337:, Basholi, and other neighbouring provinces. The Chamba region has highly skilled craftsmen. Chamba embroidery has its own distinctive style, small squares or rectangles of clothe embroidered with untwisted silk threads. While untwisted silk is most common some Chamba embroidery make use of thin metal wires or metallic yarn. While the chamba rumal originated in the 17th century it reached widespread popularity in the 18th century after rulers in the Himalayan region patronized Chamba Rumal embroiderers. The original Chamba embroideries were done by women or young children, the embroideries often depicted gods or goddesses. Original Chamba embroideries were very important in marriages as the embroideries were kept as the brides dowry. Chamba embroideries often began by drawing an outline on the rectangular square of fabric, while originally embroidered by women at the height of popularity in the 18th century many male painters drew the outlines and embroidered the clothe themselves to ensure high quality work. Not long after its height of popularity in the 18th century the chamba rumal's popularity declined. The rumals began to lose their sacredness, today most rumals are made by families trying to sell them to survive, and the Chamba Rumals are not of the same quality as they were in the 17th and 18th century. While this art style has declined over the years and almost been lost, in 2009
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712:(Phul=flower, Kari=work) is originated in the late 17th century in Punjab region. the most famous rural embroidery tradition of Punjab, mentioned in the Punjabi folklore of Heer Ranjha by Waris Shah. Its present form and popularity goes back to 15th century, during Maharaja Ranjit Singh's reign Phulkari also means headscarf, and it comes from the 19th century tradition of carrying an odhani or a head-scarf with flower patterns. Its distinctive property is that the base is a dull hand-spun or khadi cloth, with bright coloured threads that cover it completely, leaving no gaps. It uses a darn stitch done from the wrong side of the fabric using darning needles, one thread at a time, leaving a long stitch below to form the basic pattern. Famous for Phulkari are the cities of
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such as a crewel, tambour (a needle similar to a very fine crochet hook but with a sharp point) or
Luneville work. The other hand feeds the thread from the underside, and the hook brings it up, making a chainstitch, but it is much quicker than chainstitch done in the usual way: looks like machine-made and can also be embellished with sequins and beads - which are kept on the right side, and the needle goes inside their holes before plunging below, thus securing them to the fabric.there are many types of materials used like zari threads, embellishments,sequins etc..
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It's usually found in combination with other types of stitches like cross stitch, buttonhole stitch and satin stitch, nowadays not only by hand but also by machine. Mirrorwork is very popular for cushion covers and bedcovers, purses and decorative hangings as well as in decorative borders in women's salwar-kameez and sari. Thousands of women from kutch (Gujarat) and sikar, churu (Rajasthan) are engaged in doing hand embroidery work like tie, mirror work, beads on fabric.
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stitched into quilts. Rural
Bengali women still do this with cotton saris, the embroidery thread being taken from the sari border. It started as a method of making quilts, but the same type of embroidery can also be found on saris, salwar suits, stoles, napkins, etc. Themes include human beings, animals, flowers, geometric designs and mythological figures.
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Originally, pieces of mica were used as the mirrors, but later, people started using thin blown-glass pieces, hence the name, which in Hindi means "little glass". Until recently they were all irregular, made by hand, and used mercury, nowadays one can also find them machine made and regularly shaped.
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and some parts of
Gujarat. It is called Chandua based on patchwork: brightly coloured and patterned fabric pieces are sewn together on a plain background mostly velvet along with Mirror and lace work. Designs include Hindu gods, human forms, animals, flowers and vehicles. Originally Chandua work was
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The stitches include sozni (satin), zalakdozi (chain) and vata chikan (button hole). Other styles include dorukha in which the motif appears on both sides of the shawl with each side having a different color; papier-mâché; aari (hook) embroidery; shaaldaar; chinar-kaam; samovar (the antique
Kashimiri
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and done with single thread and involves counting of each thread on the cloth. The patterns are stitched without knots, so that both sides of the cloth look alike. Stitches like
Gavanti, Murgi, Negi and Menthi form intricate patterns like gopura, chariot, palanquin, lamps and conch shells, as well as
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work. Some of the stitches that are used in
Chikankari work include: taipchi, pechni, pashni, bakhia (ulta bakhia and sidhi bakhia), gitti, jangira, murri, phanda, jaalis etc. In English: chain stitch, buttonhole stitch, French knots and running stitch, shadow work. Another is the khatao (also called
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were melted and pressed through perforated steel sheets to convert into wires, which then were hammered to the required thinness. Plain wire is called 'badla', and when wound round a thread, it is called 'kasav'. Smaller spangles are called 'sitara' and tiny dots made of badla are called 'mukais' or
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include kalabatun embroidery using thin wires. Kalabatan surkh involves using gold wires on orange coloured and red silk. Kalabatan safed involves using silver wires on white material. There are two kinds of gold embroidery, one of a solid and rich kind called kar-chob and the other called tila-kar
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dialect of
Kashmiri language; jaama is a very dense embroidery covering the whole base fabric with a thick spread of vine/creepers and flowers, badaam and heart shapes, a variation of this form is neem-jaama, where neem means demi or half, because the embroidery is less dense, allowing a view of the
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The embroidery adorns the shawls. The shawl, called poothkuli, has red and black bands between which the embroidery is done. As Todas worship the buffaloes, buffalo becomes an important motif in the Toda embroidery among mettvi kaanpugur, Izhadvinpuguti and others. Stylized sun, moon, stars and the
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Kashmiri embroidery is known for the skilled execution of a single stitch, which is often called the
Kashmiri stitch and which may comprise the chain stitch, the satin stitch, the slanted darn stitch, the stem stitch, and the herringbone stitch. Sometimes, the doori (knot) stitches are used but not
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Naksha is embroidery on many layers of cloth (like quilting), with running stitch. It is also known as dorukha which mean the designs/motifs are equally visible in both sides: there is no right or wrong side so both side are usable. Traditionally, worn out clothes and saris were piled together and
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Chikan embroidery is believed to have been introduced by Nur Jahan, the wife of
Jahangir. Chikan embroidery involves the use of white thread on white muslin (tanzeb), fine cotton (mulmul), or voile, fine almost sheer fabrics which showcases shadow work embroidery the best. Other colours can also be
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Aari work involves a hook, plied from the top but fed by silk thread from below with the material spread out on a frame. This movement creates loops, and repeats of these lead to a line of chain stitches. The fabric is stretched on a frame and stitching is done with a long needle ending with a hook
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Zardozi is either a synonym or a more elaborate version of zari where the gold or silver embroidery is embellished with pearls and precious stones, gota and kinari, making this art only affordable by rich people. Nowadays
Zardosi thread has a plastic core and a golden-coloured outside. The thread
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This embroidery style is made by the Rabari or Rewari community of Rajasthan and Gujarat. This very colourful embroidery style, using stark contrast was traditionally used only for garments, but now it can be found on bags, accessories, home furnishings, etc. Mirrors of all shapes and sizes are
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It is a form of appliqué in gold thread, used for women's formal attire. Small pieces of zari ribbon are applied onto the fabric with the edges sewn down to create elaborate patterns. Lengths of wider golden ribbons are stitched on the edges of the fabric to create an effect of gold zari work.
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A variation of Kutch work, this geometric embroidery starts with a foundation framework of herringbone stitch or Cretan stitch, and then this framework is completely filled with interlacing. It is said that this technique originated in far away land of Armenia and found its way to Gujarat by
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who are found in the districts of Malwa and Nimar have their own style of embroidery where designs are created according to the weave of the cloth, and the textured effect is achieved by varying colours and stitches of the geometric patterns and designs. Motifs are generally highlighted by
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done to build the chariots for Puri Rath Yatra and was also used for parasols, canopies and pillows for the Rath Yatra. Nowadays different home décor items can be found, such as lamp shades, garden umbrellas and bed covers and utility products like Hand bags, Wallets, Files.
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tea-pot) is a very typical and popular design used in Kashmiri embroidery. The samovar pattern is then filled up with intricate flowers and leaves and twigs; Kashir-jaal which implies fine network of embroidery, particularly on the neckline and sleeves of a dress material.
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It is a raised zari metallic thread embroidery created by sewing flat stitches on cotton padding. This technique is commonly used for bridal and formal costumes as well as for velvet coverings, tent hangings, curtains and the coverings of animal carts and temple chariots.
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incorporated in the embroidery, as a result of the belief that mirrors protect from evil spirits. Designs include not only flowers and fruit and animals such as parrots and elephants, but also temples, women carrying pots, and the ubiquitous mango shape.
38:. Designs in Indian embroidery are formed on the basis of the texture and the design of the fabric and the stitch. The dot and the alternate dot, the circle, the square, the triangle, and permutations and combinations of these constitute the design.
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Hand-book of the Manufactures & Arts of the Punjab: With a Combined Glossary & Index of Vernacular Trades & Technical Terms ... Forming Vol. Ii to the "Hand-book of the Economic Products of the Punjab" Prepared Under the Orders of
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This ornamentation method originated in Persia during 13th century and involves little pieces of mirror in various sizes which are encased in the decoration of the fabric first by interlacing threads and then with buttonhole stitch.
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embroidery is the Zari and the Zardozi or Zardosi, known since the late 16th century, brought in India by the Moghuls. The word Zardozi comes from the two Persian words, Zar (gold) and Dozi (embroidery). This form uses metallic
597:(also Kashida) is originated during Mughal period and used for phirans (woollen kurtas) and namdahs (woollen rugs) as well as stoles. It draws inspiration from nature. Birds, blossoms and flowers, creepers, chinar leaves,
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268:, Banjara embroidery is a mix of applique with mirrors and beadwork. Bright red, yellow, black and white coloured cloth is laid in bands and joined with a white criss-cross stitch. The Banjaras of
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also uses mukesh embroidery: mukesh bati-hui, twisted tinsel, mukesh gokru, flattened gold wire for embroidery of a heavy kind, and waved mukesh, made by crimping mukesh batihui with iron tongs.
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colors are also often used. The craftsmen use shades that blend with the background. Thread colors are inspired by local flowers. Only one or two stitches are employed on one fabric.
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fabric underneath; and jaal consisting of bel-buti: a fine and sparse net of vine/creepers and flowers. Variation of this form is neem-jaal, where again the work is less dense.
553:) embroidery techniques is Aribharat, named after the hooked needle which forms the chainstitch. It is also known as Mochibharat, as it used to be done by mochis (cobblers).
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travelling Nomads. Sindhi stitch or Maltese cross stitch is also similar but the innovation of the Kutchi women have taken it beyond the traditional designs meow Kutch work
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Is an embroidery from native Andhra Pradesh. Woven Trellis stitch is used to make flowers and leaves and other stitches are done on fabric to complete the embroidery.
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Altar Cloth (Toran), Saurashtra, Gujarat, India, 20th Century, cotton, metal and mirror pieces. plain weave with embroidery and mirror work, Honolulu Academy of Arts
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At least 40 different stitches are documented, of which about 30 are still practiced today and include flat, raised and embossed stitches, and the open trellis-like
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Kathi embroidery was introduced by 'Kathi' the cattle breeders, who were wanderers. This technique combines chain stitch, appliqué work and mirror-like insertions.
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are known for embroidery using white, silver and gold threads on clothes such as chogas and waistcoats (phatuhi). Patchwork is also a tradition of the region.
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Khandela in Shekhawati is famous for its manufacture. The Muslim community uses Kinari or edging, a fringed border decoration. Gota-kinari practiced mainly in
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905:. The Nilgiri Hills, inhabited by the Todu community have their own style called pugur, means flower. This embroidery, like Kantha, is practiced by women.
805:'Playful Gifts and other Gopi Scenes', 'pichwai' from Golconda, India, late 17th century, dyed cotton with polychrome and gold, Honolulu Academy of Arts
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Is an embroidery from meghalaya. Mustoh village is only known place for khneng embroidery and the embroidery is traditionally Done on eri silk shawls.
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work (known also as badla or fardi), includes women making shiny stitches amid chikan embroidery using a needle and long, thin strips of metal.
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Kaudi (ಕೌದಿ) is a blanket or bedspread and applique embroidery from Karnataka. Old Fabrics are cut into pieces and stitched with simple
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or kar-chikan utilising gold thread. The former is used for carpets and saddle cloths whereas the latter is used for dresses. The
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Further styles include naala jaal which involves embroidery particularly on the neckline and chest/yoke: naala means neck in the
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There are various types of Chikan work: Taipchi, Bakhia, Phunda, Murri, Jaali, Hathkati, Pechni, Ghas Patti, and Chaana Patti.
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and Delhi. Bagh is an offshoot of phulkari and almost always follows a geometric pattern, with green as its basic colour.
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Embroidery work Kotha Primitive Tribal Community, (PTGs) in Nilgiri, Tamil Nadu. Also known as Cross Stitches Embroidery
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Clare M. Wilkinson-Weber (1999) Embroidering Lives: Women's Work and Skill in the Lucknow Embroidery Industry
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Mohinder Singh Randhawa. (1960) Punjab: Itihas, Kala, Sahit, te Sabiachar aad.Bhasha Vibhag, Punjab, Patiala.
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Colourful embroidered cloth-hangings made in Nathdwara, Rajasthan. The central themes focus on Lord Krishna.
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consists of coiled metal wires placed on the right side of the fabric and couched with a thinner thread.
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Sari from India (probably Benares), late 19th or early 20th century, silk with metallic thread (Zari)
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The present form of chikan (meaning elegant patterns on fabric) work is associated with the city of
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375:. Chikan embroidery on silk is Lucknow's own innovation. The other chikan styles are that of
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D. N. Saraf (1991) D.N. Saraf in the Journey of Craft Development, 1941-1991: Reminiscences
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Karine Schomer, W. H. McLeod (1987) The Sants: Studies in a Devotional Tradition of India
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are first printed onto the fabric not with chaulk, but with a mixture of glue and indigo.
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Small rectangular pieces of metal are squeezed shut around some threads of the fabric.
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India (Gujarat), woman's costume, 1970s-1980s - Bunka Gakuen Costume Museum - DSC05309
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has influenced Heer Bharat embroidery in its use of geometrical motifs and stitchery.
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Once real gold and silver thread was used, on silk, brocade and velvet fabric. Metal
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Cotton tambour embroidery on net. 19th century. Los Angeles County Museum of Art.
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A combination of weaving and embroidery and was once a high status symbol.
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in 17th century. This embroidery flourished in the princely hill states of
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1372:"SIKH AWARENESS & APPRECIATION MONTH | IndianRoots Daily (Blog)"
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1071:"Stitching Stories: Art of making Chamba Rumal, Focus: Himachal Pradesh"
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Sarah's Hand Embroidery Tutorials—Hand Embroidery Stitches for Everyone
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Kasuti (Kai=hand and Suti = weave /wrap) comes from the state of
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Close Shot of the Zardozi (Zardouzi) Embroidery Cushion Covers
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of animals and flowers (rose, lotus, jasmine, creepers). The
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Sari from Bengal India, 20th century, Honolulu Museum of Art
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Pink dress with embroidery, detail, Crafts Museum, New Delhi
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Naik, Shailaja D. (1996) Traditional Embroideries of India
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Naik, Shailaja D. (1996) Traditional Embroideries of India
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Aari embroidery is practiced in various regions such as in
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Any of the various styles of embroidery indigenous to India
1397:"INDIAN EMBROIDERY STYLES | IndianRoots Daily (Blog)"
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Embroidered textile from Nagaland, Honolulu Museum of Art
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Shailaja D. Naik (1996) Traditional Embroideries of India
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Shailaja D. Naik (1996) Traditional Embroideries of India
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Shailaja D. Naik (1996) Traditional Embroideries of India
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Shailaja D. Naik (1996) Traditional Embroideries of India
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eye of the peacock feathers are used in Toda embroidery.
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Green cloth with embroidery, detail, Crafts Museum, Delhi
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Dev aari works and coaching center | Where to learn aari
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peacocks and elephants, in fixed designs and patterns.
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Description and drawings of common embroidery stitches
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Trivedi, Madhu (2010) The Making of the Awadh Culture
1107:"Metal Threads in Embroidered Coverlets of Chamba"
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289:The Heer Bharat or Banni embroidery originates in
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345:for her ability and skill in Chamba embroidery.
55:Blue mural embroidery, Udaipur, Rajasthan, India
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1438:Sukaadas (1992) Fabric Art: Heritage of India
1202:Bhushan, Jamila Brij (1990) Indian Embroidery
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1004:Mehta, Vinod (2006) Delhi and NCR city guide
847:Lai haraoba (Manipur festival) Manipur dress
1508:Ms. Jaslean Dhamija (2013) Asian Embroidery
1486:Indian and Foreign Review, Volume 23 (1985)
1157:"Shilp Guru Awards (Handicrafts) Year 2009"
1026:Ms. Jaslean Dhamija (2013) Asian Embroidery
817:Appliqué or Pipli work originates from the
483:, Kasuti is originated in Karnataka during
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154:Hanging from India, Honolulu Museum of Art
79:Mural embroidery, Udaipur, Rajasthan, India
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264:Practiced by the Lambada gypsy tribes of
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417:
358:
313:
280:
255:
223:
91:Woman's shirt from Kutch, Gujarat, India
18:
993:Wood, Dorothy (2008) The Beader's Bible
901:The Toda embroidery has its origins in
459:
3082:
1068:
838:
796:
565:
2478:
1621:
1126:
1104:
557:Kutchi bharat/Sindhi stitch (Gujarat)
540:
530:
251:
1299:
1064:
1062:
1060:
1058:
1056:
627:
510:
2418:Chung Young Yang Embroidery Museum
673:Phool Patti ka Kaam (Uttar Pradesh)
589:
325:It originated in Chamba kingdom of
285:Ahir embroidery from Kutch, Gujarat
13:
1800:
1793:
1786:
1459:Baden-Powell, Baden Henry (1872).
888:
502:
442:
363:Chikan embroidery on a saree pallu
14:
3101:
1537:
1287:Sarah’s Hand Embroidery Tutorials
1053:
812:
23:Exhibit in Craft Museum New Delhi
1300:Koll, Juby Aleyas (March 2021).
644:Boy's Frock Kashmir 19th century
624:more than one or two at a time.
207:
195:
171:
159:
147:
135:
120:
108:
96:
84:
72:
60:
48:
41:
2302:Juanita Growing Thunder Fogarty
1559:Aari Work Bridal Blouse Designs
1523:
1512:
1501:
1490:
1479:
1468:
1453:
1442:
1389:
1364:
1353:
1342:
1331:
1320:
1293:
1283:"Interlaced Herringbone Stitch"
1275:
1264:
1253:
1242:
1231:
1225:"Kamal kadai-Indian Embroidery"
1217:
1206:
1195:
1184:
1149:
1120:
763:
321:with Scenes of Sita and Hanuman
304:Chamba Rumal (Himachal Pradesh)
127:Woman's Wrapped Garment (Sari)
34:styles that vary by region and
2423:Han Sang Soo Embroidery Museum
2393:Embroiderers' Guild of America
2347:Charles Germain de Saint Aubin
1647:
1360:Textile Trends, Volume 44 2001
1098:
1030:
1019:
1008:
997:
986:
975:
830:Rabari (Rajasthan and Gujarat)
277:Heer Bharat or Banni (Gujarat)
1:
2403:Needlework Development Scheme
1127:Aroro, Rohini (August 2014).
1105:Arora, Rohini (August 2017).
969:
776:The embroidery styles of the
691:Phulkari (Punjab and Haryana)
487:period (6th to 12th century)
469:Kasuti or Kasuthi (Karnataka)
2292:Shahin Ebrahimzadeh-Pezeshki
914:Zardozi or Zari or kalabattu
435:Kamal kadai (Andhra Pradesh)
7:
2413:Wemyss School of Needlework
2223:Magna Carta (An Embroidery)
2073:
2062:
2053:
498:Motifs of kasuti embroidery
10:
3106:
2408:Royal School of Needlework
2259:Scottish Diaspora Tapestry
2200:Great Tapestry of Scotland
1579:Simple Aari Blouse Designs
1015:HALI., Issues 117-119 2001
917:
694:
676:
519:, and Gubbi Kaalu stitch.
472:
352:
349:Chikankari (Uttar Pradesh)
307:
3046:
2946:
2835:
2519:
2510:
2431:
2380:
2357:Dimitri Vlachos - Castano
2275:Designersand embroiderers
2274:
2177:
1968:
1907:
1811:
1784:
1655:
1589:Pink color Blouse Desigsn
1069:Badhan, Akanksha (2016).
944:The most opulent form of
687:, especially in Aligarh.
526:Kaudi: pride of Karnataka
422:Kota sari with gota patti
214:Kutch cushion embroidery
2388:Embroiderers' Guild (UK)
2381:Organizationsand museums
2229:Margaret Layton's jacket
1544:A modern take on Kasuti
612:, is generally white or
604:The base cloth, whether
414:Gota (Jaipur, Rajasthan)
1549:Indian embroidery types
744:. Other cities include
219:
2505:Clothing in South Asia
2312:Marilyn Leavitt-Imblum
1969:Regionaland historical
1844:Couching and laid work
1805:
1798:
1791:
1564:Wedding Blouse Designs
1086:Cite journal requires
941:
933:
898:
872:
864:
848:
806:
773:
706:
645:
637:
586:
578:
545:The best known of the
527:
499:
452:
423:
364:
322:
286:
261:
229:
24:
2352:Mary Elizabeth Turner
1804:
1797:
1790:
1249:Knopf, 1996 Rajasthan
939:
931:
896:
870:
862:
846:
804:
771:
704:
683:Flower embroidery of
643:
635:
584:
573:
525:
497:
450:
421:
362:
317:
284:
259:
227:
22:
2249:Prestonpans Tapestry
1604:Hand Embroidery Work
1584:Heavy Bead Aari Work
1173:on 21 September 2013
616:or a similar shade.
460:Karchobi - Rajasthan
410:khatava or katava).
387:: phanda and murri.
3090:Embroidery in India
2958:Embroidery of India
2239:Overlord Embroidery
2212:Hastings Embroidery
1908:Tools and materials
1574:Aari Blouse Designs
839:Shamilami (Manipur)
797:Pichwai (Rajasthan)
679:Phool Patti ka Kaam
595:Kashmiri embroidery
585:Kashmiri embroidery
566:Kashmiri embroidery
451:Modern Naksi kantha
355:Chikan (embroidery)
30:includes dozens of
28:Embroidery in India
2697:Lehenga-style sari
2234:New World Tapestry
2185:Butler-Bowden Cope
1806:
1799:
1792:
1599:Maggam Work Blouse
942:
934:
899:
873:
865:
849:
807:
774:
707:
646:
638:
587:
579:
541:Kutch or Aribharat
531:Khneng (Meghalaya)
528:
500:
453:
424:
365:
323:
287:
262:
252:Banjara embroidery
230:
202:Rajasthani clothes
25:
3077:
3076:
2843:Bhaad-gaaule topi
2472:
2471:
2342:Tetiana Protcheva
1925:Embroidery thread
1854:Embroidery stitch
1723:Drawn thread work
1683:Broderie anglaise
1313:978-93-5361-592-5
628:Kashmiri stitches
511:Kaudi (Karnataka)
3097:
2742:Mundum neriyatum
2499:
2492:
2485:
2476:
2475:
2307:Constance Howard
2244:Oxburgh Hangings
2078:
2067:
2058:
1935:Perforated paper
1642:
1635:
1628:
1619:
1618:
1594:Aari Work Blouse
1532:
1527:
1521:
1516:
1510:
1505:
1499:
1494:
1488:
1483:
1477:
1472:
1466:
1457:
1451:
1446:
1440:
1435:
1412:
1411:
1409:
1408:
1399:. Archived from
1393:
1387:
1386:
1384:
1383:
1374:. Archived from
1368:
1362:
1357:
1351:
1346:
1340:
1335:
1329:
1324:
1318:
1317:
1297:
1291:
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1221:
1215:
1210:
1204:
1199:
1193:
1188:
1182:
1181:
1179:
1178:
1172:
1166:. Archived from
1164:President Awards
1161:
1153:
1147:
1146:
1144:
1142:
1133:
1124:
1118:
1117:
1111:
1102:
1096:
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1039:
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1028:
1023:
1017:
1012:
1006:
1001:
995:
990:
984:
979:
705:Patiala Phulkari
590:Kashmiri Kashida
343:Shilp Guru award
327:Himachal Pradesh
211:
199:
175:
163:
151:
139:
124:
112:
100:
88:
76:
64:
52:
3105:
3104:
3100:
3099:
3098:
3096:
3095:
3094:
3080:
3079:
3078:
3073:
3042:
2951:
2949:
2942:
2831:
2797:Sambalpuri sari
2515:
2506:
2503:
2473:
2468:
2427:
2376:
2317:François Lesage
2270:
2254:Quaker Tapestry
2217:Hestia tapestry
2195:Bradford carpet
2190:Bayeux Tapestry
2173:
2144:Opus Anglicanum
1964:
1920:Embroidery hoop
1903:
1894:Straight stitch
1807:
1782:
1651:
1646:
1540:
1535:
1528:
1524:
1517:
1513:
1506:
1502:
1495:
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1458:
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1415:
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1395:
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1390:
1381:
1379:
1370:
1369:
1365:
1358:
1354:
1347:
1343:
1336:
1332:
1327:Indian Heritage
1325:
1321:
1314:
1298:
1294:
1281:
1280:
1276:
1269:
1265:
1258:
1254:
1247:
1243:
1238:Indian Heritage
1236:
1232:
1223:
1222:
1218:
1211:
1207:
1200:
1196:
1189:
1185:
1176:
1174:
1170:
1159:
1155:
1154:
1150:
1140:
1138:
1131:
1125:
1121:
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1103:
1099:
1087:
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1075:
1067:
1054:
1049:
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1035:
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1024:
1020:
1013:
1009:
1002:
998:
991:
987:
980:
976:
972:
966:
926:
918:Main articles:
916:
910:
891:
889:Toda embroidery
885:
881:
857:
841:
832:
815:
799:
766:
699:
693:
681:
675:
663:
630:
592:
568:
559:
543:
533:
513:
505:
503:Kathi (Gujarat)
477:
471:
462:
445:
443:Kantha (Bengal)
437:
416:
357:
351:
312:
306:
300:
279:
254:
222:
215:
212:
203:
200:
191:
176:
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164:
155:
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125:
116:
113:
104:
101:
92:
89:
80:
77:
68:
65:
56:
53:
44:
36:clothing styles
17:
12:
11:
5:
3103:
3093:
3092:
3075:
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3071:
3066:
3061:
3056:
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3025:
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3015:
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2995:
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2985:
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2965:
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2944:
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2925:
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2900:
2895:
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2833:
2832:
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2824:
2819:
2814:
2809:
2804:
2799:
2794:
2792:Shalwar kameez
2789:
2784:
2779:
2774:
2769:
2767:Patiala salwar
2764:
2759:
2754:
2749:
2744:
2739:
2734:
2729:
2724:
2722:Mekhela chador
2719:
2714:
2709:
2704:
2699:
2694:
2689:
2684:
2679:
2674:
2669:
2664:
2659:
2654:
2649:
2644:
2639:
2634:
2629:
2624:
2619:
2614:
2609:
2604:
2599:
2594:
2589:
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2579:
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2569:
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2559:
2554:
2549:
2544:
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2534:
2529:
2523:
2521:
2517:
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2511:
2508:
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2494:
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2374:
2369:
2364:
2362:Kathleen Whyte
2359:
2354:
2349:
2344:
2339:
2337:Mahtab Norouzi
2334:
2332:Jessie Newbery
2329:
2324:
2319:
2314:
2309:
2304:
2299:
2294:
2289:
2284:
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2261:
2256:
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2214:
2209:
2208:
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2197:
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2166:
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2156:
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2139:
2134:
2129:
2124:
2114:
2109:
2104:
2099:
2094:
2089:
2084:
2079:
2070:
2069:
2068:
2050:
2045:
2040:
2035:
2030:
2029:
2028:
2023:
2018:
2013:
2003:
1998:
1993:
1988:
1983:
1978:
1976:Art needlework
1972:
1970:
1966:
1965:
1963:
1962:
1957:
1952:
1947:
1945:Plastic canvas
1942:
1937:
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1927:
1922:
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1902:
1901:
1896:
1891:
1886:
1881:
1876:
1871:
1866:
1861:
1856:
1851:
1849:Cross stitches
1846:
1841:
1836:
1831:
1826:
1821:
1815:
1813:
1809:
1808:
1785:
1783:
1781:
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1755:
1750:
1745:
1740:
1735:
1730:
1725:
1720:
1715:
1710:
1705:
1700:
1698:Counted-thread
1695:
1690:
1688:Broderie perse
1685:
1680:
1675:
1670:
1665:
1659:
1657:
1653:
1652:
1645:
1644:
1637:
1630:
1622:
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1611:
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1596:
1591:
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1571:
1566:
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1556:
1551:
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1539:
1538:External links
1536:
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813:Pipli (Odisha)
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353:Main article:
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341:was given the
308:Main article:
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273:cross-stitch.
270:Madhya Pradesh
266:Andhra Pradesh
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3018:Rajshahi silk
3016:
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2572:Daura-Suruwal
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2752:Nehru jacket
2607:Ghagra choli
2577:Dhakai shari
2367:Erica Wilson
2263:
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2178:Embroideries
2154:Sewed muslin
2107:Mountmellick
2075:Bunka shishu
2037:
1991:Bunka shishu
1879:Satin stitch
1839:Chain stitch
1708:Cross-stitch
1525:
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1405:. Retrieved
1401:the original
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310:Chamba Rumal
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27:
26:
2878:Mysore peta
2807:Kerala sari
2322:Ann Macbeth
2287:Leon Conrad
2282:Emilie Bach
2064:Kogin-zashi
1899:Tent stitch
1748:Needlepoint
1673:Berlin work
1569:Maggam Work
821:village in
748:(Haryana),
2968:Chikankari
2950:and design
2923:Sindhi cap
2858:Gandhi cap
2853:Dhaka topi
2848:Birke topi
2812:Tant shari
2777:Pinon hadi
2747:Naga shawl
2732:Mujib coat
2702:Langa voni
2677:Kota Doria
2662:Kaupina(m)
2657:Kasta sari
2459:Needlework
2372:Lily Yeats
2327:May Morris
2169:Vyshyvanka
2164:Vietnamese
2102:Macedonian
1940:Plainweave
1915:Aida cloth
1834:Buttonhole
1819:Backstitch
1649:Embroidery
1463:Government
1407:2014-08-26
1382:2014-08-26
1177:2022-04-06
1141:3 December
970:References
961:'mukesh'.
903:Tamil Nadu
742:Kapurthala
32:embroidery
3059:Kholapuri
2948:Stitching
2612:Ghoonghat
2552:Bakhu/Kho
2159:Ukrainian
2011:Cantonese
1986:Brazilian
1930:Evenweave
1778:Whitework
1763:Stumpwork
1753:Quillwork
1733:Hardanger
1678:Blackwork
1114:e journal
718:Jalandhar
574:Kashmiri
481:Karnataka
3084:Category
3047:Footwear
3013:Phulkari
2963:Bandhani
2836:Headgear
2822:Uttariya
2647:Jodhpuri
2567:Churidar
2537:Angarkha
2464:Quilting
2449:Knitting
2439:Appliqué
2048:Jacobean
1869:Parisian
1812:Stitches
1758:Smocking
1728:Goldwork
1668:Bargello
1136:Academia
791:Amritsar
787:Ludhiana
738:Faridkot
726:Ludhiana
714:Amritsar
710:Phulkari
697:Phulkari
485:chalukya
391:used.
377:Calcutta
184:Varanasi
3033:Zardozi
2983:Jamdani
2928:Taqiyah
2868:Karakul
2717:Madisar
2707:Langota
2692:Lehenga
2642:Jamawar
2627:Gharara
2617:Gamucha
2597:Dupatta
2587:Dumdyam
2542:Antriya
2520:Clothes
2513:History
2444:Crochet
2432:Related
2149:Rushnyk
2137:Zardozi
2117:Persian
2055:Sashiko
2043:Islamic
2033:English
2016:Sichuan
2006:Chinese
1996:Burmese
1981:Balochi
1950:Sampler
1884:Sashiko
1874:Running
1864:Holbein
1824:Blanket
1768:Surface
1743:Machine
1718:Darning
1713:Cutwork
920:Zardozi
746:Gurgaon
551:Gujarat
400:designs
385:Lucknow
369:Lucknow
291:Gujarat
246:Gujarat
238:Kashmir
188:brocade
182:' from
3069:Paduka
3064:Mojari
3028:Shisha
3023:Sarong
3008:Nakshi
3003:Muslin
2993:Kasuti
2988:Kantha
2938:Turban
2918:Shyade
2802:Sarong
2772:Pheran
2762:Pathin
2757:Onnara
2667:Khalat
2652:Kabney
2622:Gamosa
2592:Dumpra
2557:Blouse
2527:Achkan
2132:Sistan
2127:Sermeh
2097:Korean
2092:Kasuti
2087:Kantha
2082:Kaitag
2038:Indian
2021:Suzhou
2001:Chikan
1889:Shisha
1773:Suzani
1738:Hedebo
1703:Crewel
1663:Assisi
1656:Styles
1310:
958:ingots
951:thread
946:Indian
823:Odisha
758:Rohtak
754:Hissar
750:Karnal
740:, and
722:Ambala
667:Mukesh
654:Koshur
618:Pastel
610:cotton
576:phiran
475:Kasuti
429:Jaipur
335:Chamba
331:Kangra
190:(zari)
3054:Jutti
2998:Khadi
2973:Dhaka
2933:Topor
2913:Sehra
2903:Rumāl
2893:Pakol
2888:Pagri
2873:Pheta
2863:Jaapi
2827:Wonju
2817:Toego
2737:Mundu
2727:Mufti
2712:Lungi
2687:Kurta
2682:Krama
2582:Dhoti
2562:Choli
2547:Argon
2532:Ajrak
2122:Rasht
2026:Xiang
1171:(PDF)
1160:(PDF)
1132:(PDF)
1110:(PDF)
819:Pipli
730:Nabha
614:cream
599:ghobi
547:Kutch
407:jaali
396:butis
381:Dacca
371:, in
242:Kutch
3038:Zari
2978:Gota
2883:Paag
2787:Sari
2782:Riha
2672:Kira
2637:Jama
2454:Lace
1960:Yarn
1955:Slip
1308:ISBN
1143:2021
1092:help
924:Zari
922:and
789:and
734:Jind
606:wool
379:and
240:and
220:Aari
2632:Gho
1829:Box
608:or
248:).
3086::
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178:'
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