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side, which were characterized by the independent movement of the glass flux that surrounds the terracotta when it is fired, and which ultimately merges light and darkness, the visible and the imaginary, or, indeed, keeps them apart." However, after the mid-1990s, Pragnenberg rotates these large scale, monumental sculptures so that they are standing, mimicking a standing human body. Yet, they maintain the same spontaneous, playful, organic nature of the ones resting on their sides. His sculptures also show an interest in materiality; in certain parts of the clay forms you can see where his fingerprints have affected the surface by way of holes, notches, and incisions.
362:. By the age of 30, Prangenberg felt confident that he was making art that was uniquely his. On a whim, he contacted museum curator Johannes Cladders who began championing his work immediately and connecting him to other curators and dealers. By the 1980s, he becomes a full-time artist, moving organically between watercolor, sculpture, and oil painting, sometimes simultaneously. Throughout his artistic career he always kept a fine eye on material and sought to experiment with how his own hand could change the surface of an abstract painting or bulbous sculpture.
384:"One finds tiny landscapes, portrait heads, a stag, what looks like fragments of architecture, byzantine patterning, abstractions, and other bits of imagery painted into the glazes, creating a miniature exhibition of painting within the sculpture exhibition." In fact, Prangenberg named these works exclusively either "Kopf" (head) or "Landschaft" (landscape), perhaps encouraging us to look past the initial estimate of abstraction. Additionally, many of them had smaller surfaces with painting on them; it was as if many works of art made up one small sculpture.
354:(school for crafts) until the age of 23. Once he was finished with his studies he began working at a glass factory, making designs for wine glasses and vases. At this point, he began dabbling with his own independent drawing and painting. From the age of 26 to 29, he continued freelancing at various glass factories and became a father of two. At this time, he also became critically engaged with the surrounding art world in Cologne and DĂĽsseldorf, visiting galleries and museums frequently and seeing art by leading visionaries such as
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allude to the human body or a landscape. As a trained gold- and silversmith, as well as a glassblower, he always showed an attention to materials and how they could be physically engaged with. He was interested in how his own two hands could affect the painting or sculpture's surface. Traces of the artist's hand appear literally throughout his entire oeuvre, before he lost the battle with liver cancer in 2012.
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painting over stretcher bars. He continued using this process until 2007. According to John Yau, these early paintings were "planes of luminous color inhabited by geometric forms, which seem to have been scooped out." Yau may have made use of the words "scooped out" because
Prangenberg was using an impasto technique, applying the paint in a thick manner that allowed the surfaces to be cut into.
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movements of his time, in the 1970s and 1980s. At this time, he was considered a major figure in contemporary German art. Though he got his start with abstract paintings, he also became known for making sculptures of all sizes; and while his work initially appears abstract, the titles given sometimes
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at
Rutgers. Though he was battling liver cancer at the time, he churned out many small scale works. Writing about the works in 2014, Roberta Smith noted that his "small, ebullient tabletop works convey a wildness typical of kindergarteners." Going one step further, Ben La Rocco wrote of the pieces:
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In the 2000s, he switched up his painting and sculpting techniques substantially. In 2007, he stopped painting with watercolors directly on the floor and focused, instead, on oil painting on easels. These abstract paintings tended to have distinct areas within the composition. This way of making a
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Prangenberg's initial forays into art making were in the 1980s and his interests were focused primarily on color and structure. His medium of choice was watercolor on paper or canvas and his easel of choice was in fact not an easel at all, but the floor. Only after he was done would he stretch the
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By the 1990s, Prangenberg was also working with sculpture. Annegret Laabs, writing in 2008 in the artist's monograph, "Norbert
Prangenberg: Venustas et Fortuna," explained: "Up to the mid-1990s, the focus of his ceramic works was to be found in large, bulbous, hollow forms, usually lying on their
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Norbert
Prangenberg: Holzschnitte, Linolschnitte, Werkverzeichnis, 1988–2001, Städtische Galerie, Bietigheim-Bissingen, May 12–June 24, 2001; Versicherungskammer Bayern, Munich, September 5–November 3, 2001; Städtisches Museum Schloss Morsbroich, Leverkusen, Germany, March–May,
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Zeitströmunge: Kunst der
Gegenwart aus der Sammlung der Niedersächsischen Sparkassenstiftung, Sprengel Museum, Hannover, Germany, May 22–August 18, 1996; Kunsthalle Rostock, Germany, December 1, 1996–February 2, 1997; Neues Museum Weserburg, Bremen, April 18–June 11,
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Norbert
Prangenberg: Winterreise, Städtisches Kunstmuseum Spendhaus Reutlingen, Germany, October 20, 2012 – January 13, 2013; Städtische Galerie Villa Zanders, Bergisch Gladbach, Germany, January 20–July 4, 2013; Museum Gogh, Germany, June 23–August 25,
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Querschnitt: Deutscher
Holzschnitt Heute, Städtische Galerie Villa Zanders, Bergisch Gladbach, Germany, August 30–November 16, 1997; Städtische Galerie “Die Welle,” Iserlohn, Germany, January 24–April 13,
653:, Stuttgart, April 20–May 26, 1996; Westfälischer Kunstverein, Münster, Germany, August 31–October 13, 1996; Gemeentelijk Centrum voor Beeldende Kunst de Beyerde, Breda, Netherlands, March 23–May 4, 1997
333:. Though he had no formal training and did not fully engage with art until his 30s, Prangenberg did finally come up with a style that was uniquely his own, not fitting comfortably into the
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Hans von Marées und die
Moderne in Deutschland, Kunsthalle Bielefeld, Germany, October 25, 1987 – January 10, 1988; Kunstmuseum Winterthur, Germany, January 31–April 4, 1988
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Leaf Spine, Word Sign: Künstlerbücher, Kunstmuseum Bonn, Germany, October 29, 1998 – January 3, 1999; Staatliche
Kunsthalle, Karlsruhe, December 2, 1998 – April 25, 1999
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Norbert
Prangenberg: Retrospektive der Zeichnungen, Aquarelle und Gouachen, 1978–2004, Kaiser Wilhelm Museum, Krefeld, Germany, October 23, 2004 – January 23, 2005
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At age 13, Prangenberg was studying to be a gold- and silversmith. After three and a half years of study and a year working for a small company, he attended a
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Das Abenteuer der Malerei, Kunstverein für die Rheinland und Westfalen, Düsseldorf, May 14–June 25; Württembergischer Kunstverein, Stuttgart, May 18–July 2
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Schöpfung, Heiliggeistkirche, Munich, May 9–July 4; Karmelitenkirche, Munich, May 9–July 4; Diözesan-museum Freising, Germany, May 9–October 10
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Mit Messer und Eisen: Holz- und Linolschnitte der Gegenwart, Städtisches Museum Schloss Morsbroich, Leverkusen, Germany, October 12–November 20
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Hans Delfosse, Manfred Förster, Norbert Prangenberg, Inge Schmidt: Atelier, Galerie Konrad Mönter, Meerbusch-Osterath, September 7–October 5
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painting within a painting informed his later ceramic sculptures. In 2012, he was awarded a six-week residency in the ceramics studio at
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Kunst als Grenzüberschreitung: John Cage und die Moderne, Bayerische Staatsgemäldesammlung, Neue Pinakothek, Munich, July 18–October 27
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Der Holzschnitt im 20. und 21. Jahrhundert, Städtisches Kunstmuseum Spendhaus Reutlingen, Germany, October 10, 2009 – January 10, 2010
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Art Basel Miami Beach, Public 2016: Ground Control, The Bass Museum of Contemporary Art, Miami, November 30, 2016 – March 15, 2017
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Papier und Skulptur: Zwischen Fläche und Dreidimensionalität, Gesellschaft für Aktuelle Kunst, Bremen, August 31–September 30
325:(June 23, 1949 — June 29, 2012) was an abstract painter, sculptor, and engraver who was born in Nettseheim, just outside of
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Norbert Prangenberg: Keramikskulpturen und Zeichnungen, Badischer Kunstverein, Karlsruhe, Germany, September 9–October 14
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Norbert Prangenberg: Die Wurzel (Skulpturen und Zeichnungen), Hermeshof, Rommerskirchen, Germany, September 3–October 29
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15 Jahre Galerie Hollenbach: Arbeiten zum Jubiläum, Galerie Hollenbach, Stuttgart, November 25, 2011 – January 20, 2012
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Norbert Prangenberg: Esculturas, Pinturas y Dibujos, Galeria Manuel Ojeda, Gran Canaria, Spain, November 20–December 24
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Drei Zeichner: Paco Knöller, Norbert Prangenberg, Hanns Schimansky, Galerie Thomas Schulte, Berlin, January 27–March 9
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Norbert Prangenberg: Venustas et Fortuna, Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany, March 9–June 22
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Pidder Auberger: Holzschnitte/Norbert Prangenberg: Linolschnitte, Kulturforum Alte Post, Neuss, Germany, October 5–28
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Keramik in der Gegenwartskunst, Museum Villa Rot, Burgrieden-Rot, Germany, October 2, 2011 – February 5, 2012
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Norbert Prangenberg: Zeichnungen, 1978–2004, Staatliche Kunsthalle Karlsruhe, Germany, September 3–October 16
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Norbert Prangenberg: Bilder, Skulpturen, Aquarelle in der Sammlung Finkenberg, Neues Museum Weserburg, Bremen
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Norbert Prangenberg: Opere, 1980–2010, Galerie Harry Zellweger, Carabietta, Switzerland, January 2–April 13
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Raum für Malerei/The Painting Room, Kaiser Wilhelm Museum, Krefeld, Germany March 24, 2002 – March 1, 2003
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Die Gegenwart der Linie, Staatliche Graphische Sammlung, Pinakothek der Moderne, Munich, March 19–June 21
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Als wäre nichts gesagt, Museum Haus Lange/Haus Esters, Krefeld, Germany, July 8, 2007 – January 27, 2008
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Fritz Klemm, Jürgen Partenheimer, Norbert Prangenberg, Goethe-Institut, London, September 27–November 17
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Quattro Pro: Kornbrist, Prangenberg, Reineking, Zeniuk, Galerie Rupert Walser, Munich, June 13–August 2
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828:Über und Über – oder: Wer malt den Mücken die Flügel, Kunstverein Lippstadt, Germany, April 27–June 15
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Norbert Prangenberg: Bilder & Skulpturen, Galerie Hollenbach, Stuttgart, September 22–November 21
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Wechselströme: Kontemplation, Expression, Konstruktion, Bonner Kunstverein, Bonn, January 6–March 22
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Norbert Prangenberg: Skulpturen und Zeichnungen, Bilder, Produzentengalerie Hamburg, March 16–May 11
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Die weite Welt: Künstlerbücher, Mappenwerke, Zeichnungen, Museum Ludwig, Cologne, March 13–May 16
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Junge Kunst in Bremer Privatbesitz, Gesellschaft für Aktuelle Kunst, Bremen, February 5–March 19
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Norbert Prangenberg: Neue Arbeiten, Galerie Ebbers, Kranenburg, Germany, September 20–November 7
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Farbholzschnitte von Altenbourg bis Wittig, Galerie am Sachsenplatz, Leipzig, July 22–August 30
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Norbert Prangenberg: Wasser zu Wein, Gold zu Stroh, Produzentengalerie, Hamburg, May 25–July 28
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2nd World Ceramic Biennale, Icheon World Ceramic Center, South Korea, September 1–October 30
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Zeichnungen und Installationen, Galerie Gaby Kraushaar, Düsseldorf, October 20–December 12
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Norbert Prangenberg: Linolschnitte, 1978–1988, Rathaus Reutlingen, Germany, April 30–May 6
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Förderpreis des Landes Nordrhein-Westfalen, Kunsthalle Bielefeld, Germany, June 3–July 29
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Norbert Prangenberg: The Last Works, Garth Greenan Gallery, New York, February 27–April 5
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Norbert Prangenberg: In Memoriam, Galerie Hollenbach, Stuttgart, September 19–November 15
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Die Sammlung Lauffs I, Museum Haus Lange/Haus Esters, Krefeld, Germany, March 4–April 29
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Kunstlandschaft BRD/Region Köln, Gesellschaft für Aktuelle Kunst, Bremen, June 16–July 8
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Norbert Prangenberg: Die Liebe Farbe, Galerie Rupert Walser, Munich, January 16–March 13
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Norbert Prangenberg, Galerie Hollenbach, Stuttgart, November 21, 2003 – February 3, 2004
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Norbert Prangenberg: Skulpturen, Forum Rotunde, Staatliche Kunsthalle Karlsruhe, Germany
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Kunst aus den achtziger Jahren, Galerie Andreas Baumgartl, Munich, October 5–December 3
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Norbert Prangenberg: New Paintings, Ancient & Modern, London, October 7–November 20
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Norbert Prangenberg, Temporäre Galerie Schloss Neersen, Willich, Germany, April 6–May 4
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Norbert Prangenberg, Galerie Rupert Walser, Munich, October 20, 1998 – January 22, 1999
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Norbert Prangenberg: Kiss the Biest, Galerie Barbara Gross, Munich, July 22–October 15
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Norbert Prangenberg: Raumarbeit, Kunstverein Ruhr, Essen, Germany, February 17–April 9
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Werkformen: Skulpturen von Malern, Galerie Pfefferle, Munich, September 11–October 30
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Norbert Prangenberg: Kiss the Beast, Galerie Fons Welters, Amsterdam, June 25–July 31
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Norbert Prangenberg: Figuren, Garth Greenan Gallery, New York, March 2–April 8, 2017
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Norbert Prangenberg: Skulpturen, Bilder, Zeichnungen, Galerie Karsten Greve, Cologne
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Norbert Prangenberg: Bilder, Skulpturen, Zeichnungen, Galerie Barbara Gross, Munich
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Norbert Prangenberg: Bilder, Zeichnungen, Skulpturen, Galerie Barbara Gross, Munich
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Norbert Prangenberg, Gesellschaft für Aktuelle Kunst, Bremen, November 2–December 7
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Skulptur und Farbe, Gesellschaft für Aktuelle Kunst, Bremen, August 14–October 16
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Norbert Prangenberg, Galerie am Bergkerk, Deventer, Netherlands, April 30–June 30
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Norbert Prangenberg: Paintings, Betty Cuningham Gallery, New York, April 1–May 22
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Norbert Prangenberg, Europees Keramisch Werkcentrum, s’Hertogenbosch, Netherlands
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It may require cleanup to comply with Knowledge's content policies, particularly
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Malerbücher: Norbert Prangenberg, Galerie Rupert Walser, Munich, June 26–July 26
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Norbert Prangenberg, Galerie Tilly Haderek, Stuttgart, October 22–December 17
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Norbert Prangenberg, Galerie Rupert Walser, Munich, November 11–December 17
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Smith, Roberta (March 27, 2014). "Norbert Prangenberg: 'The Last Works'".
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Keramische Räume, Museum Morsbroich, Leverkusen, Germany, May 25–August 31
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Sugar Babies II, Galerie Ebbers, Kranenburg, Germany, June 20–September 12
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3. Biennale der Zeichnung, Kunstverein Esslingen, Germany, May 31–August 7
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Norbert Prangenberg: Figuren, Produzentengalerie, Hamburg, April 23–June 4
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Norbert Prangenberg: Skulpturen, 7 Hours, Berlin, September 17–October 16
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Norbert Prangenberg & Chris Newman, 7 Hours, Berlin, April 13–May 25
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Norbert Prangenberg: Malerei, Museum Katharinenhof, Kranenburg, Germany
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Norbert Prangenberg, Hirschl & Adler Modern, New York, October 4–25
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Bilanz in zwei Akten, Kunstverein Hannover, Germany, June 11–August 21
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6th Biennale of Sydney: Origins, Originality + Beyond, May 16–June 17
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Wasser/Farbe, Museum Liner, Appenzell, Switzerland, March 21–June 27
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Bilder vom Stein, Pinakothek der Moderne, Munich, August 4–October 2
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La Rocco, Ben (April 2014). "Norbert Prangenberg: The Last Works".
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Bertenburg, Modersohn, Prangenberg, ph-projects, January 25–March 1
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Norbert Prangenberg: Bilder und Aquarelle, Galerie Bismarck, Bremen
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Bremer Kunstpreis 1985, Kunsthalle Bremen, September 29–November 3
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Figuren + Bilder, Galerie Barbara Gross, Munich, January 8–March 2
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Norbert Prangenberg, Galerie Hollenbach, Stuttgart, May 30–July 22
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Burning Colours, Hopstreet Gallery, Brussels, January 28–March 10
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50.59: Norbert Prangenberg, Zeche Zollverein, Essen, January 8–23
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Painted in Munich, Galerie Rupert Walser, Munich, May 19–July 28
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Norbert Prangenberg, Bonner Kunstverein, Bonn, March 15–April 24
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Die Kraft der Poesie, PCC Kunstraum, Weimar, May 14–December 14
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Norbert Prangenberg: Neue Arbeiten, Produzentengalerie, Hamburg
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Norbert Prangenberg: Zeichnungen, Galerie Barbara Gross, Munich
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Norbert Prangenberg: Neue Bilder, Galerie Barbara Gross, Munich
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Norbert Prangenberg, Galerie Meyer-Ellinger, Frankfurt, Germany
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Neue Sammlung, Museum Haus Lange/Haus Esters, Krefeld, Germany
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Haptic, Alexander Gray Associates, New York, July 7–August 12
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On Paper II, Galerie Karsten Greve, Paris, March 17–April 10
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Norbert Prangenberg, Krefelder Kunstverein, Krefeld, Germany
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Terrapolis, French School at Athens, Greece, May 26–July 26
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On Paper, Galerie Karsten Greve, Paris, January 10–March 14
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Norbert Prangenberg: Malerei, Galerie Barbara Gross, Munich
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Norbert Prangenberg, Galleri Thomas Wallner, Malmö, Sweden
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Norbert Prangenberg, Galerie Anders Tornberg, Lund, Sweden
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Norbert Prangenberg: Malerei, Kunstverein Bochum, Germany
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Interview, Horton Gallery, Berlin, January 6–February 18
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Position der Zeichnung, Galerie Hake, Wiesbaden, Germany
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Norbert Prangenberg: Skulpturen, Malerei, Zeichnungen,
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Norbert Prangenberg: Malerei, Trinitatiskirche, Cologne
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Norbert Prangenberg: Bilder, Zeichnungen, Skulpturen,
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Norbert Prangenberg: Bilder, Zeichnungen, Skulpturen,
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A major contributor to this article appears to have a
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Cologneer Kunst, Kunstforeningen, Copenhagen, Denmark
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Norbert Prangenberg, Galerie Lisbeth Lipps, Rotterdam
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Norbert Prangenberg, Galerie Harry Zellweger, Basel
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Norbert Prangenberg, Kunstverein Heinsberg, Germany
147:. Unsourced material may be challenged and removed.
1217:Mandorla, 7 Hours, Berlin, September 22–November 5
964:Documenta 7, Kassel, Germany, June 19–September 28
802:Norbert Prangenberg: Sculpture, Peinture, Dessin,
541:Norbert Prangenberg, Galerie Barbara Gross, Munich
552:Norbert Prangenberg, Galerie Schneiderei, Cologne
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1090:Skulpturenproject, Alden Biesen, Bilzen, Belgium
679:Norbert Prangenberg, Produzentengalerie, Hamburg
530:, Cologne, December 10, 1988 – February 11, 1989
935:, Cologne, November 4, 2016 – January 7, 2017
638:Norbert Prangenberg, Galerie Bismarck, Bremen
603:Norbert Prangenberg, Galerie Bismarck, Bremen
518:Norbert Prangenberg, Galerie Bismarck, Bremen
401:Norbert Prangenberg: Bilder und Zeichnungen,
617:Norbert Prangenberg: Porcelaine de Sèvres,
53:Learn how and when to remove these messages
1220:Slow Food, KĂĽnstlerhaus Bethanien, Berlin
526:Norbert Prangenberg: Plastiche Arbeiten,
225:Learn how and when to remove this message
207:Learn how and when to remove this message
105:Learn how and when to remove this message
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1390:Norbert Prangenberg: Venustas et Fortuna
888:Norbert Prangenberg: Arbeit, 1980–2012,
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1377:. New York: Garth Greenan Gallery.
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34:This article has multiple issues.
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85:. Please discuss further on the
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1111:, Düsseldorf, April 18–August 3
931:Norbert Prangenberg: Skulptur,
835:, Cologne, July 25–September 13
806:, Paris, September 9–October 14
132:needs additional citations for
42:or discuss these issues on the
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381:Mason Gross School of the Arts
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651:WĂĽrttembergischer Kunstverein
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455:Norbert Prangenberg, Museum
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1388:Laabs, Annegret (2008).
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403:Galerie Karsten Greve
156:"Norbert Prangenberg"
83:neutral point of view
1455:German male painters
1392:. Bielefeld: Kerber.
504:, Cologne, September
141:improve this article
1064:Drawn in the ’90s,
621:, Cologne and Paris
323:Norbert Prangenberg
251:Norbert Prangenberg
241:Norbert Prangenberg
1405:The New York Times
1373:Yau, John (2014).
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282:(2012-06-29)
264:Nettesheim,
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139:Please help
134:verification
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36:Please help
33:
1445:2012 deaths
1440:1949 births
388:Exhibitions
299:Nationality
1434:Categories
1360:References
1351:2016–2017
1291:2011–2012
1257:2009–2010
1224:2007–2008
1170:2002–2003
1124:1998–1999
1115:1997–1998
1094:1996–1997
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927:2016–2017
896:2012–2013
776:2004–2005
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722:2001–2002
686:1998–1999
645:1996–1997
522:1988–1989
360:Yves Klein
257:1949-06-23
197:April 2023
167:newspapers
39:improve it
676:, Cologne
600:, Cologne
582:, Cologne
492:, Cologne
440:, Cologne
417:, Cologne
405:, Cologne
346:Biography
315:Sculpture
87:talk page
45:talk page
472:Knoedler
445:Knoedler
311:Painting
95:May 2017
559:, Paris
339:neo-geo
331:Germany
327:Cologne
292:Germany
288:Krefeld
270:Germany
266:Cologne
181:scholar
302:German
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188:JSTOR
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358:and
277:Died
247:Born
160:news
337:or
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