509:
1379:
629:, on the grounds of that Malvasia's text is a mere compilation of facts embellished with poetic language, lacking in critical assessments and governed by no theoretical framework other than a provincial attachment to his native city. Recent scholarship has taken Malvasia more seriously as an art historian and the Center for Advanced Study in the Visual Arts is preparing the first scholarly, critical edition since 1841, accompanied by the first English translation, of the complete text of the
1391:
1367:
1403:
400:. Nevertheless, his principal career was to be in the law. In 1647, when he was only thirty-one years old, he was made professor of law at the University of Bologna, a post he held for forty years. The many tracts he published on legal matters spread his fame and brought him offers to join the faculties of other universities, those of
45:
539:
of the 14th - 17th centuries, and for some of the artists included, the only source of information. The text is divided into four historical sections, with the first on the trecento painters, the second focusing on
Francesco Francia, the third devoted to the Carracci, and the fourth (and most valued
493:
to
Bologna and its treasures, first published in 1686. Enthusiastically received, it was reprinted four times before 1704. A new edition revised and enlarged by Giampietro Zanotti appeared in 1706, and was reprinted in 1732, 1755 and 1766. The latest edition, edited by
434:(1638–1665) and, overcoming the resistance of her father, saw to it that she received training as a painter. As a result, despite the fact that death ended her career when she was only twenty-seven years old, she enjoys a secure place in the history of Bolognese art.
383:
After the end of the War of Castro, Malvasia became gravely ill. Probably about this time, in the early 1640s, he returned to
Bologna, where he was to remain for the rest of his life. On his recovery from his unnamed illness he studied for and entered the
1328: : che nella pretesa, e rimostrata sin'hora da altri maggiore antichita, & impareggiabile eccellenza nella pittura, con manifesta evidenza da fatto, rendono il passeggiere disingannato ed instrutto dell'Ascoso, accademico gelato
484:
that
Malvasia studied and claimed to have deciphered, although his explanation, in the words of one writer, "was not among the most felicitous of the attempts" made by various scholars. The opposite can be said of
607:, with an abridgement of the original text and an introduction by Marcella Brascaglia, was brought out in Bologna by Alfa in 1971. A part of the vast accumulation of working notes that Malvasia used for his
426:, whom he admired enormously, was an especially close friend. For many younger artists he was a benefactor. At his own expense he set up an art academy to teach aspiring painters to draw from nude
508:
430:
tells us of his help for struggling young artists, some of whom would otherwise have had to leave the profession. It is also to
Malvasia's great merit that he recognized the talent of
314:, a renowned baroque poet, and he also studied music. He wrote poetry while still a boy and learned to play several musical instruments. He received cursory training in painting under
540:
today) providing detailed, firsthand accounts of the lives and careers of the artists who rose to pre-eminence during the 17th century in the wake of the
Carracci reform, including
1248:
Perini
Folesani, Giovanna (2019). "La poesia ecfrastica ed encomiastica tra elemento esornativo e documento storico: il caso della Felsina pittrice di Carlo Cesare Malvasia".
571:
has been used continually and cited endlessly by writers interested in
Bolognese art. The book was reissued in an abundantly annotated two-volume edition that was edited by
411:
To the already considerable list of his skills should be added an ability to paint and draw. These arts he studied under
Giacomo Cavedone (1577-1660), a pupil of
603:
was printed were published in 1961, with an important and substantial introduction by
Adriana Arfelli dealing with Malvasia and his work. A new edition of the
310:(which his son was to inherit), and a certain Caterina, described only as "a woman of low degree but his legitimate wife." The young man studied poetry under
1483:
1063:
Perini, Giovanna (1988). "Carlo Cesare Malvasia's Florentine Letters: Insight into Conflicting Trends in Seventeenth-Century Italian Art Historiography".
445:
to Louis XIV. Sun King did not fail to show his gratitude to Carlo Cesare by sending him the famous “Gioiello della Vita”, a small but very precious
372:, the largest dukedom inside the boundaries of the Papal States. Malvasia at once enlisted on the side of the pope. He fought with valor in a
333:
Shortly after graduating he moved to Rome where he remained active in both law and literature. He belonged to two literary societies, the
844:
G. Perini, 'Central issues and peripheral debates in seventeenth-century art literature: Carlo Cesare Malvasia's Felsina Pittrice'. In
587:, which was printed in Rome in 1769. Malvasia's book enjoyed considerable success outside of Italy too. On 4 October 1710, the painter
612:
306:
Carlo Cesare Malvasia was born on 18 December 1616 to Anton-Galeazzo Malvasia, a member of the lesser nobility who held the title of
457:
The vast body of his writings includes many legal studies and much poetry. In his youth, Malvasia enjoyed considerable success as a
1473:
259:
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392:, a position of considerable prestige. He also continued his interest in literary matters and was an active member of the
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298:, Malvasia is considered "among the best informed and most intelligent historians and critics of art who ever lived."
1458:
1163:
951:
805:
713:
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878:, not seriously intended to conceal his identity, the name given him as a member of the Accademia dei Gelati. The
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17:
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1433:
1498:
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1291:
212:
1357:
1206:(2008). ""Spirito abile" ed "Elevatissimo ingegno". Giovan Pietro Bellori e Carlo Cesare Malvasia".
874:, Bologna, 1686. Malvasia signed the book "Ascoso, Accademico Gelato," that is to say, he used as a
1318:
334:
1042:
1029:
943:
626:
419:, apparently landscape scenes and "perspectives," both in his own villa and in those of friends.
295:
1094:
Perini, Giovanna (1989). "L'arte di descrivere: La tecnica dell'ecfrasi in Malvasia e Bellori".
990:
Rouchès, Gabriel (1913). "Un érudit bolonais du XVII siècle, Carlo-Cesare Malvasia 1616–1693".
648:, an extended study of the ancient epigraphic material to be found in the environs of Bologna.
1339:
1336:
at the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC.
825:
699:
327:
174:
824:. Today it is held in Bologna at the Municipal Art Collections. Collezioni Comunali d’Arte,
1428:
1423:
918:
Life of Marcantonio Raimondi and Critical Catalogue of Prints by or after Bolognese Masters
393:
415:, and while he practiced them for his diversion only, we know that he painted a number of
8:
820:
The jewel is known as "Gioiello della Vita" because it was bequeathed by Malvasia to the
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of Paris. A small group of Malvasia's biographies that remained in manuscript after the
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1111:
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935:
572:
553:
346:
254:
131:
1325:
1227:
Dempsey, Charles (2008). "Malvasia and the Problem of the Early Raphael and Bologna".
1383:
1269:
1189:
1159:
1123:
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801:
709:
561:
431:
389:
377:
323:
184:
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536:
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388:. He obtained a theology degree in 1653, and in 1662 was appointed a canon of the
1310:
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893:
580:
557:
461:
poet active both in Bologna and in Rome. One of the best examples of the poetry,
441:
in acquisition of Bolognese artworks for the royal collections. He dedicated the
365:
123:
1003:
Casu, Mario (1963). "Valori espressivi negli inediti di Carlo Cesare Malvasia".
583:, continued Malvasia's massive undertaking with the addition of a third volume,
498:, Marcello Oretti and Francesco Maria Longhi, was published in Bologna in 1776.
611:
still survives and can be found, bound in two large manuscript volumes, in the
524:
517:
495:
470:
353:
311:
249:
202:
197:
924:(Washington, DC: Center for the Advanced Study in the Visual Arts, 2013-2017).
1417:
633:(three of the planned sixteen volumes of which have been published by 2017).
369:
1158:. University Park, PA: The Pennsylvania State University Press. p. 15.
1371:
1203:
829:
828:, Bologna. The jewel contains a miniature portrait of Louis XIV painted by
640:(1686), a companion gallery guide of works by the artists discussed in the
576:
478:
427:
412:
94:
72:
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Carlo Cesare Malvasia's Felsina pittrice: Lives of the Bolognese Painters.
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773:. Vol. V. Bologna: Stamp. di San Tommaso d'Aquino. pp. 149–150.
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135:
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44:
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1086:
541:
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423:
169:
1055:
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edition annotated by Andrea Emiliani was published in Bologna in 1969.
1131:
Bohn, Babette (1992). "Malvasia and the Study of Carracci Drawings".
879:
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has been criticized for its inaccuracies and unfavorably compared to
481:
477:, which was published in Bologna in 1683. It deals with an enigmatic
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127:
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545:
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The Procaccini and the Business of Painting in Early Modern Milan
579:, the son of the leading painter of the late Baroque in Bologna,
373:
287:
283:
90:
68:
282:(1616–1693) was an Italian scholar and art historian from
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Vite de' pittori Bolognesi non descritte nella Felsina pittrice
585:
Vite de' pittori bolognesi non descritte nella Felsina pittrice
501:
416:
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and the Accademia dei Fantastici. In this last he served as
155:
Anton-Galeazzo Malvasia and Caterina Malvasia (née Lucchini)
1155:
Malvasia's Life of the Carracci: Commentary and Translation
466:
408:
included, but he preferred not to leave his native city.
1208:
Mitteilungen des Kunsthistorischen Institutes in Florenz
591:
began a public reading of his translation of Malvasia's
437:
Malvasia was also a collector and acted as an agent for
326:(1575–1640), he studied law and took his degree at the
832:
in 1681, surrounded by concentric circles of diamonds.
798:
Life Stories of Women Artists, 1550–1800: An Anthology
1355:
744:
Annibale Carracci and the Beginnings of Baroque Style
294:, published in 1678. Together with his contemporary
1151:
783:
623:
Le vite de' pittori, scultori et architetti moderni
848:, Irving Lavin (ed.), University Park, 1989, 139.
360:, one of Italy's most powerful families, and the
1415:
1247:
449:. Malvasia died in Bologna on 9 March in 1693.
322:. Later, under the guidance of a noted jurist,
933:
567:In the years since its first publication, the
368:, the reigning pope. Both sides contested for
341:or president. He became friends with Cardinal
1025:Carlo Cesare Malvasia: The Life of Guido Reni
535:is a primary source of information about the
1152:Malvasia, Cesare; Summerscale, Anne (2000).
1040:(1986). "Malvasia as a source for sources".
1033:, vol. 124, no. 950 (May), pp. 306–308.
976:. Bologna: per l'Erede di Domenico Barbieri.
974:Felsina pittrice. Vite de' pittori bolognesi
891:
533:Felsina pittrice, vite de’ pittori bolognesi
512:Malvasia's biography of the Carracci in the
503:Felsina pittrice, vite de’ pittori bolognesi
1484:Academic staff of the University of Bologna
1096:I Tatti Studies in the Italian Renaissance
516:of 1678. This particular copy belonged to
43:
840:
838:
971:
922:Lives of Domenichino and Francesco Gessi
800:. Burlington, VT: Ashgate. p. 121.
768:
697:
523:Malvasia is the Bolognese equivalent of
507:
1317:of digitized versions of copies at the
1226:
1172:
1027:by Catherine Enggass, Robert Enggass",
989:
846:World art: themes of unity in diversity
741:
693:
691:
682:
597:Royal Academy of Painting and Sculpture
531:in the artistic supremacy of his time.
475:Aelia Laelia Crispis non nata resurgens
14:
1416:
1202:
1093:
1062:
940:The Oxford Handbook of Roman Epigraphy
898:. Rome: Stamperia di Marco Pagliarini.
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756:
376:commanded by his cousin, the Marchese
1036:
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527:, and saw his native city surpassing
260:Antoine Joseph Dezallier d'Argenville
1284:
1180:Dizionario Biografico degli Italiani
1130:
1002:
688:
380:, leader of the Papal Army cavalry.
286:, best known for his biographies of
1186:Istituto dell'Enciclopedia Italiana
822:Sanctuary of Santa Maria della Vita
625:(1672) by Malvasia's contemporary,
24:
663:
575:and published in Bologna in 1841.
301:
25:
1520:
1278:
771:Notizie degli scrittori bolognesi
27:Italian scholar and art historian
1401:
1389:
1377:
1365:
1474:17th-century Italian historians
1287:"Malvasia, Carlo Cesare, Conte"
1182:, Volume 68: Malatacca–Mangelli
972:Malvasia, Carlo Cesare (1678).
927:
920:in two volumes; and Volume 13:
902:
885:
864:
851:
784:Malvasia & Summerscale 2000
613:Archiginnasio Municipal Library
396:, the most important Bolognese
1023:Pace, Claire (1982). "Review:
814:
789:
777:
762:
750:
735:
722:
13:
1:
1479:17th-century Italian painters
1229:Studies in the History of Art
1173:Massimi, Maria Elena (2007).
651:
364:, whose family was headed by
352:While he was still in Rome a
1509:People from the Papal States
1469:17th-century Italian writers
1464:University of Bologna alumni
1292:Dictionary of Art Historians
537:Bolognese school of painters
473:. Then there is the curious
7:
769:Fantuzzi, Giovanni (1786).
465:, published in 1647, is an
422:He knew many artists well.
213:Pierre Cureau de La Chambre
10:
1525:
992:Archives de l'art français
908:Elizabeth Cropper et al.,
742:Dempsey, Charles (2000).
698:Lo Conte, Angelo (2020).
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1459:17th-century biographers
1319:Getty Research Institute
1175:"Malvasia, Carlo Cesare"
914:Early Bolognese Painting
796:Dabbs, Julia K. (2009).
636:Malvasia also published
452:
335:Accademia degli Umoristi
1346:by Aldo Foratti in the
1043:The Burlington Magazine
1030:The Burlington Magazine
944:Oxford University Press
861:, Rome, 1934, XXII, 53.
627:Giovanni Pietro Bellori
595:of the Carracci at the
296:Giovanni Pietro Bellori
1504:Italian Baroque people
1494:Italian art collectors
1454:Biographers of artists
1444:Italian art historians
728:Felsina is an archaic
520:
469:in honour of Cardinal
356:broke out between the
238:Art history, epigraphy
1439:Painters from Bologna
1349:Enciclopedia Treccani
1340:Carlo Cesare Malvasia
1330:. Monti, Bologna 1706
1326:Le pitture di Bologna
1323:Digitized edition of
1285:Sorensen, Lee (ed.).
1250:La poésie et les arts
892:Luigi Crespi (1769).
872:Le pitture di Bologna
859:Enciclopedia Italiana
857:Aldo Foratti, in the
746:. Cadmo. p. XII.
638:Le pitture di Bologna
581:Giuseppe Maria Crespi
511:
487:Le pitture di Bologna
330:in December of 1638.
328:University of Bologna
280:Carlo Cesare Malvasia
175:University of Bologna
49:Carlo Cesare Malvasia
37:Carlo Cesare Malvasia
1489:Italian antiquarians
1434:Writers from Bologna
1262:10.4000/italique.542
1184:(in Italian). Rome:
706:Taylor & Francis
394:Accademia dei Gelati
390:Cathedral of Bologna
230:History, archaeology
1499:Italian art critics
1449:Italian biographers
936:Edmondson, Jonathan
916:; Volume 2 part 2:
589:Charles de La Fosse
164:Academic background
826:Palazzo d'Accursio
573:Giampietro Zanotti
521:
347:Alessandro Algardi
255:Giampietro Zanotti
132:university teacher
1050:(1004): 790–795.
934:Bruun, Christer;
732:name for Bologna.
562:Elisabetta Sirani
463:Il fiore coronato
432:Elisabetta Sirani
378:Cornelio Malvasia
345:and the sculptor
324:Claudio Achillini
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185:Claudio Achillini
65:December 18, 1616
16:(Redirected from
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443:Felsina pittrice
398:literary society
343:Bernardino Spada
320:Giacomo Cavedone
316:Giacinto Campana
292:Felsina pittrice
265:Luigi Lanzi
208:Daniel Papebroch
181:Doctoral advisor
146:Felsina pittrice
112:Other names
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85:(1693-03-09)
83:9 March 1693
73:Papal States
1429:1693 deaths
1424:1616 births
1298:22 November
1256:: 191–208.
1102:: 175–206.
757:Keazor 2008
550:Domenichino
482:inscription
136:epigraphist
102:Nationality
1418:Categories
1384:Literature
1315:HathiTrust
912:Volume 1,
870:Malvasia,
652:References
542:Guido Reni
491:guide book
424:Guido Reni
386:priesthood
366:Urban VIII
243:Influenced
227:Discipline
191:Influences
170:Alma mater
61:1616-12-18
1408:Biography
1270:212857604
1235:: 57–70.
1124:178550112
998:: 210–23.
880:facsimile
554:Lanfranco
439:Louis XIV
362:Barberini
152:Parent(s)
128:historian
1309:, 1678,
1241:42617992
1220:30249347
1017:20859619
546:Guercino
529:Florence
459:Marinist
417:frescoes
339:principe
1358:Portals
1145:1554057
1116:4603664
1087:3051120
984:Vol. II
374:brigade
358:Farnese
288:Baroque
284:Bologna
106:Italian
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69:Bologna
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370:Castro
115:Ascoso
34:Doctor
1372:Italy
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1237:JSTOR
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1141:JSTOR
1120:S2CID
1112:JSTOR
1083:JSTOR
1052:JSTOR
1013:JSTOR
1005:Aevum
730:Latin
657:Notes
593:Lives
453:Works
447:jewel
406:Pavia
402:Padua
308:count
1300:2021
1254:XXII
1190:ISBN
1160:ISBN
948:ISBN
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560:and
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318:and
80:Died
55:Born
1396:Art
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