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The sample patches and tutorial contained in the installation package allows composers and artists who are interested in the creation of interactive art to realize sophisticated realtime video effects on a live video signal at their first practice. And because of its ease of programming, it is likely
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computers. Since 2000, it has been developed by the DIPS Development Group supervised by
Takayuki Rai. Current active group members are Shu Matsuda, Yota Morimoto, Takuto Fukuda, and Keitaro Takahashi. Previously, Chikashi Miyama, Daichi Ando and Takayuki Hamano also contributed to its development.
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DIPS can be used to detect a performer’s motions and to track positions of subtle details, such as the face, mouth, and eyes. It can also be used to measure the distance between objects and a Kinect sensor system, and offers powerful tools for realtime image processing of incoming video stream and
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The DIPS consists of a library of more than 300 Max external objects and abstractions, a comprehensive set of sample patches, and a detailed tutorial. Some of its strong points, in comparison with other similar plug-ins and software, are its ease of programming, power, and efficiency.
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programming environment. Combining with the built-in objects of the environment, DIPS enables to program the interaction between audio and visual events with ease, and supports the realization of interactive multimedia art as well as interactive computer music.
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that one will soon acquire skills needed to create state-of-the-art interactive performance works, multimedia installations, interactive multimedia artworks, and Max VJ applications using DIPS.
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DIPS is a free plug-in software (a set of external objects) for Max/MSP. It supports the designing of the interaction between sound and visual events in Max using Apple’s
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technologies, and consequently, provides a powerful and user-friendly programming environment for the creation of interactive multimedia art.
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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stored movie files. In addition, it can be used to create complex images in a virtual three-dimensional space.
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Saladié, Montserrat; Rose, Jocelyn K. C.; Cosgrove, Daniel J.; Catalá, Carmen (July 2006).
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Initially developed by Shu
Matsuda in 1997, DIPS was a plug-in software for
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More than 110 visual effect objects (Dfx library, Core Image
Filters)
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Please help to demonstrate the notability of the topic by citing
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Rai, T., Matsuda, S., Morimoto, Y., Fukuda, T., Takahashi, K.,
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583:"DIPS5 for Max -Digital Image Processing with sound, version 5"
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A comprehensive set of sample patches, and a detailed tutorial
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Rai, T., Miyama, C., Matsuda, S., Hamano, T., Morimoto, Y.
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A utility library for the easy of programming (prefix Dlib)
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Easy integration of visual events using DIPSWindowMixer (
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Video input analysis: motion detect, face tracking (
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More than 300 Max external objects and abstractions
357:is a set of plug-in objects that handle real-time
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191:, potentially preventing the article from being
602:"Introduction of DIPS3 (version 2) for Max/MSP"
74:notability guidelines for products and services
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638:Matsuda, S., Miyama, C., Ando, D., Rai, T.
621:"Introduction of DIPS Programming Technique"
619:Miyama, C., Rai, T., Matsuda, S., Ando, D.
375:A plug-in software for Max/MSP (Max 5 and 6)
1004:Center for New Music and Audio Technologies
50:Learn how and when to remove these messages
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520:2002 DIPS for jMax2 (Mac OS X & Linux)
355:DIPS (Digital Image Processing with Sound)
211:reliable, independent, third-party sources
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247:Learn how and when to remove this message
229:Learn how and when to remove this message
159:Learn how and when to remove this message
205:by replacing them with more appropriate
664:International Computer Music Conference
645:International Computer Music Conference
626:International Computer Music Conference
607:International Computer Music Conference
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188:too closely associated with the subject
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604:, Proceedings Volume II, pp.176-179,
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108:"Digital Image Processing with Sound"
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31:This article has multiple issues.
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186:may rely excessively on sources
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429:Importing 3D models (.obj file)
39:or discuss these issues on the
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640:"DIPS for Linux and Mac OS X"
623:, Proceedings, pp. 459-462,
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508:2013 DIPS5 for Max (Mac OS X)
1098:Visual programming languages
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1103:Audio programming languages
610:, Copenhagen, Denmark, 2007
404:Render and move 3D models (
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1076:Mortuos Plango, Vivos Voco
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523:2000 DIPS for jMax (Linux)
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81:reliable secondary sources
70:The topic of this article
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72:may not meet Knowledge's
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681:http://dips.kcm-sd.ac.jp
591:, Perth, Australia, 2013
359:digital image processing
347:http://dips.kcm-sd.ac.jp
1040:Artificial intelligence
1035:Algorithmic composition
667:, Berlin, Germany, 2000
443:) programming interface
657:Rai, T., Matsuda, S.
296:; 15 years ago
279:DIPS Development Group
1113:3D graphics software
686:http://cycling74.com
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1009:Princeton Sound Lab
370:Summary of Features
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801:Curtis Roads
736:Marc Battier
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275:Developer(s)
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201:Please help
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33:Please help
30:
943:TidalCycles
908:Music Mouse
851:instruments
781:GĂ©rard Pape
776:Max Mathews
771:Paul Lansky
495:running on
455:Description
338:development
219:August 2013
149:August 2013
85:independent
1092:Categories
1028:Techniques
746:David Cope
528:References
497:SGI Octane
461:Core Image
432:Importing
336:multimedia
301:2009-08-01
203:improve it
193:verifiable
119:newspapers
93:redirected
36:improve it
964:Bell Labs
928:Riffusion
923:Radiodrum
913:Pure Data
413:QuickTime
395:QuickTime
207:citations
83:that are
42:talk page
933:Sonic Pi
569:16774648
320:Mac OS X
918:MUSIC-N
898:Max/MSP
816:Trimpin
811:The Hub
493:Max/FTS
487:History
363:Max/MSP
343:Website
299: (
197:neutral
133:scholar
97:deleted
974:CEMAMu
957:Places
873:Csound
729:People
567:
469:OpenCV
465:OpenGL
448:OpenGL
424:OpenGL
420:OpenCV
406:OpenGL
399:OpenGL
135:
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114:
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89:merged
1118:MacOS
999:IRCAM
969:CCRMA
878:FAUST
858:ChucK
436:files
332:music
140:JSTOR
126:books
95:, or
994:ICMA
989:ICEM
948:UPIC
888:Kyma
883:HMSL
863:Cmix
565:PMID
499:and
467:and
441:GLSL
334:and
327:Type
260:DIPS
195:and
112:news
1019:IEM
555:doi
361:in
209:to
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