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Arthur Somervell

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in 1929. After retirement he continued as Chairman of the School Orchestra Festivals, Queen's Hall, from 1932 until his death. He died at his home, 105 Clifton Hill, St John's Wood, aged 73. After he was cremated, his ashes were buried in the place of his birth, the Lake District, specifically within
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Somervell was also influential in the field of music education. He worked for twenty-eight years as one of His Majesty's Inspectors of Schools (HMI), with special responsibility for the teaching of music. He was appointed Inspector of Music at the Board of Education and Scottish Education Department
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Somervell's brother, Colin Somervell, became a shoe-manufacturer like their father and later served as High Sheriff of Westmorland in 1916. Colin's son, Maj. Arnold Colin Somervell, O.B.E., served in this office in 1936; later, other members of the Somervell family also served.
197:, was first performed in February 1913, and clearly follows on from the example of Brahms. The central ‘Lost in Action’ slow movement was regularly played as a stand-alone piece during the First World War. The Clarinet Quintet was first performed by Haydn Draper at the 118:
In 1890 Somervell married Edith Lance Collet (1861-1944). There were four children: Viola Helen Antonia, Katharine Margaret, Hubert Arthur, and Ronald Arthur. Through their daughter Katherine ('Kit'), who became a dancer with
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The "Thalassa" Symphony in D minor (The Sea Symphony), received its world premiere recording in 2011 for Cameo Classics, nearly 100 years after its composition. Written in 1912, the second movement, 'Elegy', commemorates
316:(1915) for two violins and piano received its premiere recording in 2015, by Rupert Marshall-Luck (both violins, double-tracked), and Matthew Rickard (piano). 277:
The Violin Concerto in G minor (1930) received its first recording in 2005 by Anthony Marwood and the BBC Scottish Symphony Orchestra, conducted by
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of "Hazelthwaite" at Winderemere (1821-1899). The Somervell (originally Somerville) family came from Scotland, settling in London in the 1700s.
1101: 1096: 1081: 115:. He became a professor at the Royal College of Music in 1894, and conducted his own works at the Leeds and Birmingham Festivals, 1895-97. 40:, he was one of the most successful and influential writers of art song in the English music renaissance of the 1890s–1900s. According to 1091: 1030: 1076: 1071: 793: 897: 252:
points out that Somervell had "a genuine, deep affection for literature", reflected in his wide and eclectic choice of texts.
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The Clarinet Quintet in G major (1913) was recorded by Stephan Siegenthaler and the Leipzig String Quartet on CPO in 2016.
1056: 908: 933: 735: 919: 967:, 1 March 1913, pages 175-6. Reports a performance - perhaps the premiere - of the work on 17 February that year. ( 1020: 92: 1026: 445: 219: 202: 1016: 438: 69: 1066: 972: 256:
was the first successful English song cycle, and "remains one of the masterpieces of English song".
189: 100: 291:'s death in the Antarctic that year. The Malta Philharmonic Orchestra was conducted by Michael Laus. 76:, the son of Robert Miller Somervell and his wife. His father was a shoe manufacturer who served as 947: 210: 144: 96: 41: 847: 201:
on 19 May, 1919, but received few other performances until the recent revival of interest. His
151: 108: 235: 128: 45: 1051: 1046: 77: 8: 288: 44:, his most important work is found in the five song cycles, particularly his settings of 164: 301: 257: 244: 120: 88: 808: 959: 339: 278: 261: 168: 140: 968: 351: 214: 124: 112: 1040: 239: 206: 53: 964: 652:
Sir Arthur Somervell on Music Education- His writings, speeches and letters
305: 198: 184: 171:. He achieved success in his own day as a composer of choral works such as 136: 37: 249: 73: 21: 227: 778: 179:(which he conducted at Leeds Festival in 1907), and a short oratorio 820: 360: 33: 304:
in 2011, with Martin Roscoe and the BBC Concert Orchestra under
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Somervell's style was conservative, and shows the influence of
104: 428:, symphonic variations for piano and orchestra (Augener, 1911) 103:. From 1883 to 1885 he studied at the High School for Music, 600:, 10 Progressive Tunes for viola and piano (1919): (Augener) 517:
for violin and piano (Augener, Weekes, Williams and Ashdown)
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Titlepage of Somervell's 'Maud' cycle, Boosey & Co. 1898
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of the rules of Harmony and Counterpoint (Clarendon press)
32:(5 June 1863 – 2 May 1937) was an English 752:
John Stainer and the Musical Life of Victorian Britain
268:(1923) his best, and 'The worst of it' his best song. 238:, 1898) and the first known musical setting (1904) of 139:). In June the following year he received the degree 111:
in London, under Parry. He studied composition with
809:'Sir Arthur Somervell', biography, Hyperion Records 768:. No. 36793. London. 13 June 1902. p. 5. 300:for piano and orchestra (1912) were recorded for 1038: 16:British composer and art song writer (1863-1937) 997:Parry to Finzi: Twenty English Song-Composers 545:Singing Time, songs for small children (1899) 724:The Oxford Dictionary of National Biography 722:Dibble, Jeremy. 'Somervell, Sir Arthur' in 654:, ed. Gordon Cox, Boydell Press, 2003, p. 7 990:A Dictionary of Modern Music and Musicians 848:'Two Song Cycles by Arthur Somervell', in 638:Michael Hurd. 'Somervell, Sir Arthur', in 579: 1031:International Music Score Library Project 999:(Boydell Press, Woodbridge 2002), 87-101. 442:in A minor for piano and orchestra (1920) 99:, where he studied composition under Sir 960:Musical Times and Singing-class Circular 687: 434:for violin and orchestra (Augener, 1913) 415:(Suite for small orchestra) (Donajowski) 350: 20: 1002:K. Shenton, 'Sir Arthur Somervell', in 738:Sir Arthur Somervell on Music Education 634: 632: 226:Today he is chiefly remembered for his 205:of 1930 was dedicated to the violinist 1039: 948:Meridian Records Duo DUOCD89026 (1994) 783:, Vol. 78, No. 1131 (May 1937), p. 464 718: 716: 678:, "Somervell of High Borrans", p. 2359 666:, "Somervell of High Borrans", p. 2359 826:British Board of Film Classification 813: 629: 419: 87:Somervell was initially educated at 1102:19th-century British male musicians 1097:20th-century British male musicians 1087:Alumni of King's College, Cambridge 1082:Pupils of Charles Villiers Stanford 794:'British Composer Premieres Vol. 3' 713: 575:, Cycle for vocal quartet (Boosey). 533:Six songs by Robert Burns (1885–86) 403:Symphony in D minor (1912) (Boosey) 394: 342:) from 1923 has also been recorded. 127:, they were grandparents of writer 13: 707:"Elizabeth Jane Howard - obituary" 334:. But the lesser known song cycle 296:The Piano Concerto (1921) and the 193:in popularity. His only symphony, 14: 1113: 1010: 183:(1914). For a time this rivalled 1092:English male classical composers 502: 217:" was featured in the 1996 film 1077:People from Windermere, Cumbria 1027:Free scores by Arthur Somervell 1017:Free scores by Arthur Somervell 952: 941: 927: 913: 902: 891: 882: 869: 856: 841: 802: 787: 772: 757: 469:The Charge of the Light Brigade 346: 107:, and from 1885 to 1887 at the 898:Cameo Classics CC9034CD (2011) 744: 729: 699: 689:"Somervell, Arthur (SMRL880A)" 681: 669: 657: 645: 542:Four songs of Innocence (1899) 1: 1072:Composers awarded knighthoods 1004:British Music Society Journal 622: 326:There are many recordings of 271: 1021:Choral Public Domain Library 923:, EM Records EMRCD030 (2015) 877:Sensibility and English Song 482:(chorus and orch.) (Metzler) 476:(Chorus and orch.) (Novello) 359: 314:Two conversations about Bach 7: 1062:English classical composers 764:"University intelligence". 693:A Cambridge Alumni Database 492:(chorus and orch.) (Boosey) 10: 1118: 1057:English Romantic composers 988:A. Eaglefield-Hull (Ed.), 982: 695:. University of Cambridge. 676:Burke's Landed Gentry 1952 664:Burke's Landed Gentry 1952 592:Exercises in sight-reading 515:Suites, studies and pieces 177:Intimations of Immortality 36:and educationalist. After 973:London Symphony Orchestra 935:British Clarinet Quintets 588:for pianoforte (Bosworth) 452: 101:Charles Villiers Stanford 63: 909:Hyperion CDA67837 (2011) 888:Hyperion CDA67420 (2005) 527: 511:for clarinet and strings 158: 610:Sight-reading exercises 580:Musical education works 521:Variations for 2 pianos 145:University of Cambridge 937:, CPO 777 905-2 (2016) 798:MusicWeb International 551:Cycle (1901). (Boosey) 356: 109:Royal College of Music 26: 754:(1984), p. 107-8, 199 354: 181:The Passion of Christ 129:Elizabeth Jane Howard 24: 992:(Dent, London 1924). 368:The Enchanted Prince 135:in 1901 (succeeding 30:Sir Arthur Somervell 736:Cox, Gordon (ed.), 298:Normandy Variations 289:Robert Falcon Scott 173:The Forsaken Merman 155:Grasmere Cemetery. 875:Stephen Banfield. 640:Grove Music Online 549:Love in Springtime 407:Helen of Kirconnel 357: 27: 781:The Musical Times 750:Charlton, Peter. 709:. 2 January 2014. 490:Passion of Christ 439:Highland concerto 420:Concertante works 389:Thomas the Rhymer 25:Somervell in 1896 1109: 1067:Knights Bachelor 1006:9 (1987), 45-54. 976: 956: 950: 945: 939: 931: 925: 917: 911: 906: 900: 895: 889: 886: 880: 879:(1985), p. 60-61 873: 867: 860: 854: 845: 839: 838: 836: 834: 817: 811: 806: 800: 791: 785: 776: 770: 769: 761: 755: 748: 742: 733: 727: 720: 711: 710: 703: 697: 696: 685: 679: 673: 667: 661: 655: 649: 643: 636: 598:School of Melody 561:James Lee's Wife 555:A Shropshire Lad 395:Orchestral works 328:A Shropshire Lad 302:Hyperion Records 258:Stephen Banfield 245:A Shropshire Lad 121:Sergei Diaghilev 89:Uppingham School 58:A Shropshire Lad 1117: 1116: 1112: 1111: 1110: 1108: 1107: 1106: 1037: 1036: 1013: 985: 980: 979: 957: 953: 946: 942: 932: 928: 918: 914: 907: 903: 896: 892: 887: 883: 874: 870: 861: 857: 846: 842: 832: 830: 819: 818: 814: 807: 803: 792: 788: 777: 773: 763: 762: 758: 749: 745: 734: 730: 721: 714: 705: 704: 700: 686: 682: 674: 670: 662: 658: 650: 646: 637: 630: 625: 606:, 6 vols (Swan) 594:, etc. (Curwen) 586:Rhythmic Gradus 582: 530: 505: 496:Mass in D minor 486:To the Vanguard 455: 446:Violin Concerto 422: 397: 377:Knave of Hearts 364: 349: 279:Martyn Brabbins 274: 262:Robert Browning 203:Violin Concerto 161: 141:Doctor of Music 68:He was born in 66: 17: 12: 11: 5: 1115: 1105: 1104: 1099: 1094: 1089: 1084: 1079: 1074: 1069: 1064: 1059: 1054: 1049: 1035: 1034: 1024: 1012: 1011:External links 1009: 1008: 1007: 1000: 993: 984: 981: 978: 977: 969:Arthur Nikisch 951: 940: 926: 912: 901: 890: 881: 868: 864:Parry to Finzi 855: 840: 829:. 10 June 1996 812: 801: 796:, reviewed at 786: 771: 756: 743: 728: 712: 698: 680: 668: 656: 644: 627: 626: 624: 621: 620: 619: 613: 607: 601: 595: 589: 581: 578: 577: 576: 570: 564: 558: 552: 546: 543: 540: 534: 529: 526: 525: 524: 518: 512: 504: 501: 500: 499: 493: 483: 480:Song of Praise 477: 471: 466: 464:Power of Sound 461: 454: 451: 450: 449: 443: 435: 429: 421: 418: 417: 416: 410: 404: 396: 393: 392: 391: 386: 380: 370: 363: 358: 348: 345: 344: 343: 323: 322: 318: 317: 310: 309: 293: 292: 283: 282: 273: 270: 260:considers the 215:Silent Worship 209:. His popular 187:’s ubiquitous 160: 157: 150:Somervell was 125:Ballets Russes 113:Friedrich Kiel 93:King's College 65: 62: 15: 9: 6: 4: 3: 2: 1114: 1103: 1100: 1098: 1095: 1093: 1090: 1088: 1085: 1083: 1080: 1078: 1075: 1073: 1070: 1068: 1065: 1063: 1060: 1058: 1055: 1053: 1050: 1048: 1045: 1044: 1042: 1032: 1028: 1025: 1022: 1018: 1015: 1014: 1005: 1001: 998: 994: 991: 987: 986: 974: 970: 966: 962: 961: 955: 949: 944: 938: 936: 930: 924: 922: 921:Dream Shadows 916: 910: 905: 899: 894: 885: 878: 872: 866:(2002), p. 91 865: 862:Trevor Hold. 859: 853: 852:, 2 June 2020 851: 844: 828: 827: 822: 816: 810: 805: 799: 795: 790: 784: 782: 775: 767: 760: 753: 747: 741: 739: 732: 725: 719: 717: 708: 702: 694: 690: 684: 677: 672: 665: 660: 653: 648: 641: 635: 633: 628: 617: 614: 611: 608: 605: 604:Sight-reading 602: 599: 596: 593: 590: 587: 584: 583: 574: 571: 568: 565: 562: 559: 556: 553: 550: 547: 544: 541: 538: 535: 532: 531: 522: 519: 516: 513: 510: 507: 506: 503:Chamber music 497: 494: 491: 487: 484: 481: 478: 475: 472: 470: 467: 465: 462: 460: 457: 456: 447: 444: 441: 440: 436: 433: 430: 427: 424: 423: 414: 411: 408: 405: 402: 399: 398: 390: 387: 384: 381: 378: 374: 373:Princess Zara 371: 369: 366: 365: 362: 353: 341: 337: 333: 329: 325: 324: 320: 319: 315: 312: 311: 307: 303: 299: 295: 294: 290: 285: 284: 280: 276: 275: 269: 267: 263: 259: 255: 251: 247: 246: 241: 240:A. E. Housman 237: 233: 229: 224: 222: 221: 216: 212: 208: 207:Adila Fachiri 204: 200: 196: 192: 191: 186: 182: 178: 174: 170: 166: 156: 153: 148: 146: 142: 138: 132: 130: 126: 122: 116: 114: 110: 106: 102: 98: 94: 90: 85: 81: 79: 75: 71: 61: 59: 55: 51: 47: 43: 39: 35: 31: 23: 19: 1023:(ChoralWiki) 1003: 996: 989: 965:Google Books 958: 954: 943: 934: 929: 920: 915: 904: 893: 884: 876: 871: 863: 858: 849: 843: 831:. Retrieved 824: 815: 804: 797: 789: 780: 774: 765: 759: 751: 746: 737: 731: 723: 701: 692: 683: 675: 671: 663: 659: 651: 647: 639: 615: 609: 603: 597: 591: 585: 572: 569:Cycle (1923) 567:A Broken Arc 566: 563:Cycle (1908) 560: 557:Cycle (1904) 554: 548: 539:Cycle (1898) 536: 520: 514: 508: 495: 489: 485: 479: 473: 468: 463: 458: 437: 432:Concertstuck 431: 425: 412: 406: 400: 388: 383:Golden Straw 382: 376: 372: 367: 347:Compositions 336:A Broken Arc 335: 331: 327: 313: 306:Martin Yates 297: 266:A Broken Arc 265: 253: 243: 231: 225: 218: 213:adaptation " 199:Wigmore Hall 194: 188: 180: 176: 172: 162: 149: 137:John Stainer 133: 117: 86: 82: 67: 57: 49: 42:Michael Hurd 38:Hubert Parry 29: 28: 18: 1052:1937 deaths 1047:1863 births 850:Opera Today 833:18 February 573:Windflowers 250:Trevor Hold 228:song cycles 190:Crucifixion 165:Mendelssohn 74:Westmorland 52:(1898) and 1041:Categories 821:"Emma (U)" 779:Obituary, 623:References 498:(Ricordi). 272:Recordings 230:, such as 70:Windermere 995:T. Holt, 766:The Times 612:(Augener) 523:(Augener) 413:In Arcady 409:(Novello) 379:(Novello) 361:Operettas 338:(setting 143:from the 97:Cambridge 740:, (2003) 426:Normandy 401:Thalassa 385:(Curwen) 340:Browning 236:Tennyson 195:Thalassa 175:(1895), 152:knighted 60:(1904). 46:Tennyson 34:composer 1033:(IMSLP) 1029:at the 1019:in the 983:Sources 509:Quintet 448:(1930). 234:(after 185:Stainer 54:Housman 726:(2004) 642:(2001) 616:Charts 453:Choral 264:cycle 211:Handel 169:Brahms 105:Berlin 64:Career 528:Songs 474:Elegy 159:Music 835:2012 537:Maud 459:Mass 332:Maud 330:and 254:Maud 232:Maud 220:Emma 167:and 91:and 50:Maud 963:at 242:'s 131:. 123:'s 56:in 48:in 1043:: 975:.) 971:, 823:. 715:^ 691:. 631:^ 488:; 375:; 248:. 223:. 147:. 95:, 78:JP 72:, 837:. 308:. 281:.

Index


composer
Hubert Parry
Michael Hurd
Tennyson
Housman
Windermere
Westmorland
JP
Uppingham School
King's College
Cambridge
Charles Villiers Stanford
Berlin
Royal College of Music
Friedrich Kiel
Sergei Diaghilev
Ballets Russes
Elizabeth Jane Howard
John Stainer
Doctor of Music
University of Cambridge
knighted
Mendelssohn
Brahms
Stainer
Crucifixion
Wigmore Hall
Violin Concerto
Adila Fachiri

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