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263:." Also of note, the 60's yéyé 'tube hit by then 20-year old France Gall's 'Sacré Charlemagne' and written by Roger Gall, her father, is straight from the Adriaan Smout's ( (1578-1646) )
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The characteristic I-IV-V-I progression features in popular music of the late 20th century, for example the song "
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168: I IV V I I IV V I ⎹│
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is a poetic reference and the piece is not related musically to the
Bergamask described here. Likewise, the "
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It was considered a clumsy rustic dance copied from the natives of
Bergamo, reputed, according to the
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One or more of the preceding sentences incorporates text from a publication now in the
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adapted the
Bergamasca as a lively instrumental piece titled "Aria sopra 'la bergamasca.'"
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267:: it's a traditional Bergamasca dance for lute ensemble, which can be heard here:
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135:, as is the area of Bergamo, it having lent its dialect to the Italian buffoons.
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367:. Vol. 3 (11th ed.). Cambridge University Press. p. 772.
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adapted the melody as the final movement of his Suite #2 of
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The basic chord progression is I–IV–V–I:
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269:https://www.youtube.com/watch?v=GstMRyt_nnc
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209:Marco Uccelini, Aria sopra la Bergamasca
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201:Marco Uccelini, Aria sopra la Bergamasca
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121:Encyclopædia Britannica Eleventh Edition
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252:" of twentieth-century French composer
124:, to be very awkward in their manners.
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186:Seventeenth-century Italian composer
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213:Twentieth-century Italian composer
162: I I IV
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227:is the title of the second of the
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16:For the regional language, see
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127:The dance is associated with
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27:Bergamesca ('The Buffens'),
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379:Harvard Dictionary of Music
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256:is musically unrelated.
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364:Encyclopædia Britannica
292:Masques et bergamasques
250:Masques et bergamasques
219:Ancient Airs and Dances
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166: :⎹⎸
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426:European folk dances
377:Apel, Willi (1969).
230:Two Pieces for Piano
53:Bergamesca variant,
331:, Volume 57, p.491.
406:Chord progressions
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90:(from the town of
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416:Renaissance dance
387:978-0-674-37501-7
328:The Musical Times
299:Suite bergamasque
265:Thysius Lute Book
246:Suite bergamasque
215:Ottorino Respighi
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139:Chord progression
108:chord progression
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94:in Northern
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30:Straloch MS.
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18:Bergamasque
400:Categories
271:at 47:46.
233:(1925) by
164:V I
150:│⎸
133:buffoonery
114:Reputation
88:bergamasca
84:bergamesca
59:, c. 1600
33:, c. 1600
359:Bergamask
286:Romanesca
225:Bergomask
181:Bergamask
80:bergomask
76:Bergamask
421:Clowning
381:, p.91.
325:(1916).
275:See also
98:), is a
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306:Sources
281:Moresca
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92:Bergamo
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129:clowns
104:melody
172:Works
100:dance
96:Italy
86:, or
383:ISBN
106:and
65:Play
39:Play
361:".
244:'s
131:or
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314:^
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156:IV
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160:V
152:I
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20:.
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