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with withering compliments ("Lettre de M. Thieriot à M. l'Abbé Nadal", 1725), commiserating with Nadal, that it was solely the machinations of
Voltaire's intrigues "that one hears it said so scandalously that you are the worst versifier of the century and the most tiresome writer." Voltaire's
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fine-honed savagery inspired Nadal to excise the uncomplimentary remarks about
Voltaire in his prefaces when he came to collect and publish the plays in 1736 with others of his poems, in three small volumes. But it is in Voltaire's response that the abbé Nadal is remembered.
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that set Paris against it, and said so in the preface to the printed play, accusing him of bringing a cabal into the audience at the premiere to disrupt it. This gave
Voltaire the opportunity to reply under a
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had failed after only one performance the previous year (1724). However, at the play's
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Carlson, Voltaire and the Theatre of the Eighteenth Century
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93:. Nadal was encouraged to produce the play after his rival
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156:(Greenwood Publishing Group, 1998), pages 16–17
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231:Cultural depictions of Herod the Great
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