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Embroidery of India

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337:, Basholi, and other neighbouring provinces. The Chamba region has highly skilled craftsmen. Chamba embroidery has its own distinctive style, small squares or rectangles of clothe embroidered with untwisted silk threads. While untwisted silk is most common some Chamba embroidery make use of thin metal wires or metallic yarn. While the chamba rumal originated in the 17th century it reached widespread popularity in the 18th century after rulers in the Himalayan region patronized Chamba Rumal embroiderers. The original Chamba embroideries were done by women or young children, the embroideries often depicted gods or goddesses. Original Chamba embroideries were very important in marriages as the embroideries were kept as the brides dowry. Chamba embroideries often began by drawing an outline on the rectangular square of fabric, while originally embroidered by women at the height of popularity in the 18th century many male painters drew the outlines and embroidered the clothe themselves to ensure high quality work. Not long after its height of popularity in the 18th century the chamba rumal's popularity declined. The rumals began to lose their sacredness, today most rumals are made by families trying to sell them to survive, and the Chamba Rumals are not of the same quality as they were in the 17th and 18th century. While this art style has declined over the years and almost been lost, in 2009 802: 173: 937: 868: 860: 161: 110: 122: 62: 712:(Phul=flower, Kari=work) is originated in the late 17th century in Punjab region. the most famous rural embroidery tradition of Punjab, mentioned in the Punjabi folklore of Heer Ranjha by Waris Shah. Its present form and popularity goes back to 15th century, during Maharaja Ranjit Singh's reign Phulkari also means headscarf, and it comes from the 19th century tradition of carrying an odhani or a head-scarf with flower patterns. Its distinctive property is that the base is a dull hand-spun or khadi cloth, with bright coloured threads that cover it completely, leaving no gaps. It uses a darn stitch done from the wrong side of the fabric using darning needles, one thread at a time, leaving a long stitch below to form the basic pattern. Famous for Phulkari are the cities of 137: 86: 929: 769: 50: 315: 149: 74: 633: 98: 894: 641: 601:, mangoes, lotus, and trees are the most common themes. The entire pattern is made with one or two embroidery stitches, and mainly chain stitch on a base of silk, wool and cotton: the colour is usually white, off-white or cream but nowadays one can find stoles and salwar-kameez sets in many other colours such as brown, deep blue, sky blue, maroon and rani pink. Kashida is primarily done on canvas with crystal threads, but Kashida also employs pashmina and leather threads. Apart from clothes, it is found on home furnishings like bed spreads, sofa and floor cushions, and pillow covers. 257: 1795: 233:
such as a crewel, tambour (a needle similar to a very fine crochet hook but with a sharp point) or Luneville work. The other hand feeds the thread from the underside, and the hook brings it up, making a chainstitch, but it is much quicker than chainstitch done in the usual way: looks like machine-made and can also be embellished with sequins and beads - which are kept on the right side, and the needle goes inside their holes before plunging below, thus securing them to the fabric.there are many types of materials used like zari threads, embellishments,sequins etc..
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It's usually found in combination with other types of stitches like cross stitch, buttonhole stitch and satin stitch, nowadays not only by hand but also by machine. Mirrorwork is very popular for cushion covers and bedcovers, purses and decorative hangings as well as in decorative borders in women's salwar-kameez and sari. Thousands of women from kutch (Gujarat) and sikar, churu (Rajasthan) are engaged in doing hand embroidery work like tie, mirror work, beads on fabric.
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stitched into quilts. Rural Bengali women still do this with cotton saris, the embroidery thread being taken from the sari border. It started as a method of making quilts, but the same type of embroidery can also be found on saris, salwar suits, stoles, napkins, etc. Themes include human beings, animals, flowers, geometric designs and mythological figures.
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Originally, pieces of mica were used as the mirrors, but later, people started using thin blown-glass pieces, hence the name, which in Hindi means "little glass". Until recently they were all irregular, made by hand, and used mercury, nowadays one can also find them machine made and regularly shaped.
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and some parts of Gujarat. It is called Chandua based on patchwork: brightly coloured and patterned fabric pieces are sewn together on a plain background mostly velvet along with Mirror and lace work. Designs include Hindu gods, human forms, animals, flowers and vehicles. Originally Chandua work was
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The stitches include sozni (satin), zalakdozi (chain) and vata chikan (button hole). Other styles include dorukha in which the motif appears on both sides of the shawl with each side having a different color; papier-mâché; aari (hook) embroidery; shaaldaar; chinar-kaam; samovar (the antique Kashimiri
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and done with single thread and involves counting of each thread on the cloth. The patterns are stitched without knots, so that both sides of the cloth look alike. Stitches like Gavanti, Murgi, Negi and Menthi form intricate patterns like gopura, chariot, palanquin, lamps and conch shells, as well as
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work. Some of the stitches that are used in Chikankari work include: taipchi, pechni, pashni, bakhia (ulta bakhia and sidhi bakhia), gitti, jangira, murri, phanda, jaalis etc. In English: chain stitch, buttonhole stitch, French knots and running stitch, shadow work. Another is the khatao (also called
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were melted and pressed through perforated steel sheets to convert into wires, which then were hammered to the required thinness. Plain wire is called 'badla', and when wound round a thread, it is called 'kasav'. Smaller spangles are called 'sitara' and tiny dots made of badla are called 'mukais' or
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include kalabatun embroidery using thin wires. Kalabatan surkh involves using gold wires on orange coloured and red silk. Kalabatan safed involves using silver wires on white material. There are two kinds of gold embroidery, one of a solid and rich kind called kar-chob and the other called tila-kar
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dialect of Kashmiri language; jaama is a very dense embroidery covering the whole base fabric with a thick spread of vine/creepers and flowers, badaam and heart shapes, a variation of this form is neem-jaama, where neem means demi or half, because the embroidery is less dense, allowing a view of the
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The embroidery adorns the shawls. The shawl, called poothkuli, has red and black bands between which the embroidery is done. As Todas worship the buffaloes, buffalo becomes an important motif in the Toda embroidery among mettvi kaanpugur, Izhadvinpuguti and others. Stylized sun, moon, stars and the
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Kashmiri embroidery is known for the skilled execution of a single stitch, which is often called the Kashmiri stitch and which may comprise the chain stitch, the satin stitch, the slanted darn stitch, the stem stitch, and the herringbone stitch. Sometimes, the doori (knot) stitches are used but not
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Naksha is embroidery on many layers of cloth (like quilting), with running stitch. It is also known as dorukha which mean the designs/motifs are equally visible in both sides: there is no right or wrong side so both side are usable. Traditionally, worn out clothes and saris were piled together and
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Chikan embroidery is believed to have been introduced by Nur Jahan, the wife of Jahangir. Chikan embroidery involves the use of white thread on white muslin (tanzeb), fine cotton (mulmul), or voile, fine almost sheer fabrics which showcases shadow work embroidery the best. Other colours can also be
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Aari work involves a hook, plied from the top but fed by silk thread from below with the material spread out on a frame. This movement creates loops, and repeats of these lead to a line of chain stitches. The fabric is stretched on a frame and stitching is done with a long needle ending with a hook
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Zardozi is either a synonym or a more elaborate version of zari where the gold or silver embroidery is embellished with pearls and precious stones, gota and kinari, making this art only affordable by rich people. Nowadays Zardosi thread has a plastic core and a golden-coloured outside. The thread
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This embroidery style is made by the Rabari or Rewari community of Rajasthan and Gujarat. This very colourful embroidery style, using stark contrast was traditionally used only for garments, but now it can be found on bags, accessories, home furnishings, etc. Mirrors of all shapes and sizes are
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It is a form of appliqué in gold thread, used for women's formal attire. Small pieces of zari ribbon are applied onto the fabric with the edges sewn down to create elaborate patterns. Lengths of wider golden ribbons are stitched on the edges of the fabric to create an effect of gold zari work.
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A variation of Kutch work, this geometric embroidery starts with a foundation framework of herringbone stitch or Cretan stitch, and then this framework is completely filled with interlacing. It is said that this technique originated in far away land of Armenia and found its way to Gujarat by
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who are found in the districts of Malwa and Nimar have their own style of embroidery where designs are created according to the weave of the cloth, and the textured effect is achieved by varying colours and stitches of the geometric patterns and designs. Motifs are generally highlighted by
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done to build the chariots for Puri Rath Yatra and was also used for parasols, canopies and pillows for the Rath Yatra. Nowadays different home décor items can be found, such as lamp shades, garden umbrellas and bed covers and utility products like Hand bags, Wallets, Files.
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tea-pot) is a very typical and popular design used in Kashmiri embroidery. The samovar pattern is then filled up with intricate flowers and leaves and twigs; Kashir-jaal which implies fine network of embroidery, particularly on the neckline and sleeves of a dress material.
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It is a raised zari metallic thread embroidery created by sewing flat stitches on cotton padding. This technique is commonly used for bridal and formal costumes as well as for velvet coverings, tent hangings, curtains and the coverings of animal carts and temple chariots.
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incorporated in the embroidery, as a result of the belief that mirrors protect from evil spirits. Designs include not only flowers and fruit and animals such as parrots and elephants, but also temples, women carrying pots, and the ubiquitous mango shape.
38:. Designs in Indian embroidery are formed on the basis of the texture and the design of the fabric and the stitch. The dot and the alternate dot, the circle, the square, the triangle, and permutations and combinations of these constitute the design. 1462:
Hand-book of the Manufactures & Arts of the Punjab: With a Combined Glossary & Index of Vernacular Trades & Technical Terms ... Forming Vol. Ii to the "Hand-book of the Economic Products of the Punjab" Prepared Under the Orders of
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This ornamentation method originated in Persia during 13th century and involves little pieces of mirror in various sizes which are encased in the decoration of the fabric first by interlacing threads and then with buttonhole stitch.
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embroidery is the Zari and the Zardozi or Zardosi, known since the late 16th century, brought in India by the Moghuls. The word Zardozi comes from the two Persian words, Zar (gold) and Dozi (embroidery). This form uses metallic
597:(also Kashida) is originated during Mughal period and used for phirans (woollen kurtas) and namdahs (woollen rugs) as well as stoles. It draws inspiration from nature. Birds, blossoms and flowers, creepers, chinar leaves, 859: 801: 268:, Banjara embroidery is a mix of applique with mirrors and beadwork. Bright red, yellow, black and white coloured cloth is laid in bands and joined with a white criss-cross stitch. The Banjaras of 785:
also uses mukesh embroidery: mukesh bati-hui, twisted tinsel, mukesh gokru, flattened gold wire for embroidery of a heavy kind, and waved mukesh, made by crimping mukesh batihui with iron tongs.
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colors are also often used. The craftsmen use shades that blend with the background. Thread colors are inspired by local flowers. Only one or two stitches are employed on one fabric.
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fabric underneath; and jaal consisting of bel-buti: a fine and sparse net of vine/creepers and flowers. Variation of this form is neem-jaal, where again the work is less dense.
553:) embroidery techniques is Aribharat, named after the hooked needle which forms the chainstitch. It is also known as Mochibharat, as it used to be done by mochis (cobblers). 431:, utilising fine shapes of bird, animals, human figures which are cut and sewn on to the material.it is very famous in rajasthan as well as in many other parts of the world. 136: 562:
travelling Nomads. Sindhi stitch or Maltese cross stitch is also similar but the innovation of the Kutchi women have taken it beyond the traditional designs meow Kutch work
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Is an embroidery from native Andhra Pradesh. Woven Trellis stitch is used to make flowers and leaves and other stitches are done on fabric to complete the embroidery.
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Altar Cloth (Toran), Saurashtra, Gujarat, India, 20th Century, cotton, metal and mirror pieces. plain weave with embroidery and mirror work, Honolulu Academy of Arts
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At least 40 different stitches are documented, of which about 30 are still practiced today and include flat, raised and embossed stitches, and the open trellis-like
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Kathi embroidery was introduced by 'Kathi' the cattle breeders, who were wanderers. This technique combines chain stitch, appliqué work and mirror-like insertions.
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are known for embroidery using white, silver and gold threads on clothes such as chogas and waistcoats (phatuhi). Patchwork is also a tradition of the region.
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Khandela in Shekhawati is famous for its manufacture. The Muslim community uses Kinari or edging, a fringed border decoration. Gota-kinari practiced mainly in
49: 905:. The Nilgiri Hills, inhabited by the Todu community have their own style called pugur, means flower. This embroidery, like Kantha, is practiced by women. 805:'Playful Gifts and other Gopi Scenes', 'pichwai' from Golconda, India, late 17th century, dyed cotton with polychrome and gold, Honolulu Academy of Arts 535:
Is an embroidery from meghalaya. Mustoh village is only known place for khneng embroidery and the embroidery is traditionally Done on eri silk shawls.
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work (known also as badla or fardi), includes women making shiny stitches amid chikan embroidery using a needle and long, thin strips of metal.
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Kaudi (ಕೌದಿ) is a blanket or bedspread and applique embroidery from Karnataka. Old Fabrics are cut into pieces and stitched with simple
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or kar-chikan utilising gold thread. The former is used for carpets and saddle cloths whereas the latter is used for dresses. The
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Further styles include naala jaal which involves embroidery particularly on the neckline and chest/yoke: naala means neck in the
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There are various types of Chikan work: Taipchi, Bakhia, Phunda, Murri, Jaali, Hathkati, Pechni, Ghas Patti, and Chaana Patti.
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and Delhi. Bagh is an offshoot of phulkari and almost always follows a geometric pattern, with green as its basic colour.
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Embroidery work Kotha Primitive Tribal Community, (PTGs) in Nilgiri, Tamil Nadu. Also known as Cross Stitches Embroidery
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Clare M. Wilkinson-Weber (1999) Embroidering Lives: Women's Work and Skill in the Lucknow Embroidery Industry
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Mohinder Singh Randhawa. (1960) Punjab: Itihas, Kala, Sahit, te Sabiachar aad.Bhasha Vibhag, Punjab, Patiala.
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Colourful embroidered cloth-hangings made in Nathdwara, Rajasthan. The central themes focus on Lord Krishna.
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consists of coiled metal wires placed on the right side of the fabric and couched with a thinner thread.
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Sari from India (probably Benares), late 19th or early 20th century, silk with metallic thread (Zari)
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The present form of chikan (meaning elegant patterns on fabric) work is associated with the city of
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D. N. Saraf (1991) D.N. Saraf in the Journey of Craft Development, 1941-1991: Reminiscences
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Karine Schomer, W. H. McLeod (1987) The Sants: Studies in a Devotional Tradition of India
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are first printed onto the fabric not with chaulk, but with a mixture of glue and indigo.
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Small rectangular pieces of metal are squeezed shut around some threads of the fabric.
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India (Gujarat), woman's costume, 1970s-1980s - Bunka Gakuen Costume Museum - DSC05309
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has influenced Heer Bharat embroidery in its use of geometrical motifs and stitchery.
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Once real gold and silver thread was used, on silk, brocade and velvet fabric. Metal
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Cotton tambour embroidery on net. 19th century. Los Angeles County Museum of Art.
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Sajnani, Manohar (2001) Encyclopaedia of Tourism Resources in India, Volume 2
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A combination of weaving and embroidery and was once a high status symbol.
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in 17th century. This embroidery flourished in the princely hill states of
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Sarah's Hand Embroidery Tutorials—Hand Embroidery Stitches for Everyone
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Ramananda Chatterjee (1939) The Modern Review, Volume 66, Issues 1-6
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Kasuti (Kai=hand and Suti = weave /wrap) comes from the state of
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Close Shot of the Zardozi (Zardouzi) Embroidery Cushion Covers
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of animals and flowers (rose, lotus, jasmine, creepers). The
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Sari from Bengal India, 20th century, Honolulu Museum of Art
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Pink dress with embroidery, detail, Crafts Museum, New Delhi
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Naik, Shailaja D. (1996) Traditional Embroideries of India
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Naik, Shailaja D. (1996) Traditional Embroideries of India
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Aari embroidery is practiced in various regions such as in
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Any of the various styles of embroidery indigenous to India
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Embroidered textile from Nagaland, Honolulu Museum of Art
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Shailaja D. Naik (1996) Traditional Embroideries of India
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Shailaja D. Naik (1996) Traditional Embroideries of India
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Shailaja D. Naik (1996) Traditional Embroideries of India
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Shailaja D. Naik (1996) Traditional Embroideries of India
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eye of the peacock feathers are used in Toda embroidery.
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Green cloth with embroidery, detail, Crafts Museum, Delhi
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Dev aari works and coaching center | Where to learn aari
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peacocks and elephants, in fixed designs and patterns.
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Description and drawings of common embroidery stitches
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Trivedi, Madhu (2010) The Making of the Awadh Culture
1107:"Metal Threads in Embroidered Coverlets of Chamba" 855:Shisha or Mirrorwork (Gujarat, Haryana, Rajasthan) 303: 289:The Heer Bharat or Banni embroidery originates in 1433: 1431: 1429: 1427: 1425: 1423: 1421: 1419: 1417: 829: 394:The artisans usually create individual motifs or 276: 3081: 690: 468: 345:for her ability and skill in Chamba embroidery. 55:Blue mural embroidery, Udaipur, Rajasthan, India 913: 434: 1530:Ms. Dhamija, Jaslean (2013) Asian Embroidery 1414: 661:Mukaish Work- (similar to chikankari) -Lucknow 2490: 2265:Fragments of a Cope with the Seven Sacraments 1633: 1438:Sukaadas (1992) Fabric Art: Heritage of India 1202:Bhushan, Jamila Brij (1990) Indian Embroidery 348: 1004:Mehta, Vinod (2006) Delhi and NCR city guide 847:Lai haraoba (Manipur festival) Manipur dress 1508:Ms. Jaslean Dhamija (2013) Asian Embroidery 1486:Indian and Foreign Review, Volume 23 (1985) 1157:"Shilp Guru Awards (Handicrafts) Year 2009" 1026:Ms. Jaslean Dhamija (2013) Asian Embroidery 817:Appliqué or Pipli work originates from the 483:, Kasuti is originated in Karnataka during 413: 154:Hanging from India, Honolulu Museum of Art 79:Mural embroidery, Udaipur, Rajasthan, India 2504: 2497: 2483: 2205:Great Tapestry of Scotland: People's Panel 1640: 1626: 260:Banjara Lambani woman in traditional dress 103:Embroidered hanging, Kutch (western India) 264:Practiced by the Lambada gypsy tribes of 2398:Embroidery Software Protection Coalition 935: 927: 892: 866: 858: 842: 800: 767: 700: 639: 636:Man's Coat (Chogha) Kashmir 19th century 631: 580: 569: 521: 493: 446: 417: 358: 313: 280: 255: 223: 91:Woman's shirt from Kutch, Gujarat, India 18: 993:Wood, Dorothy (2008) The Beader's Bible 901:The Toda embroidery has its origins in 459: 3082: 1068: 838: 796: 565: 2478: 1621: 1126: 1104: 557:Kutchi bharat/Sindhi stitch (Gujarat) 540: 530: 251: 1299: 1064: 1062: 1060: 1058: 1056: 627: 510: 2418:Chung Young Yang Embroidery Museum 673:Phool Patti ka Kaam (Uttar Pradesh) 589: 325:It originated in Chamba kingdom of 285:Ahir embroidery from Kutch, Gujarat 13: 1800: 1793: 1786: 1459:Baden-Powell, Baden Henry (1872). 888: 502: 442: 363:Chikan embroidery on a saree pallu 14: 3101: 1537: 1287:Sarah’s Hand Embroidery Tutorials 1053: 812: 23:Exhibit in Craft Museum New Delhi 1300:Koll, Juby Aleyas (March 2021). 644:Boy's Frock Kashmir 19th century 624:more than one or two at a time. 207: 195: 171: 159: 147: 135: 120: 108: 96: 84: 72: 60: 48: 41: 2302:Juanita Growing Thunder Fogarty 1559:Aari Work Bridal Blouse Designs 1523: 1512: 1501: 1490: 1479: 1468: 1453: 1442: 1389: 1364: 1353: 1342: 1331: 1320: 1293: 1283:"Interlaced Herringbone Stitch" 1275: 1264: 1253: 1242: 1231: 1225:"Kamal kadai-Indian Embroidery" 1217: 1206: 1195: 1184: 1149: 1120: 763: 321:with Scenes of Sita and Hanuman 304:Chamba Rumal (Himachal Pradesh) 127:Woman's Wrapped Garment (Sari) 34:styles that vary by region and 2423:Han Sang Soo Embroidery Museum 2393:Embroiderers' Guild of America 2347:Charles Germain de Saint Aubin 1647: 1360:Textile Trends, Volume 44 2001 1098: 1030: 1019: 1008: 997: 986: 975: 830:Rabari (Rajasthan and Gujarat) 277:Heer Bharat or Banni (Gujarat) 1: 2403:Needlework Development Scheme 1127:Aroro, Rohini (August 2014). 1105:Arora, Rohini (August 2017). 969: 776:The embroidery styles of the 691:Phulkari (Punjab and Haryana) 487:period (6th to 12th century) 469:Kasuti or Kasuthi (Karnataka) 2292:Shahin Ebrahimzadeh-Pezeshki 914:Zardozi or Zari or kalabattu 435:Kamal kadai (Andhra Pradesh) 7: 2413:Wemyss School of Needlework 2223:Magna Carta (An Embroidery) 2073: 2062: 2053: 498:Motifs of kasuti embroidery 10: 3106: 2408:Royal School of Needlework 2259:Scottish Diaspora Tapestry 2200:Great Tapestry of Scotland 1579:Simple Aari Blouse Designs 1015:HALI., Issues 117-119 2001 917: 694: 676: 519:, and Gubbi Kaalu stitch. 472: 352: 349:Chikankari (Uttar Pradesh) 307: 3046: 2946: 2835: 2519: 2510: 2431: 2380: 2357:Dimitri Vlachos - Castano 2275:Designersand embroiderers 2274: 2177: 1968: 1907: 1811: 1784: 1655: 1589:Pink color Blouse Desigsn 1069:Badhan, Akanksha (2016). 944:The most opulent form of 687:, especially in Aligarh. 526:Kaudi: pride of Karnataka 422:Kota sari with gota patti 214:Kutch cushion embroidery 2388:Embroiderers' Guild (UK) 2381:Organizationsand museums 2229:Margaret Layton's jacket 1544:A modern take on Kasuti 612:, is generally white or 604:The base cloth, whether 414:Gota (Jaipur, Rajasthan) 1549:Indian embroidery types 744:. Other cities include 219: 2505:Clothing in South Asia 2312:Marilyn Leavitt-Imblum 1969:Regionaland historical 1844:Couching and laid work 1805: 1798: 1791: 1564:Wedding Blouse Designs 1086:Cite journal requires 941: 933: 898: 872: 864: 848: 806: 773: 706: 645: 637: 586: 578: 545:The best known of the 527: 499: 452: 423: 364: 322: 286: 261: 229: 24: 2352:Mary Elizabeth Turner 1804: 1797: 1790: 1249:Knopf, 1996 Rajasthan 939: 931: 896: 870: 862: 846: 804: 771: 704: 683:Flower embroidery of 643: 635: 584: 573: 525: 497: 450: 421: 362: 317: 284: 259: 227: 22: 2249:Prestonpans Tapestry 1604:Hand Embroidery Work 1584:Heavy Bead Aari Work 1173:on 21 September 2013 616:or a similar shade. 460:Karchobi - Rajasthan 410:khatava or katava). 387:: phanda and murri. 3090:Embroidery in India 2958:Embroidery of India 2239:Overlord Embroidery 2212:Hastings Embroidery 1908:Tools and materials 1574:Aari Blouse Designs 839:Shamilami (Manipur) 797:Pichwai (Rajasthan) 679:Phool Patti ka Kaam 595:Kashmiri embroidery 585:Kashmiri embroidery 566:Kashmiri embroidery 451:Modern Naksi kantha 355:Chikan (embroidery) 30:includes dozens of 28:Embroidery in India 2697:Lehenga-style sari 2234:New World Tapestry 2185:Butler-Bowden Cope 1806: 1799: 1792: 1599:Maggam Work Blouse 942: 934: 899: 873: 865: 849: 807: 774: 707: 646: 638: 587: 579: 541:Kutch or Aribharat 531:Khneng (Meghalaya) 528: 500: 453: 424: 365: 323: 287: 262: 252:Banjara embroidery 230: 202:Rajasthani clothes 25: 3077: 3076: 2843:Bhaad-gaaule topi 2472: 2471: 2342:Tetiana Protcheva 1925:Embroidery thread 1854:Embroidery stitch 1723:Drawn thread work 1683:Broderie anglaise 1313:978-93-5361-592-5 628:Kashmiri stitches 511:Kaudi (Karnataka) 3097: 2742:Mundum neriyatum 2499: 2492: 2485: 2476: 2475: 2307:Constance Howard 2244:Oxburgh Hangings 2078: 2067: 2058: 1935:Perforated paper 1642: 1635: 1628: 1619: 1618: 1594:Aari Work Blouse 1532: 1527: 1521: 1516: 1510: 1505: 1499: 1494: 1488: 1483: 1477: 1472: 1466: 1457: 1451: 1446: 1440: 1435: 1412: 1411: 1409: 1408: 1399:. 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Archived from 1164:President Awards 1161: 1153: 1147: 1146: 1144: 1142: 1133: 1124: 1118: 1117: 1111: 1102: 1096: 1095: 1089: 1084: 1082: 1074: 1066: 1051: 1048: 1039: 1034: 1028: 1023: 1017: 1012: 1006: 1001: 995: 990: 984: 979: 705:Patiala Phulkari 590:Kashmiri Kashida 343:Shilp Guru award 327:Himachal Pradesh 211: 199: 175: 163: 151: 139: 124: 112: 100: 88: 76: 64: 52: 3105: 3104: 3100: 3099: 3098: 3096: 3095: 3094: 3080: 3079: 3078: 3073: 3042: 2951: 2949: 2942: 2831: 2797:Sambalpuri sari 2515: 2506: 2503: 2473: 2468: 2427: 2376: 2317:François Lesage 2270: 2254:Quaker Tapestry 2217:Hestia tapestry 2195:Bradford carpet 2190:Bayeux Tapestry 2173: 2144:Opus Anglicanum 1964: 1920:Embroidery hoop 1903: 1894:Straight stitch 1807: 1782: 1651: 1646: 1540: 1535: 1528: 1524: 1517: 1513: 1506: 1502: 1495: 1491: 1484: 1480: 1473: 1469: 1458: 1454: 1447: 1443: 1436: 1415: 1406: 1404: 1395: 1394: 1390: 1381: 1379: 1370: 1369: 1365: 1358: 1354: 1347: 1343: 1336: 1332: 1327:Indian Heritage 1325: 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Index


embroidery
clothing styles
Blue mural embroidery, Udaipur, Rajasthan, India
Pink dress with embroidery, detail, Crafts Museum, New Delhi
Mural embroidery, Udaipur, Rajasthan, India
Woman's shirt from Kutch, Gujarat, India
Embroidered hanging, Kutch (western India)
Embroidered textile from Nagaland, Honolulu Museum of Art
Woman's Wrapped Garment (Sari) Uttar Pradesh
Uttar Pradesh
Green cloth with embroidery, detail, Crafts Museum, Delhi
Hanging from India, Honolulu Museum of Art
Sari from Bengal India, 20th century, Honolulu Museum of Art
'Banarasi sari' from Varanasi (Banaras), silk and gold-wrapped silk yarn with supplementary weft brocade (zari)
Banarasi sari
Varanasi
brocade
Rajasthani clothes
Kutch cushion embroidery

Kashmir
Kutch
Gujarat

Andhra Pradesh
Madhya Pradesh

Gujarat
Punjab region

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