant from King George V as Makers of Bedsteads and Bedding. Heal's also operated an antiques section, and to promote the business when sales were down, Ambrose held a Victorian exhibition in the Mansard Gallery in 1931, displaying a collection of mid Victorian oddities. This was very against Heal's own style that moved further towards modernism with designs that made use of tubular steel and laminated woods, and included designs by 698:

office's competitors. The store by this time had three stock lines, those designed and made by Heal's, those commissioned by Heal's just for their store, and the third line being items that could be found in rival retailers. The commissioned designs included furniture by John and Sylvia Reid, Nigel Walters and Martin Grierson; toys by Kristin Baybars and John Gould; textiles by Colleen Fan, Howard Carter, Barbara Brown and Doreen Dyall; and silverware by

411: 1591:, where young designers from seven countries designed furniture, which was the made and sold by Heal's. The Mansard Gallery closed in 1983 with the redevelopment of the building by Terence Conran, but under Wittington Investments ownership, Heal's planned a new Mansard Gallery on the first floor at Tottenham Court Road, which has been designed by David Barrington. The first exhibition by artist Chila Kumari Singh Burman entitled 40: 722:, in what was termed a merger, which saw Bowles move to new premises at 143 North Street and expand its range to include lighting, pottery, glass, cutlery and linen. Heal's Contracts was expanded and moved from their Edgbaston office into a larger site in central Birmingham. Anthony was recognised by the Finnish Government in 1970 for his promotion of Finnish products when he was awarded the 855:

Newcastle upon Tyne store, and a new outlet store was opened in Walton-on-Thames, which replaced the former Cobham store. It was reported that the Weston family had been looking for a buyer for Heal's, but after a failed management buyout and with profits returning, the Weston family decided to keep

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and a clearance outlet in Cobham, but closed the Westbourne Grove store without much fanfare. The company in 2020 reported a loss in 2019-2020 for £2.5 million, but a year later, even though the stores were closed because of the pandemic, sales had increased by 28% and they had made a profit of £2.1

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acquired Heal's plc, reverting it to a private company with a bid of 272p per share, which was a 33% uplift on Heal's share price at the time of the sale and valuing the company at £33 million. The first expansion under the new owners came in 2003 when a new store was opened in New Cathedral Street,

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During World War II, Heal's factory workers at first made beds and pillows for the armed forces, before moving to producing parachutes, which would lead to Heal's launching textiles after the war. The production area was so tight, that to meet the demand, Heal's expanded production of the parachutes

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Ambrose became chairman in 1913 after the death of his father, and took over every aspect of the business. Ambrose commissioned his cousin and architect Cecil Claude Brewer in 1914 to design a new store on the central part of the site, which opened in 1917. The new building was colonnaded with large

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The company was listed on the London Stock Exchange with a valuation of £15 million in 1997, but by the end of the year the company had not announced any further store openings, which Colin Pilgrim had promised in the pre-flotation plan, and had seen the share price fall 27% below its listing. This

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At the start of the decade, Heal's store had 21 departments which were organised into three different management groups - furniture, soft furnishings and domestic equipment. However the company's senior bed maker, Percy Brierly, retired after 53 years of service. In the early 1960s, Heal's surveyed

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Another feature of Brewers design was a spiral staircase that is still part of the store to this day, providing access across all the retail floors, and the Mansard Gallery, which opened at the top of the building. A new factory was built on the site of the former farmhouse at the rear of the store

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In 1990, five members of the senior management team at Heal's, led by Colin Pilgrim, purchased the business from Storehouse, each paying £115,000 each to acquire the business, with a further £1 million investment from Natwest Ventures, after Storehouse decided to concentrate on core businesses. In

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it was the first time I had met a craftsman (O'Connell) who could handle vat dyes producing fabrics in colours that would not fade. The designs were striking, of a kind unlike any I had seen. I quickly decided to buy some and hold a small exhibition of Michael's work in the Fabric Dept; so began a

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Due to the financial downturn in the 1930s, Heal's finances were struggling, with staff asked to take a pay cut, and introduced a range of economy furniture, with Ambrose investing in a nationwide promotional campaign called Heal's Economy Furniture for 1932 and All That, that was manufactured for

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Heal's Fabrics rose to prominence in the 1950s and 60s under the leadership of Tom Worthington. Worthington and his assistant Jenni Allen would pick around 80 designs from around 12,000 submissions, with Worthington using his contacts in the art world to attract the best young talent. The company

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In 1965, Heal & Son was awarded in its inaugural year the Royal Society of Arts Presidential Awards for Design Management. By this time Heal's design office was working separately from the store, producing designs for both Heal's Contracts and the store, who sold more products from the design

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The Utility controls were dropped by the British government in 1952, and a year later Sir Ambrose retired, with Anthony replacing his father as chairman and J. Christopher as design director. Heal's after the war expanded into textiles, using their experiences gained from World War II, with young

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in 2005. During 2004, Heal's launched the Heal's Discovers Programme, which helps emerging designers to showcase their creativity, whilst experiencing first-hand the process of creating great design for the home. In 2007 a new store was opened with a return to Brighton, but the company announced

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in 1982. Conran had been inspired by Heal's as a regular visitor as a child with his mother Christina, and believed that not only could he turn Heal's fortunes around, he believed that they complimented Habitat, in that Habitat was for younger customers, Heal's would become the mature person's

264:. Four years after moving to 196 Tottenham Court Road, Heal's added a steam plant for purifying and dressing feathers. Its first purpose-built store was completed in 1854, then one of the largest in London, and was designed by the architect James Morant Lockyer, who had presented the design to 729:

To try and entice customers from younger rivals such as Habitat, during 1978 Heal's launched the lower priced Buzz range, but Heal's Fabrics was struggling to find its identity in the changing design world. Heal's worries however continued losing £200,000, and the Islington factory of Heal's

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were regular visitors as the Mansard Gallery quickly established itself as one of the meeting places for London's, if not Britain's, avant garde scene. The Friday Group regularly put on shows at the Gallery, hosting their final exhibition in 1922, and it was the location where

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them by Greenings of Oxford. In 1933, Ambrose was knighted, and a year later his youngest son, J. Christopher Heal, joined the firm. He would follow his father in designing both furniture and textiles, and was one of the seven architects at Heal's modernist exhibition

2751: 1383:'s exhibition at the Gallery. The London Group would go onto hold a number of exhibitions at the Mansard Gallery during the 20s. At one exhibition in 1922, the London Group showed their sense of humour, when the information in the catalogue for the portrait of 1563:

hosted her first exhibition at the gallery in 1947, and returned with a major exhibition in 1967. In the 60s, the Australian Alannah Coleman was appointed director of the Gallery and exhibitions were held by artists including Ron Russell and Bill Newcombe.

750:, they had a good relationship with. Conran had displayed pottery at an exhibition in the Mansard Gallery as a schoolboy, and had sold his designs in the store. The full stock of the company was purchased for £4.8 million by Habitat, who had merged with 860:

and General Projects, which saw the company now move back into the 1962 extension lost to Habitat back in the 80s. The new look store operates on the ground floor and the basement, with a new feature staircase added to link the two, designed by

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during 2017, and although its main store at Tottenham Court Road was downsized by renting concession space, the company's losses had fallen to £3.9 million for 2016-17 and sales had risen by 4%. The following year Heal's opened a new store at

1387:, by Savo Popovitch was priced at £150, including frame, but without frame would cost eightpence. The gallery was run by Prudence Maufe, the wife of architect Edward Maufe and one of Ambrose's lovers. The most influential exhibition was the 676:, a furniture retailer after its owner, Geoffrey Edward Dunn invited the approach as he had no family to carry on the business. The company's German importer for Heal's Fabrics retired in the same year, and Heal's purchased his business in 304:, but used mechanised production so the style became affordable to the middle classes. The change of style led by Ambrose was different than the company's previous offerings of over ornate furniture and Heal's staff reputedly called it 4330: 999:"It may take a year or longer for a really advanced design to start selling itself. And sometimes an avant-garde design - although not selling itself - can gain so much publicity it will help create a market for similar designs" 671:

as the volume of furniture contract work expanded in the Midlands. The financial success of Heal's, which had seen turnover doubled, allowed them to grow further in 1964, first by purchasing a 50% share in H.G. Dunn's of

1639:. After the war, Heal's commissioned designs were chosen to be displayed at the 1946 Britain Can Make It exhibition at the Victoria and Albert Museum, and the 1951 Festival of Britain. Heal's is a regular contributor at 758:

In 1986, the concave bay windows that had been installed in 1936, were removed from the Brewer/Maufe parts of the building, which provoked the wrath of the Thirties Society. Parent company Habitat Mothercare merged with

562:. However its biggest contribution was manufacturing 900 perforated steel sheet and steel rod stackable chairs by the designer Andrew John Milne that were used as terrace seating. Heal's itself hosted an exhibition, 4240: 511:, but the designs were controlled by the Utility Design Panel, led by Gordon Russell. The company made its first purchase of another firm in 1944, buying the small building and decorating firm of George Coulter. 380:

the many good qualities of the past with inexpensiveness’, producing furniture that would ‘come within the means of the modest man, and yet be well-constructed, simple, convenient and entirely satisfying to the

706:'s Kurva chairs, and by 1965 had moved into the wholesaling business, selling the furniture onto other British retailers. In 1966, J. L. Green & Vardy and the CONT/ex department were merged and renamed as 2115: 989:

worked with over 80 designers alone during the 1960s, with Lucienne Day and Barbara Brown amongst the most prolific. When Allen left Heal's, Evelyn Redgrave, who had designed patterns for Heal's, including

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in 1968 to oversee all the subsidiaries, while Heal & Son was incorporated to manage the retail side of the business. During 1969, the company further expanded by purchasing John Bowles & Co. of

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display at the Goteburg Exhibition, which he soon introduced to English society. This was soon followed by the introduction of Finnish designed furniture to England by Heal's, including designs by

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retail company comprising seven stores, selling a range of furniture, lighting and home accessories. The business was started in 1810 by John Harris Heal, and its headquarters have been located in

1035:. Heal's Fabrics collection returned in 2014, with designs by a mixture of emerging and established designers, including the return of Zandra Rhodes with a new take on her 1963 pattern Top Brass. 486:, whose wife Prudence worked for Heal's and was a lover of Ambrose, extended Brewer's frontage to 197-199 Tottenham Court Road, and added a Lenscrete vertical window, inspired by his design for 1603:

Heal's have been a regular displayer of their wares at exhibitions organised nationally and internationally. Heal's displayed an eider-down quilt with embroidered satin covering at the 1851

4114: 997:, became Worthington's assistant and would go on and become a director at the firm until she left in 1977 to set up her own textile company. In 1968, Worthington reflected on Heal's style, 454:. It was during the 1932 that Anthony Standerwick Heal, son of Ambrose, opened the company's new electrical department, having joined the firm in 1929 after serving an apprenticeship with 370:

In 1905 Ambrose was made joint managing director of the company, with his brother Ralph, the same year that the business was incorporated into a limited company, and in 1906 he joined the

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million. In 2021, the Birmingham store closed after the landlords at the Mailbox decided to redevelop the ground floor into office space, but a new concession space was opened inside

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with a photographic elevation in May 1855. The store was expanded further by purchasing the neighbouring premises at 197 and 198 in 1864. By 1866, Heal's were issuing invitations in

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to produce pieces to be displayed. In the same year, Heal's Contracts moved away from war contracts and into the furnishing contracts business. The company backed Clive Latimer and

554:, with plywood and moulded furniture designs by J. Christopher, several designs from the newly formed textile department and pottery from artists such as Australian contemporaries 651:, was built with a steel frame faced in Portland stone with seven bays in an interrelated style to Brewer's original design, with ceramic blue and cream relief panels designed by 296:, before spending a further six months with furniture retailer Graham and Biddle of Oxford Street. Ambrose designed furniture in the Arts and Crafts style, strongly influenced by 4543: 3715: 6499: 231:, wrote that for over two centuries Heal's had been known for promoting modern design and for employing talented young designers. Since 2001, the business has been owned by 4186: 6474: 4168: 6484: 6153: 2119: 2116:"The street frontage of 196 Tottenham Court Road, the premises of Heal & Son, bed manufacturers, with Victorian men wearing stove pipe hats standing outside" 647:

their customers to understand their buying habits, which was used to influence the layout of the store after it was extended in 1962. The extension, designed by

374:, displaying his company's bedroom furniture named after seaside resorts, with Ambrose introducing the four poster bed logo to the firm. Heal's 1905 catalogue 4075: 1680:, Sunny Todd, Squint and Zoe Bradley) to produce a modern interpretation of the famous cat. Unlike the real one, this was sold at auction to raise money for 387:, who used Ambrose's design no. 117 bedstead from the Fine Feathers range. In 1910, Ambrose Heal Senior gave his son, Harold, ownership of Staple & Co. 913:

After World War II, Heal's Contracts moved into proving commissioned designs, furnishings and building work to a variety of customers. Their work included:

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Under Ambrose's management, Heal & Son were commissioned to produce furniture for a variety of companies and individuals. These included:

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in 1906. The company started displaying at the Arts and Crafts Exhibition Society from 1899 until 1938, and were a regular attendee at the

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style to mechanised furniture production, making it available to the middle classes. In 2001, an official guide to the archive at the

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placed next to the sculpture. In 2016, to celebrate 100 years of Cecil Brewer's spiral staircase, Heal's commissioned ten designers (

4331:"Birmingham business review of the year - Part 4: Partnership to lead £210m science campus and green light for 35-storey resi tower" 3862: 2890: 5051:"Sunflowers, by Howard Carter (1874-1939), for Heal's Fabrics Ltd. Printed cotton. London, England, 1962. THIRD PARTY RIGHTS APPLY" 4150: 1024: 507:

to export all of Heal's merchandise. The company continued to manufacture furniture during the war, under the British government's

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A note on simplicity of design in furniture for bedrooms with special reference to some recently produced by Messrs. Heal & Son

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Networks of Design Proceedings of the 2008 Annual International Conference of the Design History Society (UK). University College

2797: 1624: 360: 5997: 5273: 2650: 2623: 6524: 6268: 4132: 3958: 631: 579: 5641:"'The London Group'. Press Cutting Album 1917–22, The London Group Collection, Tate Archive, London, TGA 7713/11/1/1/81/107". 5370: 5050: 3026: 446:, as well as other Scandinavian designs. However Ambrose did also embrace the Art Deco style, designing several pieces in his 6425: 6163: 6127: 5255: 4366: 3926: 2982: 2849: 2770: 2089: 1628: 1014:

No company has since come near to equalling the achievements of Heal's Fabrics in the field of modern printed pattern design.

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The original Heal's firm was established in 1810 as a feather-dressing for bed mattresses business at 33 Rathbone Place,

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The Mansard Gallery was also used by Heal's to promote their products by utilising the exhibitionary complex,

6494: 1612: 1608: 583: 356: 17: 5687: 3132: 2037: 4438: 3783: 2522: 1681: 1028: 964: 800:, which had been designed by Virgile & Stone. In the same year Heal's won a Wooden Pencil award at the 630:, was formed to move into the furnishing fittings business, and Anthony Heal was selected as Master of the 590:

and Margaret Simeon. Day would go on and regularly create patterns for Heal's throughout the 50s and 60s.

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In 1983, the Heal family decided to sell the business as they could not sustain the losses, and contacted

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Pioneers of Modern Craft. Twelve Essays Profiling Key Figures in the History of Twentieth-century Craft

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The gallery, on the fourth floor at Tottenham Court Road, was opened in 1917 with a display entitled,

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After the Festival, Heal's greatly expanded their pottery offerings with designs by artists such as

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to advertise Heal's and its products. The company displayed items of their bedroom furniture at the

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London's Old Latin Quarter: Being an Account of Tottenham Court Road and Its immediate surroundings

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joined the family firm. Prior to joining the company firm, Ambrose had trained in fine art at both

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at Mile End Road, until Heal's established their own cabinet making factory in Albert Mews. The

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Michael O'Connell had produced patterns for Heal's after meeting J. Christopher who recalled:

4295:"West End furniture store Heal's warns of 'inevitable' price rises as sales pass £50 million" 3028:

Britain and Denmark Political, Economic and Cultural Relations in the 19th and 20th Centuries

2676: 2279: 1636: 918: 685: 343: 317: 293: 1375:, as Ambrose wanted to promote the work of commercial artists. One of the artists selected, 4348: 2054:"'People like to come and browse': Heal's revamps its flagship store to lure back shoppers" 776: 543: 539: 338: 325: 220: 6103:

Historicizing Lifestyle. Mediating Taste, Consumption and Identity from the 1900s to 1970s

4421:"People like to come and browse': Heal's revamps its flagship store to lure back shoppers" 2847: 2367: 1400: 570:

designers compositions selected by both Tom Worthington and J. Christopher. This included

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Calyx screen-printed furnishing fabric, Lucienne Day, Heal's Wholesale & Export, 1951

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windows to display the company's furniture to passers-by. Heal's signage was designed by

384: 285: 216: 6464: 5807: 5624:"The Mansard Gallery: Blurring The Lines Between Art, Design & Retail A Century Ago" 6023: 5535: 4250: 3595: 3573: 3085: 3046: 2869: 2194: 1544: 1488: 842: 768: 747: 575: 359:

of 1900, which was awarded two silver medals, with the same display redisplayed at the

6393: 6330: 3065: 1432: 732:"sacrificed its clarity of image in an unavailable short term search for volume sales" 6519: 6373: 6274: 6229: 6159: 6107: 6080: 6003: 5976: 5949: 5922: 5829: 5769: 5742: 5693: 5663: 4610: 4578: 3979: 3944: 3740: 3674: 3647: 3620: 3581: 3554: 3522: 3495: 3470: 3443: 3411: 3386: 3112: 3071: 3032: 3005: 2978: 2953: 2923: 2896: 2855: 2803: 2776: 2731: 2656: 2629: 2555: 2528: 2469: 2442: 2304: 2249: 2226: 2095: 2000: 1794: 1742: 1496: 1412: 1019:

Heal's Fabrics are represented in the collections of the Victoria and Albert Museum;

976: 895: 881: 542:

involvement in the 1948 International Competition for Low-Cost Furniture held by the

535: 508: 348: 5474: 5388: 5068: 5025: 3518:

Suzy Gershman's Born to Shop London. The Ultimate Guide for People Who Love to Shop

2694: 1604: 1523: 1508: 1436: 1380: 847: 835: 692:

to recognise the considerable influence you have exercised in many fields of design

660: 400: 6348: 5713: 1428: 703: 1552: 1480: 797: 301: 269: 6179: 1416: 667:

advertising campaign. In the same year, Heal's Contracts opened a new office in

582:, while other prominent designers were Helen Close, Jane Edgar, Dorothy Lupton, 426: 390: 6048: 4456: 2392: 1587:. In 1960, to celebrate Heal's 150th anniversary, the Mansard Gallery held the 1532: 1492: 1392: 1006: 951: 793: 764: 743: 175: 138: 5808:"Press release - Artists in residence: students celebrate 200 years of Heal's" 5790:"Group X exhibition catalogue : Mansard Gallery, March 26-April 24, 1920" 3736:

Consuming Passion (RLE Retailing and Distribution). The Rise of Retail Culture

2142:"Heal's (Heal & Son), Tottenham Court Road, London: RIBA ref no RIBA41639" 2024: 1440: 461: 6458: 6440: 6427: 1677: 1607:, which was followed by Louis XVI style bedroom designed by J. Braune at the 1528: 1468: 1408: 1404: 1384: 1208: 1166: 817: 656: 652: 587: 547: 519: 479: 297: 236: 4385:"Fenwick Canterbury announces launch of contemporary furniture brand Heal's" 1536: 1420: 635: 571: 483: 281: 134: 4439:"London's redesigned Heal's store features a new Matthew Hilton staircase" 1611:. Heal's won a silver medal for Sir Ambrose Heal's bedroom display at the 1898:

British and Irish Furniture Makers Online - The Furniture History Society

1676:, Ikuko Iwamoto, Donna Wilson, Louise Lockhart, Rachel Cave, Mia Sarosi, 1659: 1560: 1556: 968: 559: 443: 415: 347:, the arts and crafts magazine, writing a brochure with illustrations by 4606:

Twentieth-century pattern design : textile & wallpaper pioneers

4313:"Radical plans at Mailbox which will see an entire floor of shops close" 3024: 2949:

Twentieth-century pattern design : textile & wallpaper pioneers

1003:

Twentieth Century Pattern Design : Textile & Wallpaper Pioneers

868: 410: 3643:

What's Your Business?: Corporate Design Strategy Concepts and Processes

1673: 1372: 1187: 826: 751: 615: 518:

A dressing table designed by the Utility Design Panel c. 1943. Made by

364: 164: 58: 2577:

Art Deco House Style. An Architectural and Interior Design Source Book

956:

Furniture for the council chamber of the Institution of Gas Engineers.

6076:

Australian Art and Artists in London, 1950-1965. An Antipodean Summer

2799:

Australian Art and Artists in London, 1950-1965. An Antipodean Summer

1476: 1460: 1452: 935: 899: 677: 668: 641: 611: 212: 1791:

Guide to the Archive of Art and Design, Victoria & Albert Museum

1539:

expressed his distaste of Heal's modernist exhibitions in his story

663:

and Alfred Mews. At the start of the 1960s the company launched the

2848:

Richard Chamberlain, Annamarie Stapleton, Fine Art Society (1997).

719: 767:

in the same year. In 1988, Storehouse opened new Heal's stores in

634:. The company ended the decade being awarded the Royal Warrant by 534:

in 1946, commissioning designers like Alix Stone and pottery firm

4169:"Heal's to post higher 2016–17 sales despite space consolidation" 2851:

Austerity to affluence : British art & design, 1945-1962

925: 888: 780: 673: 475: 292:. He embarked on a two-year apprenticeship with cabinet makers, 3574:

Christopher Hibbert, Ben Weinreb, John Keay, Julia Keay (2011).

39: 6151: 5689:

More Than a Bookshop. Zwemmers and Art in the Twentieth Century

4187:"Having closed Westbourne Grove, Heal's opens new Outlet store" 3066:

Geoffrey Rayner, Richard Chamberlain, Fine Art Society (1997).

829:, while a further store was added at Redbrick Mills in Batley, 253: 1403:. The exhibition was the first display of works in Britain by 337:

and he commissioned imaginative retailing techniques, such as

6369:

Look Back with Astonishment. Volume Three of an Autobiography

5914: 3614: 2280:"Bernard Shaw's "Fine Feathers" bed designed by Ambrose Heal" 1391:. The exhibition held in 1919 had been organised by brothers 877:

Bedroom furniture for the Standard Hotel, Norrkoping in 1899.

830: 490:. The previous year had seen Anthony made managing director. 257: 5655: 4574:

70s House. A Bold Homage to the Most Daring Decade in Design

3732: 5968: 5945:

Handbook of Modern British Painting and Printmaking 1900-90

223:

since 1818. Under Sir Ambrose Heal, the company introduced

3068:

Austerity to Affluence British Art & Design, 1945-1962

2648: 6415: 3909:"The Investment Column. Heal's suffers from listlessness" 2977:. Melbourne, Australia: Melbourne Books. pp. 87–89. 566:

in the same year, the first time the term had been used.

811: 503:

in 1944 to manage the contract. In 1941, Heal's started

4367:"Heal's chairman exits after buyout from Westons fails" 526:

After the war Heal's had a significant presence at the

191: 6500:

Companies formerly listed on the London Stock Exchange

4151:"Heal's to open in Birmingham for the first time ever" 2889:

Glynne, Jonathan; Hackney, Fiona; Minton, Viv (2010).

2035: 5918:

The Ogham Stone. An Anthology of Contemporary Ireland

4133:"HEAL'S TO MOVE FROM KING'S ROAD TO WESTBOURNE GROVE" 4097:"Heal's unveils first fabric collections since 1970s" 869:

Heal & Son commissioned work and Heal's Contracts

2422:

Journal of the Royal Institute of British Architects

1559:

and the Junior Art Workers Guild. The female artist

618:

and selling Scandinavian glass by companies such as

5685: 4609:. Princeton Architectural Press. pp. 142–146. 4500:"A Unique Award to the Building Design Partnership" 4482:"Heal's Contracts of London designed and installed" 2888: 308:. His first designs were released in the catalogue 6266: 5921:. Institute of Public Administration. p. 89. 5765:A History of Heal's. At the Sign of the Fourposter 4403:"Home furniture retailer delivers resilient sales" 4277:"Heal's gross sales hit 50 million for first time" 3666: 3546: 2551:Household Goods. The British and Their Possessions 2491:A History of Heal's:At the sign of the Four poster 1662:, the celebrated author, famous for works such as 642:From 60s growth, 70s struggles to family departure 275: 4115:"Property write-down sees losses widen at Heal's" 3639: 3025:Bo Bjørke, Claus Bjørn, Jørgen Sevaldsen (2003). 2677:"Two Centuries of Heal's on Tottenham Court Road" 1793:. Routledge / Taylor & Francis. p. 132. 1654: 734:. The Bromley store was closed in the same year. 465:Art Deco desk designed by Edward Maufe for Heal's 434:In 1915, Ambrose became a founding member of the 6475:Department store buildings in the United Kingdom 6456: 5761: 4242:Wittington Investments Financial Statements 2021 2723: 2574: 2503: 2019:Alan Crawford, "Heal, Sir Ambrose (1872–1959)", 1988: 1986: 1984: 1982: 1980: 1978: 1706:"Wittington Investments Annual Financial Report" 574:, whose Calyx design of 1951 won a prize at the 418:on the façade of the Tottenham Court Road store. 6485:Companies based in the London Borough of Camden 5972:Ben Enwonwu. The Making of an African Modernist 3980:"Weston dynasty furnishes Heal's with new home" 3104: 2488: 2461: 2087: 1976: 1974: 1972: 1970: 1968: 1966: 1964: 1962: 1960: 1958: 1788: 1379:, would produce a poster later in the year for 6341: 6049:"Mary Fedden, Artist, OBE RA, RWA (1915-2012)" 4602: 4570: 4205:"Heal's to open new store at Westfield London" 3492:Terence Conran : the authorised biography 3456: 3408:Terence Conran : the authorised biography 3383:Terence Conran : the authorised biography 2945: 2520: 6155:TheBloomsbury Encyclopedia of Design Volume 2 4076:"Primark and Fortnum boss in Heal's sell-off" 4058:"Heal's furniture shop set to leave Brighton" 3514: 3462: 3435: 3343:"Heal's: a cathedral to creativity and style" 2997: 2952:. Princeton Architectural Press. p. 98. 2915: 2547: 1992: 1371:, an exhibition curated by Ambrose's friend, 865:. However the King's Road outlet was closed. 493: 316:in 1899. The designs were initially built by 6250:"Heal's at LDF: An Exhibition Of Two Halves" 6221: 6128:"A COUNTRY HOME EXHIBITION, MANSARD GALLERY" 6072: 5941: 5810:. University College London. 19 January 2010 5741:. University of Chicago Press. p. 339. 4223:"Heal's opening third store in under a year" 4001:"Heal's Manchester store looks set to close" 3600:: CS1 maint: multiple names: authors list ( 3489: 3405: 3380: 3090:: CS1 maint: multiple names: authors list ( 3051:: CS1 maint: multiple names: authors list ( 2919:Retro Style. The '50's Look for Today's Home 2874:: CS1 maint: multiple names: authors list ( 2795: 2768: 2296: 2218: 1955: 1734: 1585:Contemporary Furniture from Seven Architects 27:British furniture company and homeware store 6365: 5999:Eric Ravilious : artist & designer 5995: 5662:. University Press of Florida. p. 57. 4598: 4596: 4594: 3974: 3972: 3170: 3168: 3166: 3164: 2941: 2939: 2434: 1730: 1728: 1726: 1724: 1722: 684:. In the same year Anthony was awarded the 499:into the showroom space and Heal's created 363:. Heal's displayed simpler designs for the 6099: 3710: 3708: 3431: 3429: 3427: 2719: 2717: 2715: 2244: 2242: 1651:’s Furniture & Product Design course. 472:Contemporary Furniture by Seven Architects 38: 6515:Furniture companies of the United Kingdom 6510:Furniture retailers of the United Kingdom 5734: 4628: 4626: 4091: 4089: 3760: 3758: 3756: 3542: 3540: 3538: 3176:"Heal's celebrates its 200th anniversary" 3108:Classic Modern. Midcentury Modern at Home 2772:Marimekko. Fabrics, Fashion, Architecture 2507:An Enquiry into Industrial Art in England 2225:. Antique Collectors' Club. p. 140. 2164: 2162: 1939: 1937: 1935: 1933: 1931: 1929: 1927: 1543:. Other exhibits at the Gallery included 6152:Clive Edwards, Harriet Atkinson (2016). 5847: 5706: 4591: 4052: 4050: 3969: 3891:"Heal's poised for a sharp profits jump" 3821: 3819: 3161: 3151:"HEAL AND SON LIMITED INCLUDING HABITAT" 2936: 2083: 2081: 2079: 2077: 2075: 2073: 2071: 2069: 2067: 1925: 1923: 1921: 1919: 1917: 1915: 1913: 1911: 1909: 1907: 1888: 1886: 1884: 1882: 1880: 1878: 1876: 1874: 1872: 1870: 1868: 1866: 1864: 1862: 1860: 1858: 1856: 1854: 1852: 1850: 1848: 1846: 1844: 1842: 1840: 1838: 1836: 1834: 1832: 1830: 1784: 1782: 1780: 1778: 1719: 1598: 1513: 1445:Modern French Art at the Mansard Gallery 1025:Cooper Hewitt, Smithsonian Design Museum 931:Executive suite at the Vickers building. 737: 592: 513: 460: 425: 409: 394:Heal and Son Ltd., Tottenham Court Road. 389: 6480:Department stores of the United Kingdom 6313:"The renovation of the Heal's Building" 6305: 5681: 5679: 4566: 4564: 3945:"Heal's plans to start chain of stores" 3885: 3883: 3705: 3424: 3410:. Sidgwick & Jackson. p. 131. 3385:. Sidgwick & Jackson. p. 242. 2972: 2712: 2438:Sybil & Cyril. Cutting Through Time 2274: 2272: 2270: 2239: 2021:Oxford Dictionary of National Biography 1828: 1826: 1824: 1822: 1820: 1818: 1816: 1814: 1812: 1810: 1776: 1774: 1772: 1770: 1768: 1766: 1764: 1762: 1760: 1758: 1700: 1698: 1696: 1518:Poster for the Group X exhibition, 1920 14: 6457: 6215: 5915:Gerald Dawe, Michael Mulreany (2011). 5618: 5616: 5614: 5612: 5610: 4623: 4086: 3995: 3993: 3753: 3615:Sue Kerry, Francesca Galloway (2007). 3535: 3521:. John Wiley & Sons. p. 222. 3494:. Sidgwick & Jackson. p. 10. 2600: 2598: 2596: 2594: 2592: 2590: 2588: 2586: 2554:. Yale University Press. p. 184. 2159: 1362: 841:The company opened a new store in the 632:Worshipful Company of Furniture Makers 256:by John Harris Heal after moving from 6470:British companies established in 1810 6349:"7 Secrets Of Heal's Furniture Store" 6323: 5656:Allan Pero, Gyllian Phillips (2017). 4047: 3816: 3733:Carl Gardner, Julie Sheppard (2012). 3376: 3374: 2975:Michael O'Connell: The Lost Modernist 2895:. Universal-Publishers. p. 446. 2775:. Yale University Press. p. 77. 2655:. Yale University Press. p. 24. 2064: 1904: 812:Acquisition by Wittington Investments 713:The business created a holding firm, 5969:Sylvester Okwunodu Ogbechie (2008). 5855:"Modigliani and The Mansard Gallery" 5800: 5676: 4561: 4019:"My new ambassador role at Redbrick" 3880: 2267: 1807: 1755: 1693: 1615:, with Heal's returning to Paris in 786: 474:in 1937 (which included the work of 5607: 4488:. Vol. 216. 1965. p. 346. 3990: 3619:. Francesca Galloway. p. 138. 2649:Amy De La Haye, Martin Pel (2017). 2583: 2510:. The University Press. p. 88. 2091:How it all began up the high street 924:Boardroom and directors offices at 378:stated that their aim was to unite 367:Cheap Cottages Exhibition in 1905. 24: 6270:Bryant & May's Peculiar London 3851:. Vol. 184. 1991. p. 10. 3371: 2118:. English Heritage. Archived from 2094:. Michael O'Mara. pp. 74–76. 1589:Designers of The Future Exhibition 1389:Exhibition of French Art 1914-1919 1038: 724:Order of the White Rose of Finland 372:Arts and Crafts Exhibition Society 25: 6541: 6407: 6205:"Design events to catch in March" 5659:The Many Facades of Edith Sitwell 3959:"Heal's targeted by City raiders" 3784:"Furniture bonus as Heal's trade" 3670:Terence Conran. My Life In Design 3550:Terence Conran. My Life In Design 2606:"The history of Heal's furniture" 2527:. Ballantine Books. p. 116. 983: 746:, who although the boss of rival 626:. In 1959, a further subsidiary, 436:Design and Industries Association 6386: 6359: 6287: 6260: 6242: 6197: 6172: 6145: 6120: 6093: 6066: 6041: 6016: 5989: 5962: 5935: 5908: 5883: 5865: 5822: 5782: 5755: 5728: 5649: 5634: 5589: 5571: 5553: 5536:"Printed Textile "Country Walk"" 5528: 5510: 5492: 5467: 5442: 5424: 5406: 5381: 5363: 5345: 5327: 5302: 5284: 5266: 5248: 5230: 5212: 5194: 5176: 5158: 5140: 5122: 5104: 5086: 5069:"Printed Textile "Doll's House"" 5061: 5043: 5018: 5000: 4982: 4964: 4946: 4928: 4910: 4892: 4874: 4856: 4838: 4820: 4802: 4777: 4759: 4741: 4723: 4705: 4680: 4662: 4644: 4536: 4514: 4492: 4474: 4449: 4431: 4413: 4395: 4377: 4359: 4341: 4323: 4305: 4287: 4269: 4233: 4215: 4197: 3845:"Multi-tenant scheme for Heal's" 2042:. Boston, Houghton. p. 146. 2023:, Oxford University Press, 2004 1595:opened on the 15 February 2022. 945:Warwickshire County Cricket Club 580:American Institute of Decorators 329:described Heal's furniture as a 247: 6225:A Cultural History of Twin Beds 5891:"Tom Early. British. 1914-1967" 5389:"Printed Textile Samples "Kew"" 4179: 4161: 4143: 4125: 4107: 4068: 4029: 4011: 3951: 3937: 3919: 3901: 3855: 3837: 3798: 3776: 3726: 3716:"Storehouse set to sell Heal's" 3687: 3660: 3633: 3608: 3567: 3508: 3483: 3466:Encyclopedia of Interior Design 3442:. Heal & Son. p. 133. 3399: 3353: 3335: 3317: 3299: 3281: 3266: 3248: 3230: 3208: 3186: 3143: 3125: 3098: 3059: 3018: 2991: 2966: 2909: 2882: 2841: 2816: 2789: 2762: 2744: 2687: 2669: 2642: 2616: 2568: 2541: 2514: 2497: 2482: 2455: 2428: 2410: 2385: 2360: 2342: 2325:"HEAL, SIR AMBROSE (1872-1959)" 2317: 2300:A Cultural History of Twin Beds 2290: 2212: 2187: 2170:"Staples & Co. (1895-1986)" 2134: 2108: 1996:Encyclopedia of Interior Design 1738:A Cultural History of Twin Beds 1475:show, an attempt to revive the 1443:amongst others. In his article 1300:1973 - Adrianne Morag-Ferguson 505:Heal's Wholesale and Export Ltd 276:The arrival of Sir Ambrose Heal 6301:. 13 January 1996. p. 13. 6002:. Lund Humphries. p. 15. 5692:. Bloomsbury USA. p. 38. 4785:"Nautilus (Furnishing Fabric)" 4688:"Palladio (Furnishing Fabric)" 3812:. 28 January 1997. p. 17. 3806:"Heal's aim to float in March" 3580:. Pan Macmillan. p. 391. 3262:. 2 February 1976. p. 28. 2468:. Heal & Son. p. 44. 2418:"Cecil Claude Brewer Obituary" 2046: 2029: 2013: 1665:The Hundred and One Dalmatians 1655:Dodie Smith and the Heal's cat 959:Interiors on board the ship's 880:Council chamber furniture for 564:Scandinavian Design for Living 405:At the sign of the four poster 383:. One of Heal's customers was 321:Guild and School of Handicraft 181:Wittington Investments Limited 13: 1: 6525:British royal warrant holders 4137:Refurb & Developer Update 3617:Neo-classicism to Pop. Part 2 3293:Retail Business Issue 275–286 2727:A Dictionary of Modern Design 2174:The Furniture History Society 1789:Elizabeth Lomas, ed. (2001). 1687: 1609:1862 International Exhibition 940:Ceylon Tea Centre, Birmingham 6394:"A Heal's cat for Christmas" 6331:"A Heal's cat for Christmas" 5686:Nigel Vaux Halliday (1991). 5454:Minneapolis Institute of Art 5314:Minneapolis Institute of Art 4789:The Art Institute of Chicago 4349:"Heal's opens Surrey outlet" 4023:The girl with the green sofa 3329:The Furniture Makers Company 2922:. Universe Pub. p. 62. 2354:The Courier & Advertiser 2036:Edwin Beresford Chancellor. 1945:"A Shop with high standards" 1682:Great Ormond Street Hospital 1573:advertise by not advertising 1415:, and included paintings by 1258:1969 - Catherine Netherwood 1029:Minneapolis Institute of Art 950:Interiors and furniture for 907:St John's College, Cambridge 229:Victoria & Albert Museum 78:; 214 years ago 7: 6267:Christopher Fowler (2022). 6158:. Bloomsbury. p. 136. 3897:. 3 March 1997. p. 22. 3766:"The Style Wound is Healed" 3722:. 13 June 1990. p. 25. 3667:Sir Terence Conran (2016). 3547:Sir Terence Conran (2016). 3244:. 3 April 1975. p. 20. 2998:Margot Coatts, ed. (1997). 2730:. Oxford University Press. 2610:Antique Collecting Magazine 1670:Heal's mascot. Not for sale 1645:An Exhibition Of Two Halves 715:Heal & Son Holdings Ltd 10: 6546: 6372:. W. H. Allen. p. 6. 5540:Philadelphia Museum of Art 5479:Philadelphia Museum of Art 5475:"Woven Textile: "Aureola"" 5393:Philadelphia Museum of Art 5073:Philadelphia Museum of Art 5030:Philadelphia Museum of Art 5026:"Printed Textile "Caribe"" 3863:"What the Heal's going on" 3739:. Routledge. p. 249. 3640:Claire T. Tomlins (2016). 3469:. Routledge. p. 540. 3313:. 16 May 1980. p. 24. 2284:National Trust Collections 1999:. Routledge. p. 547. 1593:Neon Drama and Pearl Drops 1288:1972 - Gabrielle Fountain 1201:1964 - Regina Moritz-Ever 1021:Philadelphia Museum of Art 532:Victoria and Albert Museum 494:World War II and the 1950s 242: 6106:. Routledge. p. 17. 5762:Susannah Goodden (1984). 4457:"Kings Road Outlet Store" 4037:"Heal's Discovers Heal's" 3849:Caterer & Hotelkeeper 3788:The Architectural Journal 3646:. Routledge. p. 65. 2973:Edquist, Harriet (2011). 2824:"The Festival of Britain" 2802:. Routledge. p. 56. 2758:. 8 May 1950. p. 99. 2752:"Prize Winning Furniture" 2724:Jonathan Woodham (2016). 2575:Ingrid Cranfield (2001). 2504:Nikolaus Pevsner (1937). 2303:. Routledge. p. 98. 2222:Arts and Crafts Furniture 1741:. Routledge. p. 96. 1581:A Country Home Exhibition 1093:1957 - Michael O'Connell 665:Can’t-wait-to-get-it-home 606:long lasting friendship.' 430:Brewer's spiral staircase 235:, a company owned by the 186: 174: 162: 154: 146: 122: 112: 98: 90: 72: 64: 54: 46: 37: 6530:Arts and Crafts movement 6024:"Mary Fedden. 1915–2012" 4692:Art Institute of Chicago 3673:. Octopus. p. 181. 3105:Deborah Dietsch (2000). 2628:. Batsford Books. 2023. 2489:Susanna Goodden (1984). 2462:Susanna Goodden (1984). 2393:"Cecil Brewer Staircase" 2195:"Ambrose Heal Biography" 2088:Maurice E Baren (1996). 1951:(199): 42–47. July 1965. 1713:Wittington Investments l 1463:labelled the exhibition 1246:1966 - Henrietta Coster 1033:Art Institute of Chicago 952:Halifax Building Society 936:Ebbw Vale Urban District 917:Council chamber for the 887:Boardroom furniture for 649:Herbert Fitzroy Robinson 331:triumph of craftsmanship 290:Slade School of Fine Art 94:John Harris Heal and son 6505:Furniture manufacturers 4603:Lesley Jackson (2002). 4571:Estelle Bilson (2023). 4005:Manchester Evening News 3827:"Heal's plans to float" 3577:The London Encyclopedia 3553:. Octopus. p. 15. 3325:"Oliver Heal 1949-2024" 3238:"HEAL & Son tumble" 2946:Lesley Jackson (2002). 2652:Gluck. Art and Identity 2521:Malcolm Haslam (1988). 1549:Fifteen Cornish Artists 1501:Edward McKnight Kauffer 1377:Edward McKnight Kauffer 1348:1977 - Annabel Ralph's 1330:1976 - Karen MacDonald 1318:1974 - Peter McCulloch 1135:1959 - Barbara Brown - 816:On 16 August 2001, the 361:1901 Glasgow Exhibition 335:When in doubt, innovate 6254:London Design Festival 4526:The Architects Journal 4041:London Design Festival 3933:. Vol. 130. 1999. 3515:Suzy Gershman (2008). 3463:Joanna Banham (1997). 3436:Sarah Goodden (1984). 2916:Marion Haslam (2000). 2625:100 20th-Century Shops 2548:Deborah Cohen (2006). 1993:Joanna Banham (1997). 1641:London Design Festival 1569:to sell by not selling 1519: 1479:, and include work by 1342:1977 - Natalie Gibson 1312:1973 - Peter Phillips 1264:1969 - Hamdi El Attar 1234:1965 - Wolfgang Bauer 1147:1960 - Sigfrid Fettel 1017: 822:Wittington Investments 608: 598: 523: 466: 431: 419: 395: 365:Letchworth Garden City 233:Wittington Investments 6295:"Brittle Young Thing" 6222:Hilary Hinds (2020). 6073:Simon Pierse (2017). 5942:Alan Windsor (2022). 4227:The Furnishing Report 4191:The Furnishing Report 4173:The Furnishing Report 4119:The Furnishing Report 3490:Nicholas Ind (1995). 3406:Nicholas Ind (1995). 3381:Nicholas Ind (1995). 3256:"Heals buys out Dunn" 2854:. Merrell Holberton. 2796:Simon Pierse (2017). 2769:Marianne Aav (2003). 2441:. Faber & Faber. 2368:"Cecil Claude Brewer" 2297:Hilary Hinds (2020). 2219:John Andrews (2005). 1735:Hilary Hinds (2020). 1643:, and in 2023 hosted 1637:Ideal Home Exhibition 1623:. They also attended 1613:1900 Paris Exposition 1599:Heal's at Exhibitions 1575:. These included the 1517: 1459:, though a critic in 1282:1971 - Barbara Brown 1276:1971 - Heather Brown 1270:1970 - Barbara Brown 1252:1969 - Barbara Brown 1228:1965 - Evelyn Brooks 1174:1962 - Howard Carter 1159:1961 - Barbara Brown 1075:1956 - David Parsons 1069:1956 - Willy Hermann 1011: 965:RMS Empress of Canada 738:The arrival of Conran 686:Royal Society of Arts 603: 596: 517: 464: 448:Signed Edition Series 429: 413: 393: 312:in 1898, followed by 158:£37 million (2022-23) 6495:Tottenham Court Road 6366:Dodie Smith (1979). 6132:20th Century Posters 5996:Alan Powers (2013). 5100:. 12 September 2000. 4389:Inside Kent Magazine 4355:. 16 September 2021. 4245:. 18 September 2021. 4157:. 26 September 2017. 3367:. 517–522: 44. 1992. 3277:. 349–359: 34. 1978. 3273:"British Textiles". 3139:. 1964. p. 184. 3004:. pp. 101–102. 2435:Jenny Uglow (2021). 2025:accessed 12 Aug 2007 1715:. 16 September 2023. 1555:, Kathleen Caddick, 1507:, John Turnbull and 1354:1981 - Leslee Wills 1336:1976 - Jennie Foley 1306:1973 - Jyoti Bhomik 1216:1964 - Ada Charniak 1195:1963 - Doreen Dyall 1180:1962 - Doreen Dyall 1123:1959 - Harold Cohen 1117:1958 - Jane Daniels 1111:1958 - Dorothy Carr 1105:1958 - Ellen Fricke 1063:1955 - Lucienne Day 777:Kingston upon Thames 576:1951 Milan Triennale 544:Museum of Modern Art 326:Architectural Review 294:Plucknett of Warwick 221:Tottenham Court Road 6437: / 6400:. 28 November 2016. 6355:. 22 November 2016. 6337:. 28 November 2016. 6211:. 28 February 2022. 6100:David Bell (2016). 5861:. 29 November 2017. 5601:V&A Collections 5583:V&A Collections 5565:V&A Collections 5522:V&A Collections 5504:V&A Collections 5436:V&A Collections 5418:V&A Collections 5375:V&A Collections 5357:V&A Collections 5339:V&A Collections 5296:V&A Collections 5278:V&A Collections 5260:V&A Collections 5242:V&A Collections 5224:V&A Collections 5206:V&A Collections 5188:V&A Collections 5170:V&A Collections 5152:V&A Collections 5134:V&A Collections 5116:V&A Collections 5098:V&A Collections 5012:V&A Collections 4994:V&A Collections 4976:V&A Collections 4958:V&A Collections 4940:V&A Collections 4922:V&A Collections 4904:V&A Collections 4868:V&A Collections 4850:V&A Collections 4832:V&A Collections 4814:V&A Collections 4771:V&A Collections 4753:V&A Collections 4735:V&A Collections 4717:V&A Collections 4674:V&A Collections 4656:V&A Collections 4407:Big Furniture Group 4281:The Retail Bulletin 4209:Thd Retail Bulletin 4193:. 22 February 2018. 4175:. 21 February 2018. 4103:. 25 February 2014. 4082:. 16 December 2007. 3931:Investors Chronicle 3772:. 18 November 1995. 3439:A History of Heal's 3349:. 11 February 2010. 3295:. 1981. p. 57. 3226:: 26. October 1970. 3194:"Bowles and Heal's" 3137:The Modern Interior 2465:A History of Heal's 2424:. 25–26: 246. 1918. 2122:on 21 February 2014 1894:"Heals (1810-2023)" 1649:Kingston University 1425:Maurice de Vlaminck 1397:Sacheverell Sitwell 1363:The Mansard Gallery 1324:1974 - Jack Prince 1294:1972 - Mary Oliver 1240:1966 - Arno Thoner 1153:1961 - Colin Lacey 1129:1959 - Fay Hillier 1087:1956 - Mary Warren 1081:1956 - Edward Pond 1051:1947 - Helen Close 934:Council chamber at 761:British Home Stores 552:Festival of Britain 528:Britain Can Make It 488:Guildford Cathedral 423:in Francis Street. 385:George Bernard Shaw 310:Plain Oak Furniture 286:Marlborough College 282:Ambrose Heal Junior 128:Hamish Mansbridge ( 114:Number of locations 34: 6441:51.5212°N 0.1344°W 5738:A Roger Fry Reader 5735:Roger Fry (1996). 5208:. 8 November 2002. 4886:V&ACollections 4522:"Heal's Contracts" 4373:. 24 October 2021. 4007:. 12 January 2013. 3965:. 15 October 2000. 3947:. 9 December 1999. 3915:. 4 November 1997. 3833:. 5 November 1995. 3695:"London Designers" 3331:. 31 January 2024. 3157:. 11 January 1999. 1545:Claud Lovat Fraser 1520: 1489:Frederick Etchells 1477:Vorticist movement 1222:1965 - Peter Hall 1099:1957 - Mary Moran 1045:1947 - Jane Edgar 843:Mailbox Birmingham 689:Bi-Centenary Medal 636:Queen Elizabeth II 624:Heal's Fabrics Ltd 599: 530:exhibition at the 524: 501:Heal Contracts Ltd 467: 432: 420: 396: 170:£800,000 (2022-23) 139:Sir Terence Conran 32: 6165:978-1-4725-2155-2 5714:"Mansard Gallery" 5628:Something Created 4337:. 4 January 2021. 3289:"Furniture Trade" 3204:: 33. April 1969. 2984:978-1-877096-38-9 2356:. 5 January 2013. 2254:Hole & Corner 2250:"History Lessons" 1577:Modern Tendencies 1497:Cuthbert Hamilton 1413:Amedeo Modigliani 1401:Léopold Zborowski 1141:1960 - Ruth Kaye 1057:1955 - Paul Gell 977:Queen Elizabeth 2 896:Winston Churchill 882:Reigate Town Hall 787:Management buyout 628:Carpet Layers Ltd 584:Michael O'Connell 452:Mies van der Rohe 349:C. H. B. Quennell 202: 201: 16:(Redirected from 6537: 6452: 6451: 6449: 6448: 6447: 6446:51.5212; -0.1344 6442: 6438: 6435: 6434: 6433: 6430: 6419: 6418: 6416:Official website 6402: 6401: 6390: 6384: 6383: 6363: 6357: 6356: 6345: 6339: 6338: 6327: 6321: 6320: 6309: 6303: 6302: 6291: 6285: 6284: 6264: 6258: 6257: 6246: 6240: 6239: 6219: 6213: 6212: 6201: 6195: 6194: 6192: 6190: 6180:"Client: Heal's" 6176: 6170: 6169: 6149: 6143: 6142: 6140: 6138: 6124: 6118: 6117: 6097: 6091: 6090: 6070: 6064: 6063: 6061: 6059: 6045: 6039: 6038: 6036: 6034: 6020: 6014: 6013: 5993: 5987: 5986: 5966: 5960: 5959: 5939: 5933: 5932: 5912: 5906: 5905: 5903: 5901: 5887: 5881: 5880: 5869: 5863: 5862: 5851: 5845: 5844: 5842: 5840: 5826: 5820: 5819: 5817: 5815: 5804: 5798: 5797: 5796:. 29 March 2019. 5786: 5780: 5779: 5759: 5753: 5752: 5732: 5726: 5725: 5723: 5721: 5710: 5704: 5703: 5683: 5674: 5673: 5653: 5647: 5646: 5643:Evening Standard 5638: 5632: 5631: 5620: 5605: 5604: 5593: 5587: 5586: 5575: 5569: 5568: 5567:. 14 April 2009. 5557: 5551: 5550: 5548: 5546: 5532: 5526: 5525: 5524:. 14 April 2009. 5514: 5508: 5507: 5496: 5490: 5489: 5487: 5485: 5471: 5465: 5464: 5462: 5460: 5446: 5440: 5439: 5428: 5422: 5421: 5410: 5404: 5403: 5401: 5399: 5385: 5379: 5378: 5367: 5361: 5360: 5349: 5343: 5342: 5331: 5325: 5324: 5322: 5320: 5306: 5300: 5299: 5288: 5282: 5281: 5270: 5264: 5263: 5252: 5246: 5245: 5234: 5228: 5227: 5216: 5210: 5209: 5198: 5192: 5191: 5190:. 14 April 2009. 5180: 5174: 5173: 5162: 5156: 5155: 5144: 5138: 5137: 5126: 5120: 5119: 5108: 5102: 5101: 5090: 5084: 5083: 5081: 5079: 5065: 5059: 5058: 5047: 5041: 5040: 5038: 5036: 5022: 5016: 5015: 5004: 4998: 4997: 4986: 4980: 4979: 4978:. 28 March 2000. 4968: 4962: 4961: 4950: 4944: 4943: 4932: 4926: 4925: 4914: 4908: 4907: 4906:. 14 April 2009. 4896: 4890: 4889: 4878: 4872: 4871: 4860: 4854: 4853: 4842: 4836: 4835: 4824: 4818: 4817: 4806: 4800: 4799: 4797: 4795: 4781: 4775: 4774: 4763: 4757: 4756: 4745: 4739: 4738: 4727: 4721: 4720: 4719:. 14 April 2009. 4709: 4703: 4702: 4700: 4698: 4684: 4678: 4677: 4666: 4660: 4659: 4648: 4642: 4641: 4630: 4621: 4620: 4600: 4589: 4588: 4568: 4559: 4558: 4556: 4554: 4540: 4534: 4533: 4518: 4512: 4511: 4496: 4490: 4489: 4478: 4472: 4471: 4469: 4467: 4453: 4447: 4446: 4435: 4429: 4428: 4417: 4411: 4410: 4399: 4393: 4392: 4381: 4375: 4374: 4363: 4357: 4356: 4345: 4339: 4338: 4327: 4321: 4320: 4319:. 25 March 2020. 4309: 4303: 4302: 4301:. 11 April 2022. 4299:Evening Standard 4291: 4285: 4284: 4283:. 11 April 2024. 4273: 4267: 4266: 4260: 4256: 4254: 4246: 4237: 4231: 4230: 4219: 4213: 4212: 4201: 4195: 4194: 4183: 4177: 4176: 4165: 4159: 4158: 4147: 4141: 4140: 4129: 4123: 4122: 4111: 4105: 4104: 4093: 4084: 4083: 4072: 4066: 4065: 4064:. 16 March 2022. 4054: 4045: 4044: 4033: 4027: 4026: 4015: 4009: 4008: 3997: 3988: 3987: 3976: 3967: 3966: 3955: 3949: 3948: 3941: 3935: 3934: 3923: 3917: 3916: 3905: 3899: 3898: 3887: 3878: 3877: 3875: 3873: 3859: 3853: 3852: 3841: 3835: 3834: 3823: 3814: 3813: 3802: 3796: 3795: 3780: 3774: 3773: 3762: 3751: 3750: 3730: 3724: 3723: 3712: 3703: 3702: 3691: 3685: 3684: 3664: 3658: 3657: 3637: 3631: 3630: 3612: 3606: 3605: 3599: 3591: 3571: 3565: 3564: 3544: 3533: 3532: 3512: 3506: 3505: 3487: 3481: 3480: 3460: 3454: 3453: 3433: 3422: 3421: 3403: 3397: 3396: 3378: 3369: 3368: 3357: 3351: 3350: 3339: 3333: 3332: 3321: 3315: 3314: 3303: 3297: 3296: 3285: 3279: 3278: 3270: 3264: 3263: 3252: 3246: 3245: 3234: 3228: 3227: 3212: 3206: 3205: 3190: 3184: 3183: 3182:. 29 March 2010. 3172: 3159: 3158: 3155:Historic England 3147: 3141: 3140: 3129: 3123: 3122: 3102: 3096: 3095: 3089: 3081: 3063: 3057: 3056: 3050: 3042: 3022: 3016: 3015: 2995: 2989: 2988: 2970: 2964: 2963: 2943: 2934: 2933: 2913: 2907: 2906: 2886: 2880: 2879: 2873: 2865: 2845: 2839: 2838: 2836: 2834: 2820: 2814: 2813: 2793: 2787: 2786: 2766: 2760: 2759: 2748: 2742: 2741: 2721: 2710: 2709: 2707: 2705: 2691: 2685: 2684: 2683:. 16 April 2018. 2673: 2667: 2666: 2646: 2640: 2639: 2620: 2614: 2613: 2612:. 22 March 2021. 2602: 2581: 2580: 2572: 2566: 2565: 2545: 2539: 2538: 2518: 2512: 2511: 2501: 2495: 2494: 2486: 2480: 2479: 2459: 2453: 2452: 2432: 2426: 2425: 2414: 2408: 2407: 2405: 2403: 2389: 2383: 2382: 2380: 2378: 2364: 2358: 2357: 2346: 2340: 2339: 2337: 2335: 2329:English Heritage 2321: 2315: 2314: 2294: 2288: 2287: 2276: 2265: 2264: 2262: 2260: 2246: 2237: 2236: 2216: 2210: 2209: 2207: 2205: 2191: 2185: 2184: 2182: 2180: 2166: 2157: 2156: 2154: 2152: 2138: 2132: 2131: 2129: 2127: 2112: 2106: 2105: 2085: 2062: 2061: 2050: 2044: 2043: 2033: 2027: 2017: 2011: 2010: 1990: 1953: 1952: 1941: 1902: 1901: 1900:. 18 April 2024. 1890: 1805: 1804: 1786: 1753: 1752: 1732: 1717: 1716: 1710: 1702: 1605:Great Exhibition 1524:Bloomsbury Group 1509:Edward Wadsworth 1437:Louis Marcoussis 1381:The London Group 961:SS Northern Star 848:Westfield London 836:Westbourne Grove 708:Heal's Furniture 682:Heal Textil GmbH 661:Torrington Place 536:AE Gray & Co 509:Utility controls 414:The sign of the 401:Percy Delf Smith 357:Paris Exposition 341:, the editor of 306:Prison furniture 198: 195: 193: 150:Home furnishings 135:Sir Ambrose Heal 86: 84: 79: 42: 35: 31: 21: 6545: 6544: 6540: 6539: 6538: 6536: 6535: 6534: 6490:Shops in London 6455: 6454: 6445: 6443: 6439: 6436: 6431: 6428: 6426: 6424: 6423: 6414: 6413: 6410: 6405: 6392: 6391: 6387: 6380: 6364: 6360: 6347: 6346: 6342: 6329: 6328: 6324: 6311: 6310: 6306: 6293: 6292: 6288: 6281: 6265: 6261: 6248: 6247: 6243: 6236: 6220: 6216: 6203: 6202: 6198: 6188: 6186: 6178: 6177: 6173: 6166: 6150: 6146: 6136: 6134: 6126: 6125: 6121: 6114: 6098: 6094: 6087: 6071: 6067: 6057: 6055: 6047: 6046: 6042: 6032: 6030: 6022: 6021: 6017: 6010: 5994: 5990: 5983: 5967: 5963: 5956: 5940: 5936: 5929: 5913: 5909: 5899: 5897: 5889: 5888: 5884: 5879:. 30 June 2009. 5871: 5870: 5866: 5853: 5852: 5848: 5838: 5836: 5828: 5827: 5823: 5813: 5811: 5806: 5805: 5801: 5788: 5787: 5783: 5776: 5760: 5756: 5749: 5733: 5729: 5719: 5717: 5712: 5711: 5707: 5700: 5684: 5677: 5670: 5654: 5650: 5640: 5639: 5635: 5622: 5621: 5608: 5603:. 17 July 2000. 5595: 5594: 5590: 5585:. 24 June 2009. 5577: 5576: 5572: 5559: 5558: 5554: 5544: 5542: 5534: 5533: 5529: 5516: 5515: 5511: 5506:. 24 June 2009. 5498: 5497: 5493: 5483: 5481: 5473: 5472: 5468: 5458: 5456: 5448: 5447: 5443: 5438:. 24 June 2009. 5430: 5429: 5425: 5420:. 24 June 2009. 5412: 5411: 5407: 5397: 5395: 5387: 5386: 5382: 5377:. 24 June 2009. 5369: 5368: 5364: 5359:. 24 June 2009. 5351: 5350: 5346: 5341:. 24 June 2009. 5333: 5332: 5328: 5318: 5316: 5308: 5307: 5303: 5298:. 24 June 2009. 5290: 5289: 5285: 5280:. 24 June 2009. 5272: 5271: 5267: 5262:. 24 June 2009. 5254: 5253: 5249: 5244:. 24 June 2009. 5236: 5235: 5231: 5226:. 24 June 2009. 5218: 5217: 5213: 5200: 5199: 5195: 5182: 5181: 5177: 5172:. 24 June 2009. 5164: 5163: 5159: 5154:. 24 June 2009. 5146: 5145: 5141: 5136:. 24 June 2009. 5128: 5127: 5123: 5118:. 24 June 2009. 5110: 5109: 5105: 5092: 5091: 5087: 5077: 5075: 5067: 5066: 5062: 5049: 5048: 5044: 5034: 5032: 5024: 5023: 5019: 5014:. 24 June 2009. 5006: 5005: 5001: 4996:. 24 June 2009. 4988: 4987: 4983: 4970: 4969: 4965: 4960:. 24 June 2009. 4952: 4951: 4947: 4942:. 24 June 2009. 4934: 4933: 4929: 4924:. 24 June 2009. 4916: 4915: 4911: 4898: 4897: 4893: 4888:. 24 June 2009. 4880: 4879: 4875: 4870:. 24 June 2009. 4862: 4861: 4857: 4852:. 24 June 2009. 4844: 4843: 4839: 4834:. 24 June 2009. 4826: 4825: 4821: 4816:. 24 June 2009. 4808: 4807: 4803: 4793: 4791: 4783: 4782: 4778: 4773:. 24 June 2009. 4765: 4764: 4760: 4755:. 24 June 2009. 4747: 4746: 4742: 4737:. 24 June 2009. 4729: 4728: 4724: 4711: 4710: 4706: 4696: 4694: 4686: 4685: 4681: 4676:. 24 June 2009. 4668: 4667: 4663: 4658:. 24 June 2009. 4650: 4649: 4645: 4640:. 1 March 2016. 4632: 4631: 4624: 4617: 4601: 4592: 4585: 4569: 4562: 4552: 4550: 4542: 4541: 4537: 4520: 4519: 4515: 4498: 4497: 4493: 4480: 4479: 4475: 4465: 4463: 4455: 4454: 4450: 4445:. 28 June 2023. 4443:Elle Decoration 4437: 4436: 4432: 4419: 4418: 4414: 4401: 4400: 4396: 4383: 4382: 4378: 4365: 4364: 4360: 4347: 4346: 4342: 4329: 4328: 4324: 4317:Birmingham Mail 4311: 4310: 4306: 4293: 4292: 4288: 4275: 4274: 4270: 4258: 4257: 4248: 4247: 4239: 4238: 4234: 4221: 4220: 4216: 4203: 4202: 4198: 4185: 4184: 4180: 4167: 4166: 4162: 4149: 4148: 4144: 4139:. 6 March 2015. 4131: 4130: 4126: 4121:. 12 June 2015. 4113: 4112: 4108: 4095: 4094: 4087: 4074: 4073: 4069: 4056: 4055: 4048: 4035: 4034: 4030: 4017: 4016: 4012: 3999: 3998: 3991: 3986:. 21 June 2001. 3978: 3977: 3970: 3963:The Independent 3957: 3956: 3952: 3943: 3942: 3938: 3927:"Heal's growth" 3925: 3924: 3920: 3913:The Independent 3907: 3906: 3902: 3895:Financial Times 3889: 3888: 3881: 3871: 3869: 3861: 3860: 3856: 3843: 3842: 3838: 3831:The Independent 3825: 3824: 3817: 3810:The Independent 3804: 3803: 3799: 3782: 3781: 3777: 3770:Financial Times 3764: 3763: 3754: 3747: 3731: 3727: 3714: 3713: 3706: 3693: 3692: 3688: 3681: 3665: 3661: 3654: 3638: 3634: 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A year later 1433:Léopold Survage 1399:and art dealer 1369:Poster Pictures 1365: 1360: 1041: 1039:Selected prints 986: 871: 814: 802:D&AD Awards 789: 740: 680:and renamed it 644: 496: 302:Edward Barnsley 278: 270:Charles Dickens 250: 245: 211:) is a British 190: 167: 141: 137: 133: 125: 115: 108: 104: 82: 80: 77: 28: 23: 22: 15: 12: 11: 5: 6543: 6533: 6532: 6527: 6522: 6517: 6512: 6507: 6502: 6497: 6492: 6487: 6482: 6477: 6472: 6467: 6421: 6420: 6409: 6408:External links 6406: 6404: 6403: 6385: 6378: 6358: 6340: 6322: 6304: 6286: 6279: 6273:. Transworld. 6259: 6241: 6234: 6214: 6196: 6171: 6164: 6144: 6119: 6112: 6092: 6085: 6079:. p. 10. 6065: 6040: 6015: 6008: 5988: 5981: 5975:. p. 74. 5961: 5954: 5934: 5927: 5907: 5882: 5864: 5846: 5821: 5799: 5781: 5774: 5768:. p. 63. 5754: 5747: 5727: 5705: 5698: 5675: 5668: 5648: 5633: 5630:. 5 June 2017. 5606: 5588: 5570: 5552: 5527: 5509: 5491: 5466: 5450:"Spectroscope" 5441: 5423: 5405: 5380: 5362: 5344: 5326: 5301: 5283: 5265: 5247: 5229: 5220:"Summer Pride" 5211: 5193: 5175: 5157: 5139: 5121: 5103: 5085: 5060: 5055:V&A Images 5042: 5017: 4999: 4981: 4963: 4945: 4927: 4909: 4891: 4873: 4855: 4837: 4819: 4801: 4776: 4758: 4749:"Kite Strings" 4740: 4722: 4704: 4679: 4661: 4643: 4622: 4615: 4590: 4583: 4560: 4535: 4532:. 22 May 2024. 4513: 4510:: 17–18. 1975. 4491: 4473: 4448: 4430: 4412: 4394: 4391:. 18 May 2022. 4376: 4358: 4353:Furniture News 4340: 4322: 4304: 4286: 4268: 4259:|website= 4232: 4229:. 23 May 2018. 4214: 4211:. 23 May 2018. 4196: 4178: 4160: 4155:Retail Gazette 4142: 4124: 4106: 4085: 4067: 4046: 4028: 4010: 3989: 3968: 3950: 3936: 3918: 3900: 3879: 3854: 3836: 3815: 3797: 3775: 3752: 3745: 3725: 3704: 3686: 3679: 3659: 3652: 3632: 3625: 3607: 3586: 3566: 3559: 3534: 3527: 3507: 3500: 3482: 3475: 3455: 3448: 3423: 3416: 3398: 3391: 3370: 3352: 3334: 3316: 3298: 3280: 3265: 3247: 3229: 3207: 3198:Design Journal 3185: 3160: 3142: 3124: 3117: 3097: 3076: 3058: 3037: 3017: 3010: 2990: 2983: 2965: 2958: 2935: 2928: 2908: 2901: 2881: 2860: 2840: 2815: 2808: 2788: 2781: 2761: 2743: 2736: 2711: 2686: 2668: 2661: 2641: 2634: 2615: 2582: 2579:. p. 121. 2567: 2560: 2540: 2533: 2513: 2496: 2481: 2474: 2454: 2447: 2427: 2409: 2384: 2372:British Museum 2359: 2341: 2316: 2309: 2289: 2266: 2238: 2231: 2211: 2199:Puritan Values 2186: 2158: 2133: 2107: 2100: 2063: 2045: 2028: 2012: 2005: 1954: 1903: 1806: 1799: 1754: 1747: 1718: 1691: 1689: 1686: 1656: 1653: 1600: 1597: 1541:Work Suspended 1533:Virginia Woolf 1493:Charles Ginner 1393:Osbert Sitwell 1364: 1361: 1359: 1358: 1352: 1346: 1340: 1334: 1328: 1322: 1316: 1310: 1304: 1298: 1292: 1286: 1280: 1274: 1268: 1262: 1256: 1250: 1244: 1238: 1232: 1226: 1220: 1214: 1205: 1199: 1193: 1184: 1178: 1172: 1163: 1157: 1151: 1145: 1139: 1133: 1127: 1121: 1115: 1109: 1103: 1097: 1091: 1085: 1079: 1073: 1067: 1061: 1055: 1049: 1042: 1040: 1037: 1007:Lesley Jackson 1001:. In her book 985: 984:Heal's Fabrics 982: 981: 980: 957: 954: 948: 941: 938: 932: 929: 922: 911: 910: 903: 892: 885: 878: 870: 867: 863:Matthew Hilton 813: 810: 788: 785: 765:Storehouse plc 744:Terence Conran 739: 736: 643: 640: 520:Heal & Son 495: 492: 456:Gordon Russell 376:Simple Bedroom 314:Simple Bedroom 277: 274: 249: 246: 244: 241: 225:Arts and Craft 209:Heal & Son 200: 199: 188: 184: 183: 178: 172: 171: 168: 163: 160: 159: 156: 152: 151: 148: 144: 143: 126: 123: 120: 119: 116: 113: 110: 109: 106: 102: 100: 96: 95: 92: 88: 87: 74: 70: 69: 66: 62: 61: 56: 52: 51: 50:Heal & Son 48: 44: 43: 26: 18:Heal & Son 9: 6: 4: 3: 2: 6542: 6531: 6528: 6526: 6523: 6521: 6518: 6516: 6513: 6511: 6508: 6506: 6503: 6501: 6498: 6496: 6493: 6491: 6488: 6486: 6483: 6481: 6478: 6476: 6473: 6471: 6468: 6466: 6463: 6462: 6460: 6453: 6450: 6417: 6412: 6411: 6399: 6395: 6389: 6381: 6379:9780491021982 6375: 6371: 6370: 6362: 6354: 6350: 6344: 6336: 6332: 6326: 6318: 6314: 6308: 6300: 6296: 6290: 6282: 6280:9781473591738 6276: 6272: 6271: 6263: 6255: 6251: 6245: 6237: 6235:9781000182088 6231: 6228:. Routledge. 6227: 6226: 6218: 6210: 6206: 6200: 6185: 6181: 6175: 6167: 6161: 6157: 6156: 6148: 6133: 6129: 6123: 6115: 6113:9781317121756 6109: 6105: 6104: 6096: 6088: 6086:9781351574969 6082: 6078: 6077: 6069: 6054: 6050: 6044: 6029: 6025: 6019: 6011: 6009:9781848221116 6005: 6001: 6000: 5992: 5984: 5982:9781580462358 5978: 5974: 5973: 5965: 5957: 5955:9780429614866 5951: 5947: 5946: 5938: 5930: 5928:9781902448596 5924: 5920: 5919: 5911: 5896: 5895:Court Gallery 5892: 5886: 5878: 5874: 5868: 5860: 5856: 5850: 5835: 5831: 5830:"Friday Club" 5825: 5809: 5803: 5795: 5791: 5785: 5777: 5775:9780853314882 5771: 5767: 5766: 5758: 5750: 5748:9780226266428 5744: 5740: 5739: 5731: 5716:. 13 May 2015 5715: 5709: 5701: 5699:9780856674099 5695: 5691: 5690: 5682: 5680: 5671: 5669:9780813052847 5665: 5661: 5660: 5652: 5645:. 6 May 1922. 5644: 5637: 5629: 5625: 5619: 5617: 5615: 5613: 5611: 5602: 5598: 5592: 5584: 5580: 5574: 5566: 5562: 5556: 5541: 5537: 5531: 5523: 5519: 5513: 5505: 5501: 5495: 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Ashbee's 315: 311: 307: 303: 299: 298:Ernest Gimson 295: 291: 287: 283: 273: 271: 267: 263: 259: 255: 248:Early history 240: 238: 237:Weston family 234: 230: 226: 222: 218: 214: 210: 206: 197: 189: 185: 182: 179: 177: 173: 169: 166: 161: 157: 153: 149: 145: 142:Colin Pilgrim 140: 136: 131: 127: 121: 117: 111: 101: 97: 93: 89: 75: 71: 67: 63: 60: 57: 53: 49: 45: 41: 36: 30: 19: 6422: 6397: 6388: 6368: 6361: 6352: 6343: 6334: 6325: 6316: 6307: 6298: 6289: 6269: 6262: 6253: 6244: 6224: 6217: 6208: 6199: 6187:. Retrieved 6184:D Barrington 6183: 6174: 6154: 6147: 6135:. Retrieved 6131: 6122: 6102: 6095: 6075: 6068: 6056:. Retrieved 6052: 6043: 6031:. Retrieved 6027: 6018: 5998: 5991: 5971: 5964: 5944: 5937: 5917: 5910: 5898:. Retrieved 5894: 5885: 5876: 5867: 5858: 5849: 5837:. Retrieved 5833: 5824: 5812:. Retrieved 5802: 5793: 5784: 5764: 5757: 5737: 5730: 5718:. Retrieved 5708: 5688: 5658: 5651: 5642: 5636: 5627: 5600: 5591: 5582: 5573: 5564: 5555: 5543:. 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Retrieved 4460: 4451: 4442: 4433: 4425:The Guardian 4424: 4415: 4406: 4397: 4388: 4379: 4370: 4361: 4352: 4343: 4334: 4325: 4316: 4307: 4298: 4289: 4280: 4271: 4241: 4235: 4226: 4217: 4208: 4199: 4190: 4181: 4172: 4163: 4154: 4145: 4136: 4127: 4118: 4109: 4100: 4079: 4070: 4061: 4040: 4031: 4025:. July 2019. 4022: 4013: 4004: 3984:The Guardian 3983: 3962: 3953: 3939: 3930: 3921: 3912: 3903: 3894: 3870:. Retrieved 3866: 3857: 3848: 3839: 3830: 3809: 3800: 3791: 3787: 3778: 3769: 3735: 3728: 3719: 3698: 3689: 3669: 3662: 3642: 3635: 3616: 3610: 3576: 3569: 3549: 3517: 3510: 3491: 3485: 3465: 3458: 3438: 3407: 3401: 3382: 3364: 3355: 3346: 3337: 3328: 3319: 3310: 3301: 3292: 3283: 3274: 3268: 3259: 3250: 3241: 3232: 3223: 3219: 3210: 3201: 3197: 3188: 3180:The Guardian 3179: 3154: 3145: 3136: 3127: 3107: 3100: 3067: 3061: 3027: 3020: 3000: 2993: 2974: 2968: 2948: 2918: 2911: 2891: 2884: 2850: 2843: 2831:. Retrieved 2827: 2818: 2798: 2791: 2771: 2764: 2755: 2746: 2726: 2702:. 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Retrieved 2120:the original 2110: 2090: 2058:The Guardian 2057: 2048: 2038: 2031: 2020: 2015: 1995: 1948: 1897: 1790: 1737: 1712: 1669: 1663: 1658: 1644: 1633:Christchurch 1631:in 1913 and 1602: 1592: 1588: 1584: 1580: 1576: 1572: 1568: 1566: 1548: 1540: 1537:Evelyn Waugh 1521: 1485:Frank Dibson 1472: 1471:curated the 1464: 1456: 1444: 1421:Othon Friesz 1417:André Derain 1388: 1368: 1366: 1355: 1349: 1343: 1338:Country Walk 1337: 1331: 1325: 1319: 1314:Spectroscope 1313: 1307: 1301: 1295: 1289: 1283: 1277: 1271: 1265: 1259: 1253: 1247: 1241: 1236:Summer Pride 1235: 1229: 1223: 1217: 1211: 1202: 1196: 1190: 1182:Doll's House 1181: 1175: 1169: 1160: 1154: 1148: 1142: 1136: 1130: 1124: 1118: 1112: 1106: 1100: 1094: 1088: 1082: 1077:Kite Strings 1076: 1070: 1064: 1058: 1052: 1046: 1018: 1013: 1012: 1002: 998: 994: 990: 987: 973:MV Kungsholm 912: 872: 840: 815: 806: 790: 757: 741: 731: 728: 714: 712: 707: 700:Robert Welch 696: 691: 681: 664: 655:and made by 645: 627: 623: 609: 604: 600: 572:Lucienne Day 568: 563: 525: 522:, 1947. Oak. 504: 500: 497: 484:Edward Maufe 471: 468: 447: 433: 421: 404: 397: 379: 375: 369: 352: 342: 334: 330: 324: 313: 309: 305: 279: 261: 251: 208: 207:(originally 204: 203: 99:Headquarters 55:Company type 29: 6444: / 6319:. May 2024. 6209:Design Week 6053:Mary Fedden 5814:15 February 5432:"Scintilla" 5414:"Glentanna" 5310:"Automaton" 5166:"Structure" 5112:"Formation" 4990:"Solitaire" 4828:"Daffodils" 4713:"Isosceles" 4577:. Octopus. 2681:Heal's Blog 2126:15 February 1660:Dodie Smith 1561:Mary Fedden 1557:Ben Enwonwu 1535:. 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