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Her singing and dancing and her way of accompanying herself on the harp, guitar, and pianoforte added to her popularity. She is said to have traversed
England, Ireland, and Scotland every year for five years, in course of which she posted twenty-five thousand miles.
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Her abilities proved to be limited. She had, however, a reputation for beauty sufficient to secure her constant engagements at the patent theatres and in the country. She played with success in both
Ireland and Scotland, and accompanied
268:, by whom she had two children. An alleged promise of marriage made by him was not kept. Joseph 'Pea Green' Hayne then proposed to her and was accepted. He retracted, however, his offer, and as the result of an action for
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she was a very pretty woman and a very pleasing actress, but she never would have travelled about as a star if it had not been for circumstances totally unconnected with the stage (Account of the Stage, ix.
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She was of medium height, her face oval, and her features expressive. She had an abundance of light brown hair. By those most under her influence the character of her acting was described as fascinating.
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Charles
Stanhope, Viscount Petersham (13 December 1831 – 8 April 1836) and Lady Jane St. Maur Blanche Stanhope (14 May 1833 – 28 November 1907), who married George Conyngham, 3rd Marquess Conyngham.
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At Bath on 13 and 14 January 1826 she was the object of hostile demonstrations on the part of a portion of the audience. On 9 March 1826 she made as
Letitia Hardy her first appearance at
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had to pay £3,000 damages. These proceedings gave rise to pamphlet warfare, through which and through some opposition on the stage Miss Foote retained a measure of public sympathy.
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At Covent Garden she played every season up to 1824-5 inclusive, frequently in subordinate parts, but taking occasionally characters such as Miss
Letitia Hardy in the
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Other parts of importance in which she was seen at one or other house were Maria
Darlington, Beatrice, Roxalana, Violante, Imogen, Ophelia, Desdemona, Juliana in
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135:, sold out of the army, became manager of the Plymouth theatre, and married a Miss Hart. In July 1810 Miss Foote appeared as Juliet in
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Maria Foote, afterwards
Countess of Harrington, as Maria Darlington in the farce of "A Rowland for an Oliver" (1824) —frontispiece,
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Maria Foote, afterwards
Countess of Harrington; From an engraved portrait in the collection of A. M. Broadley, Esq.
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Her theatrical career closed at
Birmingham on 11 March 1831, and on 7 April of the same year she married
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acting, for that occasion only, Alexander. This was her first appearance in tragedy. Fanny in
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of Miss Foote as Maria
Darlington was sold in June 1847, with the effects of
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Dymond, R. (1904). "Old Inns and Taverns of Exeter". In F. J. Snell (ed.).
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at her father's theatre, where she also played as Susan Ashfield in
518: This article incorporates text from a publication now in the
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119:, was a British actress and peeress in the nineteenth century.
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218:. For her benefit, 6 June 1815, she appeared as Statira in
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115:(24 July 1797? - 27 December 1867), better known as
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412:List of entertainers who married titled Britons
534:. London: Smith, Elder & Co. 1885–1900.
503:. London: Smith, Elder & Co. 1885–1900.
482:. London: Smith, Elder & Co. 1885–1900.
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182:The King and the Duke, or Which is Which?
341:Charles Stanhope, 4th Earl of Harrington
290:Devonshire Characters and Strange Events
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204:On 2 January 1815 she played Miranda in
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379:for March 1821, variously stated to be
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113:Maria Stanhope, Countess of Harrington
313:, where also she played Violante in
71:Richmond-terrace, Whitehall, London
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168:. On 26 May 1814, she appeared at
160:In 1813, her father took over the
127:Foote was born 24 July 1797(?) at
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232:, Hippolita in an alteration of
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531:Dictionary of National Biography
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500:Dictionary of National Biography
479:Dictionary of National Biography
437:. Bemrose and Sons Ltd. p.
296:She was the original Isidora in
319:, Rosalind, Virginia, Maria in
573:19th-century English actresses
568:19th-century British actresses
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349:Maria died 27 December 1867.
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270:breach of promise of marriage
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264:a relationship with Colonel
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434:Memorials of Old Devonshire
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16:British actress and peeress
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343:. They had two children:
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583:Women of the Regency era
229:The Clandestine Marriage
224:William Henry West Betty
578:British stage actresses
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245:Midsummer Night's Dream
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321:A Roland for an Oliver
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186:Robert Francis Jameson
97:Countess of Harrington
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170:Covent Garden Theatre
494:"Foote, Maria"
473:"Foote, Maria"
381:Thomas Noon Talfourd
376:New Monthly Magazine
162:Royal Clarence Hotel
220:Alexander the Great
172:as Amanthis in the
558:British countesses
311:Drury Lane Theatre
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66:(1867-12-27)
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509:Attribution
364:wrote that
362:John Genest
254:John Liston
234:The Tempest
207:The Tempest
117:Maria Foote
77:Nationality
25:Maria Foote
542:Categories
418:References
353:Reputation
335:Later life
316:The Wonder
262:Cheltenham
123:Early life
85:Occupation
46:1797-07-24
459:Matrimony
303:Mirandola
106:1831-1867
406:See also
129:Plymouth
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387:, and
166:Exeter
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
