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Define the Great Line

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1428:". He added that Gillespie acts as the "beautiful melodic counterpart to Chamberlain's crushing heaviness". Sputnikmusic staff member John Hanson said Chamberlain used to be an "atrocious screamer", and with the new album, "he has improved somewhat", while Gillespie was a "far more enjoyable vocalist to listen to, even though he could possibly be a tad bit generic". Cummings praised Chamberlain's "stunning repertoire of guttural growls, smooth emoting and nerve-jangling screams". Rauf lambasted Chamberlain's "holier-than-thou preaches" that were in "fewer spurts and shrieks that we're used to," as he used a "greater range of impressive roars and screams" to convey them. Fish was thankful that Chamberlain was "no longer an indiscriminate, undecipherable yeller," but instead a "versatile vocalist" that can bounce "impeccably between feral shrieks, bestial growls, and melodic tones". Punknews.org staff member Brian Shultz noted that there was less singing than with the previous album, "thus providing a nice dynamic as opposed to a chorus". 472:. By November 2004, the band had started writing new material for their next album. In April 2005, Underoath had around six new songs, and were performing one of them live around this time. They wrote while on tour; in between treks, they practiced together and recorded demos. Around this time, the band expressed a desire to work with another producer other than James Wisner, who had worked on their preceding three albums. Alongside this, they mentioned that the new songs they had were heavier than their past work and were influenced by the work of 939: 999:, McTague said: "That's society as a whole; politically we cannot get along, religions cannot get along We just need to come to the point where we realise everyone is not going to be like us". Dudley said they re-grouped after a few days and talked about their issues, which helped stop them from breaking up. In September 2006, Underoath went on a tour of Central and South America, which led into a Canadian tour with support from 1355: 1350: 1305: 1102: 1345: 1340: 1335: 1300: 1295: 1290: 1285: 1271: 1266: 1261: 1256: 1251: 1140: 1135: 1130: 1125: 1120: 1097: 1092: 1087: 1082: 1215: 1210: 1205: 1200: 1195: 1190: 1185: 1180: 1175: 1170: 235: 1396:", and called it "blistering and occasionally majestic". Taylor saw it as a release which "somehow still contains the accessibility of their last effort, but kicks everything up a notch". Farias said it said the album "sounds huge, far removed from the tamer and thinner feel of its predecessor" as "every component of the Underoath machine is amplified a hundredfold". 31: 831:'s website on June 15, 2006, and released a week later on June 20, 2006, through Tooth & Nail Records. A special edition included a DVD with a making-of documentary on the album. The booklet conveys the story of a man traversing through a desert landscape, who eventually hallucinates and dies. To promote it, the band appeared on 992:
making disparaging remarks about the band's religious beliefs. Mike claimed that Chamberlain had been doing cocaine and consuming alcohol on their tour bus, which Underoath's manager denied. Discussing it with MTV, Mike said to have made fun of several bands on the trek without issue. In an interview
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drummer Kenny Bozich filled for Gillespie's parts; he had been hiking around Utah when he was asked to cover for Gillespie. Bozich listened to the band's songs on the flight over, managing to make it 25 minutes before they went on stage. Chamberlain and McTague covered Gillespie's vocal sections; he
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writer Raziq Rauf said there was "no reason to treat the explicitly religious content" of the release differently from other emo albums, as it "covers the same bases of heartache, frustration and the inevitable exhaustion that results". According to the band the lyrics were personal to Chamberlain,
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said the album" not only redefines the sound of Underoath, but also has the potential of redefining the hardcore emo genre". Brandon J. said the guitarwork was "merciless and somewhat chaotic, and the vocals range from the usual middle to high screams all the way to a deep and very powerful growl".
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was released that included videos for both "Writing on the Walls" and "In Regards to Myself". Both were filmed in Sweden with the production team Popcore Films; Anders Forsman handled the former, while Linus Johansson did the latter. They opted to shoot them back-to-back due to the restraints of
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of Jesus Freak Hideout the big difference was "the frequency at which God is addressed by name," though all of these mentions were in "exclamations of desperation". The main lyrical themes of the album expressed pain, weariness, and frustration, "but not without the awareness that things need to
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guitar parts. "A Moment Suspended in Time" showcase Brandell, McTague, and Smith's contributions to the band. "There Could Be Nothing After This" deals with leaving the past behind in lieu of a life of faith. The metalcore track "You're Ever So Inviting" is followed by "SĂĄlmarnir", a song that
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had sold close to 500,000 copies in the United States, selling at a rate of 4,500 per week. Underoath closed out 2005 playing a four-date tour dubbed Come & Live; profits from each show benefitted a separate charity. The shows led into the recording sessions for the band's next album.
920:(2021) vinyl box set. Coinciding this, Underoath performed all three albums in their entireties as part of the Underoath: Observatory livestream series. "In Regards to Myself", "You're Ever So Inviting", and "Writing on the Walls" were included on the band's second compilation album 771:"Returning Empty Handed" opens with a quiet instrumental passage, which gives way to a heavier section, before ending acoustically; over the course of its duration, it changes from metalcore to post-metal. The first half of "Casting Such a Thin Shadow", which moves with a 871:
touring. "You're Ever So Inviting" was released to radio on January 23, 2007. On May 14, 2007, the music video for "You're Ever So Inviting", which was filmed in Sweden with Popcore Films earlier in the year, was posted online. In July 2007, the band released their first
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used the title as an example of how on this album Underoath seemed "acutely aware of the line that separates their spiritual core from the painful reality of being human," and how "even successful musicians need help staying on the right side of that line".
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and the band serving as producers. Dutkiewicz had seen the band live before, and was aware of the sound they were attempting to get. Chamberlain said they had been looking for someone to capture their sound better, which he said was not well-represented on
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tour. "In Regards to Myself" appeared as the second single in the midst of this on November 27, 2006, followed by the third single "You're Ever So Inviting" on January 23, 2007. Underoath spent the first half of the year touring the North America with
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The title of the album, according to keyboardist Christopher Dudley, comes from "defining that line for yourself between becoming the man or the woman that you want to be and the man or the woman other people want you to be". Aaron Burgess of
879:, which included footage from the 2006 Warped Tour, Taste of Chaos and The Bamboozle Festival. On September 12, 2007, a music video was released for "A Moment Suspended in Time". It was also directed by Popcore Film and was filmed in Sweden. 795:-era (2003) Beloved; "Writing on the Walls" also takes influence from Beloved. "Everyone Looks So Good from Here" is another metalcore song. The album closes with the seven minute long "To Whom It May Concern", which features several 2043: 3464: 4037: 2246: 3931: 3041: 3847: 476:. In September 2005, they announced that they would be recording their next album in early 2006. Despite being courted by major labels for a few months, they opted to sign with Solid State's parent company 613:
and instead demonstrated a heavier and more eclectic range of styles. The band themselves said that the heavier style was "nothing super intentional, they just came out that way when we went to write".
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listed Define the Great Line as one of the “21 Greatest Metalcore Albums of All-Time,” specifically highlighting Chamberlin’s “lacerating, confessional vocals” and Gillespie’s “melodic style” drumming.
1371:. It is seen as Underoath's big breakthrough into the mainstream by Cummings, while Taylor referred to it as the most anticipated album that year. Both Cummings and Taylor called the album the best 1042:, Maylene and the Sons of Disaster, and Poison the Well. During the Las Vegas, Nevada date of the trek, Gillespie was forced to have emergency surgery as he had contracted an infection in his hand. 712:
reviewer James Christopher Monger, which stated that "while Underoath explore their faith with both reverence and suspicion, something that sets them apart from the polarizing righteousness of many
3291: 533:, with assistance from Keith Armstrong, mixed the recordings at Resonate Music in Burbank, California, before the album was mastered by Tom Baker at Precision Mastering in Los Angeles, California. 725:
relating aspects of his life that have affected him over the years. Burgess noted Chamberlain's lyrical presence, saying that "between Chamberlain's deeply troubled writing and Gillespie's,
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being recited in Russian by a friend of the members. The title comes from the Icelandic word for "Psalms"; for its second half, Dudley is head repeating it in English in the manner of a
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in June 2007. From early July to late August 2007, the band went on the Warped Tour. Between late September and early November, the band went on a headlining US tour with support from
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called the album "nearly perfect," stating that it was "like one harsh line in the sand that dares its audience to embrace the band on its own terms". Monger described
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program on June 13, 2006. According to Dudley, it was influenced by 1960s theatrical films, "depict a murder mystery in a surrealistic gothic-tinged setting".
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acts, their crossover potential remains huge, as the prevailing themes of isolation, anger, introspection, and the quest for self-confidence are universal".
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account, followed by "Writing on the Walls" at the end of May, and "In Regards to Myself" in June. The music video for "Writing on the Walls" premiered on
3825: 3287: 525:. They entered the studios with 19 songs written, which they planned to pare down to 10 or 11. Dutkiewicz pushed the band to toy with different delay and 326:, the band were already in the process of working towards its follow-up. Recording took place between January and March 2006 at Zing Recording Studios in 3749: 3721: 3693: 3629: 3601: 2364: 2228: 3881: 3407: 2827: 4661: 4557: 2418: 1918: 3501: 3437: 3535: 2749: 4254: 3159: 4193: 4144: 4059: 3957: 3486: 3313: 3239: 3217: 3063: 2588: 2272: 2065: 2964: 2440: 1944: 912:
as a two-LP set to promote the band's Rebirth Tour in 2016, during which they performed both albums in full. Both albums were then included with
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The track "In Regards to Myself" opens the album, with Chamberlain expressing the rawest vocals from the band since their second studio album
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tour, visiting New Zealand, Australia, Japan and Europe. Between February and April 2007, the band went on a North American tour alongside
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On March 6, 2006, Underoath's next album was announced for release in three months' time. On April 17, 2006, the release was titled
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was noted as a turning point for Underoath, with AllMusic commenting that "while the tendency to dissolve into the abyss of angtsy
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said the band "topped itself with an engaging, high quality album" as Goldman and Dutkiewixz "helped the band expand its sound".
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mentioned that the band had updated its "early, brutal style with weird time changes and post-metal ambience". Andree Farias of
4403: 4276: 4002: 1865: 651:". Chamberlain explained that he switched from a higher pitched scream to a lower pitched one as it felt more natural for him. 2091: 2012: 1451:
reached the top spot in 1997. Alongside this, it had the biggest first-week sales of any release on Tooth & Nail Records.
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Preceded by festival appearances and a headlining tour in the United States, "Writing on the Walls" was released as the first
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stories, which was the first time in that company's history. "Writing on the Walls" was released to radio on June 27, 2006.
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collide in a veritable sonic feast," and AllMusic described the band as finding the centre point between "throat-shredding
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on September 12, 2006; the track was released as a single on November 27, 2006. The video is a critic on people idolizing
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received generally favorable reviews from music critics, many of whom highlighted the various musical styles, and praised
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Burgess said Chamberlain's stage presence was "fully realized here" as his "throat-shedding roar distinguishes much of
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was still there," there was a "darkness lurking in the nooks and crannies between the crackling snare hits and heavy '
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reviewer Nick Catucci said the new album "adds an extra dose of melody to the dual-guitar, scream-and-sing attack".
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charts, selling over 98,000 copies in its first week. It became the highest-charting Christian release since
410:. They appeared on Warped Tour again, and closed the year with another headlining US tour, which saw drummer 4220: 2414: 2247:"Underoath Set To Release Third Album 'Define The Great Line' June 20; Band Now In Sweden To Shoot 2 Videos" 1922: 958:
festival in the United Kingdom in April and May 2006, respectively. They then went on a headlining US tour;
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album of the year; Taylor giving the album a near-perfect rating and Cummings gave it a perfect score.
4034:"-may-13-in-jacksonville-fl/ "Underoath Set To Kick Off 'Dirty South Tour' May 13 In Jacksonville, FL" 1948: 4923: 4887: 4882: 3908: 2458: 1460: 748: 440: 3109: 2860: 2502: 4860: 926:(2012). "In Regards to Myself" and "Writing on the Walls" were included on third compilation album 922: 505: 327: 73: 4897: 4692: 2214: 477: 317: 142: 624:
described the album as "an impressively versatile project where metal riffs and emo breakdowns,
4755: 4455: 4437: 4415: 1459:(RIAA) in November 2006 for selling 500,000 copies. "Writing on the Walls" was nominated for a 1031: 959: 4574: 3907:[Interview with Underoath (November 2006)] (in German). Handle Me Down. Archived from 3011: 1405:
Boris Kaiser noted that the band have "become a whole lot angrier and more violent" than with
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as a "mammoth production that exemplifies how far Christian metal has come since the days of
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The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror
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ranked the album 24th on its list of the "25 Greatest Metalcore albums of all-time".
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by the end of 2006; the music video for "Writing on the Walls" was nominated for a
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In October and November 2006, the group went on the international edition of the
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Henry, Libby; Ashton-Magnuson, Kristine; Mohammed, Shazila (September 6, 2005).
529:. Sessions began in January 2006 and wrapped up two months later in March 2006. 4750: 3710:(sleeve). Underoath. Tooth & Nail/Solid State Records. 2012. 5099973090427. 2320: 1015: 963: 955: 796: 784: 578: 394: 382: 371: 252: 4912: 4657: 4628: 4553: 4166:
Henry, Libby; Ashton-Magnuson, Kristine; Schriver, Chelsi (October 2, 2007).
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Henry, Libby; Ashton-Magnuson, Kristine; Mohammed, Shazila (April 27, 2006).
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has been re-pressed on vinyl and performed in its entirety over the years.
443: 375: 343: 162: 137: 1990: 765: 4846: 3682:(sleeve). Underoath. Tooth & Nail Records. 2021. UNDEROATH-BOX-SET-S. 3212:
Henry, Libby; Ashton-Magnuson, Kristine; Dezon, Brandis (June 14, 2006).
1771: 1448: 975: 872: 628: 602: 390: 88: 4031: 3929: 3618:(sleeve). Underoath. Tooth & Nail Records. 2016. TND83184/TNR42658. 3458: 3285: 3035: 1043: 995: 967: 867: 812: 780: 772: 563: 415: 359: 309: 106: 4828: 4708: 4475:"American album certifications – Underoath – Define the Great Line" 2210: 1987:"Interviews/Spencer Chamberlain (lead vocals) of UnderOATH: 10/19/05" 1393: 951: 938: 852: 788: 776: 636: 606: 547: 473: 351: 313: 175: 96: 43: 665:' riffing" that would be fully realized on their sixth studio album 428:
for his growth as a vocalist. The album peaked at number two on the
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sound, powered by Dudley's keyboard parts, recalled the work of
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said that both Solid State and Tooth & Nail shared the same
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Henry, Libby; Ashton-Magnuson, Kristine (September 12, 2006).
4170:(Press release). Mitch Schnedier Organization. Archived from 3934:(Press release). Mitch Schnedier Organization. Archived from 3216:(Press release). Mitch Schnedier Organization. Archived from 2249:(Press release). Mitch Schnedier Organization. Archived from 2088:"Warped Tour Band Underoath Aren't Into Crazy Hooker Parties" 970:
appeared on select dates. The trek included an appearance at
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The music video for "In Regards to Myself" premiered through
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Henry, Libby; Ashton-Magnuson, Kristine (April 16, 2007).
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Henry, Libby; Ashton-Magnuson, Kristine (June 28, 2006).
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Henry, Libby; Ashton-Magnuson, Kristine (June 11, 2007).
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Henry, Libby; Ashton-Magnuson, Kristine (March 6, 2006).
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Underoath toured throughout 2006 and 2007 in support of
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on June 27, 2006. Underoath headlined the main stage of
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Christopher Dudley – keyboards, synthesizers, samplers
882: 4385: 3558:"Underoath release 'A Moment Suspended In Time' video" 2500: 743:(2000). It was reminiscent of the work of labelmates 4221:"Underoath - Define the Great Line (album review 8)" 4074:"Throwdown added to Warped 07; Madina Lake drop off" 3187:"Full stream of Underoath's new album posted online" 2415:"Underoath - Define the Great Line (album review 9)" 2999: 974:festival. The band headlined the main stage of the 729:sounds like a group-therapy session put to tape". 484:said they had better distribution, while vocalist 3616:They're Only Chasing Safety/Define The Great Line 2710: 2708: 2706: 2704: 2284: 2282: 1947:. Mammoth Press. November 5, 2004. Archived from 1864: 699:For its lyrics, the band maintained its focus on 4910: 3792:"Why Are So Many Bands Leaving The Warped Tour?" 597:. The album's slower parts recalled the work of 4404:"Charts.nz – Underoath – Define the Great Line" 4036:(Press release). Mitch Schnedier Organization. 3748:: CS1 maint: others in cite AV media (notes) ( 3720:: CS1 maint: others in cite AV media (notes) ( 3692:: CS1 maint: others in cite AV media (notes) ( 3628:: CS1 maint: others in cite AV media (notes) ( 3600:: CS1 maint: others in cite AV media (notes) ( 3463:(Press release). Mitch Schnedier Organization. 3290:(Press release). Mitch Schnedier Organization. 3040:(Press release). Mitch Schnedier Organization. 2714: 2227:: CS1 maint: others in cite AV media (notes) ( 2042:(Press release). Mitch Schnedier Organization. 1890:Shipments figures based on certification alone. 1034:, before playing a few shows in Australia with 508:, and Glow in the Dark, Atlanta, Georgia, with 4644:"Band mixes Christian values, hard-core sound" 3765:"Underoath / Poison the Well / As Cities Burn" 2919:"Rediscover: Underoath: Define the Great Line" 2781: 2701: 2632: 2279: 2201: 2199: 2197: 2195: 2147:"Underoath Rock Like Slipknot, For God's Sake" 1367:was met with generally favorable reviews from 1282: 1248: 1167: 1079: 4693: 3810: 3789: 3031: 3029: 2958: 2386: 2384: 2382: 2352: 2171: 1980: 1978: 1916: 791:from Gillespie, while it evokes the sound of 462:Underoath released their fourth studio album 4438:"Underoath Chart History (Christian Albums)" 4218: 4205: 4203: 4192:: CS1 maint: multiple names: authors list ( 4131: 4129: 4058:: CS1 maint: multiple names: authors list ( 4000: 3956:: CS1 maint: multiple names: authors list ( 3645: 3641: 3639: 3485:: CS1 maint: multiple names: authors list ( 3394: 3392: 3312:: CS1 maint: multiple names: authors list ( 3238:: CS1 maint: multiple names: authors list ( 3062:: CS1 maint: multiple names: authors list ( 2916: 2672: 2670: 2668: 2666: 2664: 2662: 2496: 2494: 2492: 2490: 2488: 2486: 2408: 2406: 2404: 2402: 2400: 2398: 2396: 2271:: CS1 maint: multiple names: authors list ( 2064:: CS1 maint: multiple names: authors list ( 1332: 1117: 316:. It was released on June 20, 2006, through 4456:"Underoath Chart History (Top Rock Albums)" 4406:. Hung Medien. Retrieved October 23, 2022. 4394:. Hung Medien. Retrieved October 23, 2022. 4003:"Underoath Plots Spring Tour, Warped Dates" 3762: 3588:Play Your Old Stuff: An Underoath Anthology 3499: 3184: 3157: 3130: 3103: 3076: 2954: 2952: 2950: 2948: 2946: 2944: 2912: 2910: 2908: 2861:"Underoath, 'Define the Great Line' Review" 2628: 2626: 2624: 2622: 2620: 2618: 2439:: CS1 maint: numeric names: authors list ( 2348: 2346: 2344: 2342: 2290:"Precision Mastering Engineers - Tom Baker" 2240: 2238: 2192: 2112: 1657:Personnel per booklet, except where noted. 966:served as main support, while Spitfire and 892:Play Your Old Stuff: An Underoath Anthology 811:, and "SĂĄlmarnir" was posted on the band's 683: 457: 4700: 4686: 3026: 2676: 2582: 2580: 2578: 2576: 2574: 2540: 2538: 2536: 2534: 2532: 2530: 2528: 2452: 2450: 2379: 2144: 2106: 2081: 2079: 2077: 2075: 2005: 1975: 504:was recorded at Zing Recording Studios in 233: 29: 4479:Recording Industry Association of America 4281:Recording Industry Association of America 4212: 4200: 4126: 3905:"Interview mit Underoath (November 2006)" 3902: 3636: 3389: 3205: 2744: 2742: 2659: 2483: 2412: 2393: 2140: 2138: 2136: 2015:. Punk-It. April 26, 2005. Archived from 1457:Recording Industry Association of America 1444:You Light Up My Life: Inspirational Songs 827:was made available for streaming through 703:and personal struggles, and according to 536: 437:Recording Industry Association of America 4500:Christian Punk: Identity and Performance 3350: 3000:The Kern County Kid (July–August 2006). 2941: 2905: 2777: 2775: 2773: 2771: 2615: 2339: 2235: 1984: 1728:Chandler Owen – art direction, packaging 937: 802: 4533: 4496: 3923: 3251: 3249: 2571: 2525: 2447: 2072: 4911: 4664:from the original on December 17, 2021 4597:from the original on December 17, 2021 4560:from the original on December 17, 2021 4521:from the original on December 17, 2021 4347:from the original on February 22, 2018 4337:"25 Best Metalcore Albums of All Time" 4287:from the original on November 26, 2021 4257:from the original on November 26, 2021 4147:from the original on December 16, 2021 4013:from the original on December 17, 2021 3884:from the original on November 26, 2021 3828:from the original on November 26, 2021 3660:from the original on November 26, 2021 3538:from the original on December 16, 2021 3467:from the original on December 16, 2021 3410:from the original on December 16, 2021 3377:from the original on November 26, 2021 3294:from the original on December 16, 2021 2855: 2851: 2849: 2847: 2845: 2739: 2689:from the original on November 25, 2021 2421:from the original on December 17, 2021 2367:from the original on December 16, 2021 2314: 2180:from the original on November 21, 2021 2133: 2085: 2046:from the original on November 26, 2021 1628: 1617: 708:change". These themes were praised by 308:is the fifth studio album by American 4681: 4572: 4038:"-may-13-in-jacksonville-fl/ Archived 3850:. MTV. August 1, 2006. Archived from 2995: 2993: 2991: 2967:from the original on November 4, 2012 2768: 2471:from the original on December 1, 2021 2292:. Precision Mastering. Archived from 2145:Wiederhorn, Jon (December 28, 2005). 1919:"All the Underoath news fit to print" 1639: 1606: 1595: 1584: 1573: 1562: 1551: 1540: 1529: 1518: 1060: 1047:re-joined Underoath four days later. 358:album, which has also been tagged as 4609: 4367:"21 US Metalcore Albums of All-Time" 3564:. September 12, 2007. Archived from 3440:from the original on August 22, 2016 3246: 2889:. Bustedhalo.com. January 19, 2007. 2867:from the original on August 20, 2011 2750:"Underoath Interview - May 4th 2006" 2544: 2456: 1660: 883:Reissues and full-album performances 4227:from the original on April 11, 2013 4040:from the original on April 19, 2021 3430:"AllAccess.com Alternative eWeekly" 3257:"FMQB Airplay Archive: Modern Rock" 3044:from the original on April 15, 2021 2961:"Underoath - Define the Great Line" 2929:from the original on March 22, 2021 2842: 2787:"Underoath - Define The Great Line" 2727:from the original on April 29, 2013 2635:"Underoath - Define The Great Line" 2547:"Underoath - Define The Great Line" 2459:"Underoath - Define the Great Line" 2355:"Underoath – Define the Great Line" 2327:from the original on April 21, 2021 2172:Shultz, Brian (November 13, 2005). 1544:"There Could Be Nothing After This" 1284: 1250: 1169: 1081: 13: 4934:Albums produced by Adam Dutkiewicz 4612:"Warning: Addictive Hardcore Rock" 4313:. December 7, 2006. Archived from 4001:Hasty, Katie (February 15, 2007). 3334:. October 18, 2006. Archived from 2988: 2830:from the original on June 18, 2012 2815: 2752:. drivenfaroff.com. Archived from 2586: 1621:"Everyone Looks So Good from Here" 330:, and Glow in the Dark Studios in 18:2006 studio album by Underoath 14: 4950: 4110:. August 10, 2007. Archived from 3790:Harris, Chris (August 10, 2006). 3002:"Underoath Define the Great Line" 2893:from the original on June 7, 2011 2818:"Lost in the Sound of Separation" 2797:from the original on May 27, 2011 2715:Herbel, Brandon (June 20, 2006). 2513:from the original on July 4, 2012 1845: 1334: 1119: 851:. Listening parties were held at 760:, backed by the crowd noise. Its 4080:. April 26, 2007. Archived from 2315:Sacher, Andrew (March 8, 2021). 2086:Harris, Chris (April 27, 2006). 1917:Heisel, Scott (April 21, 2004). 1486: 1353: 1348: 1343: 1338: 1333: 1303: 1298: 1293: 1288: 1283: 1269: 1264: 1259: 1254: 1249: 1213: 1208: 1203: 1198: 1193: 1188: 1183: 1178: 1173: 1168: 1138: 1133: 1128: 1123: 1118: 1100: 1095: 1090: 1085: 1080: 1028:Maylene and the Sons of Disaster 589:, while Chamberlain highlighted 587:Maylene and the Sons of Disaster 541: 408:Maylene and the Sons of Disaster 4929:Tooth & Nail Records albums 4808:Lost in the Sound of Separation 4359: 4329: 4299: 4269: 4239: 4159: 4096: 4066: 4025: 3994: 3978:. June 26, 2006. Archived from 3964: 3903:Christian (November 28, 2006). 3896: 3866: 3840: 3783: 3756: 3728: 3700: 3672: 3608: 3580: 3550: 3520: 3502:"Underoath: 'Ever So Inviting'" 3493: 3452: 3422: 3359: 3320: 3279: 3178: 3151: 3124: 3097: 3070: 2979: 2959:Shultz, Brian (June 30, 2006). 2879: 2809: 2633:Burgess, Aaron (June 7, 2006). 2353:Kaiser, Boris (July 19, 2006). 2308: 2165: 1985:Nicole; CJ (October 19, 2005). 1599:"Moving for the Sake of Motion" 914:Lost in the Sound of Separation 668:Lost in the Sound of Separation 4464:. Retrieved October 23, 2022. 4446:. Retrieved October 23, 2022. 4428:. Retrieved October 23, 2022. 4219:Hanson, John (June 20, 2006). 3767:. Punknews.org. Archived from 3646:Rolli, Bryan (July 17, 2020). 3504:. Punknews.org. Archived from 3328:"Watch Underoath's new video!" 3189:. Punknews.org. Archived from 3162:. Punknews.org. Archived from 3135:. Punknews.org. Archived from 3108:. Punknews.org. Archived from 3081:. Punknews.org. Archived from 3077:Paul, Aubin (April 17, 2006). 2917:Heilman, Max (March 8, 2021). 2677:Brandon J. (August 20, 2006). 2031: 1989:. Concert Hype. Archived from 1963: 1937: 1921:. Punknews.org. Archived from 1910: 1506: 984:reported that this was due to 752:consists of the Bible passage 1: 4707: 3763:Paul, Aubin (March 6, 2006). 3185:Paul, Aubin (June 15, 2006). 3158:Paul, Aubin (June 13, 2006). 2545:Rauf, Raziq (July 13, 2006). 2113:Reay, Cathy (July 17, 2006). 1898: 1677:Timothy McTague – lead guitar 1434:debuted at number two on the 954:festival in Belgium, and the 546:While most commonly cited as 4610:Pelt, Doug Van (July 2006). 3500:Paul, Aubin (May 12, 2007). 3400:"Underoath Walks The 'Line'" 3131:Paul, Aubin (June 8, 2006). 3106:"Underoath debuts new track" 3104:Paul, Aubin (May 30, 2006). 2887:"Busted:Underoath interview" 1838: 1820: 1802: 1788: 1776: 1683:Grant Brandell – bass guitar 1652: 1588:"Casting Such a Thin Shadow" 1533:"A Moment Suspended in Time" 1050: 577:Brandon J. noted influences 7: 4794:They're Only Chasing Safety 4534:Catucci, Nick (July 2006). 3160:"Underoath debut new video" 2816:Monger, James Christopher. 2501:Monger, James Christopher. 2413:br3ad_man (June 20, 2006). 1725:Keith Armstrong – assistant 1680:James Smith – rhythm guitar 1468:Best Short Form Music Video 1407:They're Only chasing Safety 910:They're Only Chasing Safety 902:They're Only Chasing Safety 849:Steven's Untitled Rock Show 611:They're Only Chasing Safety 523:They're Only Chasing Safety 497:They're Only Chasing Safety 465:They're Only Chasing Safety 448:Best Short Form Music Video 346:and the band as producers. 323:They're Only Chasing Safety 280:Released: November 27, 2006 189:They're Only Chasing Safety 10: 4955: 4416:"Underoath Chart History ( 2117:. Europunk. Archived from 2115:"Interview with Underoath" 1455:was certified gold by the 950:Underoath appeared at the 933: 289:Released: January 23, 2007 4888:To Write Love on Her Arms 4870: 4838: 4764: 4715: 4497:Abraham, Ibrahim (2020). 3367:"Underoath In Mainstream" 1945:"Ask the Band: Underoath" 1887: 1872: 1861: 1858: 1825: 1807: 1793: 1781: 1769: 1762: 1759: 1746: 1555:"You're Ever So Inviting" 1513: 1510: 1505: 1068: 1065: 297: 286:"You're Ever So Inviting" 262: 251: 247: 232: 228: 223: 219: 182: 174: 148: 136: 120: 87: 66: 58: 50: 37: 28: 23: 2215:Tooth & Nail Records 1632:"To Whom It May Concern" 1577:"Returning Empty Handed" 732: 684:Title and lyrical themes 558:has also been tagged as 506:Westfield, Massachusetts 478:Tooth & Nail Records 458:Background and recording 414:temporarily replaced by 328:Westfield, Massachusetts 318:Tooth & Nail Records 74:Westfield, Massachusetts 3818:"Underoath Controversy" 2863:. Jesus Freak Hideout. 2589:"Define the Great Line" 2503:"Define the Great Line" 1731:Jeff Gros – photography 1378:The Kern County Kid of 271:Released: June 27, 2006 2985:Abraham 2020, pp. 93–4 2717:"Underoath - 06.20.06" 1752:Chart performance for 1610:"Writing on the Walls" 1566:"SĂĄlmarnir" ("Psalms") 1522:"In Regards to Myself" 1499:, music by Underoath. 947: 537:Composition and lyrics 277:"In Regards to Myself" 268:"Writing on the Walls" 257:Define the Great Line 4854:Survive, Kaleidoscope 4801:Define the Great Line 4787:The Changing of Times 4573:Flota, Brian (2016). 4505:Bloomsbury Publishing 4277:"Gold & Platinum" 3874:"Underoath Speak Out" 3794:. MTV. Archived from 3680:Underoath Observatory 3014:on September 10, 2012 2207:Define the Great Line 2149:. MTV. Archived from 2094:on September 13, 2021 2090:. MTV. Archived from 1853:Define the Great Line 1754:Define the Great Line 1734:Tom Baker – mastering 1699:Production and design 1692:– drums, clean vocals 1453:Define the Great Line 1432:Define the Great Line 1386:Define the Great Line 1365:Define the Great Line 944:Define the Great Line 941: 918:Underoath Observatory 906:Define the Great Line 897:The Changing of Times 888:Define the Great Line 825:Define the Great Line 809:Define the Great Line 803:Release and promotion 655:Define the Great Line 556:Define the Great Line 502:Define the Great Line 468:in June 2004 through 452:Define the Great Line 422:Define the Great Line 387:Define the Great Line 348:Define the Great Line 305:Define the Great Line 241:Define the Great Line 224:Special edition cover 207:Survive, Kaleidoscope 198:Define the Great Line 24:Define the Great Line 4861:Anthology: 1999–2013 4581:Taylor & Francis 3880:. December 3, 2006. 3708:Anthology: 1999–2013 3508:on February 14, 2022 3436:. January 16, 2007. 3373:. October 10, 2006. 2121:on February 23, 2008 2019:on December 27, 2005 1925:on November 28, 2021 1782:New Zealand Albums ( 1716:Underoath – producer 1056:Professional ratings 923:Anthology: 1999–2013 890:was included in the 645:From Autumn to Ashes 4721:Spencer Chamberlain 4174:on October 28, 2020 4143:. October 5, 2007. 3938:on October 23, 2020 3911:on October 22, 2021 3824:. August 15, 2006. 3798:on December 6, 2021 3771:on January 22, 2022 3744:cite AV media notes 3716:cite AV media notes 3688:cite AV media notes 3624:cite AV media notes 3596:cite AV media notes 3338:on October 31, 2006 3220:on December 5, 2017 3193:on January 27, 2022 3166:on January 24, 2022 3139:on January 24, 2022 3112:on January 24, 2022 3085:on January 23, 2022 2756:on January 13, 2008 2390:Catucci 2006, p. 88 2253:on October 21, 2020 2223:cite AV media notes 2153:on October 26, 2012 1993:on February 9, 2006 1855: 1851:Certifications for 1770:Australian Albums ( 1756: 1672:Spencer Chamberlain 1493:Spencer Chamberlain 1409:. Doug Van Pelt of 1245:Jesus Freak Hideout 1057: 762:ambient electronica 747:, with a number of 641:My Chemical Romance 605:. It abandoned the 486:Spencer Chamberlain 470:Solid State Records 426:Spencer Chamberlain 350:is predominantly a 239:Special edition of 4815:Ø (Disambiguation) 4737:Christopher Dudley 4652:. April 17, 2005. 4317:on August 22, 2016 4188:cite press release 4084:on August 28, 2016 4054:cite press release 3982:on August 21, 2016 3952:cite press release 3528:"Underoath On DVD" 3481:cite press release 3406:. April 25, 2006. 3356:Flota 2016, p. 178 3308:cite press release 3234:cite press release 3058:cite press release 2683:Indie Vision Music 2603:on August 12, 2011 2267:cite press release 2060:cite press release 1850: 1751: 1236:Indie Vision Music 1055: 1020:Taking Back Sunday 948: 908:was packaged with 572:Indie Vision Music 400:Taking Back Sunday 78:Glow in the Dark, 62:January–March 2006 4939:Post-metal albums 4906: 4905: 4780:Cries of the Past 4773:Act of Depression 4638:on April 6, 2016. 4311:Alternative Press 4247:"Underoath Smash" 4114:on March 19, 2017 4108:Alternative Press 4078:Alternative Press 3976:Alternative Press 3568:on March 19, 2017 3562:Alternative Press 3534:. June 20, 2007. 3267:on March 22, 2013 2859:(June 20, 2006). 2785:(July 12, 2006). 2640:Alternative Press 2597:Salem Web Network 2559:on April 16, 2014 2217:. 2006. TND42658. 1896: 1895: 1891: 1843: 1842: 1743: 1742: 1649: 1648: 1362: 1361: 1112:Alternative Press 775:pace, touches on 740:Cries of the Past 692:Alternative Press 673:Alternative Press 514:Killswitch Engage 340:Killswitch Engage 301: 300: 215: 214: 4946: 4924:Underoath albums 4898:Tooth & Nail 4871:Related articles 4702: 4695: 4688: 4679: 4678: 4673: 4671: 4669: 4639: 4637: 4631:. Archived from 4616: 4606: 4604: 4602: 4569: 4567: 4565: 4530: 4528: 4526: 4483: 4482: 4471: 4465: 4453: 4447: 4435: 4429: 4413: 4407: 4401: 4395: 4389: 4383: 4382: 4380: 4378: 4363: 4357: 4356: 4354: 4352: 4333: 4327: 4326: 4324: 4322: 4303: 4297: 4296: 4294: 4292: 4273: 4267: 4266: 4264: 4262: 4253:. July 4, 2006. 4243: 4237: 4236: 4234: 4232: 4223:. Sputnikmusic. 4216: 4210: 4209:Pelt 2006, p. 59 4207: 4198: 4197: 4191: 4183: 4181: 4179: 4163: 4157: 4156: 4154: 4152: 4137:"Drummer Crisis" 4133: 4124: 4123: 4121: 4119: 4100: 4094: 4093: 4091: 4089: 4070: 4064: 4063: 4057: 4049: 4047: 4045: 4029: 4023: 4022: 4020: 4018: 3998: 3992: 3991: 3989: 3987: 3968: 3962: 3961: 3955: 3947: 3945: 3943: 3927: 3921: 3920: 3918: 3916: 3900: 3894: 3893: 3891: 3889: 3870: 3864: 3863: 3861: 3859: 3844: 3838: 3837: 3835: 3833: 3814: 3808: 3807: 3805: 3803: 3787: 3781: 3780: 3778: 3776: 3760: 3754: 3753: 3747: 3739: 3732: 3726: 3725: 3719: 3711: 3704: 3698: 3697: 3691: 3683: 3676: 3670: 3669: 3667: 3665: 3643: 3634: 3633: 3627: 3619: 3612: 3606: 3605: 3599: 3591: 3584: 3578: 3577: 3575: 3573: 3554: 3548: 3547: 3545: 3543: 3524: 3518: 3517: 3515: 3513: 3497: 3491: 3490: 3484: 3476: 3474: 3472: 3456: 3450: 3449: 3447: 3445: 3426: 3420: 3419: 3417: 3415: 3396: 3387: 3386: 3384: 3382: 3363: 3357: 3354: 3348: 3347: 3345: 3343: 3324: 3318: 3317: 3311: 3303: 3301: 3299: 3283: 3277: 3276: 3274: 3272: 3263:. Archived from 3253: 3244: 3243: 3237: 3229: 3227: 3225: 3209: 3203: 3202: 3200: 3198: 3182: 3176: 3175: 3173: 3171: 3155: 3149: 3148: 3146: 3144: 3128: 3122: 3121: 3119: 3117: 3101: 3095: 3094: 3092: 3090: 3074: 3068: 3067: 3061: 3053: 3051: 3049: 3033: 3024: 3023: 3021: 3019: 3010:. Archived from 2997: 2986: 2983: 2977: 2976: 2974: 2972: 2963:. Punknews.org. 2956: 2939: 2938: 2936: 2934: 2923:Spectrum Culture 2914: 2903: 2902: 2900: 2898: 2883: 2877: 2876: 2874: 2872: 2853: 2840: 2839: 2837: 2835: 2813: 2807: 2806: 2804: 2802: 2779: 2766: 2765: 2763: 2761: 2746: 2737: 2736: 2734: 2732: 2721:AbsolutePunk.net 2712: 2699: 2698: 2696: 2694: 2674: 2657: 2656: 2654: 2652: 2643:. Archived from 2630: 2613: 2612: 2610: 2608: 2599:. Archived from 2587:Farias, Andree. 2584: 2569: 2568: 2566: 2564: 2555:. Archived from 2552:Drowned in Sound 2542: 2523: 2522: 2520: 2518: 2498: 2481: 2480: 2478: 2476: 2454: 2445: 2444: 2438: 2430: 2428: 2426: 2417:. 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Punknews.org. 2169: 2163: 2162: 2160: 2158: 2142: 2131: 2130: 2128: 2126: 2110: 2104: 2103: 2101: 2099: 2083: 2070: 2069: 2063: 2055: 2053: 2051: 2035: 2029: 2028: 2026: 2024: 2009: 2003: 2002: 2000: 1998: 1982: 1973: 1967: 1961: 1960: 1958: 1956: 1951:on June 10, 2007 1941: 1935: 1934: 1932: 1930: 1914: 1889: 1856: 1849: 1810:Christian Albums 1757: 1750: 1674:– unclean vocals 1661: 1642: 1508: 1503: 1502: 1404: 1358: 1357: 1356: 1352: 1351: 1347: 1346: 1342: 1341: 1337: 1336: 1308: 1307: 1306: 1302: 1301: 1297: 1296: 1292: 1291: 1287: 1286: 1274: 1273: 1272: 1268: 1267: 1263: 1262: 1258: 1257: 1253: 1252: 1225:Drowned in Sound 1218: 1217: 1216: 1212: 1211: 1207: 1206: 1202: 1201: 1197: 1196: 1192: 1191: 1187: 1186: 1182: 1181: 1177: 1176: 1172: 1171: 1143: 1142: 1141: 1137: 1136: 1132: 1131: 1127: 1126: 1122: 1121: 1105: 1104: 1103: 1099: 1098: 1094: 1093: 1089: 1088: 1084: 1083: 1058: 1054: 1040:Every Time I Die 841:Headbangers Ball 789:double bass roll 783:in the style of 721:Drowned in Sound 609:choruses of the 576: 378:, among others. 332:Atlanta, Georgia 290: 287: 281: 278: 272: 269: 237: 184: 183: 143:Tooth & Nail 132: 131: 127: 80:Atlanta, Georgia 72:Zing Recording, 33: 21: 20: 4954: 4953: 4949: 4948: 4947: 4945: 4944: 4943: 4909: 4908: 4907: 4902: 4866: 4834: 4760: 4743:Aaron Gillespie 4732:Timothy McTague 4711: 4706: 4676: 4667: 4665: 4642: 4635: 4614: 4600: 4598: 4591: 4563: 4561: 4524: 4522: 4515: 4487: 4486: 4473: 4472: 4468: 4454: 4450: 4436: 4432: 4414: 4410: 4402: 4398: 4390: 4386: 4376: 4374: 4365: 4364: 4360: 4350: 4348: 4335: 4334: 4330: 4320: 4318: 4305: 4304: 4300: 4290: 4288: 4275: 4274: 4270: 4260: 4258: 4245: 4244: 4240: 4230: 4228: 4217: 4213: 4208: 4201: 4185: 4184: 4177: 4175: 4164: 4160: 4150: 4148: 4135: 4134: 4127: 4117: 4115: 4102: 4101: 4097: 4087: 4085: 4072: 4071: 4067: 4051: 4050: 4043: 4041: 4030: 4026: 4016: 4014: 3999: 3995: 3985: 3983: 3970: 3969: 3965: 3949: 3948: 3941: 3939: 3928: 3924: 3914: 3912: 3901: 3897: 3887: 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June 9, 2020 4358: 4328: 4298: 4268: 4238: 4211: 4199: 4158: 4125: 4095: 4065: 4024: 3993: 3963: 3922: 3895: 3865: 3854:on May 3, 2021 3839: 3809: 3782: 3755: 3727: 3699: 3671: 3635: 3607: 3579: 3549: 3519: 3492: 3451: 3421: 3388: 3358: 3349: 3319: 3278: 3245: 3204: 3177: 3150: 3123: 3096: 3069: 3025: 2987: 2978: 2940: 2904: 2878: 2841: 2808: 2783:Cummings, Tony 2767: 2738: 2700: 2658: 2614: 2570: 2524: 2482: 2446: 2392: 2378: 2338: 2321:Brooklyn Vegan 2307: 2278: 2234: 2191: 2164: 2132: 2105: 2071: 2030: 2004: 1974: 1970:The Vindicator 1962: 1936: 1908: 1907: 1900: 1897: 1894: 1893: 1885: 1884: 1881: 1878: 1870: 1869: 1863: 1860: 1847: 1846:Certifications 1844: 1841: 1840: 1837: 1823: 1822: 1819: 1805: 1804: 1801: 1791: 1790: 1787: 1779: 1778: 1775: 1767: 1766: 1761: 1748: 1745: 1741: 1740: 1736: 1735: 1732: 1729: 1726: 1723: 1717: 1714: 1708: 1695: 1694: 1693: 1687: 1684: 1681: 1678: 1675: 1659: 1654: 1651: 1647: 1646: 1643: 1637: 1636: 1633: 1630: 1626: 1625: 1622: 1619: 1615: 1614: 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17: 9: 6: 4: 3: 2: 4951: 4940: 4937: 4935: 4932: 4930: 4927: 4925: 4922: 4920: 4917: 4916: 4914: 4899: 4896: 4894: 4891: 4889: 4886: 4884: 4881: 4879: 4876: 4875: 4873: 4869: 4863: 4862: 4858: 4856: 4855: 4851: 4849: 4848: 4844: 4843: 4841: 4837: 4831: 4830: 4826: 4824: 4823: 4819: 4817: 4816: 4812: 4810: 4809: 4805: 4803: 4802: 4798: 4796: 4795: 4791: 4789: 4788: 4784: 4782: 4781: 4777: 4775: 4774: 4770: 4769: 4767: 4765:Studio albums 4763: 4757: 4756:Dallas Taylor 4754: 4752: 4749: 4748: 4745: 4744: 4740: 4738: 4735: 4733: 4730: 4728: 4725: 4723: 4722: 4718: 4717: 4714: 4710: 4703: 4698: 4696: 4691: 4689: 4684: 4683: 4680: 4663: 4659: 4655: 4651: 4650: 4645: 4641: 4634: 4630: 4626: 4622: 4621: 4613: 4608: 4596: 4592: 4590:9781317020264 4586: 4582: 4578: 4577: 4571: 4559: 4555: 4551: 4547: 4543: 4542: 4537: 4532: 4520: 4516: 4514:9781350094802 4510: 4506: 4502: 4501: 4495: 4494: 4492: 4491: 4480: 4476: 4470: 4463: 4462: 4457: 4452: 4445: 4444: 4439: 4434: 4427: 4426: 4421: 4419: 4412: 4405: 4400: 4393: 4388: 4372: 4368: 4362: 4346: 4342: 4338: 4332: 4316: 4312: 4308: 4302: 4286: 4282: 4278: 4272: 4256: 4252: 4251:Cross Rhythms 4248: 4242: 4226: 4222: 4215: 4206: 4204: 4195: 4189: 4173: 4169: 4162: 4146: 4142: 4141:Cross Rhythms 4138: 4132: 4130: 4113: 4109: 4105: 4099: 4083: 4079: 4075: 4069: 4061: 4055: 4039: 4035: 4028: 4012: 4008: 4004: 3997: 3981: 3977: 3973: 3967: 3959: 3953: 3937: 3933: 3926: 3910: 3906: 3899: 3883: 3879: 3878:Cross Rhythms 3875: 3869: 3853: 3849: 3843: 3827: 3823: 3822:Cross Rhythms 3819: 3813: 3797: 3793: 3786: 3770: 3766: 3759: 3751: 3745: 3737: 3731: 3723: 3717: 3709: 3703: 3695: 3689: 3681: 3675: 3659: 3655: 3654: 3649: 3642: 3640: 3631: 3625: 3617: 3611: 3603: 3597: 3589: 3583: 3567: 3563: 3559: 3553: 3537: 3533: 3532:Cross Rhythms 3529: 3523: 3507: 3503: 3496: 3488: 3482: 3466: 3462: 3455: 3439: 3435: 3431: 3425: 3409: 3405: 3401: 3395: 3393: 3376: 3372: 3371:Cross Rhythms 3368: 3362: 3353: 3337: 3333: 3329: 3323: 3315: 3309: 3293: 3289: 3282: 3266: 3262: 3258: 3252: 3250: 3241: 3235: 3219: 3215: 3208: 3192: 3188: 3181: 3165: 3161: 3154: 3138: 3134: 3127: 3111: 3107: 3100: 3084: 3080: 3073: 3065: 3059: 3043: 3039: 3032: 3030: 3013: 3009: 3008: 3003: 2996: 2994: 2992: 2982: 2966: 2962: 2955: 2953: 2951: 2949: 2947: 2945: 2928: 2924: 2920: 2913: 2911: 2909: 2892: 2888: 2882: 2866: 2862: 2858: 2852: 2850: 2848: 2846: 2829: 2825: 2824: 2819: 2812: 2796: 2792: 2791:Cross Rhythms 2788: 2784: 2778: 2776: 2774: 2772: 2755: 2751: 2745: 2743: 2726: 2722: 2718: 2711: 2709: 2707: 2705: 2688: 2684: 2680: 2673: 2671: 2669: 2667: 2665: 2663: 2646: 2642: 2641: 2636: 2629: 2627: 2625: 2623: 2621: 2619: 2602: 2598: 2594: 2590: 2583: 2581: 2579: 2577: 2575: 2558: 2554: 2553: 2548: 2541: 2539: 2537: 2535: 2533: 2531: 2529: 2512: 2508: 2504: 2497: 2495: 2493: 2491: 2489: 2487: 2470: 2466: 2465: 2460: 2453: 2451: 2442: 2436: 2420: 2416: 2409: 2407: 2405: 2403: 2401: 2399: 2397: 2387: 2385: 2383: 2366: 2363:(in German). 2362: 2361: 2356: 2349: 2347: 2345: 2343: 2326: 2322: 2318: 2311: 2295: 2291: 2285: 2283: 2274: 2268: 2252: 2248: 2241: 2239: 2230: 2224: 2216: 2212: 2208: 2202: 2200: 2198: 2196: 2179: 2175: 2168: 2152: 2148: 2141: 2139: 2137: 2120: 2116: 2109: 2093: 2089: 2082: 2080: 2078: 2076: 2067: 2061: 2045: 2041: 2034: 2018: 2014: 2008: 1992: 1988: 1981: 1979: 1971: 1966: 1950: 1946: 1940: 1924: 1920: 1913: 1909: 1906: 1905: 1892: 1886: 1882: 1879: 1876: 1871: 1867: 1862:Certification 1857: 1854: 1835: 1834: 1829: 1824: 1817: 1816: 1811: 1806: 1800: 1798: 1792: 1785: 1780: 1773: 1768: 1760:Chart (2006) 1758: 1755: 1739: 1733: 1730: 1727: 1724: 1721: 1718: 1715: 1712: 1709: 1706: 1703: 1702: 1701: 1700: 1696: 1691: 1688: 1685: 1682: 1679: 1676: 1673: 1670: 1669: 1668: 1667: 1663: 1662: 1658: 1644: 1641:Total length: 1638: 1634: 1631: 1627: 1623: 1620: 1616: 1612: 1609: 1605: 1601: 1598: 1594: 1590: 1587: 1583: 1579: 1576: 1572: 1568: 1565: 1561: 1557: 1554: 1550: 1546: 1543: 1539: 1535: 1532: 1528: 1524: 1521: 1517: 1504: 1500: 1498: 1494: 1487:Track listing 1484: 1481: 1480: 1475: 1474: 1469: 1465: 1462: 1458: 1454: 1450: 1446: 1445: 1440: 1438: 1433: 1429: 1427: 1422: 1420: 1419: 1414: 1413: 1408: 1401: 1400: 1395: 1391: 1387: 1383: 1382: 1376: 1374: 1370: 1369:music critics 1366: 1331: 1329: 1328: 1324: 1323: 1319: 1317: 1316: 1312: 1311: 1281: 1278: 1277: 1247: 1244: 1243: 1239: 1237: 1234: 1233: 1229: 1227: 1226: 1222: 1221: 1166: 1164: 1163: 1162:Cross Rhythms 1159: 1158: 1154: 1152: 1151: 1147: 1146: 1116: 1114: 1113: 1109: 1108: 1078: 1076: 1073: 1072: 1064: 1061:Review scores 1059: 1048: 1045: 1041: 1037: 1033: 1029: 1025: 1021: 1017: 1012: 1010: 1006: 1002: 998: 997: 991: 987: 983: 982: 977: 973: 972:The Bamboozle 969: 965: 961: 957: 953: 945: 940: 931: 929: 925: 924: 919: 915: 911: 907: 903: 899: 898: 893: 889: 880: 878: 874: 869: 865: 861: 856: 854: 850: 846: 842: 838: 834: 830: 826: 822: 818: 814: 810: 800: 798: 797:tempo changes 794: 790: 786: 782: 778: 774: 769: 767: 763: 759: 758:Televangelist 755: 750: 746: 742: 741: 730: 728: 723: 722: 717: 715: 711: 706: 702: 697: 694: 693: 681: 678: 674: 670: 669: 664: 660: 656: 652: 650: 646: 642: 638: 634: 630: 627: 623: 622: 621:Cross Rhythms 617: 616:Tony Cummings 612: 608: 604: 600: 596: 592: 588: 584: 580: 573: 569: 568:post-hardcore 565: 561: 557: 553: 549: 542:Musical style 534: 532: 528: 524: 519: 515: 511: 507: 503: 498: 493: 491: 487: 483: 479: 475: 471: 467: 466: 455: 453: 449: 445: 442: 438: 434: 432: 427: 423: 419: 417: 413: 409: 405: 401: 396: 392: 388: 384: 379: 377: 373: 369: 365: 364:post-hardcore 361: 357: 353: 349: 345: 341: 337: 333: 329: 325: 324: 319: 315: 311: 307: 306: 296: 283: 274: 265: 264: 261: 258: 254: 250: 246: 242: 236: 231: 227: 222: 218: 209: 208: 204: 200: 199: 195: 191: 190: 186: 185: 181: 177: 173: 166: 164: 161: 159: 156: 155: 153: 151: 147: 144: 141: 139: 135: 123: 119: 113: 112:post-hardcore 110: 108: 105: 103: 100: 98: 95: 94: 92: 90: 86: 81: 77: 75: 71: 70: 69: 65: 61: 57: 54:June 20, 2006 53: 49: 45: 40: 36: 32: 27: 22: 16: 4859: 4852: 4845: 4839:Other albums 4827: 4820: 4813: 4806: 4800: 4799: 4792: 4785: 4778: 4771: 4741: 4736: 4731: 4726: 4719: 4668:December 17, 4666:. 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Music 857: 848: 840: 837:T-Minus Rock 836: 824: 820: 808: 806: 792: 770: 738: 736: 726: 719: 718: 701:Christianity 698: 690: 687: 676: 672: 666: 654: 653: 619: 610: 599:Cult of Luna 571: 555: 545: 522: 518:Matt Goldman 501: 496: 494: 490:mailing list 463: 461: 451: 444:Grammy Award 430: 421: 420: 416:Kenny Bozich 386: 380: 376:Cult of Luna 347: 344:Matt Goldman 321: 304: 303: 302: 256: 240: 205: 197: 196: 187: 163:Matt Goldman 39:Studio album 15: 4919:2006 albums 4893:Solid State 4878:Discography 3915:October 29, 3775:January 22, 3271:October 31, 3197:January 27, 3170:January 24, 3143:January 24, 3116:January 24, 3089:January 23, 2897:January 23, 2760:January 27, 2209:(booklet). 2013:"Underoath" 1972:2005, p. D3 1470:. In 2017, 1449:LeAnn Rimes 1001:Silverstein 976:Warped Tour 900:(2002) and 873:video album 868:DVD version 705:Josh Taylor 583:the Chariot 391:Warped Tour 4913:Categories 4579:. London: 4231:August 12, 4088:August 21, 2457:Stendahl. 1899:References 1713:– producer 1707:– producer 1491:Lyrics by 1044:The Almost 1024:Norma Jean 996:Rock Sound 968:Sincebyman 813:PureVolume 793:Failure On 781:post-metal 773:space rock 745:Norma Jean 564:post-metal 480:. Drummer 404:Norma Jean 360:post-metal 178:chronology 107:post-metal 4829:Voyeurist 4709:Underoath 4658:0890-9857 4629:1524-7848 4554:0886-3032 4536:"Reviews" 4461:Billboard 4443:Billboard 4425:Billboard 4418:Billboard 4351:March 22, 4321:August 8, 4118:March 18, 4007:Billboard 3572:March 19, 3434:AllAccess 3404:Billboard 2731:August 1, 2360:Rock Hard 2211:Underoath 2023:August 8, 1929:March 28, 1904:Citations 1833:Billboard 1815:Billboard 1797:Billboard 1765:position 1666:Underoath 1653:Personnel 1437:Billboard 1399:Rock Hard 1394:Bloodgood 1315:Rock Hard 1051:Reception 952:Groezrock 853:Hot Topic 821:Overdrive 777:post-rock 766:Sigur RĂłs 749:dissonant 637:grindcore 548:metalcore 474:Codeseven 431:Billboard 352:metalcore 314:Underoath 176:Underoath 167:Underoath 97:Metalcore 44:Underoath 4822:Erase Me 4662:Archived 4595:Archived 4558:Archived 4519:Archived 4371:Kerrang! 4345:Archived 4341:Loudwire 4285:Archived 4255:Archived 4225:Archived 4145:Archived 4011:Archived 3986:July 29, 3882:Archived 3826:Archived 3658:Archived 3536:Archived 3438:Archived 3408:Archived 3375:Archived 3332:Kerrang! 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Index

A night time shot of a desert landscape
Studio album
Underoath
Westfield, Massachusetts
Atlanta, Georgia
Genre
Metalcore
emo
post-metal
post-hardcore
Label
Tooth & Nail
Producer
Adam Dutkiewicz
Matt Goldman
Underoath
They're Only Chasing Safety
Survive, Kaleidoscope

Singles
rock
Underoath
Tooth & Nail Records
They're Only Chasing Safety
Westfield, Massachusetts
Atlanta, Georgia
Adam Dutkiewicz
Killswitch Engage
Matt Goldman
metalcore

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