22:
41:
326:
three rooms, only fragments of the ceiling decoration of the Grand cabinet have survived; no evidence regarding the decoration of the oratory or the petit cabinet has been found. See Nicole
Reynaud and Jacques Villain, "Fragments retrouvés de la décoration du Grand Appartement de la Reine Marie-Thérèse", Revue du Louvre, #4-5 (1970): 231-238.
325:
Owing to the construction of the Hall of
Mirrors – the central project of Louis XIV’s 3rd building campaign – and the death of Marie-Thérèse in 1683, the grand cabinet, the oratory, and the petit cabinet were destroyed for the construction of the Hall of Mirrors and the Salon de la paix. Of these
294:
Grand cabinet – this room was transformed into the Salon des nobles. Following the tradition established by her predecessor, Marie
Antoinette would hold formal audiences in this room. When not used for formal audiences, the salon des nobles served as an antechamber to the Queen's
298:
Chambre de la reine – this room was used as the Queen's bedroom and was of exceptional splendour. On the night of 6/7 October 1789, Marie
Antoinette fled from the Paris mob by escaping through a private corridor that connected her apartment with that of the
290:
Antichambre – this room was transformed into the antichambre du grand couvert. It was in this room that the King, Queen and other members of the royal family dined in public. Occasionally, this room served as a theatre for the
244:
and later to Paris. In 1722, Louis XV reinstalled the court at
Versailles and began modifications to the château's interior. Among the most noteworthy of the building projects during Louis XV's reign, the redecoration of the
44:
The Queen's bedchamber. There is a barely discernible hidden door in the corner near the jewel cabinet by
Schwerdfeger (1787) through which Marie Antoinette escaped the night of 5/6 October 1789 when the Paris mob stormed
469:
Versailles immortalisé par les merveilles parlantes des bâtimens, jardins, bosquets, parcs, statues et vases de marbre qui sont dans les châteaux de
Versailles, de Trianon, de la MĂ©nagerie et de Marly
352:
With the creation of this room, a new chapel – the château’s third – was built in the adjacent room to the east. In 1682, when the third chapel was built (where the
339:, but women contributed to the decoration of these rooms. Most notable of these ladies would be Madeleine de Boulogne, who painted the over-door painting in the
279:, later Louis XVI, she took up residence in these rooms. Upon Louis XVI's ascension to the throne in 1774, Marie Antoinette ordered major redecoration of the
21:
584:
La création de
Versailles d'après les sources inédites étude sur les origines et les premières transformations du château et des jardins
119:
came to include a suite of seven enfilade rooms on the main floor in the left wing with an arrangement that mirrored almost exactly the
522:
Archétype et symbole dans le style Louis XIV versaillais: réflexions sur l'imago rex et l'imago patriae au début de l'époque moderne
253:
408:, which stormed the château during the night of 6/7 October 1789, gained access to the château. During the mêlée, members of the
723:
Le
Guillou, Jean-Claude (December 1983). "Le château-neuf ou enveloppe de Versailles: concept et evolution du premier projet".
155:, which depicted the heroic actions of Louis XIV as allegories from events taken from the antique past, the decoration of the
387:
style, which prevailed from the death of Louis XIV through to 1732 (with the decoration of the Salon de la princesse at the
620:
Le
Chateau de Versailles sous Louis XV : recherches sur l'histoire de la cour et sur les travaux des batiments du roi
260:
as it had been used by Marie-Thérèse and Marie-Adélaïde of Savoy were removed and a new, more modern decor was installed.
33:
383:
The decoration of this room was an important expression in French interior design. It heralded the transition from the
736:
Le Guillou, Jean-Claude (July–August 1986). "Le Grand et le Petit Appartement de Louis XIV au château de Versailles".
678:
Josephson, Ragnar (1926). "Relation de la visite de Nicodème Tessin à Marly, Versailles, Rueil, et St-Cloud en 1687".
502:
159:
likewise depicted heroines from the antique past and harmonized with the general theme of a particular room's decor.
405:
777:
101:
104:, as duchess of Burgundy, occupied these rooms from 1697, the year of her marriage, to her death in 1712.
370:
186:(Queen's staircase), which corresponded (albeit a smaller, though similarly decorated example) to the
151:
68:
644:
Baillie, Hugh Murray (1967). "Etiquette and the Planning of State Apartments in Baroque Palaces".
63:
435:
La description du chateau de Versailles, de ses peintures, et d'autres ouvrages fait pour le roy
241:
77:
275:
to serve as a music room. In 1770, when the Austrian archduchess Marie Antoinette married the
56:
287:
Salle des gardes de la reine – this room remained virtually unchanged by Marie Antoinette.
85:
8:
365:
200:, the suite of rooms in which Louis XIV lived. Toward the end of Louis XIV's reign, the
412:, which formed part the Queen's bodyguard, were killed in their attempts to protect her.
388:
196:
623:
604:
587:
568:
551:
534:
508:
498:
472:
455:
438:
276:
264:
745:
713:
709:
653:
139:
Grand cabinet – corresponding to the salon de Jupiter in the King's grand apartment
93:
283:. At this time, the Queen's apartment achieved the arrangement that we see today.
256:, in 1729, Louis XV ordered a complete redecoration of the room. Elements of the
130:
Salle de gardes – corresponding to the salon de Mars in the King's grand apartment
163:
145:
Petit cabinet – corresponding to the salon de Vénus in the King's grand apartment
136:
Chambre – corresponding to with the salon d’Apollon in the King's grand apartment
133:
Antichambre – corresponding to the salon de Mercure in the King's grand apartment
687:
Kimball, Fiske (1946). "Unknown Versailles: The appartement du Roi, 1678-1701".
700:
Kimball, Fiske (1949). "Genesis of the Château Neuf at Versailles, 1668-1671".
392:
40:
657:
335:
On an interesting note, not only were women depicted in the decoration of the
771:
591:
572:
555:
538:
512:
476:
459:
142:
Oratory – corresponding to the salon de Saturne in the King's grand apartment
749:
608:
442:
627:
409:
108:
395:), the style that prevailed for the greater part of the reign of Louis XV.
127:
Chapel – corresponding to the salon de Diane in the King's grand apartment
316:
This chapel was the second of chapels built in the Château of Versailles
384:
759:
Nolhac, Pierre de (1899). "La construction de Versailles de Le Vau".
665:
Constans, Claire (1976). "Les tableaux du Grand Appartement du Roi".
97:
81:
89:
548:
Versailles au temps de Louis XIV: Mansart et Robert de Cotte
240:
With the death of Louis XIV in 1715, the court moved to the
208:
used on rare state occasions. After the destruction of the
466:
545:
528:
735:
722:
452:
Description sommaire de Versailles ancienne et nouvelle
449:
204:
became the principal entrance to the château, with the
174:
and it was in this room that the decorations from the
643:
36:), with the Queen's grand apartment marked in yellow
252:To commemorate the birth of his only son and heir,
100:). Additionally, Louis XIV's granddaughter-in-law,
76:served as the residence of three Queens of France:
758:
677:
598:
581:
492:
360:. In the 19th century, this room was rebaptized
769:
664:
182:communicates with a loggia that issues from the
166:, which began in 1678, the configuration of the
432:
699:
686:
617:
562:
519:
170:changed. The chapel was transformed into the
149:As with the decoration of the ceiling in the
16:Apartment in the Palace of Versailles, France
567:. Paris: Edition Vincent, Freal & Cie.
230:Antichambre (formerly the salle des gardes)
194:. The loggia also provides access to the
123:in the right wing. The configuration was:
497:. Princeton: Princeton University Press.
216:became the main entrance to the château.
39:
20:
356:is now located), this room was renamed
770:
358:la grande salle des gardes de la reine
55:is the Queen's grand apartment of the
495:Pietro da Cortona at the Pitti Palace
622:. Paris: Librairie Arthème Fayard.
467:Monicart, Jean-Baptiste de (1720).
13:
601:Versailles; résidence de Louis XIV
14:
789:
761:Revue de l'Histoire de Versailles
680:Revue de l'Histoire de Versailles
546:Marie, Alfred and Jeanne (1976).
533:. Paris: Editions Jacques Freal.
529:Marie, Alfred and Jeanne (1972).
25:Plan of the Palace of Versailles
450:Félibien, Jean-François (1703).
190:(Ambassador's Staircase) in the
115:(old palace) was completed, the
550:. Paris: Imprimerie Nationale.
419:
263:During her life at Versailles,
714:10.1080/00043079.1940.11409005
404:It was via this room that the
398:
377:
346:
329:
319:
310:
1:
364:owing to the installation of
337:grand appartement de la reine
281:grand appartement de la reine
269:grand appartement de la reine
221:grand appartement de la reine
168:grand appartement de la reine
162:With the construction of the
157:grand appartement de la reine
117:grand appartement de la reine
74:grand appartement de la reine
52:grand appartement de la reine
26:
227:Salle des gardes de la reine
180:salle des gardes de la reine
172:salle des gardes de la reine
7:
271:, to which she annexed the
10:
794:
599:Nolhac, Pierre de (1925).
586:. Versailles: L. Bernard.
582:Nolhac, Pierre de (1901).
493:Campbell, Malcolm (1977).
437:. Paris: Antoine Vilette.
371:The Coronation of Napoleon
658:10.1017/s0261340900013813
267:(1703–1768) lived in the
210:escalier des ambassadeurs
206:escalier des ambassadeurs
188:escalier des ambassadeurs
433:Félibien, André (1694).
303:
192:grand appartement du roi
152:grand appartement du roi
121:grand appartement du roi
69:grand appartement du roi
750:10.3406/bulmo.2008.2007
618:Verlet, Pierre (1985).
603:. Paris: Louis Conard.
565:Naissance de Versailles
102:Marie Adélaïde of Savoy
34:third building campaign
738:Gazette des Beaux-Arts
725:Gazette des Beaux-Arts
702:Gazette des Beaux-Arts
689:Gazette des Beaux-Arts
563:Marie, Alfred (1968).
520:Lighthart, E. (1997).
454:. Paris: A. Chrétien.
391:), and the Rococo (or
78:Maria Theresa of Spain
46:
37:
43:
24:
778:Palace of Versailles
531:Mansart Ă Versailles
471:. Paris: E. Ganeau.
242:Château de Vincennes
214:escalier de la reine
202:escalier de la reine
184:escalier de la reine
57:Palace of Versailles
366:Jacques-Louis David
258:chambre de la reine
247:chambre de la reine
236:Chambre de la reine
111:'s envelope of the
62:Forming a parallel
682:: 150–67, 274–300.
524:. Doctoral thesis.
197:appartement du roi
47:
38:
639:
488:
428:
265:Marie Leszczynska
178:were reused. The
86:Marie Leszczyńska
66:with that of the
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389:HĂ´tel de Soubise
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341:salle des gardes
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273:salon de la paid
176:salon de Jupiter
94:Marie Antoinette
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667:Revue du Louvre
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354:salon d’Hercule
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249:must be cited.
219:From 1682, the
164:Hall of Mirrors
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11:
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781:
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766:
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708:(6): 353–372.
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393:Louis XV style
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731:(6): 193–207.
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233:Grand cabinet
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217:
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212:in 1752, the
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113:château vieux
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695:(6): 85–112.
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646:Archaeologia
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109:Louis Le Vau
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51:
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48:
32:(before the
18:
744:(6): 7–22.
652:: 169–199.
45:Versailles.
30: 1676
763:: 161–171.
673:: 157–173.
223:included:
592:265027101
573:640147659
556:837387303
539:889332274
513:993316809
477:563933157
460:186796049
406:Paris mob
98:Louis XVI
96:(wife of
88:(wife of
82:Louis XIV
80:(wife of
772:Category
609:21028820
443:14959654
295:bedroom.
291:château.
90:Louis XV
64:enfilade
628:8001418
385:Regency
277:Dauphin
626:
607:
590:
571:
554:
537:
511:
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475:
458:
441:
92:) and
72:, the
304:Notes
299:King.
254:Louis
107:When
624:OCLC
605:OCLC
588:OCLC
569:OCLC
552:OCLC
535:OCLC
509:OCLC
499:ISBN
473:OCLC
456:OCLC
439:OCLC
49:The
746:doi
742:108
729:102
710:doi
654:doi
650:101
368:’s
84:),
774::
740:.
727:.
706:35
704:.
693:29
691:.
669:.
648:.
507:.
59:.
27:c.
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748::
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