193:
181:
205:
106:
set, and the classic German four-stop. The three-stop accordion has two sets of tenor and one set of bass reeds. The German four-stop is preferred by Cajun musicians and has one bass, one piccolo, and two tenor stops. This gives the instrument a denser sound. Most diatonic instruments lack switches, though there are some made by companies such as Hohner, as well as the one-row 'Cajun'-type boxes which have usually 3 or 4 stops on top of the box as switches (making it even more akin to a pipe organ), but it is generally more common to find switches on a chromatic or piano accordion.
169:
33:
234:
in Europe in 1835, with the piano accordion coming later. It was the first mass-produced, loud, durable, portable instrument – though it was not cheap. At first, the button accordion was too expensive to be very common among the lower and middle classes, but as it lost its novelty (around the 1860s),
127:
is bisonoric, meaning when a button is pressed, the note sounded changes depending on whether the bellows are being expanded or contracted. This is similar to the harmonica, where the note changes depending on whether the player is breathing in or out. In most diatonic button accordions, each row of
161:
is very similar to piano accordion, but can have 3, 4, or 5 rows of buttons on the right hand side. It is unisonoric, meaning the same note is sounded whether the bellows are pushed or pulled. The chromatic button accordion is traditionally used in a concert setting, and is more popular in jazz and
105:
Some button accordions have 'stops', which change the tone and are called things like "Organ" or "Trumpet" or "Tremolo". These allow the instrument to produce different tones for a variety of situations. Some popular examples are the three-stop accordion, with two sets of tenor reeds and one bass
272:
to distinguish it from the piano accordion. It first appeared there in the late nineteenth century. Previously, one-row diatonic button accordions with two bass buttons were used. Later, chromatic accordions grew in popularity, increasing the possible styles that could be played on them.
68:, published in 1914. The sound from the instrument is produced by the vibration of air in reeds. Button accordions of various types are particularly common in European countries and countries where European people settled. The button accordion is often confused with the
235:
it became more widespread among these groups, too. Surviving early instruments show that at first they only played chords, and were to be played left-handed, unlike now. The first accordions only had 5 buttons (10 chords), so they were mostly used for accompaniment.
93:
or reeds to make a sound when the bellows are pumped in or out. In the diatonic button accordion, reeds are fixed in pairs so that one note sounds when air moves in, and a different one when air moves out. The button accordion has
398:
instrument company noticed him and invited him to work with them. He changed the tuning of the reeds in the button accordion to develop an accordion with Flaco Jiménez' preferred sound, making it ideal for Texas-Mexican
80:
All accordions and concertinas have three main components: the reeds, bellows, and buttons or keys. Pushing or pulling the bellows slower or faster makes the sound softer or louder, respectively. The accordion has
151:
when pulled. This works well and is popular in basic Anglo-American fiddle tunes. The German melodeon was a popular, later version of a diatonic button accordion, especially in
Scotland until around the 1920s.
246:
of many cultures, because one could play both the melody and accompaniment at once, and still be able to sing or tap his or her feet. The many reeds produce a louder sound, ideal for a crowded
224:. The same year, Charles Wheatstone made the first concertina. The first chromatic button accordion was made by Franz Walther in 1850. The name 'Accordion' is thought to originate from
132:, with accidentals on 'helper buttons' at the ends of the rows. The diatonic button accordion is the most popular type of button accordion, and appears in many cultures, especially in
306:
musicians prefer accordions with more vibrato, and Texan musicians favor less vibrato. The vibrato comes from tuning the reeds ever so slightly different from one another.
376:, Louisiana and made recordings of rural African-American music on the accordion from 1942 to 1947. His music was influenced by the Acadian style of southern Louisiana.
89:
and bass sides. In modern accordions, the free reeds are generally made of tempered steel. The press of a button or key opens a valve to allow air to pass through the
192:
72:; the button accordion's buttons are on the front of the instrument, where as the concertina's are on the sides and pushed in parallel with the bellows.
180:
394:: Popular accordionist in Tejano music. He repaired and tuned his own accordions, and made changes to his own button accordion. Because of this, the
230:, the German word for chord. The accordion may have originated with traditional reed instruments from southeast Asia. The button accordion was first
448:
204:
139:
One popular type of diatonic button accordion is the standard, one-row button accordion. This is tuned to a diatonic, 2.5 octave scale. The
814:
326:. Later, a new, higher quality version of the button accordion was made in Louisiana, which became and remained popular with Cajun and
168:
905:
844:
DeWitt, Mark F. (1 October 2017). "Cultural significance of the diatonic single-row button accordion in South
Louisiana".
268:
The diatonic 2-row button accordion with eight bass buttons is still very common in northeast Brazil. It is known as the
706:
Eydmann, Stuart (1999). "As Common as
Blackberries: The First Hundred Years of the Accordion in Scotland, 1830–1930".
342:
in
Louisiana from 1880 to 1910. In some regions and groups, the diatonic button accordion is known as a 'windjammer'.
961:
679:
65:
17:
600:
Snyder, Jared (1994). "Leadbelly and His
Windjammer: Examining the African American Button Accordion Tradition".
773:
242:
troupes toured
America as early as 1843, spreading the accordion sound. The button accordion was ideal for
372:: One of the first African-Americans to make commercial recordings on the button accordion. He was from
986:
162:
classical music because it can be freely played in any key, usually with identical fingering patterns.
157:
1009:
123:
543:
898:
373:
302:(Texas-Mexican) music. The two-row button accordion is very common, with some variation. Mexican
282:
1042:
60:, which has piano-style keys. Erich von Hornbostel and Curt Sachs categorize it as a free reed
671:
1106:
976:
530:
1069:
853:
488:
473:
8:
999:
891:
82:
857:
403:
1137:
1116:
940:
723:
625:
351:
220:
The first diatonic button accordion was patented under the name 'Accordion' in 1829 by
303:
994:
935:
869:
715:
675:
617:
458:
339:
90:
1064:
1096:
971:
861:
667:
609:
380:
1111:
1037:
1017:
945:
478:
231:
57:
423:
323:
148:
115:
86:
523:"Journey into tradition : a social history of the Irish button accordion"
413:: Popular accordion virtuoso in northeast Brazil. Brother to Luizinho Calixto.
1131:
873:
719:
621:
431:
221:
140:
99:
385:
299:
32:
662:
Harrington, Helmi Strahl; Kubik, Gerhard (20 January 2001). "Accordion".
281:
The concertina, button accordion, and piano accordion are all popular in
243:
144:
129:
53:
419:: Popular accordion virtuoso in northeast Brazil. Brother to ZĂ© Calixto.
350:
Starting in the 19th century, the button accordion has played a part in
285:. The button accordion was first available for sale in Ireland in 1831.
1088:
914:
727:
629:
522:
483:
463:
367:
335:
247:
133:
69:
865:
1101:
1059:
1054:
1049:
922:
453:
436:
315:
114:
Button accordions are found with a wide variety of keyboard systems,
61:
45:
613:
98:
notes on one side of the bellows (usually the right side), and bass
966:
331:
239:
1074:
1032:
1022:
355:
741:
1027:
883:
468:
395:
327:
319:
95:
49:
36:
Diatonic button accordion (German make, early 20th century)
354:
n music. It was brought there by sailors, merchants, and
334:
tradition of southern
Louisiana influenced some, such as
407:: Often called an 'accordion pioneer' in Tejano music.
774:"The Bisonoric Button Accordion in Northeast Brazil"
338:. The button accordion was especially popular among
318:in the 1800s. It was a popular instrument with the
1129:
846:The Journal of the Acoustical Society of America
815:"The Remarkable Rebirth of the Button Accordion"
734:
210:Four-row and five-row chromatic button accordion
661:
449:List of All Ireland button accordion champions
102:notes on the other side (generally the left).
899:
225:
906:
892:
520:
293:
143:side (bass/chordal side) buttons play a
31:
705:
672:10.1093/gmo/9781561592630.article.46180
358:, and is used solo and in dance bands.
298:The button accordion is very common in
52:-side keyboard consists of a series of
14:
1130:
843:
808:
806:
804:
802:
800:
798:
796:
794:
599:
516:
514:
512:
510:
508:
506:
504:
887:
771:
595:
593:
591:
589:
587:
585:
583:
581:
579:
577:
575:
573:
345:
839:
837:
835:
767:
765:
763:
761:
759:
757:
755:
753:
751:
701:
699:
697:
695:
693:
691:
657:
655:
653:
651:
649:
647:
645:
643:
641:
639:
571:
569:
567:
565:
563:
561:
559:
557:
555:
553:
198:Three-row chromatic button accordion
128:melody buttons produces a different
791:
501:
186:Three-row diatonic button accordion
24:
812:
361:
75:
25:
1149:
962:Accordion reed ranks and switches
832:
772:Blogs, AMIS (13 September 2019).
748:
688:
636:
550:
174:One-row diatonic button accordion
913:
684:– via Oxford Music Online.
314:The button accordion arrived in
309:
288:
203:
191:
179:
167:
13:
1:
494:
369:Huddie "Leadbelly" Leadbetter
336:Huddie "Leadbelly" Leadbetter
109:
66:classification of instruments
263:
118:, action, and construction.
7:
987:Chromatic button accordions
442:
253:
10:
1154:
1010:Diatonic button accordions
744:. The Arhoolie Foundation.
521:Nà Chaoimh, Máire (2010).
384:: Popular accordionist in
276:
215:
158:chromatic button accordion
1087:
1008:
985:
954:
921:
258:
124:diatonic button accordion
322:and the French-speaking
56:. This differs from the
283:Irish traditional music
538:Cite journal requires
294:Mexico & Texas, US
226:
37:
1107:Chemnitzer concertina
977:Stradella bass system
35:
1070:Steirische Harmonika
819:Smithsonian Magazine
742:"Squeezebox stories"
489:Steirische Harmonika
1000:Schrammel accordion
858:2017ASAJ..142.2570D
1117:English concertina
941:Georgian accordion
708:Folk Music Journal
664:Grove Music Online
352:sub-Saharan Africa
346:Sub-Saharan Africa
38:
27:Musical instrument
1125:
1124:
1083:
1082:
936:Digital accordion
866:10.1121/1.5014395
340:African-Americans
147:when pushed, and
16:(Redirected from
1145:
1097:Anglo concertina
972:Free-bass system
952:
951:
931:Button accordion
908:
901:
894:
885:
884:
878:
877:
841:
830:
829:
827:
825:
813:Sheehy, Daniel.
810:
789:
788:
786:
784:
769:
746:
745:
738:
732:
731:
703:
686:
685:
659:
634:
633:
597:
548:
547:
541:
536:
534:
526:
518:
427:: Irish musician
417:Luizinho Calixto
404:Narciso MartĂnez
229:
207:
195:
183:
171:
42:button accordion
21:
18:Button Accordion
1153:
1152:
1148:
1147:
1146:
1144:
1143:
1142:
1128:
1127:
1126:
1121:
1112:Duet concertina
1079:
1018:Cajun accordion
1004:
981:
950:
946:Piano accordion
917:
912:
882:
881:
842:
833:
823:
821:
811:
792:
782:
780:
770:
749:
740:
739:
735:
704:
689:
682:
660:
637:
614:10.2307/3052520
598:
551:
539:
537:
528:
527:
519:
502:
497:
479:Piano accordion
445:
364:
362:Notable players
348:
312:
296:
291:
279:
266:
261:
256:
218:
211:
208:
199:
196:
187:
184:
175:
172:
112:
78:
76:Main components
58:piano accordion
28:
23:
22:
15:
12:
11:
5:
1151:
1141:
1140:
1123:
1122:
1120:
1119:
1114:
1109:
1104:
1099:
1093:
1091:
1085:
1084:
1081:
1080:
1078:
1077:
1072:
1067:
1065:Schwyzerörgeli
1062:
1057:
1052:
1047:
1046:
1045:
1040:
1035:
1025:
1020:
1014:
1012:
1006:
1005:
1003:
1002:
997:
991:
989:
983:
982:
980:
979:
974:
969:
964:
958:
956:
949:
948:
943:
938:
933:
927:
925:
919:
918:
911:
910:
903:
896:
888:
880:
879:
831:
790:
747:
733:
714:(5): 595–608.
687:
680:
635:
608:(2): 148–166.
602:American Music
549:
540:|journal=
499:
498:
496:
493:
492:
491:
486:
481:
476:
471:
466:
461:
456:
451:
444:
441:
440:
439:
435:: Of the band
428:
424:Sharon Shannon
420:
414:
408:
400:
392:Gilberto Reyes
389:
377:
363:
360:
347:
344:
311:
308:
295:
292:
290:
287:
278:
275:
265:
262:
260:
257:
255:
252:
217:
214:
213:
212:
209:
202:
200:
197:
190:
188:
185:
178:
176:
173:
166:
149:dominant chord
111:
108:
77:
74:
26:
9:
6:
4:
3:
2:
1150:
1139:
1136:
1135:
1133:
1118:
1115:
1113:
1110:
1108:
1105:
1103:
1100:
1098:
1095:
1094:
1092:
1090:
1086:
1076:
1073:
1071:
1068:
1066:
1063:
1061:
1058:
1056:
1053:
1051:
1048:
1044:
1041:
1039:
1036:
1034:
1031:
1030:
1029:
1026:
1024:
1021:
1019:
1016:
1015:
1013:
1011:
1007:
1001:
998:
996:
993:
992:
990:
988:
984:
978:
975:
973:
970:
968:
965:
963:
960:
959:
957:
953:
947:
944:
942:
939:
937:
934:
932:
929:
928:
926:
924:
920:
916:
909:
904:
902:
897:
895:
890:
889:
886:
875:
871:
867:
863:
859:
855:
851:
847:
840:
838:
836:
820:
816:
809:
807:
805:
803:
801:
799:
797:
795:
779:
775:
768:
766:
764:
762:
760:
758:
756:
754:
752:
743:
737:
729:
725:
721:
717:
713:
709:
702:
700:
698:
696:
694:
692:
683:
681:9781561592630
677:
673:
669:
665:
658:
656:
654:
652:
650:
648:
646:
644:
642:
640:
631:
627:
623:
619:
615:
611:
607:
603:
596:
594:
592:
590:
588:
586:
584:
582:
580:
578:
576:
574:
572:
570:
568:
566:
564:
562:
560:
558:
556:
554:
545:
532:
524:
517:
515:
513:
511:
509:
507:
505:
500:
490:
487:
485:
482:
480:
477:
475:
472:
470:
467:
465:
462:
460:
457:
455:
452:
450:
447:
446:
438:
434:
433:
432:David Hidalgo
429:
426:
425:
421:
418:
415:
412:
409:
406:
405:
401:
397:
393:
390:
387:
383:
382:
381:Flaco Jiménez
378:
375:
371:
370:
366:
365:
359:
357:
353:
343:
341:
337:
333:
330:players. The
329:
325:
321:
317:
310:Louisiana, US
307:
305:
301:
289:North America
286:
284:
274:
271:
251:
249:
245:
241:
236:
233:
232:mass-produced
228:
223:
206:
201:
194:
189:
182:
177:
170:
165:
164:
163:
160:
159:
153:
150:
146:
142:
141:accompaniment
137:
135:
131:
126:
125:
119:
117:
107:
103:
101:
100:accompaniment
97:
92:
88:
84:
73:
71:
67:
63:
59:
55:
51:
48:on which the
47:
44:is a type of
43:
34:
30:
19:
930:
915:Squeezeboxes
849:
845:
822:. Retrieved
818:
781:. Retrieved
777:
736:
711:
707:
663:
605:
601:
531:cite journal
430:
422:
416:
410:
402:
391:
386:Tejano music
379:
374:Caddo Parish
368:
349:
313:
297:
280:
269:
267:
237:
222:Cyril Demian
219:
156:
154:
138:
122:
120:
113:
104:
85:on both the
79:
41:
39:
29:
1089:Concertinas
852:(4): 2570.
244:dance music
145:tonic chord
130:major scale
955:Components
923:Accordions
495:References
484:Squeezebox
464:Concertina
411:ZĂ© Calixto
248:dance hall
134:folk music
110:Variations
83:free reeds
70:concertina
1138:Accordion
1102:BandoneĂłn
1075:Trikitixa
1060:Organetto
1055:Harmonium
1050:Heligonka
1043:Saratovka
874:0001-4966
720:0531-9684
622:0734-4392
454:Bandoneon
437:Los Lobos
316:Louisiana
264:Northeast
64:in their
62:aerophone
46:accordion
1132:Category
967:Cassotto
474:Melodeon
443:See also
356:settlers
254:Cultures
240:minstrel
1038:Livenka
1033:Khromka
1023:Flutina
854:Bibcode
728:4522630
630:3052520
332:Acadian
324:creoles
304:norteño
277:Ireland
216:History
96:melodic
54:buttons
1028:Garmon
872:
824:24 May
783:26 May
726:
718:
678:
628:
620:
469:Garmon
399:music.
396:Hohner
328:Zydeco
320:Cajuns
300:Tejano
259:Brazil
238:Early
227:Akkord
116:tuning
87:treble
50:melody
995:Bayan
724:JSTOR
626:JSTOR
459:Bayan
870:ISSN
826:2020
785:2020
778:AMIS
716:ISSN
676:ISBN
618:ISSN
544:help
270:fole
155:The
121:The
91:reed
862:doi
850:142
668:doi
610:doi
1134::
868:.
860:.
848:.
834:^
817:.
793:^
776:.
750:^
722:.
710:.
690:^
674:.
666:.
638:^
624:.
616:.
606:12
604:.
552:^
535::
533:}}
529:{{
503:^
250:.
136:.
40:A
907:e
900:t
893:v
876:.
864::
856::
828:.
787:.
730:.
712:7
670::
632:.
612::
546:)
542:(
525:.
388:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.