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Saint
Vincenzo Pallotti painted the meeting of the early Jerusalem community. The Pallottine community understands the "coenaculum" primarily as the Upper Room and this in turn as a symbol that all Christians, all baptized men and women — i.e. with and without special consecration – were sent out
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with the Spirit of God, i.e. to follow Christ are to set out and be apostles. The
Pallottines in Constance also use the term coenaculum to refer to their "house of silence and contemplative prayer", i.e. a meeting place.
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34:) or latest meal was taken. It was sometimes placed in an upper storey and reached by an external staircase.
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Beteiligung - Vielfalt - Dialog
Inspirationen Vinzenz Pallottis zur Ekklesiologie
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This article is about the architectural form. For the marine sea-snail, see
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
