814:
wild in
Benjamin Millepied's delirious fever dream version of his favorite childhood opera." "Composer Nicholas Britell has room to run riot as, in a sense, the dominant voice of the film: Mixing a thundering orchestra with more eerily modern sonic details and shrieking choral arrangements, his heavily amplified soundtrack drives the action as Bizet's score did, matching or even aggravating the volume and tempo of the onscreen melodrama"
276:
original libretto to Bizet's opera on which the film is based. The choir singing French lyrics provided a bridge from the staging of the opera to
Millepied's screen adaptation. In some instances, Britell uses the female choir as "the heart of the score" while the male choir has been used to provide a
29:
813:
commented, "Although there are sonic glimpses of
Britell's signature ostinato here, they're too often drowned out by choirs that are meant to be heavenly but just sound pretentious and grandiose." David Ehrlich of IndieWire complimented the film's review, saying, "Nicholas Britell goes absolutely
793:
wrote, "The dance numbers are pulsatingly, pulse-poundingly erotic, and gorgeously performed and filmed. Nicholas
Britell's score has touches of an angelic choir that sometimes seems to be commenting on the story like a Greek chorus, carrying the characters forward, caressing them, or sounding an
239:
was recruited to score music for the film during the announcement in May 2017. The original score he composed for the film took an experimental approach that threads the song and movement into the narrative framework and the direction
Millepied took as he incorporated touches from his earlier
800:
commented, "Paying homage to the original opera with a vigorous choir, the score by celebrated composer
Nicholas Britell rings as grand and eerie as the open landscapes in the couple's journey." ScreenRant writer Ferdosa complimented Britell's score as "emotive and impactful".
268:), Britell recalled that he said to Millepied on using a choir in the score singing when the duo are in a motel, which felt it as crazy. As Millepied gave him more freedom to experiment, Britell used a choir that served as a kind of Greek chorus and selected lyrics from
786:
wrote, "No dialogue, anyway, communicates more effectively than
Britell's soundtrack, a constant presence, tense and evocative, functioning like opera by fully integrating with, if not driving, the story rather than underscoring it." Nell Minow of
294:(1958) is a part of the film, adding, "I think that was the kind of thing that he was saying, in the sense of it was more about the concept of a score like that, as opposed to the music itself. That's obviously very helpful in that way."
240:
childhood in
Senegal and motifs from East European and West African music to give a multicultural feel. Britell also wrote original songs for the film, along with contributing co-writers: Grammy Award-winning Mexican singer-songwriter
1010:
252:
The film score melded in the mood of the characters and the roots of the story, as from having a classical nature, he elevated the sonic aggressiveness using synthesisers, audio experiments, and string orchestra.
1202:
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Britell worked on the filmed music on camera for over five years, beginning from 2015 to 2020. A behind-the-scenes video of the film's music was released in late April 2023.
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1041:"Carmen Composer Nicholas Britell on Creating an Abundance of Music for Benjamin Millepied's Debut Feature Starring Paul Mescal and Melissa Barrera"
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264:), who have grown closer since fleeing Mexico, hid in a nightclub that belongs to her dead mother's best friend, Masilda (
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1334:"'Carmen' Review: Paul Mescal and Melissa Barrera Lead an Update With Plenty of Fire but No Real Heat"
954:"Benjamin Millepied's 'Carmen' to Feature Original Songs by Nicholas Britell & Julieta Venegas"
1203:"Review: 'Carmen,' French choreographer Benjamin Millepied's film directing debut, casts a spell"
1179:
980:"Composer Nicholas Britell on Carmen, Star Wars: Andor and Succession - Exclusive Interview"
284:, Millepied did not give temp tracks for the film. Britell recalled that he liked the way
8:
1303:"'Carmen' Review: Lovers on the Run in Benjamin Millepied's Unclassifiable Dance Odyssey"
1011:"How Filmmaker Benjamin Millepied and Nicholas Britell Used Choirs to Help 'Carmen' Sing"
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1233:"Carmen Review: Barrera & Mescal Bring The Heat In Disjointed Reimagining"
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832:"Paul Mescal Makes Music Debut On Nicholas Britell's Carmen Soundtrack"
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1102:"Behind-the-Scenes Video for 'Carmen' with Composer Nicholas Britell"
1072:"Nicholas Britell on Reimagining 'Carmen' and Finishing 'Succession'"
924:"A True Marriage of Picture and Music: Benjamin Millepied on Carmen"
491:
893:"'Black Swan' choreographer Benjamin Millepied to direct musical"
204:. It consisted of 30 tracks from the original music composed by
228:. Sony Masterworks released the soundtrack on April 21, 2023.
1264:"Review | 'Carmen': A tragic romance, in more ways than one"
1361:
220:while also having songs performed by the actors
256:When he watched the sequence featuring Aidan (
1133:"'Carmen' Review: We're Not in Spain Anymore"
16:2023 soundtrack album by Nicholas Britell
428:"Investigation – Regardons passer les gens"
189:Carmen (Original Motion Picture Soundtrack)
22:Carmen (Original Motion Picture Soundtrack)
27:
414:"Attack – Si tu m'aimais, tu me suivrais"
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651:Nicholas Britell and Caitlin Sullivan
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1070:Shaffer, Marshall (April 21, 2023).
718:"Lullaby / Beyond – Vive La Musique"
1009:Tangcay, Jazz (September 7, 2022).
921:
13:
1201:Aguilar, Carlos (April 21, 2023).
442:"The Motel – Je veux dire ton nom"
14:
1396:
1169:
1131:Barone, Joshua (April 20, 2023).
1108:. April 25, 2023. Archived from
978:Connor, Chris (April 27, 2023).
838:. April 21, 2023. Archived from
504:"After the Dance – Le Ciel Même"
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470:"Oasis – Quand je vous aimerai"
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1047:. May 19, 2023. Archived from
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1:
1332:Lodge, Guy (April 21, 2023).
1262:Hornaday, Ann (May 3, 2023).
1239:. May 5, 2023. Archived from
868:. May 4, 2017. Archived from
817:
704:"The Police – C'est l'Espada"
665:Nicholas Britell and Tim Fain
231:
1385:Nicholas Britell soundtracks
1375:2020s film soundtrack albums
1172:"Carmen movie review (2023)"
775:
648:"Cello Impromptu in F Minor"
7:
620:"The Beach – Tout Mon Etre"
328:"Overture – La Vie Errante"
10:
1401:
794:alarm." Carlos Aguilar of
578:"Calling Home – Le Destin"
386:"At the Mine – Il est là!"
356:"Aidan – L'Amour est loin"
198:2022 film of the same name
676:"Jamais Carmen ne cèdera"
456:"On the Run – Songe bien"
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52:April 21, 2023
1380:Sony Masterworks albums
736:"Rebelle (Bonus Track)"
532:"Arrival – Ta Promesse"
1370:2023 soundtrack albums
797:the Los Angeles Times
564:"Pour pays l'univers"
606:"Masilda and Carmen"
958:Film Music Reporter
810:The Washington Post
342:"L'Oiseau s'envole"
1137:The New York Times
783:The New York Times
721:Nicholas Britell,
549:Nicholas Britell,
286:Bernard Herrmann's
280:While scoring for
277:"darker setting".
202:Benjamin Millepied
1344:on April 28, 2023
1207:Los Angeles Times
1182:on April 28, 2023
1082:on April 22, 2023
922:Daniels, Robert.
842:on April 22, 2023
780:Joshua Barone of
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518:"To Los Angeles"
488:Nicholas Britell
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274:Ludovic Halévy's
237:Nicholas Britell
206:Nicholas Britell
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145:Nicholas Britell
134:Nicholas Britell
122:Sony Masterworks
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1268:Washington Post
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984:Flickering Myth
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725:and Paul Mescal
723:Melissa Barrera
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262:Melissa Barrera
242:Julieta Venegas
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226:Melissa Barrera
214:Julieta Venegas
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301:Track listing
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270:Henri Meilhac
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246:Taura Stinson
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1346:. Retrieved
1342:the original
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1284:. Retrieved
1280:the original
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1211:the original
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1184:. Retrieved
1180:the original
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936:. Retrieved
932:the original
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905:. Retrieved
901:the original
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870:the original
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844:. Retrieved
840:the original
835:
826:
808:
805:Ann Hornaday
803:
796:
788:
781:
779:
553:and Tim Fain
296:
290:
281:
279:
255:
235:
200:directed by
188:
187:
186:
166:
165:
156:
690:"Je l'aime"
374:Paul Mescal
370:"Slip Away"
258:Paul Mescal
222:Paul Mescal
1364:Categories
1237:ScreenRant
818:References
754:The D.O.C.
592:"Rooftops"
546:"Ven a Mí"
250:The D.O.C.
232:Background
218:The D.O.C.
194:soundtrack
147:chronology
86:orchestral
81:Film score
56:2023-04-21
1307:IndieWire
1276:0190-8286
1145:0362-4331
836:Stereogum
776:Reception
634:"Tú y Yo"
400:"Lullaby"
317:Artist(s)
288:score in
91:classical
67:2015–2022
492:Tim Fain
158:She Said
129:Producer
64:Recorded
49:Released
39: by
1348:May 28,
1338:Variety
1317:May 28,
1286:May 28,
1247:May 28,
1217:May 28,
1186:May 28,
1155:May 28,
1116:May 28,
1086:May 28,
1055:May 28,
1025:May 28,
1015:Variety
994:May 28,
963:May 26,
938:May 28,
907:May 26,
876:May 26,
866:TheWrap
846:May 28,
750:"Pelea"
291:Vertigo
196:to the
192:is the
171:(2023)
162:(2022)
54: (
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345:
331:
320:Length
282:Carmen
248:, and
216:, and
167:Carmen
100:Length
768:70:08
314:Title
117:Label
73:Genre
1350:2023
1319:2023
1288:2023
1272:ISSN
1249:2023
1219:2023
1188:2023
1157:2023
1141:ISSN
1118:2023
1088:2023
1057:2023
1027:2023
996:2023
965:2023
940:2023
909:2023
878:2023
848:2023
758:3:38
742:1:43
728:2:45
710:3:53
696:1:12
682:3:00
668:2:05
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612:1:59
598:2:53
584:2:27
570:1:09
556:3:56
538:2:00
524:1:31
510:1:46
496:2:59
490:and
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462:2:57
448:2:11
434:1:13
420:5:31
406:1:44
392:1:32
378:1:49
362:1:08
348:3:25
334:2:51
272:and
224:and
807:of
747:30.
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