1237:
1225:
1213:
258:, "1. History.") suggest the two are the same person: "harpist Sarkash (also called Nakisā)", and "Nakisa or Sarkash". Matters are made more confusing by the fact that
1044:
854:
949:
685:
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180:, which were performers who worked as both court poets and musicians; in the Sasanian Empire there was little distinction between poetry and music.
1019:
1009:
839:
829:
989:
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197:, for example Dehḵodā's Loḡat-nāma, describe him as a well-known musician equal to Barbad. He is also mentioned in a poem by the Persian poet
645:
849:
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834:
1014:
934:
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250:, p. 3) present them as separate individuals, listing them both as among the musicians of Khosrow's court. Other sources, such as
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169:
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678:
190:). His name comes from his practice of playing music at dawn every day: "bam" and "shad" translate as "dawn" and "happiness".
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Essentially nothing is known of
Bamshad except that he was a noted musician during the reign of Khosrow II (
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of
Persian music. Musicians in Khosrow's service include Āzādvar-e Changi, Bamshad, the harpist
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176:, who was by-far the most famous. These musicians were usually active as
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469:; Mirabdolbaghi, Zia (1991b). "The Instruments of Yesterday and Today".
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242:(Nakisa) and Sarkash (also Sargis or Sarkas). Some sources, such as
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There is much contradiction in modern sources over the musicians
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16:Persian musician under Khosrow II (fl. 590–628)
229:Āzādvar-e Changi is also known as simply Āzād.
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679:
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254:, "5. Sassanian period, 224–651 CE.") and
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262:presented the two musicians differently.
572:10.1093/gmo/9781561592630.article.13895
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172:, Sarkash (also Sargis or Sarkas) and
137:, including the founder of the empire
667:
301:, "5. Sassanian period, 224–651 CE.".
232:
998:
878:
622:(2001). "II. Classical traditions".
508:The Dastgah Concept in Persian Music
434:. Washington D.C.: Mage Publishers.
430:; Mirabdolbaghi, Zia, eds. (1991a).
636:Lawergren, Farhat & Blum (2001)
613:Lawergren, Farhat & Blum (2001)
95:
66:Noted musician during the reign of
13:
1263:Musicians from the Sasanian Empire
494:During & Mirabdolbaghi (1991a)
477:During & Mirabdolbaghi (1991a)
460:During & Mirabdolbaghi (1991a)
120:
14:
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532:Journal and Encyclopedia articles
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1211:
160:, his reign being regarded as a
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452:(1991a). "Historical Survey".
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210:
1:
486:(1991b). "Poetry and Music".
268:
1075:Abu al-Majd ibn Abi al-Hakam
589:UK public library membership
7:
156:) was the most outstanding
10:
1284:
1258:7th-century Iranian people
860:Yunus al-Katib al-Mughanni
599:(2001). "I. Pre-Islamic".
513:Cambridge University Press
386:
133:were ardent supporters of
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709:Persian traditional music
699:
694:Medieval Perso-Arab music
410:University of Texas Press
402:(2003). "Persian Myths".
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62:
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46:
38:
30:
23:
1169:Kitab al-Musiqa al-Kabir
1120:Abu al-Faraj al-Isfahani
488:The Art of Persian Music
471:The Art of Persian Music
454:The Art of Persian Music
432:The Art of Persian Music
204:
564:Oxford University Press
58:Musician, Minstrel-Poet
1135:Qutb al-Din al-Shirazi
644:Tafażżolī, A. (1988).
400:Curtis, Vesta Sarkhosh
1268:7th-century musicians
1130:Safi al-Din al-Urmawi
1045:Sarirah al-Ra’iqiyya
955:Ibrahim ibn al-Mahdi
945:Ulayya bint al-Mahdi
651:Encyclopædia Iranica
106:during the reign of
490:. pp. 153–166.
1186:Islamic Golden Age
1145:Abu Ahmad Monajjem
1040:Arib al-Ma'muniyya
1025:Inan bint Abdallah
940:Ibrahim al-Mawsili
629:Grove Music Online
606:Grove Music Online
559:Grove Music Online
473:. pp. 99–152.
392:Books and Chapters
246:, p. 39) and
216:Also known by the
102:was a musician of
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587:(subscription or
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522:978-0-521-54206-7
456:. pp. 31–56.
441:978-0-934211-22-2
419:978-0-292-70607-1
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34:6th–7th centuries
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970:Ishaq al-Mawsili
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377:Tafażżolī 1988
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364:, p. 154.
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299:Lawergren 2001
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188: 590–628
154: 590–628
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104:Sasanian music
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80:Sasanian music
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63:Known for
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548:Blum, Stephen
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540:Lawergren, Bo
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511:. Cambridge:
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340:, p. 39.
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261:
260:Hormoz Farhat
257:
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244:During (1991a
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55:Occupation(s)
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484:During, Jean
470:
467:During, Jean
453:
450:During, Jean
431:
428:During, Jean
404:
362:During 1991b
357:
345:
338:During 1991a
333:
313:, p. 3.
306:
277:
256:Farhat (2001
248:Farhat (2004
234:
225:
220:form Bāmshād
212:
193:The Persian
192:
182:
124:
99:
87:
86:
75:Notable work
18:
1100:Al-Sarakhsi
350:Curtis 2003
326:Farhat 2001
311:Farhat 2004
282:Farhat 2001
127:Shahanshahs
47:Nationality
1252:Categories
1088:Theorists
865:Ibn Muhriz
850:Ibn Surayj
830:Ibn Misjaḥ
726:Achaemenid
704:Arab music
654:. Leiden:
562:. Oxford:
408:. Austin:
269:References
168:(Nakisa),
162:golden age
147:Khosrow II
139:Ardashir I
108:Khosrow II
68:Khosrow II
1218:Biography
1105:Al-Farabi
835:al-Gharid
591:required)
218:diacritic
199:Manūčehrī
178:minstrels
1140:Ibn Kurr
1125:Avempace
1115:Avicenna
1095:Al-Kindi
1070:Avempace
1030:Shāriyah
1015:Mahbubah
965:Mukhariq
935:Ibn Jami
845:Algharid
777:Sasanian
763:Rhoptron
748:Parthian
646:"Bāmšād"
550:(2001).
505:(2004).
195:lexicons
143:Bahram V
1204:Portals
1179:Related
923:Abbasid
905:Hababah
808:Umayyad
785:Bamshad
718:Origins
387:Sources
129:of the
92:Persian
88:Bamshad
50:Persian
25:Bamshad
1110:Ziryab
1065:Ziryab
985:Jahzah
910:Ubayda
855:Ma'bad
820:Nashit
815:Ṭuways
795:Nagisa
790:Barbad
734:Karnay
578:
553:"Iran"
519:
438:
416:
240:Nagisa
174:Barbad
170:Ramtin
166:Nagisa
158:patron
100:Bāmšād
96:بامشاد
42:c. 628
1230:Music
1154:Works
1010:Irfan
1001:Qiyan
930:Siyat
881:Qiyan
757:gōsān
205:Notes
135:music
125:Many
98:) or
1242:Iran
634:(In
624:Iran
611:(In
601:Iran
576:ISBN
517:ISBN
492:(In
475:(In
458:(In
436:ISBN
414:ISBN
141:and
39:Died
31:Born
568:doi
117:).
1254::
648:.
626:.
603:.
574:.
566:.
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542:;
515:.
412:.
369:^
318:^
289:^
201:.
186:r.
152:r.
145:.
113:r.
94::
1206::
687:e
680:t
673:v
658:.
638:)
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615:)
609:.
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479:)
462:)
444:.
422:.
379:.
284:.
149:(
110:(
90:(
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