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The piece was a great success – so much so that in 1966 Ashton enlarged the piece so that it would be long enough to be performed in the normal repertory, by the addition of
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115:– where the characters wear green costumes, engage in weighty and accented lunges, and shield their eyes from the sun – and the celestial, infinite and seamless qualities of the
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supports what has been referred to as a "trinitarian obsession" of Ashton's. The two sections of the work also represent a contrast between the earthiness of the
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was created first as a gala piece for a gala performance in aid of the Royal Ballet
Benevolent Fund in 1965. Ashton had long been inspired by the
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Ashton took his cues in choreographing the ballet from the form, structure and inspiration of Satie's music. The ternary structure of the
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Cohen, Selma Jeanne. International
Encyclopedia of Dance, Vol 1. Oxford University Press, Oxford, 2004.
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70:, which formed an overture to the earlier work. This piece in many ways forms a mirror image of
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The work uses classical language in its choreography and, like his
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for two men and one woman. The premiere was on 24 March 1965 with
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On his death, Ashton's will left the ballet to the care of
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Five Brahms
Waltzes in the Manner of Isadora Duncan
132:, represents a pinnacle of Ashton's own classicism.
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139:, now chairman of the Frederick Ashton Foundation.
21:is a one-act ballet in two parts choreographed by
587:List of ballets choreographed by Frederick Ashton
41:by Erik Satie of 1888 and took orchestrations by
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219:Secret Muses: The Life of Frederick Ashton
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208:Jordan, Stephanie. "Ashton and Satie".
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616:Ballets created for The Royal Ballet
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621:Ballets to the music of Erik Satie
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575:La chatte métamorphosée en femme
228:Frederick Ashton and his ballets
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210:Programme of 12 February 2013
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212:. London: Royal Opera House.
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606:Ballets by Frederick Ashton
520:The Tales of Beatrix Potter
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221:. London: Faber and Faber.
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217:Kavanagh, Julie (1996).
226:Vaughan, David (1999).
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534:A Month in the Country
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230:. London: Dance Books.
611:1965 ballet premieres
527:MĂ©ditation from ThaĂŻs
480:Marguerite and Armand
394:Symphonic Variations
340:A Tragedy of Fashion
129:Symphonic Variations
63:, and Robert Mead.
430:Homage to the Queen
320:La fille mal gardée
74:. Based on Satie's
496:Monotones I and II
164:Kavanagh, pp.486–7
90:Georgina Parkinson
49:as the basis of a
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512:Enigma Variations
448:Birthday Offering
173:Vaughan, pp.345–6
86:Antoinette Sibley
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570:
550:Voices of Spring
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421:Daphnis et Chloé
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403:Scenes de Ballet
386:The Wise Virgins
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303:Romeo and Juliet
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271:Frederick Ashton
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80:, it is another
23:Frederick Ashton
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57:Vyvyan Lorrayne
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121:Monotones II
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82:pas de trois
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72:Monotones II
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52:pas de trois
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33:Monotones II
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25:to music by
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279:Full-length
265:Ballets by
117:Gymnopedies
113:Monotones I
109:Gnossiennes
105:Gnossiennes
101:Gymnopedies
77:Gnossiennes
68:Monotones I
38:Gymnopedies
600:Categories
465:Persephone
287:Cinderella
143:References
137:Tony Dyson
94:Brian Shaw
27:Erik Satie
488:The Dream
378:Horoscope
18:Monotones
558:Rhapsody
457:La valse
412:Tiresias
439:La Peri
332:Shorter
199:Sources
577:(1985)
571:(1982)
561:(1980)
553:(1977)
545:(1976)
537:(1976)
529:(1971)
523:(1970)
515:(1968)
507:(1968)
499:(1965)
491:(1964)
483:(1963)
475:(1961)
467:(1961)
461:(1958)
451:(1956)
443:(1956)
433:(1953)
425:(1951)
415:(1951)
407:(1948)
397:(1946)
389:(1940)
381:(1938)
373:(1937)
363:(1933)
353:(1931)
349:Façade
343:(1926)
324:(1960)
314:(1958)
311:Ondine
306:(1955)
298:(1952)
295:Sylvia
290:(1948)
92:, and
103:and
45:and
268:Sir
119:in
111:in
602::
96:.
88:,
59:,
29:.
258:e
251:t
244:v
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