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225:. Champion used dancing to embellish, extend and enlarge an existing emotion. He was no innovator, like Robbins. He never created his own distinctive style, like Fosse. Yet, Champion's body of work is as much a part of the history of the contemporary musical as that of his talented peers.
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Fosse had a talent for manipulating, tampering with, or otherwise reconstructing the contribution from writers in order to make the material serviceable to his staging and choreography. Fosse's style of self-contained acts of
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when
Robbins allowed the choreography and the intense, adolescent passion of a teenage boy in love to move him. When Robbins abandoned commercial dance to pursue a career in choreography with the
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The major step of integrating dance into a unified effect onstage were vital and ingenuous for commercial dancing. One of the earliest successful examples of this concept was in
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139:. The dancing in the show enhanced the environment and projected character without any reduction in the flashy entertainment values then prized in musical shows.
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going unrecorded. The only way to preserve dance movements from generation to generation was by demonstration, imitation, practice, and personal supervision.
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When it was realized the importance of dancing as a tool for character development and plot advancement, famous director-choreographers began to emerge:
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For the most part, dance movement itself was either the last to be mentioned by critics or ignored altogether, resulting in dance numbers in
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Champion wasn’t as personal as Fosse, or as material-oriented as
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Robbins believed whoever controlled the movement controlled the show. This was definitely evident in
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led him to a career of show-stopping numbers for audience approval.
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have been around for years, collecting pictorial surveys,
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43:but its sources remain unclear because it lacks
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105:traditions, and there are many to recount.
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74:Learn how and when to remove this message
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1172:Musical theatre in the United States
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213:scene for two decades, 1960 with
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86:Choreography and Broadway theatre
270:Tony Award for Best Choreography
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1101:Dance in mythology and religion
143:Famous director-choreographers
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235:Kislan, Robert (1987).
58:more precise citations.
1066:Dance and disability
170:New York City Ballet
1111:Dance on television
239:Hoofing on Broadway
89:Chroniclers of the
265:Dramatic structure
31:list of references
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1106:Dance occupations
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1021:African-American
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1076:Dance awards
971:Pontic Greek
678:Dance theory
668:Choreography
580:Contemporary
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50:Please help
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961:Philippines
946:Netherlands
936:Middle East
488:Table dance
453:Go go dance
433:Competitive
222:42nd Street
56:introducing
1161:Categories
1028:Uzbekistan
796:Azerbaijan
705:Musicality
673:Connection
630:Postmodern
600:Historical
483:Striptease
478:Pole dance
428:Ceremonial
383:slow dance
229:References
200:vaudeville
64:March 2022
1033:Venezuela
996:Sri Lanka
991:Singapore
951:Nicaragua
881:Indonesia
786:Australia
655:Technique
553:formation
468:Lap dance
204:burlesque
153:Bob Fosse
125:exist.
95:librettos
1048:Zimbabwe
1001:Thailand
926:Malaysia
911:Kiribati
821:Cameroon
816:Cambodia
806:Bulgaria
781:Assyrian
750:national
745:Regional
725:Spotting
720:Sequence
698:glossary
645:Two-step
590:Flamenco
575:Breaking
570:Boogaloo
548:Ballroom
493:Twerking
458:Grinding
443:Ecstatic
259:See also
136:Pal Joey
110:musicals
1058:Related
1038:Vietnam
1011:Ukraine
921:Kurdish
891:Ireland
871:Hungary
861:Georgia
846:Denmark
836:Croatia
801:Belarus
791:Austria
776:Armenia
766:Albania
730:Turnout
615:Lyrical
595:Hip-hop
438:Concert
363:Partner
332:Outline
192:Dancin'
187:Chicago
129:History
52:improve
1006:Turkey
986:Serbia
981:Russia
976:Romani
966:Poland
931:Mexico
896:Israel
866:Greece
851:Europe
826:Canada
761:Africa
752:dances
710:Pointe
683:Graham
663:Ballet
620:Modern
543:Ballet
530:Styles
515:Street
510:Sacred
448:Erotic
420:Social
408:square
393:contra
388:circle
247:
190:, and
181:Pippin
155:, and
99:scores
941:Nepal
916:Korea
906:Japan
901:Italy
876:India
831:China
735:Turns
693:Moves
635:Swing
625:Polka
610:Latin
565:Belly
558:waltz
403:round
327:Index
316:Dance
103:dance
37:, or
956:Peru
886:Iran
841:Cuba
771:Arab
715:Pole
605:Jazz
538:Acro
500:Folk
398:line
358:Solo
245:ISBN
202:and
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97:and
640:Tap
520:War
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