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chronology, but was organized by four categories which the works overlap: life cycles, identities, politics, and emotion. Life cycles consisted of the stages of life from birth to death. Identities investigated the notions of the self, including racial, gender, political, and religious identities. Politics explored the world through women artists who have demonstrated that the political is personal. Emotions presented the conventional idea of women as emotional creatures and victims.
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exhibition was arranged by theme, whereas the exhibition catalog was organized geographically. The question that surrounded the exhibition is 'what is feminist art?'. There are a number of definitions of feminist art, therefore, there are several themes throughout the exhibition. The exhibition was
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explored feminist issues among women across and within different cultures, races, classes, religions, and sexualities. Themes within these larger overarching thematic patterns included death, pain, old age, war, sex, and motherhood. The installation at the
Brooklyn Museum did not follow a linear
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jumps back and forth between the success platforms of the marketplace and the institutional stage. It has been critiqued that most of the work within the exhibition is body-oriented and familiar to the point of old-fashioned.
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In a written survey conducted after viewing feminist artworks at the
Brooklyn Museum, participant responses revealed that participants had a new awareness of feminism. It is said that
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Ehrlich, Cheri Eileen (2011). "Adolescent girls' responses to feminist artworks in the
Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum".
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661:"Global Feminisms curated by Maura Reilly and Linda NochlinGlobal Feminisms: New Directions in Contemporary Art edited by Maura Reilly and Linda Nochlin"
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showcased art across many mediums, all trying to answer the question "what is feminist art?". The show was visually anchored by the installation of
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873:. Reilly, Maura, Nochlin, Linda, Brooklyn Museum, Davis Museum and Cultural Center. London: Brooklyn Museum. 2007. p. 16.
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708:"Global Feminisms: New Directions in Contemporary Art and Tiger by the Tail! Women Artists of India Transforming Culture"
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was co-curated by Maura Reilly and Linda
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featured the work of young and mid-career artists, all born after 1960. These include artists included:
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790:. Los Angeles County Museum of Art (First ed.). Los Angeles: Los Angeles County Museum of Art.
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March 23–July 1, 2007) was one of the first international exhibitions exclusively dedicated to
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The exhibition included a catalogue with essays by Maura Reilly, Linda
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displayed in a space that is anchored by the permanent installation of
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and consists of work by 88 women artists from 62 countries.
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the curators aimed to move beyond a
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Feminisms: New Directions in Contemporary Art
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Global
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717:2022-12-30
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554:References
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329:Mary Coble
299:Amy Cutler
245:Arahmaiani
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92:exhibition
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