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274:." Also of note, the 60's yéyé 'tube hit by then 20-year old France Gall's 'Sacré Charlemagne' and written by Roger Gall, her father, is straight from the Adriaan Smout's ( (1578-1646) )
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The characteristic I-IV-V-I progression features in popular music of the late 20th century, for example the song "
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179: I IV V I I IV V I ⎹│
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is a poetic reference and the piece is not related musically to the
Bergamask described here. Likewise, the "
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It was considered a clumsy rustic dance copied from the natives of
Bergamo, reputed, according to the
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One or more of the preceding sentences incorporates text from a publication now in the
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adapted the
Bergamasca as a lively instrumental piece titled "Aria sopra 'la bergamasca.'"
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278:: it's a traditional Bergamasca dance for lute ensemble, which can be heard here:
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146:, as is the area of Bergamo, it having lent its dialect to the Italian buffoons.
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378:. Vol. 3 (11th ed.). Cambridge University Press. p. 772.
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adapted the melody as the final movement of his Suite #2 of
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The basic chord progression is I–IV–V–I:
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280:https://www.youtube.com/watch?v=GstMRyt_nnc
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220:Marco Uccelini, Aria sopra la Bergamasca
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212:Marco Uccelini, Aria sopra la Bergamasca
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132:Encyclopædia Britannica Eleventh Edition
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263:" of twentieth-century French composer
135:, to be very awkward in their manners.
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197:Seventeenth-century Italian composer
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224:Twentieth-century Italian composer
173: I I IV
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238:is the title of the second of the
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27:For the regional language, see
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138:The dance is associated with
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38:Bergamesca ('The Buffens'),
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390:Harvard Dictionary of Music
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267:is musically unrelated.
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375:Encyclopædia Britannica
303:Masques et bergamasques
261:Masques et bergamasques
230:Ancient Airs and Dances
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177: :⎹⎸
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57:
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437:European folk dances
388:Apel, Willi (1969).
241:Two Pieces for Piano
64:Bergamesca variant,
342:, Volume 57, p.491.
417:Chord progressions
222:
214:
195:
101:(from the town of
84:
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427:Renaissance dance
398:978-0-674-37501-7
339:The Musical Times
310:Suite bergamasque
276:Thysius Lute Book
257:Suite bergamasque
226:Ottorino Respighi
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150:Chord progression
119:chord progression
16:(Redirected from
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105:in Northern
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41:Straloch MS.
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29:Bergamasque
411:Categories
282:at 47:46.
244:(1925) by
175:V I
161:│⎸
144:buffoonery
125:Reputation
99:bergamasca
95:bergamesca
70:, c. 1600
44:, c. 1600
370:Bergamask
297:Romanesca
236:Bergomask
192:Bergamask
91:bergomask
87:Bergamask
432:Clowning
392:, p.91.
336:(1916).
286:See also
109:), is a
18:Bouffons
363::
317:Sources
292:Moresca
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103:Bergamo
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140:clowns
115:melody
183:Works
111:dance
107:Italy
97:, or
394:ISBN
117:and
76:Play
50:Play
372:".
255:'s
142:or
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325:^
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167:IV
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171:V
163:I
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