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Gil Evans

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25: 850: 876:", with improvisational touches added throughout by the musicians. Live recordings demonstrate that some entire pieces were collaborative efforts, and Evans can be heard giving cues from the keyboard (behind the band) to guide the band. Before the 1970s, his keyboard playing was generally sparse on recordings but after the 1970s he took a more active role in the rhythm section of the band. 404:, Canada, on May 13, 1912, to Margaret Julia McConnachy. Little is known about Evans' biological father, although a family friend said that he was a doctor who died before Evans was born. Originally named Gilmore Ian Ernest Green, Evans took the last name of his step-father, John Evans, a miner. The family moved frequently, living in 135: 724:. His arrangements of pieces already well known to some listeners from their original cabaret, concert hall or Broadway stage arrangements, revealed aspects of the music in a wholly original way. Sometimes in an unexpected contrast to the original atmosphere of the piece, and sometimes taking a dark ballad such as Weill's " 638:'s music in any musical style, because Evans and Davis were each devoted to going outside the "mainstream" of commercial expectations for jazz musicians. Evans was a great influence on Davis's interest in "non-jazz" music, especially orchestral music. Unfortunately, Evans's orchestral scores from the 503:
Between 1941 and 1948, Evans worked as an arranger for the Claude Thornhill Orchestra. Even then, early in his career, his arrangements were such a challenge to musicians that bassist Bill Crow recalled that bandleader Thornhill would bring out Evans's arrangements "when he wanted to punish the
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were legendary, from the very first note for the lead trumpet. The limited time allotted for rehearsals revealed that the ability to read such a challenging score was not consistent among jazz musicians, and there are many audible errors. Yet the recording is now regarded by many as one of the
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and there were many conflicts, so their "deputies" for the night might be other world-class musicians. Yet Evans was also known to let newcomers "sit in" occasionally. The band also performed arrangements by band members, current and past. Stalwarts in this ensemble were
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on the radio and on records. He studied the piano and began learning how to arrange music, and started picking up jobs with local musicians. While in college, he founded his first band, which performed his arrangements, and which became the house band at the
793:; orchestral instruments not associated with "swing" bands, providing a larger palette of orchestral colors, and allowing him to attain the ethereal quality heard in his arrangements during his Thornhill days. He frequently wrote a part for the 624:), Evans's contribution was as important as Davis's. Their work coupled Evans's classic big band jazz stylings and arrangements with Davis's solo playing. Evans also contributed behind the scenes to Davis' classic quintet albums of the 1960s. 872:. In contrast to his intricate scores for large ensembles, which required precision orchestral playing accompanying a single soloist, his later arrangements would feature more unison playing by the entire ensemble, such as on Hendrix's " 440:, graduating in 1930. During this time, Evans' father took a job with the Western Pacific Railroad, and Evans began living with friends, later renting a room in a boarding house. After graduating, Evans attended the 1122:
recording sessions. Very little is known about this marriage. In 1963, he married again. Evans was survived by his second wife, Anita (Cooper), and two children, Noah and Miles. His son Miles played trumpet in his
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idioms, he gained a new generation of admirers. These ensembles, rarely more than fifteen and frequently smaller, allowed him to make more contributions on keyboards, and with the development of truly portable
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During this period while he was somewhat depressed about the commercial and logistical difficulties of his previous scoring requirements, his wife suggested that he listen to the guitarist
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from Thornhill's band were both stalwarts in Evans's early ensembles, with Mucci finding a spot on nearly every pre-1980s Evans recording. Among the featured soloists on these records were
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band." Evans' modest basement apartment behind a New York City Chinese laundry soon became a meeting place for musicians looking to develop new musical styles outside of the dominant
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would ordinarily indicate that each is used individually for separate tracks, but Evans's scores usually required at least two bassists on any given track, some playing
480:'s radio show. Evans' arrangements from this time showed the influence of classical music, and included instruments such as French horns, flutes, and tubas. In 1939, 563:
orchestra, but the "Kenton sound" was in the context of a dense orchestral wall of sound that Evans avoided. The Miles Davis-led group was booked for a week at the
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suggested that Davis could work with any of several arrangers. Davis immediately chose Evans. The three albums that resulted from the collaboration are
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with her as an apprentice arranger on this and other final projects. His final project was Nov. 3 & 26, 1987, his arrangements for the
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In 1996, Columbia Record released a box set which besides the masterpieces, featured outtakes and rarities of Miles Davis and Gil Evans.
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Evans remained a Canadian citizen until he entered the US Army during the second World War. After 1946, he lived and worked primarily in
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recorded 12 numbers by the nonet at three sessions in 1949 and 1950. These recordings were reissued on a 1957 Miles Davis LP titled
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In 1974, he released an album of his, and other band members', arrangements of music by Hendrix with guitarists
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for a time as a result. Although these four records were marketed primarily under Davis's name (and credited to
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which were on the brink of economic unviability, allowed arrangers to have a larger palette of colors by using
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percussion and no prevailing "beat". To his by-now standard French horns and tuba, Evans's scores added
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and Jimi Hendrix. In the same spirit of introducing new talent in his bands, he collaborated with
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Nakayama, Yasuki (2018). "ギル・エヴァンスのマンディ・ナイト・セッション" [Gil Evans' Monday night sessions].
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was taking with the Gilberto sessions, and he went into a period of hiatus.
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1978 - The Rest of Gil Evans Live at The Royal Festival Hall London 1978
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attempted to reconstruct these for Miles Davis's final 1991 concerts at
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In 1986, Evans produced and arranged the soundtrack to the film of the
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Big Band in Paris, on the recording "Golden Hair" on Emarcy/Polygram.
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style of the day. Those present included the leading bebop performer,
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was hired for Hope's show, and he became a major influence on Evans.
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Miles Davis & Gil Evans: The Complete Columbia Studio Recordings
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From 1957 onwards, Evans recorded albums under his own name. Tubist
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He was also inducted into the Canadian Music Hall of Fame in 1997.
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began the Gil Evans Project, which resulted in a 2012 CD entitled
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Jackson, Kenneth T.; Markoe, Karen; Markoe, Arnold, eds. (1999).
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sessions were later found to be incomplete (or simply lost), and
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Evans became interested in music at an early age, listening to
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Gil Evans & Jaco Pastorius – Live Under The Sky Tokyo '84
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Gil Evans & Jaco Pastorius – Live Under The Sky Tokyo '84
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Best Instrumental Jazz Performance – Soloist or Small Group
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Best Instrumental Jazz Performance – Small Group or Soloist
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In April 1983, the Gil Evans Orchestra was booked into the
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Miles Davis with Orchestra Under the Direction of Gil Evans
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RMS Live with Gil Evans at the Montreux Jazz Festival 1983
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Absolute Beginners: The Original Motion Picture Soundtrack
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for the Compilation Producers and/or Mastering Engineers))
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Last Session - Live At Perugia Jazz Festival July 11, 1987
527:, Mulligan, and others, collaborated on a band book for a 331: 942: 801:. Yet, this album featured an orchestral arrangement of " 388:. He is best known for his acclaimed collaborations with 1273:
Best Jazz Performance Solo or Small Group (Instrumental)
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Best Jazz Composition of More Than Five Minutes Duration
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The Gil Evans Orchestra Plays the Music of Jimi Hendrix
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Last Session_Live At Perugia Jazz Festival 11 July 1987
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The Gil Evans Orchestra Plays the Music of Jimi Hendrix
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Best Instrumental Arrangement Accompanying Vocalist(s)
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Gil Evans Live at the Royal Festival Hall London 1978
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Live at Umbria Jazz 87, Voll.1 & 2 (Egea, ?)
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Gil Evans Live at the Royal Festival Hall London 1978
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Evans first married Lillian Grace following the 1949
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Feather, Leonard; Gitler, Ira (1999). "Evans, Gil".
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In 1966, he recorded an album with Brazilian singer
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October 14, 1996. 2569:Gil Evans: Out of the Cool: His Life and Music 2537:Gil Evans: Out of the Cool: His Life and Music 2392:Gil Evans: Out of the Cool: His Life and Music 2377:Gil Evans: Out of the Cool: His Life and Music 2362:Gil Evans: Out of the Cool: His Life and Music 2344:Gil Evans: Out of the Cool: His Life and Music 2326:Gil Evans: Out of the Cool: His Life and Music 2229: 699:. In 1965, he arranged the big band tracks on 567:as an intermission group on the bill with the 3170: 2900: 2513:"Miles Davis & Gil Evans – 'Miles Ahead'" 2297: 2189:Live at Sweet Basil January 11th 1988 2nd Set 1753:The Real Birth of the Cool: Studio Recordings 1031:Ryan Truesdell presents the Gil Evans Project 1200:Best Jazz Instrumental Performance, Big Band 2854:The Scribner Encyclopedia of American Lives 1734: 1373:(posthumously with Gil Evans Project & 1236: 584:Later, while Davis was under contract with 3177: 3163: 3110:Live at the Public Theater (New York 1980) 2907: 2893: 2249: 2247: 1601:Live at the Public Theater (New York 1980) 1000:In 1987, Evans recorded a live album with 712:Evans was influenced by Spanish composers 133: 3777:Canadian expatriates in the United States 2510: 2293: 2291: 2289: 2287: 2285: 2225: 2223: 1361:Best Jazz Instrumental Performance, Group 1253:Best Jazz Performance Solo or Small Group 933:) by jazz producer and Sweet Basil owner 109:Learn how and when to remove this message 3782:Stockton High School (California) alumni 2661: 2625: 2424:The Virgin Encyclopedia of Popular Music 2413: 2411: 2409: 2407: 2405: 2403: 2401: 2253: 2053:Ornella &... Duetti, Trii, Quartetti 1323:1965: "Greensleeves" in Kenny Burrell's 1098:He also arranged the music for the 1986 939:Gil Evans and the Monday Night Orchestra 902:) alongside young multi-instrumentalist 848: 559:had scored for horns and tubas with the 3767:New York Jazz Repertory Company members 2664:"Ryan Truesdell: The Gil Evans Project" 2528: 2526: 2355: 2353: 2337: 2335: 2319: 2317: 2315: 2313: 2244: 1471:1964 - Previously Unreleased Recordings 357:; May 13, 1912 – March 20, 1988) was a 3654: 2790: 2632:Yasuki Nakayama in "Swing Journal" era 2599: 2595: 2593: 2417: 2389: 2374: 2359: 2341: 2323: 2282: 2220: 2019:(Columbia, 1984) – only "That's Right" 1604:Vol.1 (Trio, 1980), Vol.2 (Trio, 1981) 3707:Canadian Music Hall of Fame inductees 3158: 2888: 2757: 2751: 2662:Schermer, Victor L. (July 25, 2011). 2398: 2300:The Biographical Encyclopedia of Jazz 1147:In 1986, Evans was inducted into the 3757:20th-century Canadian male musicians 2600:Wilson, Jerome (December 31, 2018). 2523: 2350: 2332: 2310: 1141: 476:, where they regularly performed on 444:in Stockton but then transferred to 47:adding citations to reliable sources 18: 2590: 1995:1980 - Lee Konitz & Gil Evans, 657:Miles & Quincy Live at Montreux 13: 2029:1985 - Glen Hall & Gil Evans, 1947:(Columbia, 1968) – without credits 1566:1978 - Little Wing Live in Germany 1198:(with the Monday Night Orchestra, 14: 3793: 2814: 2230:Watrous, Peter (March 22, 1988). 2195:??? - Gil Evans and His Orchestra 1528:1974 - Montreux Jazz Festival '74 1479:(Ampex, 1970) – also released as 2762:So What: The Life of Miles Davis 2566:Crease, Stephanie Stein (2003). 2533:Crease, Stephanie Stein (2002). 2511:Zimmerman, Brian (May 6, 2019). 2390:Crease, Stephanie Stein (2002). 2375:Crease, Stephanie Stein (2002). 2360:Crease, Stephanie Stein (2002). 2342:Crease, Stephanie Stein (2002). 2324:Crease, Stephanie Stein (2002). 2177:Jaco Pastorius Japan Select Live 1345:Best Jazz Performance by a Group 1160: 1111: 910:(at that time still a member of 23: 3692:Experimental big band arrangers 2987:Masabumi Kikuchi with Gil Evans 2784: 2725: 2703: 2683: 2655: 2638: 2619: 2559: 2504: 2472: 2445: 2183:Strange Fruit with Sting (2007) 1972:Masabumi Kikuchi with Gil Evans 555:in 1942, and composer-arranger 34:needs additional citations for 3762:Progressive big band musicians 2971:The Individualism of Gil Evans 2383: 2368: 2137: 1460:The Individualism of Gil Evans 1385: 1284:The Individualism of Gil Evans 734:The Individualism of Gil Evans 728:" into an even darker place. 634:greatest reinterpretations of 16:Canadian-American jazz pianist 1: 2914: 2793:"Gil Evans and his Orchestra" 2713:. Canadian Music Hall Of Fame 2453:"Gil Evans Canadian composer" 2394:. A Capella Books. p. 9. 2379:. A Capella Books. p. 4. 2364:. A Capella Books. p. 8. 2346:. A Capella Books. p. 3. 2328:. A Capella Books. p. 2. 2213: 1329:Best Instrumental Arrangement 1230:Best Instrumental Arrangement 1052: 627:The demands of the score for 395: 3772:King Records (Japan) artists 2766:(first ed.). New York: 2541:. A Capella Books. pp.  2154:1976 - Live in Barcelona () 1896:Miles Davis at Carnegie Hall 1724:1987 - 75th Birthday Concert 1593:1978 - The British Orchestra 1390: 1264:Miles Davis at Carnegie Hall 7: 3186:Canadian Music Hall of Fame 2201: 1369:: "Look to the Rainbow" in 491:, living for many years at 10: 3798: 3126:Live at Sweet Basil Vol. 2 2112:Orchestre National de Jazz 1625:Live at Sweet Basil Vol. 2 493:Westbeth Artists Community 3697:Canadian jazz bandleaders 3590: 3489: 3418: 3299: 3192: 3061: 2922: 2164:1976 - Live in Torino () 1744:(Masters of Jazz, ?) 1547:1976 - Tokyo Concert 1976 1228:(with Gil Evans Project, 498: 326: 322: 272: 262: 252: 229: 193: 176: 159: 149: 144: 132: 125: 3742:Impulse! Records artists 3722:Antilles Records artists 3515:Bachman–Turner Overdrive 1735:As co-leader or arranger 1656:(New Tone Records, 1995) 1610:(New Tone Records, 1992) 1237:Grammy Award nominations 946:Saturday Night Live Band 912:The Mothers of Invention 769:(with the bow) and some 470:Balboa Beach, California 348:Ian Ernest Gilmore Evans 155:Gilmore Ian Ernest Green 2691:"DownBeat Hall of Fame" 2458:Encyclopædia Britannica 2304:Oxford University Press 2197:(V.I.E.W. Video) (2007) 2159:1976 - Jazz jamboree () 2065:...Nothing Like the Sun 2004:1982-83 - Miles Davis, 1902:1962-63 - Miles Davis, 1884:1959-60 - Miles Davis, 1855:1957.05 - Miles Davis, 1165:Awarded as followings: 731:The personnel list for 3737:EmArcy Records artists 3717:Musicians from Toronto 2208:List of jazz arrangers 2031:The Mother of the Book 1125:Monday Night Orchestra 854: 446:Modesto Junior College 442:College of the Pacific 400:Gil Evans was born in 145:Background information 3727:Verve Records artists 3682:Jazz fusion arrangers 2858:Gale Academic Onefile 2259:"Gil Evans Biography" 2149:1972 - Japan Tour () 1944:Filles de Kilimanjaro 1872:(ABC-Paramount, 1958) 1671:(Electric Bird, 1987) 1637:(Electric Bird, 1988) 1628:(Electric Bird, 1986) 1619:(Electric Bird, 1985) 1428:(World Pacific, 1959) 1316:(with Kenny Burrell, 1224:: "How About You" in 1216:Best Historical Album 923:Sweet Basil Jazz Club 906:, synthesizer player 852: 761:) along with veteran 569:Count Basie Orchestra 551:had employed hornist 523:In 1948, Evans, with 3732:Enja Records artists 3712:Grammy Award winners 3702:Big band bandleaders 3337:David Clayton-Thomas 2947:Great Jazz Standards 2768:Simon & Schuster 2758:Szwed, John (2002). 2574:Chicago Review Press 2427:(Concise ed.). 2013:1983 - Miles Davis, 1941:1968 - Miles Davis, 1875:1958 - Miles Davis, 1820:1956 - Marcy Lutes, 1654:1986 - The Honey Man 1608:1981 - Lunar Eclypse 1549:(Studio Songs, 2010) 1425:Great Jazz Standards 438:Stockton High School 436:, where he attended 43:improve this article 3677:Cool jazz arrangers 3118:Live at Sweet Basil 3019:Where Flamingos Fly 2939:New Bottle Old Wine 2931:Gil Evans & Ten 2872:. February 15, 2019 2739:. Recording Academy 2733:"Artist: Gil Evans" 2492:. November 23, 2007 1935:Look to the Rainbow 1893:1961- Miles Davis, 1755:(Columbia CBS 1971) 1616:Live at Sweet Basil 1491:Where Flamingos Fly 1412:New Bottle Old Wine 1399:Gil Evans & Ten 993:(no relation), and 881:Where Flamingos Fly 819:Look to the Rainbow 697:Cannonball Adderley 535:, but smaller than 466:Rendezvous Ballroom 3687:Post-bop arrangers 3450:The Tragically Hip 3331:Buffy Sainte-Marie 3003:There Comes a Time 2431:. pp. 441/2. 2237:The New York Times 2122:(Label Bleu, 1988) 1800:(RCA Victor, 1956) 1583:(RCA Victor, 1979) 1540:There Comes a Time 1153:Jazz Hall of Fame. 1105:The Color of Money 1075:'s Eighth Wonder, 1064:Absolute Beginners 963:Tom "Bones" Malone 855: 461:Fletcher Henderson 3747:ACT Music artists 3649: 3648: 3640:Maestro Fresh Wes 3521:Alanis Morissette 3290:Maureen Forrester 3152: 3151: 2269:All Media Network 2172:(Angel Air, 2004) 2090:& Gil Evans, 2083:(Jazz Door, 1992) 2044:(Bellaphon, 1985) 2033:(InRespect, 1994) 1986:& Gil Evans, 1954:& Gil Evans, 1887:Sketches of Spain 1837:This Is Lucy Reed 1798:The Jazz Workshop 1765:Birth of the Cool 1595:(Mole Jazz, 1983) 1589:(Mole Jazz, 1981) 1175:Sketches of Spain 1142:Awards and honors 1119:Birth of the Cool 1089:Edward Tudor-Pole 1077:the Style Council 1047:Highline Ballroom 1010:Branford Marsalis 927:Greenwich Village 607:Sketches of Spain 578:Birth of the Cool 359:Canadian–American 342: 341: 119: 118: 111: 93: 3789: 3539:Barenaked Ladies 3379:Maynard Ferguson 3313:Ian & Sylvia 3266:Gordon Lightfoot 3179: 3172: 3165: 3156: 3155: 2909: 2902: 2895: 2886: 2885: 2881: 2879: 2877: 2861: 2826: 2825: 2823:Official website 2808: 2807: 2805: 2803: 2788: 2782: 2781: 2765: 2755: 2749: 2748: 2746: 2744: 2729: 2723: 2722: 2720: 2718: 2707: 2701: 2700: 2687: 2681: 2680: 2678: 2676: 2659: 2653: 2652: 2642: 2636: 2635: 2628:スイングジャーナル時代の中山康樹 2623: 2617: 2616: 2614: 2612: 2597: 2588: 2587: 2563: 2557: 2556: 2540: 2530: 2521: 2520: 2508: 2502: 2501: 2499: 2497: 2490:Associated Press 2476: 2470: 2469: 2467: 2465: 2449: 2443: 2442: 2415: 2396: 2395: 2387: 2381: 2380: 2372: 2366: 2365: 2357: 2348: 2347: 2339: 2330: 2329: 2321: 2308: 2307: 2295: 2280: 2279: 2277: 2275: 2251: 2242: 2241: 2227: 2010:(Columbia, 1983) 1967:Masabumi Kikuchi 1908:(Columbia, 1963) 1899:(Columbia, 1962) 1890:(Columbia, 1960) 1881:(Columbia, 1959) 1861:(Columbia, 1957) 1749:Claude Thornhill 1477:1969 - Gil Evans 859:John Abercrombie 853:Gil Evans (1978) 739:James Buffington 664:, and trumpeter 586:Columbia Records 549:Claude Thornhill 482:Claude Thornhill 410:British Columbia 338: 335: 333: 265: 183: 152: 139:Gil Evans (1978) 137: 123: 122: 114: 107: 103: 100: 94: 92: 51: 27: 19: 3797: 3796: 3792: 3791: 3790: 3788: 3787: 3786: 3652: 3651: 3650: 3645: 3586: 3533:Sarah McLachlan 3527:Burton Cummings 3485: 3414: 3409:Bruce Fairbairn 3355:Domenic Troiano 3295: 3188: 3183: 3153: 3148: 3057: 2955:Out of the Cool 2918: 2913: 2875: 2873: 2864: 2832:discography at 2821: 2820: 2817: 2812: 2811: 2801: 2799: 2789: 2785: 2778: 2756: 2752: 2742: 2740: 2731: 2730: 2726: 2716: 2714: 2709: 2708: 2704: 2689: 2688: 2684: 2674: 2672: 2660: 2656: 2644: 2643: 2639: 2624: 2620: 2610: 2608: 2598: 2591: 2584: 2564: 2560: 2553: 2531: 2524: 2509: 2505: 2495: 2493: 2478: 2477: 2473: 2463: 2461: 2451: 2450: 2446: 2439: 2416: 2399: 2388: 2384: 2373: 2369: 2358: 2351: 2340: 2333: 2322: 2311: 2296: 2283: 2273: 2271: 2252: 2245: 2228: 2221: 2216: 2204: 2140: 1930:Astrud Gilberto 1839:(Fantasy, 1957) 1737: 1572:1978 - Parabola 1434:Out of the Cool 1393: 1388: 1248:Out of the Cool 1239: 1163: 1144: 1114: 1100:Martin Scorsese 1055: 1033: 1018:Maria Schneider 987:Kenwood Dennard 959:Marvin Peterson 899:Out of the Cool 886:Harry Lookofsky 814:Astrud Gilberto 799:Harry Lookofsky 718:Joaquín Rodrigo 714:Manuel de Falla 685:Jimmy Cleveland 573:Capitol Records 557:Bob Graettinger 501: 457:Louis Armstrong 398: 368:, composer and 345: 330: 318: 263: 248: 225: 185: 181: 164: 150: 140: 128: 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 3795: 3785: 3784: 3779: 3774: 3769: 3764: 3759: 3754: 3749: 3744: 3739: 3734: 3729: 3724: 3719: 3714: 3709: 3704: 3699: 3694: 3689: 3684: 3679: 3674: 3672:Jazz arrangers 3669: 3664: 3647: 3646: 3644: 3643: 3637: 3634:Diane Dufresne 3631: 3625: 3619: 3613: 3607: 3601: 3594: 3592: 3588: 3587: 3585: 3584: 3578: 3575:Cowboy Junkies 3572: 3566: 3560: 3554: 3548: 3542: 3536: 3530: 3524: 3518: 3512: 3506: 3500: 3493: 3491: 3487: 3486: 3484: 3483: 3477: 3471: 3465: 3459: 3453: 3447: 3441: 3435: 3429: 3426:Bruce Cockburn 3422: 3420: 3416: 3415: 3413: 3412: 3406: 3400: 3394: 3388: 3382: 3376: 3370: 3364: 3358: 3352: 3346: 3340: 3334: 3328: 3322: 3316: 3310: 3303: 3301: 3297: 3296: 3294: 3293: 3287: 3281: 3275: 3269: 3263: 3257: 3251: 3245: 3239: 3233: 3227: 3221: 3215: 3209: 3206:Oscar Peterson 3203: 3196: 3194: 3190: 3189: 3182: 3181: 3174: 3167: 3159: 3150: 3149: 3147: 3146: 3138: 3130: 3122: 3114: 3106: 3098: 3090: 3082: 3074: 3065: 3063: 3059: 3058: 3056: 3055: 3047: 3039: 3031: 3023: 3015: 3007: 2999: 2991: 2983: 2979:Blues in Orbit 2975: 2967: 2959: 2951: 2943: 2935: 2926: 2924: 2920: 2919: 2912: 2911: 2904: 2897: 2889: 2883: 2882: 2862: 2845: 2836: 2827: 2816: 2815:External links 2813: 2810: 2809: 2783: 2776: 2750: 2724: 2702: 2682: 2669:All About Jazz 2654: 2637: 2618: 2606:All About Jazz 2589: 2583:978-1556524936 2582: 2558: 2551: 2522: 2503: 2471: 2444: 2437: 2421:, ed. (1997). 2397: 2382: 2367: 2349: 2331: 2309: 2306:. p. 214. 2281: 2243: 2218: 2217: 2215: 2212: 2211: 2210: 2203: 2200: 2199: 2198: 2192: 2185: 2179: 2173: 2166: 2161: 2156: 2151: 2146: 2139: 2136: 2135: 2134: 2123: 2108: 2097: 2096:(EmArcy, 1988) 2084: 2073: 2056: 2049:Ornella Vanoni 2045: 2034: 2027: 2026:(Hi Hat, 2016) 2020: 2011: 2002: 1993: 1980: 1963: 1948: 1939: 1926: 1909: 1900: 1891: 1882: 1878:Porgy and Bess 1873: 1862: 1853: 1852:(EmArcy, 1957) 1840: 1829: 1818: 1801: 1790: 1777:Charlie Parker 1773: 1756: 1745: 1736: 1733: 1732: 1731: 1721: 1720:(EmArcy, 1989) 1708: 1691: 1685: 1672: 1663: 1657: 1651: 1638: 1629: 1620: 1611: 1605: 1596: 1590: 1584: 1575: 1569: 1568:(Circle, 1978) 1563: 1550: 1544: 1535: 1525: 1512: 1499: 1486: 1482:Blues in Orbit 1474: 1468: 1455: 1442: 1429: 1420: 1407: 1392: 1389: 1387: 1384: 1383: 1382: 1364: 1348: 1332: 1321: 1301: 1292: 1276: 1256: 1238: 1235: 1234: 1233: 1219: 1203: 1187: 1162: 1159: 1158: 1157: 1154: 1143: 1140: 1130:Evans died of 1113: 1110: 1085:Smiley Culture 1059:Colin MacInnes 1054: 1051: 1036:Ryan Truesdell 1032: 1029: 989:, saxophonist 904:Howard Johnson 867:Jaco Pastorius 805:" by bluesman 743:Julius Watkins 675:and trumpeter 654:, recorded as 640:Porgy and Bess 630:Porgy and Bess 601:Porgy and Bess 590:George Avakian 514:Gerry Mulligan 510:Charlie Parker 500: 497: 453:Duke Ellington 397: 394: 344:Musical artist 343: 340: 339: 328: 324: 323: 320: 319: 317: 316: 311: 306: 301: 292: 287: 282: 276: 274: 270: 269: 266: 260: 259: 254: 250: 249: 247: 246: 243: 240: 237: 233: 231: 227: 226: 224: 223: 218: 213: 208: 203: 197: 195: 191: 190: 184:(aged 75) 180:March 20, 1988 178: 174: 173: 161: 157: 156: 153: 147: 146: 142: 141: 138: 130: 129: 126: 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 3794: 3783: 3780: 3778: 3775: 3773: 3770: 3768: 3765: 3763: 3760: 3758: 3755: 3753: 3750: 3748: 3745: 3743: 3740: 3738: 3735: 3733: 3730: 3728: 3725: 3723: 3720: 3718: 3715: 3713: 3710: 3708: 3705: 3703: 3700: 3698: 3695: 3693: 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Lads 3252: 3249: 3246: 3243: 3242:The Crew-Cuts 3240: 3237: 3234: 3231: 3228: 3225: 3224:Joni Mitchell 3222: 3219: 3216: 3213: 3210: 3207: 3204: 3201: 3198: 3197: 3195: 3191: 3187: 3180: 3175: 3173: 3168: 3166: 3161: 3160: 3157: 3144: 3143: 3139: 3136: 3135: 3131: 3128: 3127: 3123: 3120: 3119: 3115: 3112: 3111: 3107: 3104: 3103: 3099: 3096: 3095: 3091: 3088: 3087: 3083: 3080: 3079: 3075: 3072: 3071: 3067: 3066: 3064: 3060: 3053: 3052: 3048: 3045: 3044: 3043:Rhythm A Ning 3040: 3037: 3036: 3032: 3029: 3028: 3027:Collaboration 3024: 3021: 3020: 3016: 3013: 3012: 3008: 3005: 3004: 3000: 2997: 2996: 2992: 2989: 2988: 2984: 2981: 2980: 2976: 2973: 2972: 2968: 2965: 2964: 2960: 2957: 2956: 2952: 2949: 2948: 2944: 2941: 2940: 2936: 2933: 2932: 2928: 2927: 2925: 2923:Studio albums 2921: 2917: 2910: 2905: 2903: 2898: 2896: 2891: 2890: 2887: 2871: 2867: 2863: 2859: 2855: 2851: 2846: 2844: 2840: 2837: 2835: 2831: 2828: 2824: 2819: 2818: 2798: 2794: 2787: 2779: 2777:0-684-85982-3 2773: 2769: 2764: 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Retrieved 2869: 2853: 2850:"Evans, Gil" 2800:. Retrieved 2796: 2791:Evans, Gil. 2786: 2761: 2753: 2741:. Retrieved 2736: 2727: 2715:. Retrieved 2705: 2694: 2685: 2673:. Retrieved 2667: 2657: 2646: 2640: 2631: 2627: 2621: 2609:. Retrieved 2605: 2568: 2561: 2536: 2516: 2506: 2494:. Retrieved 2485:The Guardian 2483: 2474: 2462:. Retrieved 2456: 2447: 2429:Virgin Books 2422: 2391: 2385: 2376: 2370: 2361: 2343: 2325: 2302:. New York: 2299: 2272:. 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Gil Evans (1978)
Toronto
Ontario
Cuernavaca
Jazz
cool jazz
modal jazz
free jazz
fusion
Piano
Prestige
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Impulse!
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Verve
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