678:
885:
839:
602:
40:
302:
978:
1935:
909:
well-connected monk may have given him more confidence in creating new compositions, whereas a lay artist would prefer to stick to traditional formulae. It may also reflect the lack of full training in the art of the period. His colouring emphasises green and blue, and together with his characteristic layout of a picture in the top half of a page, is relatively distinctive. What are probably his final sketches are found in
429:
1918:
1900:
1882:
1864:
1846:
1828:
1810:
1792:
1774:
1756:
248:
653:, ca. 1178. The manuscript also contains notes in Paris's hand (see above) showing that his manuscripts were lent to various aristocratic ladies for periods, and that he probably acted as an intermediary between commissioners of manuscripts and the (probably) lay artists who produced them, advising on the calendars and iconography.
536:, covering the years 1254–1259 (folios 157–218), and prefatory material including an itinerary from London to Jerusalem and tinted drawings of the kings of England. All is in Paris's own hand, apart from folios 210–218 and 154v–156v, which are in the hand of the scribe who has added a note of Matthew Paris's death (f. 218v). The
465:, MSS 26 and 16, 362 × 244/248 mm. ff 141 + 281, composed 1240–53. His major historical work (see below), but less heavily illustrated per page than others. These two volumes contain annals from the creation of the world up to the year 1253. The content up to 1234 or 1235 is based in the main on Roger of Wendover's
599:(the lives of the first 23 abbots of St Albans with a miniature portrait of each), coats of arms, as well as a large number copies of original documents such as letters. The from-life original version of his well-known drawing of an elephant is in this volume, as is a large drawing of Christ, not by Paris.
908:
Paris's style suggests that it was formed by works from around 1200. He was somewhat old-fashioned in retaining a roundness in his figures, rather than adopting the thin angularity of most of his artist contemporaries, especially those in London. His compositions are very inventive; his position as a
412:
contain multiple texts and often begin with a large assortment of prefatory material, often including full-page miniatures. Some have survived incomplete, and the various elements now bound together may not have been intended to be so by Paris. Unless stated otherwise, all were given by Paris to his
856:
In some of Paris's manuscripts, a framed miniature occupies the upper half of the page, and in others, they are "marginal" – unframed and occupying the bottom quarter (approximately) of the page. Tinted drawings were an established style well before Paris, and became especially popular in the first
512:. It was apparently started there, copying another MS of Paris's text that went up to 1240. Later it was sent back to the author for him to update; Richard Vaughan argues this was in 1251–2. The illustrations are similar to Paris's style but not by him. Later additions took the chronicle up to 1327.
724:
are of different sizes, and written by different scribes, neither of them Paris himself, so they are not likely to be part of the manuscript that Paris wrote of having lent to the
Countess of Arundel; but that, "to judge from the script and the style of illumination" they are "very close copies of
899:
Recent scholarship, notably that of Nigel Morgan, suggests that Paris's influence on other artists of the period has been exaggerated. This is likely because so much more is known about him than other
English illuminators of the period, who are mostly anonymous. Most manuscripts seem to have been
274:
in 1217. It is on the assumption that he was in his teens on admission that his birth date is estimated; some scholars suspect he may have been ten years or older; many monks only entered monastic life after pursuing a career in the world outside. He was clearly at ease with the nobility and even
1009:
charting the route from London to Rome in graphic form. A sequence of pictures of towns on the route marked the terminus of each day's travel, enabling the viewer to envisage and follow the whole journey rather like a comic strip – an achievement unprecedented elsewhere in the medieval world.
939:
The king knew that Paris was writing a history, and wanted it to be as exact as possible. In 1257, in the course of a week's visit to St Albans, Henry kept the chronicler beside him night and day, "and guided my pen," says Paris, "with much goodwill and diligence." It is curious that the
218:
is a renowned
Medieval work, in many cases being a key source for mid-13th century Europe, partially due to his verbose insertion of personal opinions into his narrative and his use of sources such as records, letters, and conversations with witnesses to events including the English king
927:
dropped his pen, Paris continued the history on the plan which his predecessors had followed. He derived much of his information from the letters of important people, which he sometimes inserts, but much more from conversations with the eyewitnesses of events. Among his informants were
750:, Bishop of Chichester, and other materials including from Paris's own histories. A 14th-century copy of the prose life has survived in British Library Cotton MS Julius D VI, folios 123–156v. One copy of the verse life that was in Cotton MS Vitellius D VIII was destroyed in the
1832:
904:
is shown with a clerical tonsure, but he was married, which suggests he had minor orders only. The manuscripts produced by Paris show few signs of collaboration, but art historians detect a School of St Albans surviving after Paris's death, influenced by him.
857:
half of the 13th century. They were certainly much cheaper and quicker than fully painted illuminations. The tradition of tinted drawings or outline drawings with ink supplemented by coloured wash was distinctively
English, dating back to the
954:, which shows that the writer understood the danger which he ran. On the other hand, unexpurgated copies were made in Paris's lifetime. Although the offending passages are duly omitted or softened in his abridgement of his longer work, the
583:. British Library Cotton MS Vitellius A XX, folios 77r–108v. Covers from 1066 to 1246. Written at some point between 1246 and 1259. Not definitely by Paris, but evidently written under his supervision, with some of the text in his own hand.
666:
MS. Ee.3.59. This is the only surviving copy of this work, but is believed to be a slightly later copy made in London, probably by court artists, of Paris's text and framed illustrations. Based on the Latin Life of Edward the
Confessor by
469:, with additions; after that date, the material is Paris's own, and written in his own hand from the annal for 1213 onward. There are 100 marginal drawings (25 + 75), some fragmentary maps and an itinerary, and full-page drawings of
1850:
195:. He authored a number of historical works, many of which he scribed and illuminated himself, typically in drawings partly coloured with watercolour washes, sometimes called "tinted drawings". Some were written in Latin, others in
518:. British Library, Royal MS 14 C VII, fols. 8v–156v. 358 × 250 mm, ff 232 in all. A history of England, begun in 1250 and perhaps completed around 1255, covering the years 1070–1253. The text is an abridgement of the
275:
royalty, which may indicate that he came from a family of some status, although it also seems an indication of his personality. His life was mainly spent in this religious house. In 1248, Paris was sent to
1814:
1868:
556:. The fact that the book was acquired by a 16th-century Earl of Arundel suggests that Duke Humphrey's inscription was not entirely accurate, as New College would probably not have disposed of it.
367:
The Dublin MS (see below) contains interesting notes, which shed light on Paris's involvement in other manuscripts, and on the way his own were used. They are in French and in his handwriting:
1778:
1760:
400:
The lending of his manuscripts to aristocratic households, apparently for periods of weeks or months at a time, suggests why he made several different illustrated versions of his
Chronicle.
321:
Apart from these missions, his known activities were devoted to the composition of history, a pursuit for which the monks of St Albans had long been famous. He inherited the mantle of
1904:
338:
was thus not only useful to readers of Paris's time, and has been used by modern historians as a source document for the period between 1235 and 1259. While this makes Paris's
1922:
2286:
738:, Archbishop of Canterbury from 1233 to 1240. Based on Paris's own Latin prose life of Rich, composed in the late 1240s, which drew on a collection of materials made at
504:, MS 6712. Only part of the text, covering 1241 to 1249, is in Paris's hand, though he is credited with the authorship of the whole text, which is an abridgement of the
2165:
1393:
1367:
830:
has been attributed to Paris, presumably dating from his visit in 1248. Local paintings are usually on pine, so he may have brought this with him, or sent it later.
364:, over 20 copies were made. Paris also is known for his illustrations and cartographic ability, often found as marginalia however sometimes being given full pages.
2194:
1282:
981:
The most developed of
Matthew Paris's four maps of Britain (Cotton MS Claudius D VI, fol. 12v). The work is organised around a central north–south itinerary from
325:, at that time the abbey's foremost chronicler, after Wendover's death in 1236. Paris revised Wendover's work, a chronicle covering Creation to 1235 known as the
1886:
1519:
1061:
edited by Luard (3 vols., Rolls series, 1890). This work, compiled by various hands, is an edition of
Matthew Paris, with continuations extending to 1326.
258:
In spite of his surname and knowledge of the French language, Paris was of
English birth, and is believed by some chroniclers to be of the Paris family of
961:
Naturalists have praised his descriptions of the
English wildlife of his time, brief though they are: in particular his valuable description of the first
958:(written about 1253), Paris's real feelings must have been an open secret. There is no ground for the old theory that he was an official historiographer.
1290:
1950:
342:
currently his most famous work, within the first few hundred years after Paris's death this was not the case. Paris scribed 2 major abridgements of his
2271:
701:
788:), birds, tables and diagrams of geomantic significance. Several later copies of the text and illustrations survive. Provenance before 1602 unknown.
1527:
803:
are all accepted as by Paris. The main text is a chronicle, highly derivative of Paris's. This was John's property, left to his final monastery at
1312:
552:, who wrote a note that if the monks of St Albans could prove the book was a loan, they should have it back. Otherwise, it was bequeathed to
508:
with additions from the annals of Reading and of Southwark. Additional interpolations to the text make it clear the volume was created for
413:
monastery (from some inscriptions it seems they were regarded as his property to dispose of). The monastic libraries were broken up at the
397:
It is presumed the last relates to Paris acting as commissioning agent and iconographical consultant for the Countess with another artist.
950:
supposes that Paris never intended his work to be read in its present form. Many passages of the autograph have written next to them, the
331:, and added new material of an annalistic nature from 1236 onwards which Paris sustained until his death in 1259. This work, known as the
231:, a number of English bishops, and many others. Modern historians recognise Paris's biases. He often tended to glorify Holy Roman Emperor
1955:
486:
in the British Library volume below. An unillustrated copy of the material from 1189 to 1250, with much of his sharper commentary about
239:, Paris displays a highly negative view of Frederick, going as far as to describe him as a "tyrant" who "committed disgraceful crimes".
2256:
270:, however this is simply conjecture. The first we know of Matthew Paris (from his own writings) is that he was admitted as a monk to
2321:
677:
393:"In the Countess of Winchester's book let there be a pair of images on each page thus": (verses follow describing thirteen saints)
566:), British Library Cotton MS Claudius D VI, fols. 5–100. Another shortened history, mainly covering 1067 to 1253. Probably begun
2316:
1506:
1468:
1455:
1354:
1342:
1233:
235:
and denigrate the pope, expressing strong criticism of centralised church authority and at times royal power. However, in his
2311:
2301:
1987:
1614:
1490:
889:
180:
2182:
Art Bulletin article on his maps;Imagined Pilgrimage in the Itinerary Maps of Matthew Paris. 12/1/1999 by Connolly, Daniel K
1234:"Matthew Paris, Chronica maiora (2r-393r), incorporating St Godric's hymn to the Blessed Virgin Mary (150v: Boffey 2988)..."
1397:
1371:
490:
toned down or removed, was supervised by Paris himself and now exists as British Library Cotton MS Nero D V, fol. 162–393.
2326:
1796:
884:
838:
799:, another monk of St Albans, who also probably did some drawings. A portrait of John, a map of the British Isles, and a
573:, it remained unfinished at Paris's death. Illustrated with thirty-three seated figures of English kings illustrating a
540:
concludes with a portrait of Paris on his death-bed, presumably not by him. By the 15th century this volume belonged to
2296:
2276:
417:. These MSS seem to have been appreciated, and were quickly collected by bibliophiles. Many of his manuscripts in the
2101:
1706:
692:, British Library, Loan MS 88 – Four leaves (the "Becket Leaves") survive from a French-verse history of the life of
462:
447:
287:; he made himself so agreeable to the Norwegian sovereign that he was invited to superintend the reformation of the
2266:
2241:
2038:
1666:
Atkinson, Robert (1874). "Strictures on Mr. Luard's Edition of a French Poem on the Life of Edward the Confessor".
1082:(the History of Saint Edward the King), which survives in a beautifully illuminated manuscript version, Cambridge,
772:, Oxford, Ms. Ashmole 304, 176 × 128 mm, ff72. Many illustrations: author portraits (many of ancient Greeks –
232:
1118:
267:
1144:
2306:
2251:
2231:
795:(the Younger), British Library, MS Cotton Julius D VII, 188 × 130 mm, ff. 134. 1247–58. Mostly scribed by
601:
414:
2236:
1019:
796:
792:
627:
1203:
1171:
Crusade and Christendom: Annotated Documents in Translation from Innocent III to the Fall of Acre, 1187–1291
2246:
1083:
663:
630:, Ms 177 (former Ms E.I.40) 77 ff with 54 miniatures, mostly half-page. 240 × 165 mm. Also contains a
541:
383:
314:
2261:
1946:
1183:
2032:
1320:
1169:
Matthew Paris, 'Matthew Paris on Staufer Italy'. In Jessalyn Bird, Edward Peters, and James M. Powell,
862:
1270:
1099:
929:
751:
2281:
1069:
360:, was copied multiple times and at multiple places and within 250 years of the writing of Paris's
2291:
847:
610:
288:
1632:"A Medieval Manuscript in the Age of Mechanical Reproduction: Regarding Cambridge MS. Ee. 3. 59"
548:, who inscribed it "Ceste livre est a moy Homffrey Duc de Gloucestre". Later it was held by the
374:"G, please send to the Lady Countess of Arundel, Isabel, that she is to send you the book about
1052:
301:
204:
184:
2166:
Stanford Digitized texts – Works by and about Paris, including Vaughan etc, in huge pdf files
2055:
1076:
747:
743:
196:
39:
2226:
2221:
1086:
MS. Ee.3.59. The manuscript has had a varied publication history. Sections were printed in
947:
933:
911:
658:
650:
591:
501:
487:
470:
437:
379:
310:
220:
2207:
Fully annotated copy of Matthew Paris's Claudius Map, with translations and transcriptions
2141:. Division B, II: The History of the Jewish People. World Union of Jewish Studies: 61–68.
1833:
Matthew Paris, Abbreuiatio chronicorum, AD 1000–1255 (13th C) - BL Cotton MS Claudius D VI
8:
2175:
986:
638:
553:
545:
284:
271:
224:
188:
166:
2049:
1650:
2142:
2092:
Colin Richmond (1992). "Englishness and Medieval Anglo-Jewry". In Kushner, Tony (ed.).
2015:
1675:
1065:
1057:
901:
827:
765:
668:
496:
433:
352:
327:
280:
251:
140:
2206:
2084:
2097:
2019:
1983:
1737:
1702:
1695:
1610:
1603:
1486:
1087:
1023:
998:
924:
823:
800:
549:
509:
322:
2201:
2181:
2031:
1420:
977:
2124:
2080:
2011:
2007:
1136:
1006:
966:
769:
589:. British Library Cotton MS Nero D I, ff 202 in all, contains maps, the illustrated
1187:
1045:
878:
866:
865:
of the period. A strong influence on one branch of the style was the Carolingian
858:
812:
709:
456:
418:
333:
306:
291:
276:
213:
133:
49:
1107:
982:
962:
874:
739:
705:
422:
263:
157:
72:
20:
2215:
2176:
Matthew Paris's Jerusalem pilgrim's travel guide: information, zoomable image
2160:
2137:
Benin, Stephen D; והיהודים, מתיאו פריס (1989). "Matthew Paris and the Jews".
1941:
994:
990:
755:
693:
688:
375:
192:
95:
2128:
2064:
577:. It also contains the most developed of Paris's four maps of Great Britain.
1998:
Weiler, Björn (3 January 2012). "Matthew Paris on the writing of history".
1095:
1037:
713:
1636:
From Text(s) to Book(s): Studies in the Production and Editorial Processes
1368:"Itinerary From London To Chambery, In Matthew Paris' 'Book Of Additions'"
1851:
Matthew Paris, Liber Additamentorum (13th-14th C) - BL Cotton MS Nero D I
1111:
1027:
843:
819:
735:
730:
622:
176:
2186:
2146:
2071:
Menache, Sophia (1997). "Matthew Paris's attitudes toward Anglo-Jewry".
1679:
1114:, and the whole manuscript has been digitalized and can be seen online.
2027:
1483:
Matthieu Paris, Le Moine et le Hasard: Bodleian Library, MS Ashmole 304
870:
785:
633:
606:
473:. MS 16 has very recently had all prefatory matter re-bound separately.
259:
200:
91:
68:
2170:
1103:
804:
574:
295:
266:. He may have studied at Paris in his youth after early education at
228:
2112:
2048:
1631:
1005:
Outstanding among his other maps were (four versions of) a pilgrim
773:
681:
One of the "Becket Leaves", if not by Paris, certainly in his style
44:
Self-portrait of Matthew Paris from the original manuscript of his
1940:
This article incorporates text from a publication now in the
1634:. In Collé-Bak, Nathalie; Latham, Monica; Ten Eyck, David (eds.).
1211:
387:
2187:
Latin Chroniclers from the Eleventh to the Thirteenth Centuries:
1018:
The relation of Matthew Paris's work to those of John de Celia (
428:
1917:
1899:
1881:
1863:
1845:
1827:
1809:
1791:
1773:
1755:
1638:. Nancy: Editions Universitaires de Lorraine. pp. 169–179.
1552:, Royal Academy/Weidenfeld & Nicolson, London 1987, Cat 311
1260:, Royal Academy/Weidenfeld & Nicolson, London 1987, Cat 437
781:
1548:
Nigel Morgan in: Jonathan Alexander & Paul Binski (eds),
1256:
Nigel Morgan in: Jonathan Alexander & Paul Binski (eds),
873:
from about 1000 to 1640. This was copied in the 1020s in the
777:
1394:"Matthew Paris' "Lives of the Offas", Christ of Revelations"
842:
Framed tinted drawing of Heraclius taking down the head of
482:, from 1254 until Paris's death in 1259, is bound with the
2202:
Life of St Edward the Confessor, Cambridge Digital Library
2065:
On Matthew Paris' attitudes to the Anglo-Jewish community
247:
2195:
The Cambridge History of English and American Literature
754:; but another copy was discovered in the early 1900s at
716:. Vaughan had previously noted that the leaves from the
1869:
Dublin, Trinity College, MS E. I. 40, Life of St._Alban
1655:. London: Longman, Brown, Greens, Longmans and Roberts.
946:
gives so unfavourable an account of the king's policy.
936:, with whom he appears to have been on intimate terms.
19:
For the British newspaper columnist and former MP, see
1550:
Age of Chivalry, Art in Plantagenet England, 1200–1400
1258:
Age of Chivalry, Art in Plantagenet England, 1200–1400
708:
in 1198. The illuminations are attributed to Paris by
2113:"The Jewish Minority in Mediaeval England, 1066-1290"
1779:
Chronica Majora part 2 (Matthew Paris) - Parker MS 16
1761:
Chronica Majora part 1 (Matthew Paris) - Parker MS 26
637:, and various other works relating to the history of
203:
verse. He is sometimes confused with the nonexistent
16:
13th-century English monk, historian, and illustrator
1815:
Historia Anglorum (1250–1259) - BL Royal MS 14 C VII
1505:
British Library Archives and Manuscripts catalogue:
1467:
British Library Archives and Manuscripts catalogue:
1454:
British Library Archives and Manuscripts catalogue:
1353:
British Library Archives and Manuscripts catalogue:
1341:
British Library Archives and Manuscripts catalogue:
1040:, 1872–1881), which contains valuable prefaces. The
1001:
can be seen in the drawing. British Library, London.
2139:
Proceedings of the World Congress of Jewish Studies
1738:"Life of St. Edward the Confessor by Matthew Paris"
2287:People educated at St Albans School, Hertfordshire
2059:. Vol. 11. New York: Robert Appleton Company.
1694:
1602:
1269:British Library Digitised Manuscript information:
1098:was severely criticised; it was re-edited for the
371:"If you please you can keep this book till Easter"
1959:. Vol. 17 (11th ed.). pp. 898–899.
1141:Matthew Paris' English history, from 1235 to 1273
2213:
861:of the mid-10th century, and connected with the
1905:The Becket Leaves (c.1220-1240) - BL Loan MS 88
403:
382:which I copied and illustrated, and which the
2091:
2042:. Vol. 43. London: Smith, Elder & Co.
826:shrine (1850 × 750 mm), in the Museum of
350:, and a work named like that of Wendover, the
2136:
1182:
696:with large illuminations. Based on the Latin
530:. Bound with it is the final part of Paris's
254:from British Library MS Cotton Claudius D VI
1923:Liber Experimentarius - Bod. MS Ashmole 304
1031:
1013:
941:
531:
454:
441:
408:Many of Paris's manuscripts aside from his
211:
131:
2046:
1412:
526:and Paris's earlier edited version of the
502:Chetham's Hospital and Library, Manchester
38:
2272:Writers who illustrated their own writing
1051:Matthew Paris is sometimes confused with
645:is in French verse, adapted from a Latin
1665:
1629:
1600:
976:
972:
900:produced by lay artists in this period.
883:
837:
815:. Various other works, especially maps.
811:Also, fragments of a Latin biography of
734:, a French-verse history of the life of
676:
626:etc., dating controversial (1230–1250),
600:
427:
300:
246:
2070:
1974:. Cambridge: Cambridge University Press
1692:
1605:The life of St. Edmund by Matthew Paris
1565:. London: Croom Helm Ltd, 1978, p. 134.
1480:
918:
2214:
2094:The Jewish Heritage in British History
1997:
1977:
1189:The history of the county of Cambridge
2110:
1945:
1887:The Life of King Edward the Confessor
1721:
1701:. London: Anglo-Norman Text Society.
1648:
1313:"Matthew Paris' map of Great Britain"
1042:Historia Anglorum sive historia minor
890:Richard Marshal, 3rd Earl of Pembroke
833:
1994:(on manuscripts, and artistic style)
1693:Wallace, Kathryn Young, ed. (1983).
1343:Cotton MS Claudius D VI, fols. 5–100
1048:(3 vols., Rolls series, 1866–1869).
768:, and other fortune-telling tracts.
187:, and cartographer who was based at
2026:
1649:Luard, Henry Richards, ed. (1858).
1507:Cotton MS Julius D VII, ff 34r–115r
1456:Cotton MS Julius D VI, ff 123r–156v
1355:Cotton MS Vitellius A XX, ff 67–242
581:Chronica excerpta a magnis cronicis
175: 1200 – 1259), was an English
13:
1724:La Estoire de Seint Aedward le Rei
1697:La Estoire de Seint Aedward le Rei
1080:La Estoire de Seint Aedward le Rei
892:, from the Corpus Christi College
758:and is now in the British Library.
14:
2338:
2257:Historians of the Catholic Church
2154:
2047:Herbermann, Charles, ed. (1911).
1421:"Life of St Edward the Confessor"
1418:
463:Corpus Christi College, Cambridge
448:Corpus Christi College, Cambridge
2039:Dictionary of National Biography
1933:
1916:
1898:
1880:
1862:
1844:
1826:
1808:
1790:
1772:
1754:
279:as the bearer of a message from
242:
171:'Matthew the Parisian';
2322:13th-century English historians
1964:
1910:
1892:
1874:
1856:
1838:
1820:
1802:
1784:
1730:
1715:
1686:
1659:
1642:
1623:
1594:
1581:
1568:
1563:Wildlife in Britain and Ireland
1555:
1542:
1512:
1499:
1474:
1461:
1448:
1435:
1386:
1360:
1347:
1335:
1305:
1275:
1263:
1119:St Albans High School for Girls
1044:(1067–1253) has been edited by
822:, the only surviving part of a
628:Trinity College, Dublin Library
2096:. Frank Cass. pp. 42–59.
2012:10.1016/j.jmedhist.2009.05.001
1766:
1748:
1250:
1226:
1196:
1176:
1163:
1150:
1130:
923:From 1235, the point at which
356:. This manuscript, unlike his
1:
2317:13th-century writers in Latin
2085:10.1016/s0304-4181(97)00003-1
1652:Lives of Edward the Confessor
1283:"Matthew Paris on death bead"
888:Unframed marginal drawing of
672:
641:, both also illustrated. The
567:
522:, also drawing on Wendover's
172:
85:
61:
52:, MS Royal 14.C.VII, folio 6r
2312:13th-century English artists
2302:13th-century Christian monks
2171:JSTOR review of Vaughan book
1947:Davis, Henry William Carless
1740:. Cambridge Digital Library.
1578:(Oxon 2008) p. 72 and p. 198
1084:Cambridge University Library
1055:, the reputed author of the
965:into England in 1254 of the
664:Cambridge University Library
542:Humphrey, Duke of Gloucester
404:Manuscripts by Matthew Paris
315:Cambridge University Library
7:
2073:Journal of Medieval History
2000:Journal of Medieval History
1423:. Cambridge Digital Library
818:A panel painting on oak of
10:
2343:
2327:13th-century cartographers
1722:James, M. R., ed. (1920).
1094:. Luard's edition for the
1092:Chroniques Anglo-Normandes
915:in BL MS Cotton Nero D I.
863:English Benedictine Reform
791:Miscellaneous writings by
18:
2297:Medieval English painters
2277:Medieval European scribes
2133:especially pp. 282–3
2117:Journal of Jewish Studies
1726:. Oxford: Frederick Hall.
1591:(Oxon 2008) pp. 75–6
1481:Iafrate, Allegra (2016).
1100:Anglo-Norman Text Society
930:Richard, Earl of Cornwall
881:of the mid-12th century.
659:King Edward the Confessor
384:Lady Countess of Cornwall
125:
111:
103:
80:
57:
37:
30:
1980:Early Gothic manuscripts
1970:Richard Vaughan (1958),
1630:Plumtree, James (2014).
1601:Lawrence, C. H. (1996).
1469:Add MS 70513, ff 85v-100
1124:
1070:Archbishop of Canterbury
1014:Studies of Matthew Paris
440:. Illustration from the
2267:Manuscript illuminators
2242:English Christian monks
2178:British Library website
1956:Encyclopædia Britannica
1609:. Oxford: Alan Sutton.
1192:. S. &. R. Bentley.
848:Trinity College, Dublin
689:St Thomas of Canterbury
611:Trinity College, Dublin
560:Abbreviatio chronicorum
185:illuminated manuscripts
2111:Hyams, Paul R (1974).
2033:"Paris, Matthew"
1978:Morgan, Nigel (1982).
1208:Corpus Christi College
1064:He wrote a life of St
1053:Matthew of Westminster
1032:
1002:
942:
896:
853:
682:
616:
532:
478:A continuation of the
455:
450:
442:
318:
255:
212:
205:Matthew of Westminster
161:
132:
2307:13th-century painters
2252:English cartographers
2232:People from St Albans
2129:10.18647/682/JJS-1974
2056:Catholic Encyclopedia
2050:"Matthew Paris"
1982:. London: H. Miller.
1520:"John of Wallingford"
980:
973:Paris as cartographer
887:
841:
762:Liber Experimentarius
725:Matthew 's original".
680:
604:
431:
304:
250:
227:, the Norwegian king
2237:English Benedictines
2198:, Volume I, 1907–21.
1925:at Wikimedia Commons
1907:at Wikimedia Commons
1889:at Wikimedia Commons
1871:at Wikimedia Commons
1853:at Wikimedia Commons
1835:at Wikimedia Commons
1817:at Wikimedia Commons
1799:at Wikimedia Commons
1781:at Wikimedia Commons
1763:at Wikimedia Commons
1400:on 27 September 2007
1323:on 15 September 2008
1158:Mongols and the West
1121:is named after him.
1102:by K. Y. Wallace. A
948:Henry Richards Luard
919:Paris as a historian
912:Vitae duorum Offarum
766:Bernardus Silvestris
651:William of St Albans
592:Vitae duorum Offarum
587:Liber Additamentorum
438:Henry III of England
376:St Thomas the Martyr
311:Edward the Confessor
162:Matthæus Parisiensis
2247:English chroniclers
1020:John of Wallingford
797:John of Wallingford
793:John of Wallingford
722:Life of King Edward
554:New College, Oxford
317:, Ee.3.59, fo. 11v)
309:, the wife of King
225:Richard of Cornwall
2262:British heraldists
1797:Flores Historiarum
1485:. Paris: Garnier.
1374:on 13 January 2008
1075:He also wrote the
1066:Edmund of Abingdon
1058:Flores historiarum
1030:'s edition of the
1026:may be studied in
1003:
902:William de Brailes
897:
854:
834:Paris as an artist
742:, statements from
683:
669:Aelred of Rievaulx
617:
524:Flores Historiarum
497:Flores Historiarum
467:Flores Historiarum
451:
434:Louis IX of France
353:Flores Historiarum
328:Flores Historiarum
319:
256:
252:Henry I of England
141:Flores Historiarum
1989:978-0-19-921026-8
1921:Media related to
1903:Media related to
1885:Media related to
1867:Media related to
1849:Media related to
1831:Media related to
1813:Media related to
1795:Media related to
1777:Media related to
1759:Media related to
1616:978-0-7509-1129-0
1492:978-2-8124-4945-1
1271:Royal MS 14 C VII
1088:Francisque Michel
1024:Roger of Wendover
956:Historia Anglorum
952:note offendiculum
801:Christ in Majesty
718:Life of St Thomas
550:bishop of Lincoln
516:Historia Anglorum
510:Westminster Abbey
484:Historia Anglorum
348:Historia Anglorum
323:Roger of Wendover
237:Historia Anglorum
170:
147:
146:
46:Historia Anglorum
2334:
2150:
2132:
2107:
2088:
2060:
2052:
2043:
2035:
2023:
1993:
1960:
1951:Matthew of Paris
1939:
1937:
1936:
1926:
1920:
1914:
1908:
1902:
1896:
1890:
1884:
1878:
1872:
1866:
1860:
1854:
1848:
1842:
1836:
1830:
1824:
1818:
1812:
1806:
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1794:
1788:
1782:
1776:
1770:
1764:
1758:
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1742:
1741:
1734:
1728:
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1719:
1713:
1712:
1700:
1690:
1684:
1683:
1663:
1657:
1656:
1646:
1640:
1639:
1627:
1621:
1620:
1608:
1598:
1592:
1589:City/Stage/Globe
1585:
1579:
1576:City/Stage/Globe
1572:
1566:
1561:Perry, Richard.
1559:
1553:
1546:
1540:
1539:
1537:
1535:
1530:on 11 March 2007
1526:. Archived from
1516:
1510:
1503:
1497:
1496:
1478:
1472:
1465:
1459:
1452:
1446:
1439:
1433:
1432:
1430:
1428:
1419:Paris, Matthew.
1416:
1410:
1409:
1407:
1405:
1396:. Archived from
1390:
1384:
1383:
1381:
1379:
1370:. Archived from
1364:
1358:
1351:
1345:
1339:
1333:
1332:
1330:
1328:
1319:. Archived from
1309:
1303:
1302:
1300:
1298:
1293:on 29 April 2005
1289:. Archived from
1279:
1273:
1267:
1261:
1254:
1248:
1247:
1245:
1243:
1230:
1224:
1223:
1221:
1219:
1210:. Archived from
1200:
1194:
1193:
1180:
1174:
1167:
1161:
1154:
1148:
1137:John Allen Giles
1134:
1035:
967:common crossbill
945:
770:Bodleian Library
702:Elias of Evesham
674:
647:Life of St Alban
643:Life of St Alban
614:Life of St Alban
572:
569:
535:
460:
445:
268:St Albans School
217:
174:
165:
154:Matthew of Paris
152:, also known as
137:
128:
87:
63:
42:
28:
27:
2342:
2341:
2337:
2336:
2335:
2333:
2332:
2331:
2282:English scribes
2212:
2211:
2157:
2104:
2067:
1990:
1967:
1934:
1932:
1929:
1915:
1911:
1897:
1893:
1879:
1875:
1861:
1857:
1843:
1839:
1825:
1821:
1807:
1803:
1789:
1785:
1771:
1767:
1753:
1749:
1745:
1736:
1735:
1731:
1720:
1716:
1709:
1691:
1687:
1664:
1660:
1647:
1643:
1628:
1624:
1617:
1599:
1595:
1586:
1582:
1573:
1569:
1560:
1556:
1547:
1543:
1533:
1531:
1524:British Library
1518:
1517:
1513:
1504:
1500:
1493:
1479:
1475:
1466:
1462:
1453:
1449:
1441:Vaughn (1958),
1440:
1436:
1426:
1424:
1417:
1413:
1403:
1401:
1392:
1391:
1387:
1377:
1375:
1366:
1365:
1361:
1352:
1348:
1340:
1336:
1326:
1324:
1317:British Library
1311:
1310:
1306:
1296:
1294:
1287:British Library
1281:
1280:
1276:
1268:
1264:
1255:
1251:
1241:
1239:
1237:British Library
1232:
1231:
1227:
1217:
1215:
1214:on 20 July 2008
1202:
1201:
1197:
1181:
1177:
1168:
1164:
1156:Peter Jackson,
1155:
1151:
1143:, Publ. 1852. (
1135:
1131:
1127:
1117:Paris House at
1046:Frederic Madden
1033:Chronica Majora
1016:
975:
943:Chronica Majora
921:
879:Eadwine Psalter
869:, which was at
867:Utrecht Psalter
859:Anglo-Saxon art
836:
828:Oslo University
813:Stephen Langton
710:Janet Backhouse
639:St Albans Abbey
570:
533:Chronica Majora
457:Chronica Majora
443:Chronica Majora
436:, a present to
419:British Library
406:
386:may keep until
334:Chronica Majora
292:Nidarholm Abbey
245:
214:Chronica Majora
189:St Albans Abbey
138:
134:Chronica Majora
126:
120:
118:
116:
99:
89:
76:
65:
53:
50:British Library
33:
24:
17:
12:
11:
5:
2340:
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2329:
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2319:
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2309:
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2299:
2294:
2292:Artist authors
2289:
2284:
2279:
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2259:
2254:
2249:
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2239:
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2204:
2199:
2184:
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2173:
2168:
2163:
2156:
2155:External links
2153:
2152:
2151:
2134:
2108:
2102:
2089:
2079:(2): 139–162.
2066:
2063:
2062:
2061:
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2030:, ed. (1895).
2024:
2006:(3): 254–278.
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1110:was edited by
1108:Roxburghe Club
1015:
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999:Hadrian's Wall
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875:Harley Psalter
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634:St Amphibalus
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1532:. Retrieved
1528:the original
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1514:
1501:
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1425:. Retrieved
1414:
1402:. Retrieved
1398:the original
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1372:the original
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1337:
1325:. Retrieved
1321:the original
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1295:. Retrieved
1291:the original
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1240:. Retrieved
1236:
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1216:. Retrieved
1212:the original
1207:
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1096:Rolls series
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183:, artist in
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127:Notable work
119:Cartographer
45:
25:
2227:1259 deaths
2222:1200 births
2028:Lee, Sidney
1674:(1): 1–81.
1112:M. R. James
1068:, sometime
1028:Henry Luard
932:, and King
846:, from the
844:Saint Alban
736:Edmund Rich
698:Quadrilogus
675: 1162.
571: 1255
415:Dissolution
388:Whitsuntide
307:Queen Edith
289:Benedictine
177:Benedictine
104:Nationality
84:1259 (aged
2216:Categories
1668:Hermathena
1036:(7 vols.,
871:Canterbury
824:tabernacle
786:Pythagoras
607:Amphibalus
260:Hildersham
181:chronicler
92:St. Albans
69:Hildersham
64: 1200
2020:159777718
1949:(1911). "
1204:"Welcome"
1104:facsimile
1007:itinerary
987:Newcastle
963:irruption
934:Henry III
805:Wymondham
731:St Edmund
609:from the
575:genealogy
544:, son of
488:Henry III
471:William I
380:St Edward
296:Trondheim
285:Haakon IV
272:St Albans
229:Haakon IV
221:Henry III
115:Historian
98:, England
75:, England
67:possibly
48:(London,
2147:23535615
1680:23036310
1445:, p. 171
1427:24 April
1186:(1819).
1106:for the
925:Wendover
894:Chronica
820:St Peter
774:Socrates
740:Pontigny
729:Life of
720:and the
687:Life of
657:Life of
632:Life of
623:St Alban
621:Life of
546:Henry IV
538:Chronica
528:Chronica
520:Chronica
506:Chronica
480:Chronica
410:Chronica
358:Chronica
344:Chronica
340:Chronica
294:outside
281:Louis IX
1944::
1534:7 April
1404:7 March
1378:7 March
1327:7 April
1297:7 April
1242:7 April
1218:7 April
1173:, p.405
1160:, p. 58
223:, earl
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989:. The
782:Euclid
595:, the
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346:: his
277:Norway
201:French
179:monk,
117:Author
2192:from
2143:JSTOR
2016:S2CID
1676:JSTOR
1125:Notes
983:Dover
778:Plato
158:Latin
2098:ISBN
1984:ISBN
1703:ISBN
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1429:2012
1406:2007
1380:2007
1329:2022
1299:2022
1244:2022
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997:and
851:Life
746:and
562:(or
446:II,
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210:His
167:lit.
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58:Born
2125:doi
2081:doi
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