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Gianluca Costantini

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49: 486:. The year 1917 marks the third year of conflict, characterized by the harshness of life in the trenches, where many soldiers have long been separated from their homes. Created in 2014 by Gianluca Costantini and Elettra Stamboulis for the Italian publishing house Eris Edizioni, this work provides a deep and poignant insight into the reality of war and the challenges faced by soldiers. The visual narration and written text merge to create an engaging experience that conveys the harshness and dehumanization of the conflict. 301:. In 2023, Costantini further solidified his commitment to human rights through the publication of the book "Human Rights Portraits". This work was presented on the occasion of the sixtieth anniversary of Amnesty International and includes in-depth texts curated by Riccardo Noury. The book represents a significant contribution to documenting human stories and the challenges faced in the struggle for human rights. 310: 391:, an event that shook the international community. His involvement in this cause was a response to human rights violations and injustices perpetrated by the Iranian regime. Over the following year, Costantini continued to dedicate his artistic talent to documenting the women's revolution in Iran and the capital executions promoted by the regime. 434:. This biography, crafted through the amalgamation of visual storytelling and written text, represents a detailed homage to this prominent figure in the Ottoman cultural landscape. Osman Hamdi Bey, a painter, archaeologist, and museologist, is renowned for his significant contributions to the artistic and cultural scene of the 644:
Costantini's engagement with the international indie music scene is documented in his 2013 book, "Bronson Drawings," published by Giuda Edizioni. The critical texts accompanying this publication were contributed by David Vecchiato, Arturo Compagnoni, and Chris Angiolini. Through this work, Costantini
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Costantini's solo exhibition, titled "La strage dei fiori" (The Massacre of Flowers), garnered significant interest and provided the audience with an opportunity to reflect on the complex and often dramatic realities characterizing the situation in Iran. The banner with the message "Liberty for Women
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in Copenhagen, Gianluca Costantini assumed the role of a visual documentarian, capturing the events through his drawings. His involvement was directly solicited by Ai Weiwei, given that the proceedings were conducted behind closed doors, and it was deemed crucial to preserve an accurate visual record
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From 2003 to 2007, Gianluca Costantini was the editor of the underground comic magazine inguineMAH!gazine. The publication ran for eleven issues through collaborations with Coniglio Editore and Fernandel Edizioni. Subsequently, starting in 2008, two anthology issues were published under the auspices
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In 2006, Costantini compiled a collection of his political drawings from 2003 to 2004 in the form of "Diario di un qualunquista" (Diary of an Everyman), published by Fernandel. The critical text by Daniele Brolli provides insight into the socio-political context and significance of Costantini's work
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His participation in these internationally resonant events solidified Gianluca Costantini's reputation as an artist capable of translating the energy and atmosphere of sporting events into compelling visual works. His collaboration with CNN Sport has helped elevate the value of art in the context of
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In Giuda, every element is drawn, from the editorial content to the advertisements. It is a collector's magazine, refusing to conform to the conventions of modern publishing. With a decadent and romantic inclination, it utilizes the contemporary context of drawing to traverse the cemetery roads of
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to create three graphic novel biographies. These works were published under the titles "Dinner with Gramsci," "Goodbye Berlinguer," and "Pertini in the Clouds." The graphic novel trilogy is characterized by a unique fusion of visual storytelling and written text, providing an in-depth exploration
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Through his work, Costantini aimed to amplify the voices of Iran women and draw global attention to crucial issues related to freedom and human rights. Gianluca Costantini's drawings have become a visual testimony to the struggles and aspirations of the Iranian people for freedom and justice. His
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Starting in 2014, Costantini has focused his artistic talent on human rights, with a particular emphasis on the conditions of detainees in places such as Bahrain, Saudi Arabia, China, Turkey and Egypt. In 2018, he followed and captured with his drawings the massacre at the editorial office of the
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Giuda is not just a magazine but a true conceptual space. This publication is dedicated to exploring the betrayal of images, employing drawing intensively to map out what can be said and represented. It positions itself as a designed space for visual research and aesthetics, chasing after the
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One of Costantini's notable works is the graphic novel "Linea Gotica," published in 2004 by Associazione Mirada. This compelling piece of visual storytelling delves into historical narratives, and its critical text by Sabina Ghinassi adds depth to the exploration of the Gothic Line.
181:. Starting from the year 2000, he embarked on experimenting with the use of the web in the language of comics through the project inguine.net, which later gave rise to the publication of the magazine inguineMAH!gazine by Coniglio Editore. In 2002, he curated the exhibition of 656:
Among his extensive body of work is the travel sketchbook "Porto dei santi" (Port of Saints), published by Purple Press in 2009. The critical text for this travelogue was written by Elettra Stamboulis, providing insights into Costantini's artistic journey and explorations.
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Between 1993 and 2000, Gianluca Costantini was a prolific contributor to the Italian and European underground comic movement, publishing comics and illustrations. His works appeared in numerous self-produced and independent magazines, including but not limited to
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of what transpired. Costantini was thus invited to skillfully depict the developments in the legal process, contributing to the preservation of the memory of a significant chapter in the legal dispute between the Chinese artist and the Danish automotive company.
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case, with the drawing being published on February 7, 2002, the day of Zaki's arrest. For two years, the drawing was utilized as part of Amnesty International's liberation campaign and was featured in large installations across Italian cities. In may 2020, Mayor
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In 2016, he published the illustrated book "Le cicatrici tra i miei denti" (Scars Among My Teeth) under NdA Press. This work is a visual exploration of poets, showcasing Costantini's distinctive style. Critical texts for the book were provided by
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and the hacker community that gave rise to this platform. The text provides an in-depth look into the birth and development of WikiLeaks, focusing on the controversies and impacts of its revelations, particularly the
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to publish the graphic novel "Zodiac." This graphic memoir deeply explores the connection between artistic expression and intellectual freedom, providing a unique perspective through the lens of the Chinese zodiac.
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The graphic novel titled "Julian Assange: From the Hacker Ethic to WikiLeaks" authored by Gianluca Costantini and Dario Morgante and published by the Italian publisher Becco Giallo in 2011, traces the history of
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In 2009, he released an art catalog titled "Daily Iraq," published by Edizioni Libri Aparte, focusing on his work that delves into the profound realities of Iraq. Critical text for this catalog was provided by
438:. This illustrated biography provides an opportunity for the reader to explore the historical and cultural context in which Osman Hamdi Bey operated, emphasizing his diverse activities and his impact on 282:, creating a series of drawings aimed at raising public awareness about human rights issues in Eritrea. His artistic endeavors intertwine with major international human rights organizations, including 1113: 395:
works have been exhibited in many cities worldwide, including Paris, Milan, London, Berlin, Denver, Los Angeles, Vancouver, Fribourg, Tallinn, and Ottawa, reaching a broad international audience.
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portal, focusing on significant political events such as street protests and revolutions that have characterized the global landscape. Among his most notable works are drawings dedicated to the
354:, Costantini was initially censored on the web within the Turkish borders by the government. Subsequently, on July 28, he was tried in absentia at the Criminal Offices of the Judge of Peace in 251:
Since 2004, Gianluca Costantini has distinguished himself for his dedication to illustrating globally resonant political and social events. His artistic career began with collaboration on the
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In 2022, Gianluca Costantini published the graphic novel "Patrick Zaky, an Egyptian Story," a collaboration with journalist Laura Cappon. This work explores the history and life of
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in Iran" was displayed in various municipal buildings in Italy, symbolizing the support and solidarity of numerous local communities for the cause of Iranian women's rights.
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Gianluca Costantini began publishing comics in 1993, starting with Italian magazines dedicated to comic publication. Over the years, he has created numerous graphic novels.
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In 2019, he released the graphic novel "Libia," a collaborative work between the renowned artist Gianluca Costantini and the acclaimed journalist
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sports, demonstrating the power of creativity in exploring and communicating the emotions connected to the world of sports to a global audience.
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not only captures the spirit of indie music but also extends the reach of his artistic expression into the dynamic world of sound and rhythm.
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Institute of Unconventional Drawings Arts) magazine, a publication that merges comic art and illustration with the realm of geography.
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into the lives of significant historical figures in Italian history. "Dinner with Gramsci" delves into the life and thoughts of
2710: 1603: 1479: 1721:"[Interview] Democracy merely a dream in Turkey since the 2013 Gezi protests, says graphic artist Gianluca Costantini" 1937: 2663: 1770: 1171: 532:. His ability to capture the essence of sporting events through visual art made him a valuable asset to the editorial team. 1746:"Episode 13: "Get on the Streets and Rebel": Fighting Through Drawing with Gianluca Costantini — Bosla Arts | Art Persists" 297:
The recognition of his artistic contribution was emphasized in 2019 when he received the "Art and Human Rights" award from
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locations charted on maps. It is aware that the map is not the territory but rather a representation of it. Starting from
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Gianluca Costantini's artistic endeavors also extend to exhibitions, as seen in the catalog "Sangue in Algeria" (Blood in
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accompanies the catalog, offering a thoughtful analysis of Costantini's visual exploration of themes related to Algeria.
482:"Officina del Macello, 1917: The Decimation of the Catanzaro Brigade" is a graphic novel that explores the period of the 1986: 1103: 2705: 2247: 2531: 2506: 2481: 2456: 2431: 2404: 2379: 2354: 2327: 2287: 2030: 1550: 1276:
Within the pages of this magazine, significant contributions were made by prominent international authors, including
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and at the Humor Graphic Museum of Diogenes Taborda in Buenos Aires. In Italy he exhibits together with the works of
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Gianluca Costantini is an Italian illustrator and cartoonist who received hi training at the Academy of Fine Arts in
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had reproduction of the drawing installed in Piazza Maggiore. In the same month, a significant installation at the
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Gianluca Costantini founding member of Mirada, an association involved in planning curating of cultural events.
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From 2009 to 2015, Gianluca Costantini served as the artistic director and editor-in-chief of the G.I.U.D.A. (
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Wendepunk.t Zeitschrift für eine Neue Zeit, n°2, Occupy Gezi, Herausgegeben von Hans-Peter Söder, Munich, 2013
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and his collaborators. It spans two decades of computer challenges, addressing many questions surrounding
2715: 2108: 1340: 1698:"The Turkish court order that bans @channeldraw + 37 more Twitter and YouTube accounts - ChannelDraw" 501: 351: 318: 1347: 1317:, the magazine explores how it establishes our role in the world and the symbolic space we occupy. 910: 331: 272: 256: 1840: 1176: 1066: 1050: 339: 355: 2690: 2547: 1578:"'Art That Makes Them Think and Act': Gianluca Costantini on Cartoons, Activism and Censorship" 1301: 914: 780: 776: 724:
portrait of an extraordinary gentleman, one illustration, Abiogenesis Press, Leigh-on-Sea, 2003
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metropolises; even in the first issue, the faces of illustrious deceased individuals from the
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The pinnacle of Gianluca Costantini's collaboration with CNN Sport occurred during the 2018
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Graffiti 76% quadrinosh, Archeangiolie (written by Fabrizio Passarella), Brazil, 2008
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collaborated on the publication of "The Tamer of Istanbul," a biography dedicated to
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Alcune riflessioni sul lavoro di Gord Hill e sulla natura della resisrenza indigena
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Milk and Vodka, n°1, five illustrations, Milk and Vodka Editions, Switzerland, 2000
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and Davide Brullo, further emphasizing the artistic significance of his creations.
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Subsequently, Costantini turned his attention to the prestigious tennis tournament
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Pocketbook Heroes, n°2, El hombre invisible, Bare Bones Studios, Los Angeles, 2011
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Pen Portraits of Imprisoned Journalists, Southampton Central Library, curated by
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in the two-year specialization in Comic Languages at the Academy of Fine Arts in
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Festival of real-life comics, an event that he continued to organize until 2016.
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Throughout the year 2018, Gianluca Costantini embarked on a collaboration with
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eastwest, The man of the stars Taheri awaits the executioner in a prison in
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Gianluca Costantini was the creator of the iconic image associated with the
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Interview: How A New Generation of Graphic Novels Are Portraying Migration
2570:"Gianluca Costantini in mostra alla Scuola Grande di San Rocco di Venezia" 2009:"Antonio Gramsci ou l'engagement intégral - La Marseillaise - ChannelDraw" 1961:"Cómic biográfico, de reportajes, misterio y acción para el fin de semana" 1888: 974:
Garabattage, n°8, one illustration, Doble Dosis Ediciones, Barcelona, 2005
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Skulptura? Skulpture?, five illustration, Bijenal Umetnosti, PanÄŤevo, 2014
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The portrait created by the artist Gianluca Costantini on 7 February 2020
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in Paris. In 2014 he exhibited at Dox Centre for the Contemporary Art of
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Between 2011 and 2014, Gianluca Costantini collaborated with the writer
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Stripburger, n°25, El hombre invisible, Ed. Strip Core, Ljubljana, 1999
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In 2009 he exhibited at the Lazarides Gallery in London in 2010 at the
82: 29: 1532:"If You Love a Place, You Also Love People Fighting for Freedom There" 1819:"Gianluca Costantini interviewed by Iran International - ChannelDraw" 1506:"Courtroom Sketches from Ai Weiwei's Legal Battle Against Volkswagen" 1397: 1277: 1266: 1229: 1202: 1145: 508: 451: 367: 287: 252: 217: 201: 194: 182: 2083:"Zodiac by Ai Weiwei: 9781984862990 | PenguinRandomHouse.com: Books" 1914:"Jury member Jane Campion attends a Flash Mob in Solidarity With..." 1863: 1629:"Drawing for Human Rights: Interview with Gianluca Costantini — ARC" 1604:"Italian artist honors Capital Gazette shooting victims in drawings" 1480:"Political graphics by Gianluca Costantini for DiEM25 - ChannelDraw" 1455:"Gianluca Costantini: The Italian Cartoonist Unmasking the Powerful" 1036:
The Diplomatic Observer, n°91, an illustration, Hattusas Yaymcilik,
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During this period, significant works have been published, such as
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Courtroom Sketches from Ai Weiwei's Legal Battle Against Volkswagen
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Gianluca Costantini: The Italian Cartoonist Unmasking the Powerful
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Pancevac-Press, three illustrations, Pancevac Press, PanÄŤevo, 2004
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Gramsci a comic book biography, Perugia, Miomao Art Gallery, 2012
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In 2022, Costantini began to document and visually represent the
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MOV, n°6, 8 km The history of Zhaer, BabelArt, Athens, 2010
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Clouds from beyond the borders, MAR Museo d'arte della cittĂ ,
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Drawings the Times, Each week telling the news, Holland, 2016
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XXX (Strip) Burger, Befanella, Ed. Strip Core, Ljubljana, 1999
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Schizzo, n°5, Ultimo appuntamento (written Nicola Scianamè),
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Pagina99, Each week telling Human Rights, Italy, 2015–2016
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Ctrl.Alt.Shift Unmasks Corruption, Yes we camp (written by
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Schizzo, n°6, Linee di confine (written Nicola Scianamè),
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Italian cartoonist, artist, Comic journalist, and activist
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Liturgy of drawn porn, Rome, Mondo Bizzarro Gallery, 2011
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in Venice, curated by Global Campus of Human Rights, 2020
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International Reality Comics Festival, Ravenna, 2006–2015
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Throughout 2019, during the legal proceedings involving
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in response to the killing of the twenty-two-year-old
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and other myths from Caucaso, Homecooking Books, 2010
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The accusation of terrorism by the Turkish government
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Illustrated PyeongChang Winter Olympic moments | CNN
378: 2451:. Ravenna, Italy: Fernandel Edition. pp. 3–5. 2282:. Ravenna, Italy: Fernandel Edition. pp. 7–9. 1959:JIMÉNEZ (@vinetabocadillo), JESĂšS (March 8, 2014). 843:Schizzo, n°8, Desiderio (written Nicola ScianamĂ©), 200:Starting from 2010, Gianluca Costantini has taught 2031:"LIBIA - Gianluca Costantini, Francesca Mannocchi" 1987:"'Julian Assange, de la Ă©tica hacker a WikiLeaks'" 689:, The little prince and the 8 kings of the world, 2374:. Ravenna, Italy: Giuda Edition. pp. 45–46. 2267:. Italy: Mirada Cultural Association. p. 17. 1429:Channeldraw hangs drawings, not people, Festival 948:Pancevac, n°4270, 4271, 4272, 4273, PanÄŤevo, 2008 926:Anthology HardcomicSeex, El indio, Bucarest, 2006 853:Neural, n°3, an illustration, Sound Machine, 1994 850:Neural, n°2, an illustration, Sound Machine, 1994 681:, n°271, an illustration, Rome, November 12, 1994 612: 2677: 2501:. Ravenna, Italy: Giuda Edizioni. pp. 3–4. 2449:Matrimoni la Turchia vista dalla camera da letto 2399:. Bergamo, Italy: Libri Aparte. pp. 18–19. 2109:"Ai Weiwei's 'Zodiac' Is a Mystical Memory Tour" 1374:, Museos de Humor grafico Diogenes Taborda, 2014 1367:Untitled Drawing Art, Modena, d406 Gallery, 2014 803:Babel, n°235, Thad damn burn the flags (written 769:NumĂ©ro 0/1 Discours public – Discorso pubblico, 749:laikku, n°1, El hombre invisible, Helsinki, 2001 669:, n°18, an illustration, Rome, February 18, 1994 528:Sport, immersing himself in the dynamics of the 185:in Italy, followed in 2003 by the exhibition of 2349:. Ravenna, Italy: Giuda Edition. pp. 3–4. 2307:. Perugia, Italy: Miomao Gallery. pp. 1–2. 2191:"Roland Garros 2018: Sketching the French Open" 507:In 2024, Gianluca Costantini collaborates with 471:, "Goodbye Berlinguer" offers a perspective on 2240:Marginali Iconografie delle culture innovative 1193: 902:Mutate&Survive, Archeangiolie (written by 2322:. Ravenna, Italy: Giuda Edition. p. 99. 1110:, An Endless Green Line, United States, 2017 675:, n°153, an illustration, Rome, June 25, 1994 2426:. Bergamo, Italy: Libri Aparte. p. 48. 1861: 773:, edizioni Les Presses CarrĂ©es, France, 2014 263:protest in Istanbul in 2013, as well as the 246: 122:Julian Assange dall'etica hacker a Wikileaks 497:, a country rich in history and conflicts. 216:, and collaborated with the Chinese Artist 2471: 2446: 2419: 2394: 2342: 2237: 1353:Gianluca Costantini: Drawing the Reality, 1269:'s "The 500 Years of Resistance" in 2013. 1249:'s "The Diary of a Teenage Girl" in 2006, 1144:eastwest, Faces and words on the disputed 410:wearing a drawing by Gianluca Costantini. 47: 2595:"Pen Portraits of Imprisoned Journalists" 2521: 2369: 2317: 1377:Whispers and cries in digital democracy, 1333: 2476:. Bologna, Italy: comma 22. p. 58. 2262: 2106: 1841:"Femme Vie LibertĂ©, Paris - ChannelDraw" 1575: 1126:and his ancestors two thousand years of 1023:LeMan, n°1211, Dateci LeMan (written by 308: 304: 2107:Landreth, Jonathan (February 7, 2024). 1328: 1236: 2678: 2277: 1549:Gil, Manuel Ferez (October 27, 2022). 1391:, Quattrocentometriquadi Gallery, 2011 1339:Gianluca Costantini exhibition at the 1187:, My Freedom Day, United States, 2018 810:Babel, n°237, Gaz promise (written by 519: 2548:"G.I.U.D.A. La rivista - ChannelDraw" 2496: 2302: 1652: 1529: 1503: 1245:'s "Sketchbook Diaries n°1" in 2006, 1001:LeMan, n°1229, Who's Who (written by 939:Kuhinja, n°8, Marzabotto, curated by 888:Internazionale luglio, Postcard from 553: 239:at the Museum of Contemporary Art in 2666:, by Naima Morelli in Global Comment 2526:. Italy: Giuda Edition. p. 67. 1791: 1576:Deknatel, Frederick (May 21, 2021). 1499: 1497: 981:), Edition Exten Kultur Taldea, 1996 2672:political cartoon from 2004 to 2017 1718: 1548: 1082: 977:Tmeo, n°40, Scarafaggi (written by 863:Pagina99, maggio, Sharpshooters to 350:In July 2016, following the failed 13: 1792:Life, Kayhan (November 25, 2022). 1601: 1407:Vorrei incontrarti (with music of 1098:Internazionale, The cold heart of 14: 2732: 2642: 2372:Bronson Chronicles and Epiphanies 1862:simplyhostza (November 4, 2022). 1595: 1494: 1292:, Max Andersson, James Kochalka, 1179:e il male del mondo, Italy, 2018 1135:eastwest, The strange holiday of 442:'s artistic and museal heritage. 426:In 2008, Gianluca Costantini and 421: 379:Drawings for Mahsa Amini protests 275:newspaper in Annapolis Maryland. 2660:, by Franco Bastida in PanamPost 1053:, n°37, Gaz Promise (written by 1044: 334:Library was commissioned by the 2612: 2587: 2562: 2540: 2515: 2490: 2465: 2440: 2413: 2388: 2363: 2336: 2311: 2296: 2271: 2256: 2231: 2209: 2183: 2160: 2134: 2100: 2075: 2049: 2023: 2001: 1979: 1952: 1930: 1906: 1881: 1855: 1833: 1811: 1785: 1763: 1738: 1712: 1690: 1668: 1504:Small, Zachary (May 23, 2019). 413: 149: 2474:Quel sottile odore di bruciato 1646: 1621: 1569: 1542: 1523: 1472: 1447: 1423: 985: 909:Courrier Internacional, n°33, 613:Political comics and Art Books 278:In 2019, he collaborated with 1: 2711:Italian editorial cartoonists 2651:Channeldraw, official website 1440: 1273:of Comma22 publishing house. 544:FIFA World Cup held in Russia 530:Winter Olympics held in Korea 406:walked the red carpet at the 2472:Stamboulis, Elettra (2007). 2447:Stamboulis, Elettra (2007). 2395:Stamboulis, Elettra (2009). 1725:Stockholm Center for Freedom 700: 660: 358:and charged with terrorism. 225:Salon du dessin contemporain 168: 24:(born December 19, 1971) in 7: 2343:Compagnoni, Arturo (2012). 1633:artistsatriskconnection.org 1218:, Santa Maria delle Croci, 1194:Curating of cultural events 1170:to the Donald, Italy, 2018 1102:, Italy, December 22, 2015 955: 896: 847:, ArciComics Editions, 1994 840:, ArciComics Editions, 1994 833:, ArciComics Editions, 1993 118:L'ammaestratore di Istanbul 10: 2737: 2420:Giacometti, Viola (2009). 2280:Stati gassosi della veritĂ  2238:Branzaglia, Carlo (2004). 1719:SCF (September 10, 2022). 1341:Scuola Grande di San Rocco 1116:November 17, 2017, at the 920: 885:, Rome, News 3.0 Spa, 2016 878:, Rome, News 3.0 Spa, 2016 867:, Rome, News 3.0 Spa, 2016 860:, Rome, News 3.0 Spa, 2016 787: 743: 715: 372:Skandinavisk Motor Co. A/S 161:http://www.channeldraw.org 2706:Italian graphic novelists 2370:Angiolini, Chris (2012). 2318:Vecchiato, David (2012). 2263:Ghinassi, Sabina (2004). 2061:www.feltrinellieditore.it 1989:(in Spanish). May 3, 2014 1404:, La Subbia Gallery, 2011 1265:'s "#Syria" in 2012, and 1130:Dear Leader, Italy, 2017 995: 930: 797: 753: 705: 247:Drawings for Human Rights 159: 127: 103: 93: 72: 55: 46: 41: 2522:Churchill, Ward (2013). 2278:Brolli, Daniele (2006). 1348:Amnesty International UK 968: 823: 693:, Milan, 2017 for Italy 1653:Staff (July 25, 2019). 1261:'s "Sun City" in 2007, 1257:'s "Weddings" in 2007, 1166:saga, from grandfather 1067:World War 3 Illustrated 1051:World War 3 Illustrated 779:, n°1280, La storia di 2701:Italian comics artists 2696:Italian comics writers 2346:Action time and vision 2087:PenguinRandomhouse.com 777:Courrier International 352:coup attempt in Turkey 314: 259:fo 2011 in Cairo, the 2497:Lamri, Tahar (2012). 2320:Play it again Gianlu' 2303:Tahar, Lamri (2008). 1323:Montparnasse Cemetery 1108:Words Without Borders 760:Le Monde diplomatique 577:TribĂą Magazine d'urto 336:University of Bologna 312: 305:The Patrick Zaki Case 299:Amnesty International 284:Amnesty International 189:. In 2005, alongside 2423:Untitled Drawing Art 1773:. September 26, 2019 1700:. September 25, 2019 1433:, Madrid, Matadero, 1334:Personal exhibitions 1329:Personal exhibitions 1300:, and many others... 1237:Editor and Published 622:during that period. 408:Venice Film Festival 2721:Italian journalists 2550:. February 24, 2021 2172:, February 28, 2018 2148:. February 12, 2018 1821:. November 10, 2022 1419:Film Festival, 2005 1370:Stop Bombing Gaza, 1360:American Nocturne, 1012:Selahattin DemirtaČ™ 904:Fabrizio Passarella 686:Corriere della Sera 520:Drawings for sports 491:Francesca Mannocchi 257:Egyptian Revolution 193:, he organized the 42:Gianluca Costantini 22:Gianluca Costantini 2113:The New York Times 1893:ArtRise Collective 1555:Oriente Medio News 1530:KuşçuoÄźlu, Volga. 1056:Elettra Stamboulis 1026:Elettra Stamboulis 1017:Elettra Stamboulis 1004:Elettra Stamboulis 881:Pagina99, luglio, 870:Pagina99, giugno, 813:Elettra Stamboulis 730:Elettra Stamboulis 651:Elettra Stamboulis 573:Alter Vox Magazine 554:Underground comics 513:Elettra Stamboulis 464:Elettra Stamboulis 428:Elettra Stamboulis 315: 267:of 2019 and 2020. 229:Carousel du Louvre 191:Elettra Stamboulis 137:Elettra Stamboulis 2716:Italian activists 2624:www.spazio1929.ch 1381:, Zuni Arte, 2013 1364:, Zuni Arte, 2014 1298:Aleksandar Zograf 1251:Stefano Tamburini 1214:The Veil of Maya 1078:), New York, 2012 1059:), New York, 2006 1020:), Istanbul, 2015 1007:), Istanbul, 2015 979:Giovanni Barbieri 942:Aleksandar Zograf 856:Pagina99, marzo, 473:Enrico Berlinguer 457:Collateral Murder 280:Pen International 265:Hong Kong protest 166: 165: 114:Fedele alla linea 87:Comics journalism 66:December 19, 1971 2728: 2654: 2653: 2636: 2635: 2633: 2631: 2616: 2610: 2609: 2607: 2605: 2591: 2585: 2584: 2582: 2580: 2566: 2560: 2559: 2557: 2555: 2544: 2538: 2537: 2519: 2513: 2512: 2494: 2488: 2487: 2469: 2463: 2462: 2444: 2438: 2437: 2417: 2411: 2410: 2397:Dionysus in Iraq 2392: 2386: 2385: 2367: 2361: 2360: 2340: 2334: 2333: 2315: 2309: 2308: 2305:Blood in Algeria 2300: 2294: 2293: 2275: 2269: 2268: 2260: 2254: 2253: 2235: 2229: 2228: 2226: 2224: 2213: 2207: 2206: 2204: 2202: 2187: 2181: 2180: 2179: 2177: 2164: 2158: 2157: 2155: 2153: 2138: 2132: 2131: 2129: 2127: 2104: 2098: 2097: 2095: 2093: 2079: 2073: 2072: 2070: 2068: 2053: 2047: 2046: 2044: 2042: 2027: 2021: 2020: 2018: 2016: 2005: 1999: 1998: 1996: 1994: 1983: 1977: 1976: 1974: 1972: 1956: 1950: 1949: 1947: 1945: 1934: 1928: 1927: 1925: 1923: 1910: 1904: 1903: 1901: 1899: 1885: 1879: 1878: 1876: 1874: 1859: 1853: 1852: 1850: 1848: 1843:. 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March 16, 2021 1672: 1666: 1665: 1663: 1661: 1650: 1644: 1643: 1641: 1639: 1625: 1619: 1618: 1616: 1614: 1608:baltimoresun.com 1602:Miller, Hallie. 1599: 1593: 1592: 1590: 1588: 1573: 1567: 1566: 1564: 1562: 1546: 1540: 1539: 1527: 1521: 1520: 1518: 1516: 1501: 1492: 1491: 1489: 1487: 1476: 1470: 1469: 1467: 1465: 1451: 1247:Phoebe Gloeckner 1175:Internazionale, 1083:Web Publications 771:Benito Mussolini 385:Iranian protests 292:SOS MediterranĂ©e 237:Alighiero Boetti 214:Yanis Varoufakis 153: 151: 130: 96: 75: 65: 63: 51: 39: 38: 36:, and activist. 34:comic journalist 2736: 2735: 2731: 2730: 2729: 2727: 2726: 2725: 2676: 2675: 2649: 2648: 2645: 2640: 2639: 2629: 2627: 2618: 2617: 2613: 2603: 2601: 2593: 2592: 2588: 2578: 2576: 2568: 2567: 2563: 2553: 2551: 2546: 2545: 2541: 2534: 2520: 2516: 2509: 2495: 2491: 2484: 2470: 2466: 2459: 2445: 2441: 2434: 2418: 2414: 2407: 2393: 2389: 2382: 2368: 2364: 2357: 2341: 2337: 2330: 2316: 2312: 2301: 2297: 2290: 2276: 2272: 2265:Gaze on the war 2261: 2257: 2250: 2236: 2232: 2222: 2220: 2215: 2214: 2210: 2200: 2198: 2189: 2188: 2184: 2175: 2173: 2166: 2165: 2161: 2151: 2149: 2140: 2139: 2135: 2125: 2123: 2105: 2101: 2091: 2089: 2081: 2080: 2076: 2066: 2064: 2055: 2054: 2050: 2040: 2038: 2035:Oscar Mondadori 2029: 2028: 2024: 2014: 2012: 2011:. 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841: 834: 825: 822: 821: 820: 817: 808: 799: 796: 795: 794: 789: 786: 785: 784: 781:ChĂ©rif Kouachi 774: 767: 764:Sheikh Mansour 755: 752: 751: 750: 745: 742: 741: 740: 739:, London, 2010 733:), curated by 725: 717: 714: 713: 712: 707: 704: 702: 699: 698: 697: 682: 676: 670: 662: 659: 614: 611: 595:Milk and Vodka 555: 552: 521: 518: 477:Sandro Pertini 448:Julian Assange 436:Ottoman Empire 423: 422:Graphic Novels 420: 415: 412: 380: 377: 363: 360: 347: 344: 306: 303: 248: 245: 170: 167: 164: 163: 157: 156: 145: 141: 134: 133: 131: 125: 124: 107: 104: 101: 100: 97: 91: 90: 76: 70: 69: 68:Ravenna, Italy 57: 53: 52: 44: 43: 28:, Italy, is a 15: 9: 6: 4: 3: 2: 2733: 2722: 2719: 2717: 2714: 2712: 2709: 2707: 2704: 2702: 2699: 2697: 2694: 2692: 2691:Living people 2689: 2687: 2684: 2683: 2681: 2671: 2668: 2665: 2662: 2659: 2656: 2652: 2647: 2646: 2625: 2621: 2615: 2600: 2596: 2590: 2575: 2571: 2565: 2549: 2543: 2535: 2533:9788897980124 2529: 2525: 2518: 2510: 2508:9788897980032 2504: 2500: 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Index

Ravenna
cartoonist
comic journalist

Comics artist
cartoonist
Comics journalism
Elettra Stamboulis
http://www.channeldraw.org
Ravenna
Il Manifesto
Joe Sacco
Marjane Satrapi
Elettra Stamboulis
Komikazen
Comic Art
Bologna
DiEM25
Yanis Varoufakis
Ai Weiwei
Salon du dessin contemporain
Carousel du Louvre
Prague
Alighiero Boetti
Lissone
Indymedia
Egyptian Revolution
Occupy Gezi
Hong Kong protest
Capital Gazette

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