802:
131:
523:
535:
40:
2994:
283:
3004:
203:
343:. The combined company opened at the Bourgogne on 3 February 1762 and continued to perform in the theatre until 4 April 1783, after which they moved to the new Salle Favart. By this time all the Italian players had either retired or returned to Italy, and the traditional Comédie-Italienne had in effect ceased to exist. The name Comédie-Italienne was used less and less and was completely abandoned in 1801, when the company merged with the
798:. Paer resumed the directorship in November 1826, and Rossini's attention turned to creating French operas at the Opéra. The Théâtre-Italien's association with the Opéra only lasted until October 1827, when it regained its independence from the crown and lost the appellation "Royal". Paër was replaced as director by Émile Laurent on 2 October.
93:, which was founded that year, and just as the name Théâtre-Français was commonly applied to the latter, Théâtre-Italien was used for the Italians. Over time French phrases, songs, whole scenes, and eventually entire plays were incorporated into the Comédie-Italienne's performances. By 1762 the company was merged with the
228:. Around the same time the troupe became widely popular, King Louis XIV gave the newly formed national theatre of France, the Comedie Francaise, a monopoly on spoken French drama. The royalty saw the troupe's cooperation with French playwrights as a threat and began to consider refusing the troupe their annual pension.
674:
was known at that time), while maintaining the autonomy of each establishment. Paër again served as director from 1819 to 1824 and 1826 to 1827. From 1819 to 1825 the company performed at the Salle
Louvois, which only accommodated 1100 spectators. Several Paris premieres of Rossini operas were given
456:
on 7 February 1662. These early Paris productions of
Italian operas were usually tailored to French taste. Ballets with music by French composers were often interpolated between acts. They were also highly elaborate visual spectacles, several with numerous set changes and scenic effects accomplished
198:
is an improvisational type of theatre; there were no scripts. They had multiple scenarios that they would pick from to perform, but inside that scenario they really did not have anything else planned out. They did however have specific character types, called "stock characters", that became famous
656:
disrupted the King's plans. The actors therefore stayed a little longer at the Théâtre de l'Impératrice. Upon the restoration of King Louis XVIII to power, Madame
Catalani joined the troupe. However, she soon went on a tour across Europe, leaving control of the theatre to Paër, who presented the
148:
In the 17th century, the historical Comédie-Italienne was supported by the king. At that time, a distinction was made between so-called legitimate theatre, which could be performed in royally-sanctioned theatres, and the more lowbrow street theatre, which did not undergo the scrutiny of royal
247:. There is a debate among scholars as to whether or not the play was actually performed or if the play was simply advertised and the King learned of its existence. Regardless, upon his knowledge of the play's existence, the king had the actors sent away and the theatre shut down.
275:, to send him a troupe of Italian actors to revive the Comédie-Italienne in Paris, which had been disbanded nearly twenty years previous. To avoid some of the difficulties of the earlier troupe, he specified that its leader should be a man of good character and manners.
263:, was particularly desirous of restoring pleasure and amusement to the capital. He and his friends fondly remembered the Théâtre-Italien from twenty years previous. The main options for theatre in Paris at the time were the highly refined productions of the
271:. There was a need for theatrical comedy somewhere in between, with greater popular appeal than the Comédie-Française, but higher production values than those of the theatres at the fairs. In the spring of 1716 Philippe asked his cousin, the
670:, or royal permission to perform, was revoked, and the theatre shut down. It was then decided to hand over administration of the theatre, now known as the Théâtre Royal Italien, to the Academie Royale de Musique (as the
308:) in Italian. After an initial period of success, audiences dwindled, and the new company was also forced to begin performing more and more plays in French. Between 1720 and 1740 the company presented around 20 plays of
553:
in 1801, when it was officially known as the Opera Buffa, but more familiarly as the
Bouffons. The company first performed at the Théâtre Olympique on the rue de la Victoire, but moved to the
931:
801:
255:
After the period of mourning following the death of Louis XIV in 1715, the oppressive atmosphere of religious devotion characteristic of the latter part of his reign began to lift.
432:
185:
in 1680, at which time the
Italians, now officially the Comédie-Italienne, returned to the Hôtel de Bourgogne, where they performed until the company was disbanded in 1697.
730:
Rossini himself had come to Paris by 1 August 1824 and became director of the Théâtre-Italien on 1 December 1824. He revived eight of his earlier works, including
130:
663:
on 1 February 1817 in the first Salle Favart, although the production was so inferior, he was accused of "attempting to sabotage
Rossini's reception in Paris".
300:
from 18 May 1716 until the Hôtel de
Bourgogne had been renovated. Their first performance in the renovated Bourgogne theatre was on 1 June, when they performed
1061:
188:
The historical Comédie-Italienne presented to the French-speaking public spectacles performed by professional
Italian actors. At first, these actors performed
791:
244:
297:
158:
783:
355:
The first operas shown in Paris were
Italian and were given in the mid-17th century (1645–1662) by Italian singers invited to France by the regent
1334:), gives the date as 23 September 1819, but Loewenberg 1978, col 643, says this is erroneous, rather it was actually performed on 26 October 1819.
754:, on 25 September 1825. On 12 November 1825 the company moved from the Salle Louvois to the refurbished first Salle Favart, where Rossini staged
476:
in 1669. Despite this, over the course of the 18th century, Italian musical performers came to Paris. In particular, in 1752, performances of the
1829:
110:
From 1801 to 1878, Théâtre-Italien was used for a succession of
Parisian opera companies performing Italian opera in Italian. In 1980 the name
1795:
Le Théâtre Italien de Gherardi ou le Recueil général de toutes les comédies et scènes françoises jouées par les Comédiens Italiens du Roy ...
97:, but the names Comédie-Italienne and Théâtre-Italien continued to be used, even though the repertory soon became almost exclusively French
494:
In 1787, after the particular success of one troupe of Italian singers, came the idea of establishing a resident theatrical company for
3033:
598:, first presented on 26 September 1807. Several of Mozart's operas were first presented in Italian in Paris by the company, including
898:
522:
534:
231:
In 1697, a single event caused the King to finalize his decision. The actors had just announced upcoming performances of the play
2144:
506:, the king's brother, known at court as Monsieur. They first performed at the Tuileries Palace theatre, before moving to the
79:
17:
711:
2113:
39:
2086:
2078:
2052:
2037:
2022:
2007:
1947:
1924:
1905:
1892:
1884:
1869:
1842:
1787:
1772:
1753:
1740:
1663:
1563:
1550:
897:
Despite the closing of the Théâtre-Italien, operas continued to be performed in Italian in Paris, sometimes at the
272:
1909:
543:
2962:
1685:
Brooks, William (October 1996). "Louis XIV's Dismissal of the Italian Actors: The Episode of 'La Fausse Prude'".
256:
216:
After moving to the Hôtel de Bourgogne in 1680 the troupe began presenting scripted plays by dramatists such as
150:
3028:
405:
61:
are French names which have been used to refer to Italian-language theatre and opera when performed in France.
2539:
2358:
2212:
634:
1597:
Boquet, Guy (April–June 1977). "La Comédie Italienne sous la Régence: Arlequin poli par Paris (1716-1725)".
627:
174:
1854:
744:, was premiered by the company on 19 June 1825 but was not a success. He also produced the first opera by
2137:
828:
461:. The visual spectacle enhanced their popularity with the French, who mostly did not understand Italian.
178:
1582:
902:
221:
1586:
699:(23 April 1822). His operas were so popular, that some of his Paris premieres were given at the larger
557:
on 17 January 1802. Montansier retired on 21 March 1803. From 9 July 1804 the company performed at the
279:
was chosen, and in a few weeks he assembled a group of ten actors, all of whom were devout Christians.
1738:
Charlton, David (1992). "Paris. 4. 1789–1870. (v) The Théâtre Italien", vol. 3, pp. 870–871, in
322:
2793:
1518:
The information in the table is from Wild 1989, pp. 194–209; Charlton, 1992, pp. 867, 870–871.
2292:
1376:) gives the date of the Paris premiere as 31 May 1821, Loewenberg 1978, col 649, gives 5 June 1821.
844:
499:
473:
340:
317:
268:
217:
2574:
2441:
2063:
1066:
869:
677:
659:
550:
527:
71:
1732:
1057:
111:
31:
3038:
2942:
2426:
2343:
2130:
1890:
Johnson, Janet (1992). "Paris, 4: 1789–1870 (v) Théâtre-Italien", vol. 3, pp. 870–871, in
882:
859:
600:
390:
316:
was particularly famous for her portrayals of Marivaux's heroines. As the competition from the
264:
182:
90:
970:
173:, was the head of the Italian company. Both troupes, evicted from the Palais-Royal by Lully's
2648:
2564:
2277:
1806:
1718:
1571:
Les comédiens italiens à la cour de France sous Charles IX, Henri III, Henri IV et Louis XIII
750:
638:
503:
488:
413:
and Marco Marazzoli) was given at the Palais-Royal on 13 February 1646. A new Italian opera,
380:
190:
66:
2611:
1992:
1988:
1984:
1818:
1814:
1810:
1802:
1798:
1574:
2927:
2623:
2421:
2333:
2282:
1626:
Boquet, Guy (July–September 1979). "Les comédiens Italiens a Paris au temps de Louis XIV".
832:
771:
591:
558:
507:
426:, Mazarin was in exile and no Italian works were performed, but after his return to Paris,
344:
104:
85:
The first official use of the name Comédie-Italienne was in 1680, when it was given to the
2691:
162:
8:
2287:
683:
240:
75:
2903:
2862:
2606:
2601:
2436:
2363:
1969:
1702:
1643:
1614:
864:
740:
579:
449:
410:
376:
356:
583:
491:, a debate about the relative superiorities of French and Italian musical traditions.
328:
3003:
2810:
2554:
2549:
2090:
2082:
2074:
2048:
2033:
2018:
2003:
1943:
1920:
1901:
1880:
1865:
1846:
1838:
1783:
1768:
1749:
1674:
1659:
1559:
1393:) gives the date as 20 April 1822, but Loewenberg 1978, col 629, gives 23 April 1822.
1386:
1369:
1348:
1327:
887:
840:
795:
787:
779:
745:
723:
700:
645:
575:
511:
419:, with music composed by Luigi Rossi, premiered at the Palais-Royal on 2 March 1647.
2698:
717:
606:
565:, at that time called the "Théâtre de l'Impératrice". They stayed there until 1815.
2882:
2877:
2559:
2348:
1935:
1694:
1635:
1606:
1590:
824:
689:
617:
483:
453:
360:
166:
2738:
2728:
2686:
336:
103:. The names were dropped completely in 1801, when the company was merged with the
99:
94:
2997:
2932:
2830:
2718:
2638:
2584:
2385:
2338:
2177:
1824:
1015:
877:
812:
458:
368:
313:
290:
276:
210:
47:
2723:
181:, where they continued to perform in alternation until the establishment of the
89:
troupe at the Hôtel de Bourgogne, to distinguish it from the French troupe, the
2969:
2854:
2820:
2783:
2643:
2633:
2457:
2399:
2375:
2313:
2172:
891:
836:
820:
775:
767:
705:
399:
385:
141:
135:
2071:
Dictionnaire des théâtres parisiens au XIXe siècle: les théâtres et la musique
671:
542:, home of the Théâtre-Italien from 1804 to 1808 and 1819 to 1825, designed by
3022:
3007:
2979:
2974:
2922:
2917:
2892:
2628:
2370:
2318:
2308:
2182:
1897:
1834:
1761:
La révolution des Bouffons. L'opéra italien au Théâtre de Monsieur, 1789–1792
1745:
1555:
1548:
Anthony, James R. (1992). "Mazarin, Cardinal Jules", vol. 3, p. 287, in
957:
539:
444:
427:
415:
403:
with music by Francesco Cavalli, but now believed to be the 1639 comic opera
225:
154:
1983:(3 volumes). Paris: Veuve Duchesne. Reprint: Geneva: Slatkine (1970). Vols.
1930:
Naudeix, Laura (2022). "Opera in France c. 1640 – c. 1710", pp. 215–239, in
819:
Rossini continued to help the Théâtre-Italien to recruit singers, including
202:
2947:
2867:
2835:
2815:
2805:
2788:
2773:
2768:
2676:
2594:
2544:
2323:
2207:
2187:
1724:
1639:
1578:
944:
848:
807:
653:
612:
554:
510:. However, in 1792, the Italian troupe departed due to the upheaval of the
465:
115:
2107:
1939:
1850:
1610:
1390:
1352:
1331:
549:
A new Théâtre-Italien, performing Italian opera in Italian, was formed by
498:. This initiative became reality in January 1789 with the founding of the
2952:
2937:
2908:
2840:
2800:
2778:
2733:
2708:
2703:
2653:
2618:
2380:
2328:
2262:
1373:
906:
622:
587:
570:
478:
1973:
1678:
1647:
1618:
350:
2912:
2713:
2658:
2579:
2569:
2472:
2462:
2353:
2242:
2232:
2227:
1706:
853:
756:
514:, but the theatre continued presenting French plays and opéra-comique.
320:
increased, the company began presenting similar fare, including French
1919:(third edition, revised). Totowa, New Jersey: Rowman and Littlefield.
1071:, where it was established in 1980 by the director Attilio Maggiulli.
282:
170:
2957:
2589:
2252:
1960:
fantasma di Cavalli: nuova luce sulla rappresentazione parigina dell
469:
70:
companies employed by the French court under the Italian-born queens
2497:
1698:
2872:
2743:
2517:
2197:
2167:
2094:
1877:
Music in the Service of the King. France in the Seventeenth Century
695:
649:
309:
2017:, edited by Martin Banham. Cambridge: Cambridge University Press.
1096:
886:
there in 1842. The Théâtre-Italien also produced popular works by
562:
2897:
2681:
762:
648:. Almost everything was set for the transfer, when the return of
642:
620:, who served as director from 1810 to 1812. Spontini also added
2825:
2512:
2507:
2502:
2487:
2482:
2237:
2202:
2153:
423:
260:
2013:
Roy, Donald (1995). "Comédie-Italienne", pp. 233–234, in
1827:(2001). "Rossini, Gioachino, §5: Europe and Paris, 1822–9" in
442:
was given in the Salle du Louvre on 22 November 1660, and his
436:
was produced at the Petit-Bourbon on 14 April 1654. Cavalli's
82:, probably the earliest public theatre to be built in France.
78:. These troupes also gave public performances in Paris at the
2887:
2748:
2217:
2192:
1981:
Annales du théâtre italien depuis son origine jusqu'à ce jour
1296:
Johnson 1992; Loewenberg 1978, col 633; Simeone 2000, p. 186.
912:
766:(14 March 1826). Under Rossini the troupe's singers included
568:
During this early period the Théâtre-Italien first presented
438:
250:
125:
2222:
2117:
1934:, edited by Jacqueline Waeber. Cambridge University Press (
1764:
987:
2 October 1815 – 20 April 1818
727:(7 September 1824, produced under Rossini's supervision).
517:
2247:
2122:
1190:
Powell 2000, p. 22; Anthony 1992; Isherwood 1973, p. 121.
857:(25 January 1835 at the first Salle Favart), Donizetti's
375:, although this has been disputed. It was presented at
502:
company, which was soon put under the auspices of the
27:
Italian-language theatre and opera performed in France
1536:
Charlton, 1992, p. 867, gives the date 4 August 1808.
894:, but the theatre was later forced to close in 1878.
351:
Italian opera in Paris in the 17th and 18th centuries
64:
The earliest recorded visits by Italian players were
1932:
The Cambridge Companion to Seventeenth-Century Opera
1864:(fourth edition). Oxford: Oxford University Press.
1007:12 November 1825 – 14 January 1838
472:assumed power, as witnessed by the creation of the
1797:6 vols. Amsterdam: Michel Charles le Cène. Vols.
1488:
1486:
2047:, p. 239. New Haven: Yale University Press.
2032:. Charlottesville: University Press of Virginia.
977:16 June 1808 – 30 September 1815
383:, on 28 February 1645. Francesco Sacrati's opera
373:Il giudito della ragione tra la Beltà e l'Affetto
267:or the "crude and tasteless" performances of the
3020:
1020:30 January 1838 – 31 March 1838
997:20 March 1819 – 8 November 1825
851:, and to commission operas, including Bellini's
1830:The New Grove Dictionary of Music and Musicians
1483:
1437:
1435:
1433:
1051:
876:The Théâtre-Italien settled permanently in the
863:(12 March 1835 at the first Salle Favart), and
161:, where they performed in alternation with the
1313:
1311:
1042:2 October 1841 – 28 June 1878
950:17 January 1802 – 19 May 1804
936:31 May 1801 – 13 January 1802
657:first Rossini opera to be performed in Paris,
209:, engraving by Louis Jacob of the painting by
138:, Ambassadeur du Maroc, à la Comédie Italienne
2138:
1671:The Théâtre Italien: Its Repertory, 1716–1793
1032:October 1838 – 31 March 1841
1673:. Berkeley: University of California Press.
1430:
363:. The first was really a play with music, a
30:For the current theatre with this name, see
1715:Les comédiens du roi de la troupe italienne
1308:
962:9 July 1804 – 12 June 1808
2145:
2131:
2030:The Commedia dell'Arte in Paris, 1644–1697
913:Venues of the 19th-century Théâtre-Italien
880:in 1841. It saw the premiere of Rossini's
149:censors. Italian troupes performed in the
118:district of Paris, which presents Italian
1628:Revue d'histoire moderne et contemporaine
1599:Revue d'histoire moderne et contemporaine
1501:Johnson 1992; Loewenberg 1978, cols 764 (
1459:Johnson 1992; Loewenberg 1978, cols 682 (
1402:Johnson 1992; Loewenberg 1978, cols 641 (
1385:The printed libretto listed at WorldCat (
1271:Johnson 1992; Loewenberg 1978, cols 426 (
464:Italian opera was abandoned in favour of
251:The Comédie-Italienne in the 18th century
126:The Comédie-Italienne in the 17th century
1968:, vol. 19, no. 1/2 (2007), pp. 125–126.
1656:La Comédie Italienne: Marivaux et Silvia
1132:
1130:
1128:
1126:
1089:
1086:Hartnoll 1983, p. 168; Roy 1995, p. 233.
800:
533:
521:
281:
201:
169:, who was to have a strong influence on
153:up to 1645, at which time they moved to
129:
38:
1780:Historical Dictionary of French Theater
1450:Johnson 1992; Loewenberg 1978, col 696.
1226:Powell 2000, pp. 57, 148; Anthony 1992.
518:The Théâtre-Italien in the 19th century
397:(previously thought to be a version of
14:
3021:
1684:
1625:
1596:
1116:
1114:
811:in 1843 by the Théâtre-Italien at the
526:The original Salle Favart (drawing by
239:, a play that directly ridiculed King
2126:
2000:Music and Theatre in France 1600–1680
1717:(2 volumes). Paris: Berger-Levrault.
1217:Powell 2000, pp. 22–23; Anthony 1992.
1172:Powell 2000, pp. 21–22; Anthony 1992.
1123:
641:wanted to entrust the theatre to the
359:and her Italian-born first minister,
335:In 1762, the company merged with the
207:Départ des comédiens italiens en 1697
2112:List of all the performances at the
1879:. Ithaca: Cornell University Press.
1793:Gherardi, Evaristo, editor (1721).
296:Riccoboni's troupe performed at the
2114:Comédie-Italienne from 1783 to 1800
2002:. Oxford: Oxford University Press.
1862:The Oxford Companion to the Theatre
1111:
1010:Destroyed by fire 14 January 1838.
939:Located on the rue de la Victoire.
616:(2 September 1811), the last under
44:The actors of the Comédie-Italienne
24:
2015:The Cambridge Guide to the Theatre
1964:di Mazzocchi e Marazzoli (1646)",
1860:Hartnoll, Phyllis, editor (1983).
1527:Barbier (1995), pp. 174–175.
1326:The libretto, listed at WorldCat (
25:
3050:
3034:Buildings and structures in Paris
2101:
2073:. Paris: Aux Amateurs de livres.
2060:Le théâtre italien de 1801 à 1913
1893:The New Grove Dictionary of Opera
1741:The New Grove Dictionary of Opera
1551:The New Grove Dictionary of Opera
1364:Although the printed libretto of
1181:Powell 2000, p. 22; Anthony 1992.
457:with stage machinery designed by
165:. It was during this period that
80:theatre of the Hôtel de Bourgogne
3002:
2993:
2992:
1404:Elisabetta, regina d'Inghilterra
1045:Final performance 28 June 1878.
712:Elisabetta, regina d'Inghilterra
561:, and from 16 June 1808, at the
312:with great success. The actress
199:and loved by the theatre goers.
1917:Annals of Opera 1597–1940
1782:. Lanham: The Scarecrow Press.
1542:
1530:
1521:
1512:
1495:
1474:
1453:
1444:
1421:
1396:
1379:
1358:
1337:
1320:
1299:
1290:
1265:
1256:
1247:
1238:
1229:
1220:
1211:
1202:
1193:
1184:
1175:
916:
1962:Egisto ovvero Chi soffre speri
1759:Di Profio, Alessandro (2003).
1729:L'Opéra italien de 1645 à 1855
1166:
1157:
1148:
1139:
1102:
1080:
406:Egisto ovvero Chi soffre speri
114:was used for a theatre in the
13:
1:
1875:Isherwood, Robert M. (1973).
1669:Brenner, Clarence D. (1961).
544:Alexandre-Théodore Brongniart
122:plays in French translation.
1052:The modern Comédie-Italienne
433:Le nozze di Peleo e di Theti
157:. In 1660 they moved to the
7:
2045:Paris – A Musical Gazetteer
1979:Origny, Antoine d' (1788).
1953:Nestola, Barbara (2007). "L
1915:Loewenberg, Alfred (1978).
1471:at the first Salle Favart).
1355:; Loewenberg 1978, col 642.
1163:Hartnoll 1983, pp. 169–170.
1095:"Historique du Théâtre" at
1056:The present-day theatre is
829:Benedetta Rosmunda Pisaroni
666:In 1818, Madame Catalani's
590:. The theatre commissioned
10:
3055:
2152:
2108:Le théâtre italien à Paris
1687:The Modern Language Review
1654:Boudet, Micheline (2001).
1208:Naudeix 2022, pp. 219–220.
1199:Nestola 2007, pp. 125–146.
1154:Brenner 1961, pp. 2–3, 47.
748:to be performed in Paris,
738:. His last Italian opera,
628:Niccolò Antonio Zingarelli
287:L'amour au théâtre italien
175:Académie royale de Musique
29:
2988:
2853:
2761:
2667:
2532:
2450:
2414:
2407:
2398:
2301:
2270:
2261:
2160:
2091:View formats and editions
1833:, 2nd edition, edited by
1713:Campardon, Émile (1880).
1467:); Simeone 2000, p. 186 (
393:on 14 December 1645, and
194:in their native Italian.
2058:Soubiès, Albert (1913).
2028:Scott, Virginia (1990).
1998:Powell, John S. (2000).
1912:(subscription required).
1857:(subscription required).
1569:Baschet, Armand (1882).
1074:
905:, but especially at the
845:Giovanni Battista Rubini
805:Premiere of Donizetti's
582:, later adding those by
2442:Theatre of ancient Rome
2043:Simeone, Nigel (2000).
1778:Forman, Edward (2010).
1744:, 4 volumes, edited by
1731:. Paris: Castil-Blaze.
1658:. Paris: Albin Michel.
1554:, 4 volumes, edited by
1480:Wild 1989, pp. 198–199.
1235:Wild 1989, pp. 229–232.
1120:Wild 1989, pp. 100–101.
760:(18 December 1825) and
732:Il barbiere di Siviglia
721:(20 October 1822), and
678:Il barbiere di Siviglia
610:(28 January 1809), and
551:Mademoiselle Montansier
528:Jean-Baptiste Lallemand
323:comédies-en-vaudevilles
144:(1661–1722), Versailles
2062:. Paris: Fischbacher.
1640:10.3406/rhmc.1979.1065
1145:Brenner 1961, pp. 1–2.
1028:Salle de l'Odéon (3rd)
816:
546:
531:
391:Salle du Petit-Bourbon
367:, which may have been
293:
213:
177:in 1673, moved to the
145:
51:
3029:Opera houses in Paris
2649:Theatre of the Absurd
1940:10.1017/9781139033077
1837:. London: Macmillan.
1763:. Paris: Éditions du
1748:. London: Macmillan.
1611:10.3406/rhmc.1977.973
1558:. London: Macmillan.
1492:Simeone 2000, p. 186.
804:
751:Il crociato in Egitto
709:(18 September 1821),
537:
525:
489:Querelle des Bouffons
448:premiered at the new
389:was presented at the
381:Salle du Palais-Royal
285:
205:
133:
42:
2624:Shakespearean comedy
2422:Ancient Greek comedy
2066:at Internet Archive.
1735:at Internet Archive.
1721:at Internet Archive.
1285:I virtuosi ambulanti
1097:La Comédie Italienne
1058:La Comédie Italienne
772:Laure Cinti-Damoreau
687:(21 November 1820),
660:L'Italiana in Algeri
604:(23 December 1807),
596:I virtuosi ambulanti
592:Valentino Fioravanti
112:La Comédie-Italienne
72:Catherine de' Medici
50:, early 18th century
32:La Comédie Italienne
1910:Oxford Music Online
1900:. New York: Grove.
1855:Oxford Music Online
1345:Torvaldo e Dorliska
1108:Forman 2010, p. 82.
1004:Salle Favart (1st)
984:Salle Favart (1st)
903:Théâtre du Châtelet
899:Théâtre de la Gaîté
693:(5 June 1821), and
684:Torvaldo e Dorliska
681:(26 October 1819),
652:and his reign of a
635:Bourbon Restoration
633:At the time of the
500:Théâtre de Monsieur
341:Théâtre de la Foire
245:Madame de Maintenon
241:Louis XIV of France
237:The False Hypocrite
2612:Comédie larmoyante
2607:Sentimental comedy
2602:Restoration comedy
2565:Commedia dell'arte
2437:Corral de comedias
1441:Wild 1989, p. 198.
1305:Wild 1989, p. 197.
1262:Wild 1989, p. 196.
1253:Wild 1989, p. 195.
1060:, situated on the
865:Saverio Mercadante
817:
741:Il viaggio a Reims
580:Giovanni Paisiello
563:Théâtre de l'Odéon
547:
532:
450:Salle des Machines
411:Virgilio Mazzocchi
377:Cardinal Richelieu
294:
257:Philippe d'Orléans
214:
196:Commedia dell'arte
191:commedia dell'arte
151:Hôtel de Bourgogne
146:
120:commedia dell'arte
87:commedia dell'arte
67:commedia dell'arte
52:
3016:
3015:
2794:Musical comedians
2757:
2756:
2555:Comedy of manners
2550:Comedy of humours
2540:Boulevard theatre
2528:
2527:
2432:Comédie-Italienne
2427:Comédie-Française
2394:
2393:
2069:Wild, Nicole ().
1853:(eBook). Also at
1416:La donna del lago
1136:Roy 1995, p. 234.
1049:
1048:
888:Gaetano Donizetti
873:(22 March 1836).
841:Antonio Tamburini
796:Vincenzo Graziani
792:Felice Pellegrini
788:Domenico Donzelli
780:Nicolas Levasseur
746:Giacomo Meyerbeer
724:La donna del lago
715:(10 March 1822),
701:Salle Le Peletier
646:Angelica Catalani
576:Domenico Cimarosa
512:French Revolution
504:Count of Provence
468:, not long after
365:comédie italienne
302:La Folle supposée
265:Comédie-Française
183:Comédie-Française
179:Théâtre Guénégaud
163:troupe of Molière
91:Comédie-Française
55:Comédie-Italienne
18:Comédie Italienne
16:(Redirected from
3046:
3006:
2996:
2995:
2943:Self-referential
2560:Comedy of menace
2412:
2411:
2405:
2404:
2268:
2267:
2147:
2140:
2133:
2124:
2123:
1995:at Google Books.
1956:
1821:at Google Books.
1710:
1651:
1622:
1591:Internet Archive
1537:
1534:
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1419:
1418:); Gossett 2001.
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1039:Salle Ventadour
1029:
974:
971:Salle de l'Odéon
917:
825:Henriette Sontag
639:King Louis XVIII
618:Gaspare Spontini
484:La serva padrona
474:Académie d'Opéra
454:Tuileries Palace
409:, with music by
379:'s theatre, the
361:Cardinal Mazarin
167:Tiberio Fiorillo
76:Marie de' Medici
21:
3054:
3053:
3049:
3048:
3047:
3045:
3044:
3043:
3019:
3018:
3017:
3012:
2984:
2849:
2831:Animated sitcom
2753:
2719:Musical theatre
2669:
2663:
2639:Stand-up comedy
2585:One-person show
2575:Improvisational
2524:
2446:
2390:
2344:Science fiction
2297:
2257:
2178:Comedy festival
2156:
2151:
2104:
1954:
1825:Gossett, Philip
1699:10.2307/3733512
1573:. Paris: Plon.
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1062:rue de la Gaîté
1054:
1027:
1016:Salle Ventadour
969:
932:Salle Olympique
915:
878:Salle Ventadour
813:Salle Ventadour
784:Carlo Zucchelli
584:Ferdinando Paër
559:Théâtre Louvois
520:
508:Théâtre Feydeau
459:Giacomo Torelli
369:Marco Marazzoli
357:Anne d'Autriche
353:
345:Théâtre Feydeau
329:opéras-comiques
314:Silvia Balletti
277:Luigi Riccoboni
253:
233:La fausse prude
128:
105:Théâtre Feydeau
59:Théâtre-Italien
48:Nicolas Lancret
35:
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2699:Comédie-ballet
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2644:Street theatre
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2173:Comedic device
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2103:
2102:External links
2100:
2099:
2098:
2067:
2056:
2041:
2026:
2011:
1996:
1977:
1951:
1942:). Paperback:
1928:
1913:
1888:
1873:
1858:
1822:
1791:
1776:
1757:
1736:
1722:
1711:
1693:(4): 840–847.
1682:
1667:
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1634:(3): 422–438.
1623:
1605:(2): 189–214.
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1473:
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1412:Mosè in Egitto
1408:La gazza ladra
1395:
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1357:
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1307:
1298:
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1264:
1255:
1246:
1244:Charlton 1992.
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892:Giuseppe Verdi
860:Marino Faliero
837:Luigi Lablache
821:Maria Malibran
776:Ester Mombelli
768:Giuditta Pasta
718:Mosè in Egitto
706:La gazza ladra
538:Facade of the
519:
516:
386:La finta pazza
352:
349:
306:La Finta Pazza
252:
249:
142:Antoine Coypel
136:Mohammed Temim
127:
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3039:Opera history
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2975:Ventriloquism
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2928:Observational
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2089:(paperback).
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2836:Black sitcom
2816:Mockumentary
2724:Opéra bouffe
2692:Café-théâtre
2677:Ballad opera
2595:Harlequinade
2545:Comedy-drama
2431:
2324:Mockumentary
2208:Impersonator
2188:Comic timing
2116:on the site
2070:
2059:
2044:
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2014:
1999:
1980:
1965:
1961:
1957:
1931:
1916:
1896:, edited by
1891:
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1728:
1725:Castil-Blaze
1714:
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818:
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694:
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632:
630:and others.
621:
613:Don Giovanni
611:
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2904:Documentary
2900:(dry humor)
2863:Alternative
2841:Teen sitcom
2734:Opera buffa
2709:Light music
2704:Comedy club
2654:Tragicomedy
2619:Shadow play
1065: [
923:Dates used
672:Paris Opéra
623:opera serie
588:Simone Mayr
571:opera buffa
496:opera buffa
487:led to the
479:opera buffa
422:During the
3023:Categories
2811:Television
2714:Music hall
2659:Vaudeville
2580:Macchietta
2570:Double act
2479:Indonesia
2473:Mo lei tau
2469:Hong Kong
2463:Xiangsheng
2334:Remarriage
2243:Visual gag
2233:Punch line
2228:Prank call
1908:. Also at
1507:I briganti
1503:I puritani
1469:Semiramide
1465:Semiramide
1368:(WorldCat
870:I briganti
854:I puritani
757:Semiramide
2958:Slapstick
2883:Christian
2878:Character
2855:Subgenres
2670:and dance
2590:Pantomime
2376:Slapstick
2349:Screwball
2253:Word play
1966:Ricercare
1851:419285866
1581:; Copies
1391:458651003
1353:461200086
1332:456913691
668:privilège
470:Louis XIV
243:'s wife,
2998:Category
2933:Physical
2744:Operetta
2518:Sarugaku
2386:Thriller
2278:American
2198:Humorist
2168:Comedian
2095:WorldCat
1974:41701476
1727:(1856).
1648:20528534
1619:20528392
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1463:), 686 (
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1275:), 452 (
1099:website.
920:Theatre
815:in Paris
736:Tancredi
696:Tancredi
650:Napoleon
310:Marivaux
226:Palaprat
222:Dufresny
140:(1682),
2970:Surreal
2898:Deadpan
2784:Hip hop
2682:Cabaret
2408:Country
2400:Theatre
2364:Mexican
2359:Italian
2339:Romance
2314:Fantasy
2293:Italian
2283:British
2271:Country
1707:3733512
1679:2167834
1461:Zelmira
901:or the
763:Zelmira
675:there:
643:soprano
452:in the
339:of the
291:Watteau
218:Regnard
211:Watteau
171:Molière
3008:Portal
2980:Zombie
2963:Topics
2923:Insult
2918:Horror
2893:Cringe
2826:Sitcom
2789:Parody
2513:Rakugo
2508:Owarai
2503:Manzai
2498:Kyōgen
2494:Japan
2488:Ludruk
2483:Lenong
2415:Europe
2381:Stoner
2371:Silent
2329:Parody
2319:Horror
2309:Action
2288:French
2238:Satire
2203:Humour
2161:Topics
2154:Comedy
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2077:
2051:
2036:
2021:
2006:
1991:, and
1972:
1958:Egisto
1946:
1923:
1904:
1883:
1868:
1849:
1841:
1817:, and
1786:
1771:
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1733:Copies
1719:Copies
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1677:
1662:
1646:
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1585:&
1562:
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1366:Otello
1351:
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1273:Figaro
947:(1st)
926:Notes
794:, and
690:Otello
601:Figaro
424:Fronde
400:Egisto
395:Egisto
261:Regent
259:, the
224:, and
2948:Shock
2888:Clown
2868:Black
2821:Roast
2806:Radio
2801:Novel
2774:Album
2769:Music
2762:Media
2749:Revue
2668:Music
2533:Genre
2458:China
2302:Genre
2218:Irony
2193:Farce
2118:CÉSAR
1970:JSTOR
1955:'
1703:JSTOR
1644:JSTOR
1615:JSTOR
1075:Notes
1069:]
973:(2nd)
907:Opéra
439:Xerse
416:Orfeo
235:, or
2953:Sick
2938:Prop
2909:High
2873:Blue
2779:Rock
2634:Spex
2451:Asia
2263:Film
2223:Joke
2083:ISBN
2075:ISBN
2064:Copy
2049:ISBN
2034:ISBN
2019:ISBN
2004:ISBN
1944:ISBN
1921:ISBN
1902:ISBN
1881:ISBN
1866:ISBN
1847:OCLC
1839:ISBN
1784:ISBN
1769:ISBN
1765:CNRS
1750:ISBN
1675:OCLC
1660:ISBN
1575:Copy
1560:ISBN
1387:OCLC
1370:OCLC
1349:OCLC
1328:OCLC
1281:Così
890:and
847:and
734:and
607:Così
586:and
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