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Sobinin reassures his men of the rightness of their mission. When night falls, in a part of the forest near a monastery, Vanya knocks at the gates and alerts the inhabitants to spirit the tsar away. Susanin has led the suspicious Polish troops into an impassable, snow-covered area of the forest. The
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Across the stage walks a crowd of people, celebrating the triumph of the new tsar. Alone in their own solemn procession, Antonida, Sobinin and Vanya mourn
Susanin. A detachment of Russian troops comes upon them, discovers their connection with Susanin and comforts them. As the scene changes to Red
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Susanin and his adopted son, Vanya, pledge to defend the new tsar. Susanin blesses
Sobinin and Antonida on their upcoming wedding when a detachment of Polish soldiers bursts in to demand the tsar's whereabouts. Instead, Susanin sends Vanya to warn the tsar while Susanin leads the soldiers off the
1014:, offstage clarinet in A, offstage chromatic (valved) trumpet, offstage drum, offstage bells. Some pieces are also scored for full orchestra, including the dance segments. The finale piece, another popular composition played in patriotic concerts and other events, can be also arranged for a full
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Glinka and the writers with whom he was associated chose, in
Susanin, a hero of Russian nationalism well suited to the mood of the time. The opera was immediately hailed as a great success, and became the obligatory season-opener in the Imperial Russian opera theaters.
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In a sumptuous hall, the nobility celebrates the Polish dominance over the
Russians by singing and dancing. Suddenly, a messenger comes in with the news that Mikhail Romanov has been selected as the tsar of Russia but is now in hiding. The Poles vow to overthrow him.
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Antonida is eager to marry
Sobinin, but her father, Susanin, refuses permission until a Russian has been duly chosen to take the tsar's throne. When Sobinin informs him that the Grand Council in Moscow has chosen a tsar, everyone celebrates.
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was structured according to conventional
Italian and French models of the period. Nevertheless, several passages in the opera are based on Russian folk songs or folk melodic idioms that become a full part of the musical texture.
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367:", and one newspaper told how Susanin had showed each and every soldier how to fulfill his oath to the sovereign. The image of the seventeenth-century peasant features prominently at the bottom of the Romanov Monument in
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Poles sleep while
Susanin waits for the dawn and bids farewell to his children. A blizzard sets in, and when day breaks, the Poles awake. They realise that Susanin has deceived them and so kill him.
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occupies an important position in
Russian musical theater as the first native opera to win a permanent place in the repertoire. It was one of the first Russian operas to be known outside Russia.
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and in other military parades since then. It is also a sung piece by choral groups. The finale piece was adapted for and has been also part of the repertoire of the world-famous
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chimes is played at 3 and 9 am and pm. Chimes play the melody of the chorus "Glory". The playback rhythm has been increased for the easy recognition of the melody.
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The opera is scored for two flutes, two oboes (second oboe doubling cor anglais), two clarinets (in B flat and A), two bassoons, four horns, two
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286:, but that production was not successful and was shelved. On 26 February 1939 it reappeared under the title Glinka had originally chosen,
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libretto was an embarrassment to the Soviet state. After some unsuccessful attempts were made to remedy this situation, in 1939 the poet
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Most importantly, this opera laid the foundation for the series of
Russian nationalistic historical operas continued by works such as
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The opera was given its premiere performance on 27 November 1836 in Saint
Petersburg conducted by Catterino Cavos with set designs by
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357:,{[sfn|Figes|2014|pp=4–5, 10}} Schools, regiments, and amateur companies throughout imperial Russia staged performances of
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and the Polish numbers of the second act. Another excerpt that is also used by concert bands and military bands is the
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natural trumpets, three trombones, ophicleide, timpani, bells, harp, strings, as well as two offstage wind bands or
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Act 4 and the Epilogue can contain more than one set of stage decor. For more detailed plot descriptions, see
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rewrote the text to remove references to the Tsar and otherwise make the libretto politically palatable.
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trail into the woods. Antonida is devastated. Sobinin gathers some men to go on a rescue mission.
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The Standard Operaglass: Detailed Plots of Two Hundred and Thirty-Five Celebrated Operas
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893:: "When they killed the little bird's mother," «Как мать убили у малого птенца» (Vanya)
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finale arranged for wind band as a fanfare. It is famous for being used in the
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with the same subject and title. The original title of the opera was to be
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In 1924, under the new Soviet administration, it appeared under the title
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Intersections and Transpositions: Russian Music, Literature, and Society
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or concert band with the bells and chromatic trumpets and also for the
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Square, the people proclaim glory to the tsar and to Susanin's memory.
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Orchestral excerpts heard in the concert hall consist largely of the
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Peasant men and women, militiamen, Polish nobles and ladies, knights
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celebrations in 1913. It was performed in a gala performance at the
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Annesley, Charles (pseudonym of Charles and Anna Tittmann) (1920).
1432:, that is impossible since the latter was not published until 1853.
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of Russia gives blessings to a kneeling Susanin. In Kostroma, Tsar
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Opera world premieres at the Bolshoi Theatre, Saint Petersburg
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361:. Pamphlets and the penny press printed the story of Susanin "
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214:. It premiered on 27 November 1836 OS (9 December NS) at the
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314:) 1842 in a new production with sets by Serkov and Shenyan.
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912:: "They sense the truth!", «Чуют правду!» No. 21; (Susanin)
833:: "To the field, to the field," «В поле, в поле» (Antonida)
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as an ingratiating gesture. This title was retained in the
174:. During the Soviet era the opera was known under the name
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Ivan Marinov, Sofia National Opera Chorus and Orchestra
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featuring scans of the libretto in Russian and English
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259:, an Italian-Russian composer, had written a two-act
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1492:"Susanin, Two Glinkas and Ryleev: History-Making in
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A People's Tragedy: The Russian Revolution 1891–1924
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In keeping with Glinka's European training, much of
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Les faux Démétrius, épisode de l'histoire de Russie
1126:Alfredo Simonetto, RAI Milano Chorus and Orchestra
978:!", «Славься, славься, нашъ русскiй Царь!» (People)
383:peasants who claimed to be descendants of Susanin.
349:Glinka's opera was featured heavily throughout the
271:attended a rehearsal, Glinka changed the title to
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1185:, Belgrade Opera Chorus and Orchestre Lamoureux
1026:accordion, as heard in several cover versions.
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202:, based on historical events, was written by
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723:: The autumn of 1612 and the winter of 1613.
222:. The historical basis of the plot involves
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1690:''Farewell to St. Petersburg'' (Glinka)
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1562:A digitized LP of the Danon recording
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676:Commander of the Russian Detachment
255:had been used earlier in 1815, when
1446:, operadis-opera-discography.org.uk
650:Commander of the Polish Detachment
570:a peasant of the village of Domnino
379:was even presented with a group of
170:" in four acts with an epilogue by
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1506:. Northwestern University Press.
703:As popular as the opera was, its
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956:Problems playing this file? See
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542:World premiere, Saint Petersburg
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230:army for the newly elected Tsar
206:, Egor Fyodorovich (von) Rozen,
166:) is a "patriotic-heroic tragic
1765:Glinka State Prize of the RSFSR
631:a militiaman, Antonida's fiance
47:as Ivan Susanin in the premiere
1845:Operas set in the 17th century
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411:, Stellovsky, Saint Petersburg
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1045:Conductor, chorus, orchestra
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1442:"There are 12 recordings of
558:7 September (Old Style) 1842
16:1836 opera by Mikhail Glinka
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1526:The Opera Lover's Companion
1475:. London: The Bodley Head.
813:Principal arias and numbers
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122:Bolshoi Kamenny Theatre
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1203:Melanija Bugarinović
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414:1907, new edition by
407:1881, full score, as
198:The original Russian
1870:Operas set in Poland
1865:Operas set in Russia
1631:Ruslan and Lyudmila
1608:List of compositions
1336:Alexander Lomonosov
1283:Hristina Angelakova
1194:Teresa Stich-Randall
1110:Elizaveta Shumskaya
699:Performance practice
351:Romanov Tercentenary
1747:The Composer Glinka
1731:Cultural depictions
1623:A Life for the Tsar
1551:A Life for the Tsar
1494:A Life for the Tsar
1444:A Life for the Tsar
1330:Yevgeny Nesterenko
1172:Milica Miladinović
1162:Miroslav Čangalović
1089:Elizaveta Antonova
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644:Alexander Bantyshev
461:A Life for the Tsar
409:A Life for the Tsar
398:A Life for the Tsar
387:Publication history
359:A Life for the Tsar
302:Performance history
296:A Life for the Tsar
273:A Life for the Tsar
253:A Life for the Tsar
247:Composition history
238:, elected in 1613.
234:, the first of the
134:A Life for the Tsar
22:A Life for the Tsar
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1422:Annesley 1920
1419:
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1369:, p. 143
1368:
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1340:Elena Zaremba
1338:
1335:
1332:
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1308:Chris Merritt
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1251:Bela Rudenko
1250:
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1236:
1235:
1232:
1229:
1227:Nikolai Gres
1226:
1224:Vera Firsova
1223:
1221:
1218:
1215:
1214:Boris Khaikin
1212:
1209:
1208:
1205:
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1199:Nicolai Gedda
1197:
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1016:military band
1013:
1012:concert bands
1009:
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544:27 November (
541:
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511:
506:
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504:The Oprichnik
500:
496:
495:
494:Maid of Pskov
490:
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485:
484:Boris Godunov
480:
476:
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147:
140:Жизнь за царя
136:
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117:
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25:
20:
1789:
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1664:Kamarinskaya
1663:
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1550:
1525:
1503:
1493:
1472:
1462:
1443:
1437:
1429:
1418:Osborne 2007
1412:
1407:, p. 4.
1400:
1388:
1380:
1374:
1367:Osborne 2007
1169:Drago Starc
1033:
1007:
1005:
998:since 2004.
987:
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690:
630:
611:
591:his daughter
590:
569:
566:Ivan Susanin
518:
509:
502:
492:
482:
472:
466:
460:
458:
448:Ivan Susanin
447:
441:Ivan Susanin
440:
431:Ivan Susanin
430:
408:
397:
362:
358:
348:
305:
295:
292:
288:Ivan Susanin
287:
283:
281:
272:
265:Ivan Susanin
264:
252:
251:The plot of
250:
224:Ivan Susanin
197:
182:Иван Сусанин
177:Ivan Susanin
175:
133:
132:
131:
65:
53:Native title
1840:1836 operas
1749:(1952 film)
1741:(1947 film)
1717: [
1693: [
1675:Vocal music
1652: [
1466:. Brentanos
1241:Mark Ermler
1220:Ivan Petrov
1156:Oskar Danon
1106:Mark Reizen
669:I. Makarov
640:Lev Leonov
580:Osip Petrov
550:Conductor:
520:Prince Igor
499:Tchaikovsky
377:Nicholas II
45:Osip Petrov
1834:Categories
1405:Hodge 1998
1393:Figes 2014
1351:References
1030:Recordings
958:media help
860:, Краковяк
801:Red Square
705:monarchist
589:Antonida,
538:Voice type
479:Mussorgsky
455:Influences
402:Stellovsky
364:ad nauseam
343:as Susanin
269:Nicholas I
180:(Russian:
73:Librettist
1662:Overture
1344:Live DVD
1051:Antonida
1020:Balalaika
944:Music of
880:, Мазурка
858:Krakowiak
850:, Полонез
848:Polonaise
617:contralto
546:Old Style
446:1953, as
439:1949, as
429:1942, as
426:, Leipzig
312:Old Style
261:singspiel
146:romanized
116:New Style
1784:Category
1553:(Glinka)
1524:(2007).
1054:Sobinin
1048:Susanin
1034:Source:
1022:and the
984:overture
966:Epilogue
819:Overture
803:, Moscow
795:Epilogue
715:Synopsis
450:, Muzgiz
443:, Muzgiz
424:Belyayev
420:Glazunov
381:Potemkin
369:Kostroma
200:libretto
110:Premiere
102:Language
1758:Related
1502:(ed.).
1454:Sources
1008:clarino
988:Slavsya
946:Kremlin
930:"Glory"
878:Mazurka
870:, Вальс
735:Domnino
610:Vanya,
596:soprano
515:Borodin
510:Mazeppa
474:Rogneda
242:History
105:Russian
58:Russian
1860:Operas
1810:Portal
1723:(1832)
1699:(1840)
1686:(1833)
1667:(1848)
1658:(1839)
1634:(1842)
1626:(1836)
1615:Operas
1532:
1510:
1479:
1381:Europe
1060:Notes
1057:Vanya
972:Chorus
844:Chorus
750:Poland
666:tenor
513:, and
435:Muzgiz
392:1857,
228:Polish
189:listen
160:listen
1824:Opera
1796:Audio
1721:]
1697:]
1656:]
1498:. In
1321:1992
1290:1989
1266:1986
1237:1979
1210:1957
1179:1957
1152:1955
1123:1954
1096:1950
1065:1947
1042:Year
1024:Bayan
898:Act 4
885:Act 3
874:Dance
868:Waltz
864:Dance
854:Dance
838:Act 2
825:Act 1
773:Act 4
759:Act 3
745:Act 2
728:Act 1
679:bass
653:bass
636:tenor
534:Role
527:Roles
469:Serov
396:, as
168:opera
28:Opera
1530:ISBN
1508:ISBN
1477:ISBN
910:Aria
904:Aria
891:Song
721:Time
575:bass
418:and
210:and
1428:'s
974:: "
517:'s
507:or
501:'s
491:'s
481:'s
471:'s
218:in
195:).
30:by
1836::
1719:ru
1695:ru
1654:ru
1359:^
876::
866::
856::
846::
805:.
568:,
523:.
497:,
487:,
477:,
433:,
422:,
400:,
290:.
279:.
143:,
64:,
60::
1812::
1591:e
1584:t
1577:v
1538:.
1516:.
1496:"
1485:.
960:.
148::
118:)
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