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Cage of Gold

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31: 462:, who has produced more than his share of top-notch imports. This one has, at least, all the top-notch trimmings. The photography is excellent, Basil Dearden's direction is slick as a whistle, and the acting of the cast, headed by Jean Simmons and David Farrar, is almost consistently good. ... Sadly, though, the picture as a whole is a letdown". 267:
Bill Glennan. Glennan gets her pregnant and marries her, but leaves her on the morning after the wedding when he learns that her father cannot offer him financial support. Two years later, she - having been told that Glennan is dead - has married Kearn and they keep Glennan's son. But then, Glennan
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breaks completely away from what they call their 'semi-documentary' style, and is 'emotional melodrama'. The description can be accepted. ... It all runs efficiently to its rules and timetable, and, oddly enough, Miss Simmons acts better here than in
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yarn. The fact that it doesn't come off on the whole is not only disappointing, but downright annoying. For even with some serious shortcomings, here is a quality product, as might be expected from
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wasn't overly impressed, writing: "Ealing Studios normally know what they are about, and, in an admirably objective programme note, they frankly admit that
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A young woman, Judith Moray, deserts her prospective fiancé, the nice doctor Alan Kearn, for an old flame - the dashing, but roguish, former
1829: 1862: 1857: 993: 632: 590: 1902: 1887: 1907: 1229: 1039: 1317: 1191: 514: 435:, wrote that the film is "lavishly staged and efficiently directed, but the characters are somewhat stereotyped". 1485: 854: 1877: 1629: 1493: 1389: 1357: 557: 445: 1912: 1892: 1882: 1872: 1605: 1429: 1301: 1277: 986: 902: 654: 1765: 1749: 1525: 958: 806: 782: 625: 1653: 1581: 1509: 1445: 1269: 1159: 1119: 1023: 886: 830: 1867: 1821: 1781: 1733: 1717: 1573: 1111: 814: 156: 1797: 1757: 1669: 1613: 1309: 1261: 1199: 950: 726: 1127: 1079: 979: 942: 766: 431: 1557: 1453: 1087: 1031: 926: 862: 618: 594: 1813: 1709: 1701: 1405: 1135: 758: 341: 264: 1661: 1183: 1063: 822: 284: 248: 92: 8: 1852: 1805: 1773: 1645: 1533: 1469: 1421: 1015: 694: 662: 422: 1789: 1565: 1349: 1325: 1253: 1103: 1047: 878: 870: 838: 790: 440: 1725: 1693: 1549: 1501: 1461: 1437: 1373: 1293: 1285: 1215: 1167: 1095: 798: 774: 710: 686: 678: 670: 605: 396: 329: 317: 1541: 1413: 1397: 1381: 1365: 1341: 1207: 1071: 971: 569: 384:
Michael Relph was forced to do the movie at short notice at the request of Ealing.
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British Cinema of The 1950s The Decline of Deference
640: 268:suddenly re-appears and begins to blackmail her. 1844: 560:(19 January 1952). "A British mystery story". 987: 626: 1590:The Life and Adventures of Nicholas Nickleby 499: 1898:Films with screenplays by Jack Whittingham 994: 980: 633: 619: 438:After the US première on 18 January 1952, 29: 556: 477: 475: 1845: 429:A critic in the British film magazine 1040:The Lodger: A Story of the London Fog 975: 614: 500:Harper, Sue; Porter, Vincent (2003). 495: 493: 472: 1830:The Long and the Short and the Tall 35:Original British quad format poster 13: 508: 490: 395:premiered on 21 September 1950 at 16:1950 British film by Basil Dearden 14: 1924: 584: 564:. Vol. 101, no. 34328. 308:Maria Mauban as Antoinette Duport 1863:Films produced by Michael Balcon 1858:Films directed by Basil Dearden 534:. 25 September 1950. p. 6. 486:. 20 September 1950. p. 2. 550: 538: 523: 504:. 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Index


Basil Dearden
Jack Whittingham
Paul L. Stein
Jack Whittingham
Michael Balcon
Jean Simmons
David Farrar
James Donald
Herbert Lom
Douglas Slocombe
Peter Tanner
Georges Auric
Ealing Studios
GFD
United Kingdom
British
drama film
Basil Dearden
Jean Simmons
David Farrar
James Donald
wing commander
Jean Simmons
David Farrar
James Donald
Herbert Lom
Madeleine Lebeau
Bernard Lee
Grégoire Aslan

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