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theatre. The opaque furniture and gothic structures placed sporadically on the walls of the building exude a feeling of eeriness from the moment of entrance. People came to this theatre for an experience, not only to see a show. The audience at Grand
Guignol endured the terror of the shows because they wanted to be filled with strong "feelings" of something. Many attended the shows to get a feeling of sexual arousal. Underneath the balcony were boxes (originally built for nuns to watch church services) that were available for theatre-goers to rent during performances because they would get so aroused by the action happening on stage. It has been said that audience members would get so boisterous in the boxes, that actors would sometimes break character and yell something such as "Keep it down in there!" Conversely, there were audience members who could not physically handle the brutality of the actions taking place on stage. Frequently, the "special effects" would be too realistic and often an audience member would faint or vomit during performances. Theater director
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theater introduced relatable topics into the genre, the audience could visualize the plots taking place and thus experienced greater fear - the Grand-Guignol transformed the horror plot into something the audience could feel personally. Horror became a vehicle for ideas and philosophy where deep "insights gave way to spectacle, and spectacle to violence and gore, until in the end little was left but the gore". Today the horror genre begins with "optimism and hope", which "wither before random, chaotic, and inevitable violence".
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bite the hands of guards. During the time, curiosity and skepticism ravaged science and medicine. The depiction of scientists at the Grand-Guignol reflected the public attitude of fear and disdain. Medical science held a reputation of "terror and peculiar infamy". Middle-class
Parisian society believed science existed in a world of frivolity and falsehood, whereas art existed in a world of honesty. Poet
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was one of the Grand
Guignol's best-known performers. From 1917 to the 1930s, she performed most frequently as a victim and was known as "the most assassinated woman in the world." During her career at the Grand Guignol, Maxa's characters were murdered more than 10,000 times in at least 60 different
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The themes the Grand-Guignol introduced into the horror genre affected how the genre exists today. The Grand-Guignol's introduction of naturalism into horror "unmasked brutality of contemporary culture". Previously, horror served as escapism, dealing with the supernatural and unrelatable. After the
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by André de Lorde displays a depiction of a doctor typical of the theater. Dr. Goudron is portrayed as manic, insane, unreliable. He is seen "pac nervously" and "jumping on desk and gesticulating". Later Lorde depicts the scientist as violent, with
Goudron attempting to carve out an eye and then
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A former chapel, the theatre's previous life was evident in the boxes – which looked like confessionals – and in the angels over the orchestra. Although the architecture created frustrating obstacles, the design that was initially a predicament ultimately became beneficial to the marketing of the
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Audiences had strong reactions to the new disturbing themes the horror plays presented. One of the most prevalent themes staged at the Grand-Guignol was the demoralization and corruption of science. The "evil doctor" was a recurring trope in the horror shows performed. The popular show
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served as director from 1898 to 1914. Maurey shifted the theatre's emphasis to the horror plays it would become famous for and judged the success of a performance by the number of patrons who passed out from shock; the average was two faintings each evening. Maurey discovered
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653:, based on original texts by Nicolas Yazgi and directed by Frédéric Ozier. More than literal adaptations, the plays address violence, death, crime and fear in contemporary contexts, while revisiting many trope of the original Grand Guignol corpus, often with humour.
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was the Grand
Guignol's founder and original director. Under his direction, the theatre produced plays about a class of people who were not considered appropriate subjects in other venues: prostitutes, criminals, street urchins and others at the lower end of
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The Grand
Guignol was revived once again in London in 1945, under the direction of Frederick Witney, where it ran for two seasons at the Granville Theatre. These included premiers of Witney's own work as well as adaptations of French originals.
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Audiences waned in the years following World War II, and the Grand
Guignol closed its doors in 1962. Management attributed the closure in part to the fact that the theatre's faux horrors had been eclipsed by the actual events of the
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288:: When a doctor finds his wife's lover in his operating room, he performs a graphic brain surgery, rendering the adulterer a hallucinating semi-zombie. Now insane, the lover/patient hammers a chisel into the doctor's brain.
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ideals. The most popular and best-known were the horror plays, which featured a distinctly bleak worldview and gory special effects, particularly in their climaxes. The horrors depicted at Grand
Guignol were generally not
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Jack Jouvin served as director from 1930 to 1937. He shifted the theatre's subject matter, focusing performances not on gory horror but psychological drama. Under his leadership, the theatre's popularity waned and, after
690:. The show was an original tribute to Grand Guignol, a horror vaudeville with various horror and grotesque performances such as monologues, live music and burlesque, with a satirical black humour conduction.
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Ruff, Felicia J. "The Laugh
Factory? Humor and Horror at Le Théâtre du Grand Guignol." Theatre Symposium: A Journal of the Southeastern Theatre Conference, vol. 16, 2008, pp. 65–74.
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and heightened to today's audiences. For this reason, the term is often applied to films and plays of a stylized nature with heightened acting, melodrama and theatrical effects such as
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outshone even Coward's), and a series of short
English "Grand Guignol" films (using original screenplays, not play adaptations) was made at the same time, directed by
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The Swiss theatre company Compagnie Pied de Biche has revisited the Grand Guignol genre in contemporary contexts since 2008. The company staged in 2010 a diptych
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In a typical Grand Guignol performance patrons would see five or six short plays, all in a style that attempted to be brutally true to the theatre's
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Camille Choisy served as director from 1914 to 1930. He contributed his expertise in special effects and scenery to the theatre's distinctive style.
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Between 2011 and 2016, Baltimore-based Yellow Sign Theatre performed Grand Guignol productions (including a heavily updated version of
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The theatre's peak was between World War I and World War II, when it was frequented by royalty and celebrities in evening dress.
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De Lorde was the theatre's principal playwright from 1901 to 1926. He wrote at least 100 plays for the Grand Guignol, such as
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Hand, Richard J., and Michael Wilson. "Transatlantic Terror! French Horror Theater and American Pre-Code Comics."
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Recently formed London-based Grand Guignol company Theatre of the Damned, brought their first production to the
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and a collaborator of Méténier. His theatre gave Méténier a basic model to use for The Grand Guignol Theatre.
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district of Paris (7, cité Chaptal). From its opening in 1897 until its closing in 1962, it specialised in
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While the original Grand Guignol attempted to present naturalistic horror, the performances would seem
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used the goriness to his advantage by hiring doctors to be at performances as a marketing ploy.
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1363:, Swiss-based theatre company that revisits the Grand Guignol genre in contemporary contexts
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Grand Guignol: An Exhibition of Artworks Celebrating the Legendary Theater of Terror.
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Grand Guignol flourished briefly in London in the early 1920s under the direction of
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Forging the Visual Language of Horror: The Graphics of the Grand Guignol
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Knowing Fear: Science, Knowledge and the Development of the Horror Genre
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Since 2022 Yorkshire-based theatre company Contortium have been touring
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is an exemplary lens to use in order to understand these sympathies.
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In November 2014, 86 years after the last show of Alfredo Sainati's
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for its use of aging A-list actresses in sensational horror films.
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performance. With 293 seats, the venue was the smallest in Paris.
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puppet character, joining political commentary with the style of
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L'Histoire du Grand Guignol: Theatre de L'Epouvante et du Rire.
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The Grand Guignol building still exists. It is occupied by the
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Fredrick Witney – A forgotten legend of the Grand Guignol
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Violence and Vitriol – Exploring 'Le Baiser dans la nuit'
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shows. Its name is often used as a general term for graphic,
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This article is about the Paris theatre. For other uses, see
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Buildings and structures in the 9th arrondissement of Paris
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The former location of the Grand Guignol, now home to the
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and more. He collaborated with experimental psychologist
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Theater and Revolution: The Culture of the French Stage.
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Chapel of Gore and Psychosis: The Grand Guignol Theatre
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It's a scream: theatre of the macabre is a runaway hit
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Dame Sybil Thorndike – London's Queen of Screams
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The Théâtre du Grand-Guignol was founded in 1897 by
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30:Promotional poster for a Grand Guignol performance
604:, included De Lorde's famous adaptation of Poe's
277:Examples of Grand Guignol horror shows included:
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862:Exeter: University of Exeter Press, 2002. Print.
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750:London's Grand-Guignol and the Theatre of Horror
484:The System of Doctor Goudron and Professor Plume
688:Grand Guignol de Milan: Le Cabaret des Vampires
664:in November of that year. In 2011, they staged
241:Charles Nonon was the theatre's last director.
1225:"Revenge of the Grand Guignol – The Courtyard"
722:The Grand Guignol: Theatre of Fear and Terror.
607:The System of Doctor Tarr and Professor Fether
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1264:, Complexity, and the Televisual Palimpsest"
736:Grand-Guignol: The French Theatre of Horror.
860:Grand-Guignol The French Theatre of Horror.
342:, a company devoted to presenting plays in
324:two decades earlier. "We could never equal
59:horror entertainment, a genre popular from
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1185:"Frederic Ozier - Compagnie Pied de Biche"
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596:In recent years, English director-writer,
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660:in 2010 and produced the award nominated
549:Learn how and when to remove this message
400:Learn how and when to remove this message
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1260:"Not Just Another Serial Killer Show:
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943:. Grand Guignol Online. Archived from
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858:Hand, Richard J., and Michael Wilson.
834:. Grand Guignol Online. Archived from
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474:form a sub-branch of the genre called
2061:Internet Speculative Fiction Database
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877:"Fading Horrors of the Grand Guignol"
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230:ways and raped at least 3,000 times.
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1235:from the original on 18 October 2016
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677:Le Systéme du Dr Goudron et Pr Plume
612:Le Systéme du Dr Goudron et Pr Plume
585:. Several of the films exist at the
565:, where it attracted the talents of
531:adding citations to reliable sources
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382:adding citations to reliable sources
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63:theatre (for instance Shakespeare's
16:Theatre in the Pigalle area of Paris
918:. November 30, 1962. Archived from
875:Schneider, P. E. (March 18, 1957).
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748:Hand, Richard, and Michael Wilson.
734:Hand, Richard, and Michael Wilson.
731:University Press of Kentucky, 2010.
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13:
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1268:Quarterly Review of Film and Video
1258:Abbott, Stacey (11 January 2019).
803:. January 16, 1950. Archived from
752:University of Exeter Press, 2007.
738:University of Exeter Press, 2002.
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14:
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1369:, UK based Grand Guignol company.
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1308:(B.A.). University of Louisville.
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887:from the original on 23 July 2018
717:New York, The Viking Press, 1980.
614:) as well as two original plays,
453:What Ever Happened to Aunt Alice?
282:Le Laboratoire des Hallucinations
2154:1962 disestablishments in France
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441:What Ever Happened to Baby Jane?
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350:Thematic and structural analysis
292:Un Crime dans une Maison de Fous
115:, who planned it as a space for
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1166:from the original on 2007-09-27
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1014:from the original on 2006-05-18
980:from the original on 2007-09-27
518:needs additional citations for
369:needs additional citations for
253:A 1937 scene from Grand Guignol
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968:Pierron, Agnes (Summer 1996).
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787:
764:The Journal of Popular Culture
684:La Compagnia del Grand-Guignol
21:Grand Guignol (disambiguation)
1:
2149:1897 establishments in France
1333:The dictionary definition of
1304:Hodge, Marguerite V. (1997).
1280:10.1080/10509208.2018.1499348
459:What's the Matter with Helen?
438:films that went before them.
130:The theatre owed its name to
1002:"Murders in the Rue Chaptal"
780:
666:Revenge of the Grand Guignol
447:Hush...Hush, Sweet Charlotte
333:International Visual Theatre
238:, it was not well-attended.
99:International Visual Theatre
44:[ləteɑtʁdyɡʁɑ̃ɡiɲɔl]
7:
881:The New York Times Magazine
706:Antona-Traversi, Cammillo.
10:
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2144:Theatres completed in 1897
1367:Contortium Theatre Company
773:Olympian Publishing, 2010.
640:Il mondo di notte numero 3
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1355:Aboutface Theatre Company
729:The Philosophy of Horror.
710:Librarie theatrale, 1933.
670:Courtyard Theatre, London
2124:Former theatres in Paris
1162:. Grand Guignol Online.
941:"What is Grand Guignol?"
651:Impact & Dr. Incubis
471:Whoever Slew Auntie Roo?
244:
203:A Crime in the Mad House
61:Elizabethan and Jacobean
36:Théâtre du Grand-Guignol
1810:Fire-breathing monsters
1361:Compagnie Pied de Biche
1212:London Evening Standard
1156:"Excerpt from the film
766:, vol. 45, no. 2, 2012.
175:was the founder of the
47:) was a theatre in the
304:Le Baiser dans la Nuit
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209:to create plays about
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1713:Organ transplantation
1313:Hunter, Jack (2011).
1214:Retrieved 2011-01-02.
1145:Retrieved 2011-02-01.
1126:Retrieved 2011-17-01.
1041:Retrieved 2011-02-01.
974:Grand Street Magazine
795:"Paris Writhes Again"
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40:French pronunciation:
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1351:at Wikimedia Commons
910:"Outdone by Reality"
724:Da Capo Press, 1997.
695:Tales of the Bizarre
587:BFI National Archive
579:The Sisters' Tragedy
577:(whose one-act play
527:improve this article
378:improve this article
199:The Ultimate Torture
72:The Duchess of Malfi
1495:Television programs
1447:Speculative fiction
1387: /
1229:thecourtyard.org.uk
625:The Tell Tale Heart
499:Legacy and revivals
476:Grande Dame Guignol
169:'s social echelon.
1612:Zombie pornography
1391:48.8814°N 2.3331°E
1207:2010-12-13 at the
1141:2011-07-08 at the
1122:2011-07-08 at the
1037:2011-07-08 at the
1010:. March 10, 1947.
970:"House of Horrors"
713:Brown, Frederick.
298:L'Horrible Passion
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2066:Bram Stoker Award
1805:Extraterrestrials
1765:Zombie apocalypse
1723:Postmodern horror
1347:Media related to
1317:. Creation Books.
1295:Colavito, Jason.
769:Negovan, Thomas.
758:978-0-85989-792-1
744:978-0-85989-696-2
638:(Original title:
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367:This section
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344:sign language
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308:Maurice Level
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1982:Urban legend
1967:Supernatural
1932:Black comedy
1753:Weird menace
1681:Lovecraftian
1590:Splatterpunk
1570:Dark fantasy
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525:Please help
520:verification
517:
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419:Sweeney Todd
417:
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376:Please help
371:verification
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264:supernatural
259:naturalistic
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236:World War II
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2030:Horror host
2013:LGBT themes
2008:Conventions
1937:Fantastique
1852:Sea monster
1800:Evil clowns
1560:Creepypasta
1500:Video games
1394: /
1066:Hunter 2011
1054:Hunter 2011
571:Noël Coward
465:Night Watch
336: [
223: [
102: [
2118:Categories
2035:Horrorcore
2018:characters
1952:Paranormal
1872:Werewolves
1837:Killer toy
1758:Weird West
1379:48°52′53″N
1239:17 October
1170:2007-04-10
1090:Hodge 1997
1018:2007-04-10
984:2007-04-10
951:2007-04-10
926:2007-04-10
842:2007-04-10
811:2007-04-10
633:mondo film
622:alongside
434:, and the
326:Buchenwald
220:Paula Maxa
183:Max Maurey
125:Max Maurey
117:naturalist
1977:Tokusatsu
1899:Skeletons
1827:Gargoyles
1748:New weird
1659:Tasmanian
1543:Christmas
1485:Magazines
1382:2°19′59″E
1288:192028583
832:"History"
781:Footnotes
631:The 1963
583:Fred Paul
563:Jose Levy
322:Holocaust
136:Lyonnaise
2090:Category
1972:Thriller
1904:Vampires
1867:Werecats
1775:Monsters
1733:Survival
1701:Werewolf
1691:Jiangshi
1686:Monsters
1671:Japanese
1654:Suburban
1644:Southern
1639:American
1585:Grimdark
1580:Faustian
1538:Cannibal
1490:Podcasts
1262:Hannibal
1233:Archived
1205:Archived
1164:Archived
1139:Archived
1120:Archived
1105:Colavito
1078:Colavito
1035:Archived
1012:Archived
978:Archived
891:10 April
885:Archived
268:hypnosis
211:insanity
2049:Related
2025:Macabre
2003:Writers
1947:Mystery
1916:Witches
1909:Zombies
1894:Mummies
1857:Piranha
1842:Mutants
1820:Dragons
1815:Chimera
1696:Vampire
1478:History
1252:Sources
1160:(1963)"
668:at the
315:Closure
132:Guignol
89:Theatre
49:Pigalle
2102:Portal
1962:Shenmo
1889:Ghosts
1879:Undead
1793:Ghouls
1788:Devils
1783:Demons
1738:Techno
1676:Korean
1634:Gothic
1629:Giallo
1597:Erotic
1565:Cosmic
1553:Zombie
1548:Comedy
1468:Comics
1286:
756:
742:
573:, and
431:Quills
57:amoral
53:horror
1991:Other
1884:Death
1847:Ogres
1832:Kaiju
1664:Urban
1624:Ghost
1528:Black
1516:Types
1473:Films
1463:Anime
1456:Media
1284:S2CID
340:]
306:, by
284:, by
272:panic
270:, or
245:Plays
227:]
167:Paris
106:]
1619:Folk
1602:Guro
1533:Body
1505:list
1241:2016
1158:Ecco
1007:Time
915:Time
893:2007
800:Time
754:ISBN
740:ISBN
636:Ecco
618:and
468:and
75:and
34:The
1523:Art
1276:doi
529:by
380:by
2120::
1282:.
1272:35
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1266:.
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1097:^
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589:.
569:,
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444:;
428:,
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346:.
338:fr
225:fr
201:,
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38:(
23:.
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