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311:, and the Fédération Musicale Populaire. He adopted four strategies to composing; first, to participate in groups with other leftist artists; second, to reach a wider audience by writing in more genres; third, to write music aimed at a younger audience; and fourth, to express his political views more directly in his music.
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The films that Auric chose to score in his career as a film composer were influenced by these new-found beliefs, as well as by old associations. He collaborated with Jean
Cocteau, his longtime associate from the days of Les Six, on eleven films. He composed music for a large number of films over the
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in 1931, which was well received; there was general approval of Auric's score for the film. While he was beginning a successful career as a film composer, his music went through a period of stagnation and change. His Piano Sonata (1931) was poorly received and was followed by a period of five years
356:
in the 1930s. The
Association des Ecrivains et des Artistes Révolutionnaires (AEAR) was dedicated to bringing together Soviet and French communist artists to discuss their goals and approaches for disseminating their ideas to the public. It was through this group that Auric met many other far left
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of
Debussy. Auric's later development as a populist composer was prefigured by many of the techniques and ideals of Les Six, especially the use of popular music and situations. Music of the circus or the dance hall played a significant role in the music of Les Six, especially in their actual
277:
and satire; the group rebelled similarly against Wagner as it did against
Debussy. The music of these composers, including Auric, represented the specific cultural scene of Paris at the time and rejected the international styles brought by Russian and German music, as well as the
307:. However, he abandoned the elitist and highly referential attitudes of his earlier years by 1935 in favour of a populist approach. He became associated with leftist groups and publications, including the Association des Ecrivains et des Artistes Révolutionnaires (AEAR), the
357:
artists and thinkers. These ideals transferred into Auric's concert music as well as his choices in which movies he scored. In 1930, Auric married the painter
Eleanore Vilter, who died in 1982. Auric died in Paris on 23 July 1983 at the age of 84, and was interred at
194:. Having gained recognition as a child prodigy both in composition and piano performance, he became a protégé of Erik Satie during the following decade. During the 1910s and 20s, he was a significant contributor of
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Auric's early compositions were marked by a reaction against the musical establishment and the use of referential material. Because of this and his association with
Cocteau and Satie, Auric was grouped into
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294:
Following his early successes as an avant-garde composer, Auric went through a transitional period during the 1930s. He began writing for film in 1930 and composed the music for
162:. Before he turned 20 he had orchestrated and written incidental music for several ballets and stage productions. He also had a long and distinguished career as a film composer.
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in which he wrote very little, including his first three film scores. His association with
Cocteau continued through this period with his composition of the score to Cocteau's
46:
235:. His participation led to writing settings of poetry and other texts as songs and musicals. Along with the other five composers, he contributed a piece to
321:. The song from that movie, "Where Is Your Heart?", became very popular. In 1962, he gave up writing for motion pictures when he became director of the
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Music criticism was another major facet of Auric's career. His criticism was focused on promoting the ideals of Les Six and
Cocteau, known as
273:, though an informal and short-lived group, became known for its reaction against the musical establishment of the time and the promotion of
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329:, the French Performing Rights Society. Auric continued to write classical chamber music, especially for winds, right up to his death.
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years, including films produced in France, England, and
America. Among his most popular scores is the score for
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at the age of 14. Several songs that he had written were then performed in the following year by
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261:(1919), is lost). It was also in 1927 that he contributed the Rondeau for the children's ballet
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Georges Auric began his musical career at a young age, performing a piano recital at the
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Colin Roust, "'Say it with
Georges Auric': Film Music and the esprit nouveau," in:
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soon drew apart, with Auric and others taking different approaches to their art.
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in Paris and was significantly influenced by Cocteau and the other composers of
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Roust: "Reaching a Plus Grand Public: Georges Auric as Populist", in:
245:. He found himself short of time, so he asked his fellow composers of
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140:; 15 February 1899 – 23 July 1983) was a French composer, born in
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A more complete list is in the French Knowledge article on
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While Auric criticized Satie in the 1920s for joining the
1028:"BFI Screenonline: Auric, Georges (1899-1983) Biography"
253:
agreed. During this time, he wrote his one-act opera
1004:(New York: Oxford University Press, 2020), p. 19.
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987:Vera Rašín, "Les Six' and Jean Cocteau", in:
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1002:Georges Auric: A Life in Music and Politics
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960:The Guinness Encyclopedia of Popular Music
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49:of all important aspects of the article.
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45:Please consider expanding the lead to
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1135:Roust, "Say it with ...", p. 135-136.
249:to contribute some music. All except
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18:
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148:, France. He was considered one of
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1105:Roust, "Reaching ...", p. 343–344.
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1114:Roust, "Say it with ...", p. 138.
1067:"Georges Auric - French composer"
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1355:French male film score composers
1320:Burials at Montparnasse Cemetery
1310:20th-century classical composers
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1365:Schola Cantorum de Paris alumni
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568:The Murderer is Afraid at Night
37:may be too short to adequately
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1083:Rašín, "'Les Six'...", p. 166.
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1044:Roust, "Reaching ...", p. 343.
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991:38, no. 2 (Apr. 1957), p. 164.
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182:, as well as composition with
47:provide an accessible overview
1:
1325:Conservatoire de Paris alumni
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172:Société musicale indépendante
1380:Directors of the Paris Opera
1153:Roust, "Say it ...", p. 139.
409:Les Mariés de la Tour Eiffel
243:Les Mariés de la tour Eiffel
176:Société Nationale de Musique
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1345:French male opera composers
1335:French film score composers
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840:The Hunchback of Notre Dame
377:Huit Poèmes de Jean Cocteau
16:French composer (1899-1983)
10:
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912:The Poppy Is Also a Flower
397:for piano and voice (1920)
379:for piano and voice (1918)
373:for piano and voice (1914)
340:Personal life and politics
257:(1927) (an earlier opera,
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744:The Respectful Prostitute
287:collaborations. However,
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1370:Ballets Russes composers
935:List of French composers
768:The Titfield Thunderbolt
435:for piano 4 hands (1925)
188:Schola Cantorum de Paris
166:Early life and education
1315:French ballet composers
1124:Encyclopædia Britannica
1094:Twentieth-Century Music
1071:Encyclopedia Britannica
736:The Lovers of Bras-Mort
560:The Beautiful Adventure
544:His Uncle from Normandy
323:Opéra National de Paris
1340:French opera composers
696:The Spider and the Fly
488:The Mysteries of Paris
346:French Communist Party
267:La Guirlande de Campra
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214:Auric, caricatured by
1174:at Wikimedia Commons
1096:6 (2009), p. 133–134.
1015:The Musical Quarterly
856:The Night Heaven Fell
712:The Lavender Hill Mob
648:To the Eyes of Memory
520:A Picnic on the Grass
359:Montparnasse Cemetery
325:and then chairman of
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1277:Germaine Tailleferre
608:Beauty and the Beast
446:Selected filmography
411:for orchestra (1920)
309:Maison de la Culture
263:L'Éventail de Jeanne
1032:Screenonline.org.uk
989:Music & Letters
965:Guinness Publishing
728:The Galloping Major
680:The Queen of Spades
656:Passport to Pimlico
361:, beside his wife.
180:Paris Conservatoire
1360:People from Lodève
1126:, "Georges Auric."
1017:95 (2012), p. 343.
963:(First ed.).
920:The Christmas Tree
552:Monsieur La Souris
464:Le sang d’un poète
304:Le Sang d'un poète
220:
1390:Occitan musicians
1330:French communists
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1284:
1170:Media related to
848:Bonjour Tristesse
800:The Divided Heart
792:The Wages of Fear
616:Pastoral Symphony
472:À nous la liberté
297:À Nous la Liberté
259:La Reine de coeur
196:avant-garde music
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720:Darling Caroline
632:The Seventh Door
576:L'Éternel retour
536:The Lafarge Case
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423:for piano (1922)
417:for piano (1920)
395:Les joues en feu
391:for piano (1919)
385:for piano (1919)
383:Adieu, New-York!
371:Trois Interludes
227:by music critic
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584:François Villon
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441:(Ballet) (1925)
433:Cinq Bagatelles
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116:(1983-07-23)
114:23 July 1983
52:
36:
34:lead section
1305:1983 deaths
1300:1899 births
1257:Louis Durey
824:Lola Montes
760:Leathernose
688:Silent Dust
624:Hue and Cry
455:(in French)
427:Les Fâcheux
405:Ritournelle
251:Louis Durey
55:August 2024
1294:Categories
941:References
872:Sergeant X
816:Chéri-Bibi
415:Pastorales
354:Paris-Soir
160:Erik Satie
91:1899-02-15
784:The Slave
592:Farandole
504:The Alibi
401:Ouverture
284:symbolism
275:absurdism
233:Jean Hugo
39:summarize
929:See also
664:Ruy Blas
421:Sonatine
350:Marianne
105:, France
1350:Les Six
1241:Les Six
1190:at the
704:Orpheus
389:Prélude
289:Les Six
271:Les Six
247:Les Six
225:Les Six
200:Les Six
186:at the
151:Les Six
146:Hérault
133:French:
103:Hérault
971:
923:(1969)
915:(1966)
907:(1963)
899:(1961)
891:(1961)
883:(1960)
875:(1960)
867:(1958)
859:(1958)
851:(1958)
843:(1956)
835:(1955)
832:Rififi
827:(1955)
819:(1955)
811:(1955)
808:Nagana
803:(1954)
795:(1953)
787:(1953)
779:(1953)
771:(1953)
763:(1952)
755:(1952)
747:(1952)
739:(1951)
731:(1951)
723:(1951)
715:(1951)
707:(1950)
699:(1949)
691:(1949)
683:(1949)
675:(1949)
667:(1948)
659:(1948)
651:(1948)
643:(1948)
635:(1947)
627:(1947)
619:(1946)
611:(1946)
603:(1945)
595:(1945)
587:(1945)
579:(1943)
571:(1942)
563:(1942)
555:(1942)
547:(1939)
539:(1938)
531:(1938)
528:Tamara
523:(1937)
515:(1937)
507:(1937)
499:(1937)
491:(1935)
483:(1934)
475:(1931)
467:(1930)
218:, 1921
206:Career
142:Lodève
99:Lodève
407:from
327:SACEM
1183:IMDb
969:ISBN
672:Maya
403:and
352:and
282:and
190:and
158:and
111:Died
85:Born
1203:at
1194:'s
1192:BFI
1181:at
1296::
1069:.
1049:^
1030:.
457:.
269:.
202:.
144:,
101:,
1233:e
1226:t
1219:v
1034:.
977:.
131:(
93:)
89:(
57:)
53:(
43:.
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