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276:, he was held in high esteem throughout Italy. Wherever he made his home, it was a center for gatherings of scholars, littérateurs, and the most cultured men of the time. His family life was far from happy, apparently through little fault of his own.
556:
occasionally used for similar voiced consonants. He intentionally reversed the use of voice and unvoiced, compared to
Spanish, because "it appeared to be the lesser innovation", and because of the perceived similarity between Ӡ ç with G g.
301:
and inspired by ancient tragedies, it was perhaps the first tragedy in early modern times to show deference to the classic rules. It served as an example for
European tragedies throughout the 16th century. It was translated into French by
347:
points out, the very choice of the
Byzantine-Ostrogothic wars of the sixth century as a subject committed Trissino to dealing with barbarian subjects with which, as an extreme classicist, he felt little affinity.
659:, his research also serves as a valuable source for the differences between the Tuscan pronunciation and that of the courtly language, which he advocated as an enrichment of the Italian language.
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in Italy, he sought to show that it was possible to write in the vernacular an epic in accordance with the classic precepts. The result is a cold and colorless composition. Moreover, as
218:, Chiericati, and Porto families. When Venice reconquered Vicenza on 12 November 1509, Trissino was punished for his betrayal and sent into exile. He then traveled to Germany and
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355:, which developed into a long and close friendship between the two men. Trissino first took Palladio under his wing after becoming acquainted with him while building his
579:, which eventually caught up also for other European languages before being largely abandoned in contemporary Italian, which generally spells the sound with an
854:
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389:(1529) the theory that the language is a courtly one made up of contributions from the refined centers in Italy; instead of being fundamentally of
678:(Dante's language was considered too unpolished). By the end of the century, Bembo's position prevailed and Trissino's ideas were rejected.
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705:, which contains his summing up of the Aristotelean principles of literary composition, comprise the rest of his important writings.
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argued that the
Italian standard should be based on the language of the Florentine classics of the 14th century, especially
913:
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Trissino's ideas about a synthetic
Italian standard were opposed by two major factions. On the one side were those, like
894:
82:
20:
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273:
272:. In spite of the banishment from Vicenza pronounced upon him in 1509 because his family had favoured the plans of
211:
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Performance, Poetry and
Politics on the Queen's Day: Catherine de Médicis and Pierre de Ronsard at Fontainebleau
53:
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whose army entered
Vicenza in June 1509, accompanied by members of Vicentine nobility including the
130:
807:"non-tanto pεrchè queʃto ʃecondo charactέre ʃia piu ʃimile al g, quanto per fare manco innovatione"
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origin. His theory was supported by the publication, also in 1529, of his translation of Dante's
257:. His culture recommended him to the humanist Pope Leo X, who in 1515 sent him to Germany as his
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In the history of modern
European literature Trissino occupies a prominent place because of his
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regularity, Trissino disapproved of the freedom of the chivalrous epic, as written by
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740:. Roma: per Lodovico de' gli Arrighi vicentino scrittore, nel MDXXIIII di settembre.
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724:
From Mythos to Logos : Andrea
Palladio, Freemasonry and the Triumph of Minerva
381:
received lively reactions in the literary world of the time. Following the lead of
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Barbarian Memory: The Legacy of Early
Medieval History in Early Modern Literature
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The idea was taken up for "j" and "v", which brought to the modern distinction
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by adding the following letters to distinguish sounds of the spoken language:
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and was pardoned by Venice in 1516. He eventually came under the protection of
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405:Ɛpistola del Trissino de le lettere nuωvamente aggiunte ne la lingua Italiana
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385:, he advocated the enrichment of the Italian language, and espoused in his
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Commonly used. In lowercase, at that time usually "u" was used for both.
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297:(c. 1515; published 1524). Based on the life of the Carthaginian lady
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Venetian humanist, poet, dramatist, diplomat, linguist and philosopher
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In addition, Trissino played a prominent role in the early career of
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He had the advantages of a good humanistic training, studying
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From 1538 to 1540, Trissino returned to his studies at the
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Because he applied his system to his publications of the
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Later proposals reversed the ω/o assignations. Following
819:"Trissino, Gian Giorgio in "Enciclopedia dell'Italiano""
306:, and was performed with great acclaim in 1556 at the
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365:An edition of his collected works was published at
56:. Unsourced material may be challenged and removed.
402:Heated discussions followed his 1524 essay titled
793:The Center for Palladian Studies in America, Inc.
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144:(8 July 1478 – 8 December 1550), also called
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783:: New York, Palgrave Macmillan, 2013, p. 89.
750:Scott, Virginia; Sturm-Maddox, Sara (2007).
134:Gian Giorgio Trissino, portrayed in 1510 by
339:(1547–1548), dealing with the campaigns of
206:Trissino was born of a patrician family in
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399:, which Trissino had saved from oblivion.
457:. The minuscule has become IPA standard.
116:Learn how and when to remove this message
756:. Ashgate Publishing, Ltd. p. 170.
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362:Trissino died in Rome in December 1550.
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968:Italian male dramatists and playwrights
884:Works by or about Gian Giorgio Trissino
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530:Used in many orthographies and in IPA
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900:Dizionario Biografico degli Italiani
863:. New York: Robert Appleton Company.
54:adding citations to reliable sources
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906:Istituto dell'Enciclopedia Italiana
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963:Italian dramatists and playwrights
875:Works by Giovanni Giorgio Trissino
853:Herbermann, Charles, ed. (1913). "
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689:(1548) which is a version of the
408:, in which he proposed to reform
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895:"TRISSINO, Giovan Giorgio"
797:Palladio's Life and World.
738:La Sophonisba del Trissino
722:Coughlin, Michael (2019).
337:l'Italia liberata dai Goti
335:. In his own composition,
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893:Gallo, Valentina (2019).
817:D'Achille, Paolo (2011).
318:Villa Trissino in Cricoli
243:Demetrios Chalkokondyles
150:Giovan Giωrgio Trissino
146:Giovan Giorgio Trissino
65:"Gian Giorgio Trissino"
825:(in Italian). Treccani
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860:Catholic Encyclopedia
396:De vulgari eloquentia
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249:and philosophy under
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904:(in Italian). Rome:
855:Giangiorgio Trissino
726:. Brill. p. 50.
682:Other literary works
50:improve this article
948:People from Vicenza
622:⟨gli⟩
608:⟨chi⟩
410:Italian orthography
281:University of Padua
148:and self-styled as
958:Italian male poets
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938:1550 deaths
933:1478 births
687:I Simillimi
664:Machiavelli
620:instead of
606:instead of
379:linguistics
373:Linguistics
157:Renaissance
927:Categories
829:19 October
709:References
699:I Ritratti
590:, he used
418:New letter
387:Castellano
341:Belisarius
299:Sophonisba
295:Sophonisba
274:Maximilian
224:Pope Leo X
168:grammarian
76:newspapers
676:Boccaccio
653:Sofonisba
547:unvoiced
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202:Biography
164:dramatist
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672:Petrarch
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596:⟩
592:⟨
524:vocalic
501:vocalic
325:partisan
220:Lombardy
172:linguist
162:, poet,
160:humanist
154:Venetian
152:, was a
106:May 2022
886:at the
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447:closed
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627:volja
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482:omega
465:open
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247:Milan
239:Greek
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180:from
97:JSTOR
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